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Road 9
[file-code; "ly,texi,sh are UTF-8"]
Normally; Windows & Linux "[Prompt] lilypond --pdf --png name.ly[Enter]"
And---- Only;
Linux(Prompt) $ ./run--lily.sh name[Enter](need makeinfo) ----
road-9.midi(//The one below is mp3//)
road-9.pdf
road-9.tar.gz (All-files;<10,950bytes)
The Jacket of a sheet is "png" and Sheets are "svg"
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%% 11:29 PM Thursday, March 23, 2023 %% Yukio Yoshida %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %% LilyPond "\book format" use. \version "2.24.0" #(set-default-paper-size "letter") #(set-global-staff-size 18) \include "road-9cv.ly" \book{ \bookpart{ %% #I Caver's title \markup{ \vspace #-.5 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% #(let* ((port (open-output-file "sheet-title-line.eps"))) (display "%!PS-Adobe-3.0 EPSF-3.0 %%BoundingBox: 15 10 585 810 %%HiResBoundingBox: 15.00 10.00 585.00 810.00 %%Creator: GPL Ghostscript 950 (eps2write) %%LanguageLevel: 2 %%CreationDate: D:20230508103029+09'00' %%Pages: 1 %%EndComments newpath 25 20 moveto 25 800 lineto 25 800 moveto 575 800 lineto 575 800 moveto 575 20 lineto 575 20 moveto 25 20 lineto .22 0 0 setrgbcolor 20 setlinewidth stroke %% in-line newpath 50 50 moveto 50 760 lineto 50 760 moveto 546 760 lineto 546 760 moveto 546 50 lineto 546 50 moveto 50 50 lineto 0 0 0 setrgbcolor 1 setlinecap 3 setlinewidth stroke %% Title-Word /Times-Italic findfont 14 scalefont setfont 80 740 moveto 0 0 0 setrgbcolor (Soprano; Instrument and Voice --- C \\clef on 1st line) false charpath 0 setlinewidth stroke /Times-Italic findfont 14 scalefont setfont 80 725 moveto 0 0 0 setrgbcolor (MezzoSoprano; Instrument and Voice --- C \\clef on 2nd line) false charpath 0 setlinewidth stroke /Times-Italic findfont 14 scalefont setfont 80 710 moveto 0 0 0 setrgbcolor (Alto; Instrument and Voice --- C \\clef on 3rd line) false charpath 0 setlinewidth stroke /Times-Italic findfont 14 scalefont setfont 80 695 moveto 0 0 0 setrgbcolor (Tenor; Instrument and Voice --- C \\clef on 4th line) false charpath 0 setlinewidth stroke /Times-Italic findfont 14 scalefont setfont 80 680 moveto 0 0 0 setrgbcolor (Baritone; Instrument and Voice --- C \\clef on 5th line) false charpath 0 setlinewidth stroke /Times-Italic findfont 14 scalefont setfont 80 665 moveto 0 0 0 setrgbcolor (bas; Instrument and Voice --- F \\clef on 4th line) false charpath 0 setlinewidth stroke /Times-Italic findfont 120 scalefont setfont 110 560 moveto 1 0 0 setrgbcolor (SHEET) false charpath 3 setlinewidth stroke /Times-Italic findfont 16 scalefont setfont 180 540 moveto 0 0 0 setrgbcolor (Typesetting output with LilyPond) false charpath 0 setlinewidth stroke %%%% /Times-Italic findfont 110 scalefont setfont 120 400 moveto 0 1 0 setrgbcolor (POEM) false charpath 3 setlinewidth stroke %%%% /Times-Italic findfont 24 scalefont setfont 180 440 moveto 0 0 0 setrgbcolor ( Road 9) false charpath 2 setlinewidth stroke /Times-Italic findfont 20 scalefont setfont 210 340 moveto 0 0 0 setrgbcolor (MUSICAL INSTRUMENT) false charpath 1 setlinewidth stroke /Times-Italic findfont 20 scalefont setfont 280 320 moveto 0 0 0 setrgbcolor (and) false charpath 1 setlinewidth stroke /Times-Italic findfont 120 scalefont setfont 61 234 moveto 0 0 0 setrgbcolor (MIXED) false charpath 3 setlinewidth stroke /Times-Italic findfont 120 scalefont setfont 58 150 moveto 0 0 0 setrgbcolor (CHORUS) false charpath 3 setlinewidth stroke /Times-Italic findfont 120 scalefont setfont 58 62 moveto 0 0 0 setrgbcolor (GROUP) false charpath 3 setlinewidth stroke" port ) (close port)) %Trailer %% end make sheet-title-line.eps -------- \markup { \center-column { %% \epsfile #X #124 #"sheet-title-line.eps" \epsfile #X #140 #"sheet-title-line.eps" \vspace #-3 %% Under of Title letters \line { \bold \italic \tiny "The dynamic of performance is freedom(the conductor's) discretion." } }} }%% end bookpart I %%%%%%%%%%%%%%%%%%%%%%%%%%%%% %% \pageBreak %%%%%% Poem area \markup { \vspace #6 } \markup { \hspace #24 \column { " " \line { \hspace #-2 \magnify #1.5 \with-color #red "why? there is everything like this!" } " " \magnify #1.5 { "What is a Human?" "What is biological?" "And the universe?" " " "Is that the answer?" " " "Why? there is everything like this! " "Why? why?" " and Will it End?" " " "Where is the answer?" " " " " " " " " " " "What is it all?" "Why is everything like this?" " " "When will the time stop! " "When the expansion of this space stop!" "What is we!" "Live, die, Only just go and go!" "Tell me the answer!" } \line { \hspace #80 \italic " end. " } " " " " " " \line { \hspace #-3 \tiny \italic "Add; as vocal" } \line { \smallCaps "Chorus Voices;" \bold "pronunciation" } \line { \italic " Soprano, Alto; ' ou ' , ' u ' , ' m ' " } \line { \italic " Tenor, Bass; ' ə ' , ' ɔ ' , ' m ' " } \line { \tiny " But, other vocalizations are OK." } \line { " ' ʌ ' , ' æ ' , ' ɑ ' , ' ʊ̈ ' , ' ɱ ' ... and so on. " } " " " " \italic { \line{ \smallCaps "Chorus Words" } \line { Soprano, Alto; \italic " Why are we living!?"} \line { Tenor, Bass; \italic " What are we!?"} " " } }} %% End poem %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \pageBreak \bookpart{ %% II \header { title = \markup{ \line { \italic \huge "why? there is everything like this!"} } subtitle = \markup{ \center-column {\italic "aes major; c des ees f g aes bes" } } subsubtitle = \markup{\center-column { \italic \with-color #blue "Baritone; C clef on 5th line(& Solo; singer)." \italic "soprano; C clef on 1st line, alto; C clef on 3rd line." \italic " bass; F clef on 4th line, tenor; C clef on 4th line."}} composer = \markup { \bold " Op.94; Road 9" } arranger = \markup { \italic "Yukio Yoshida" } copyright = "public Domain" meter = \markup { \hspace #14 \tiny \italic \column { \bold { \tiny " Baritone Sol; Voice Words" } "1)" "What is a Human?" \raise #1 "What is biological?" \raise #2 "And the universe?" \raise #3 " " \raise #4 "Is that the answer?" \raise #5 " " \raise #6 "Why? there is everything like this! " \raise #7 "Why? why?" \raise #8 " and Will it End?" \raise #9 " " \raise #10 "Where is the answer?" \raise #11 " " \raise #12 " " \raise #13 " " \vspace #4 }\hspace #4 \teeny \italic \column { " " " " "2)" "What is it all?" \raise #1 "Why is everything like this?" \raise #2 " " \raise #3 "When will the time stop! " \raise #4 "When the expansion of this space stop!" \raise #5 "What is we!" \raise #6 "Live, die, Only just go and go!" \raise #7 "Tell me the answer!" }\hspace #8 \column { " " " " \bold \tiny "Chorus Voices; pronunciation" \raise #1 \teeny \italic " Soprano, Alto; ' ou ' , ' u ' , ' m ' " \raise #2 \teeny \italic " Tenor, Bass; ' ə ' , ' ɔ ' , ' m ' " \raise #3.5 \teeny " But, other vocalizations are OK." \raise #4.5 \teeny " ' ʌ ' , ' æ ' , ' ɑ ' , ' ʊ̈ ' , ' ɱ ' ... and so on. " \raise #5 \bold \tiny \italic "Chorus Voice; Words" \raise #6 \teeny \line {Soprano, Alto; \italic " Why are we living!?"} \raise #7 \teeny \line {Tenor, Bass; \italic " What are we!?"} \raise #8 " " }} %% tagline = " " }%% End header %%%% %% get sheet music ------------------------------------------------- \score { << %% \context ChoirStaff = "FourPartStaffaddchorus" << \context StaffGroup << \context Voice = "soprano" { \clef soprano \key aes\major \time 3/2 \set Staff.instrumentName = "soprano" \soprano } \context Voice = "sopranoVocal" { \clef soprano \key aes\major \time 3/2 \set Staff.fontSize = #-4 \override Staff.StaffSymbol.staff-space = #(magstep -4) \override Staff.StaffSymbol.thickness = #(magstep -4) \set Staff.instrumentName = "Voice; sop " \VoiceColorBlue { \sopranoVoice } } \new Lyrics = "mainSL" \lyricsto "sopranoVocal" { \sopranoVoiceL } \context Voice = "alto" { \clef alto \key aes\major \time 3/2 \set Staff.instrumentName = "alto " \alto } \context Voice = "altoVocal" { \clef alto \key aes\major \time 3/2 \set Staff.fontSize = #-4 \override Staff.StaffSymbol.staff-space = #(magstep -4) \override Staff.StaffSymbol.thickness = #(magstep -4) \set Staff.instrumentName = "Voice; alt " \VoiceColorBlue { \altoVoice } } \new Lyrics = "mainSL" \lyricsto "altoVocal" { \altoVoiceL } \context Voice = "tenor" { \clef tenor \key aes\major \time 3/2 \set Staff.instrumentName = "tenor " \tenor } \context Voice = "tenorVocal" { \clef tenor \key aes\major \time 3/2 \set Staff.fontSize = #-4 \override Staff.StaffSymbol.staff-space = #(magstep -4) \override Staff.StaffSymbol.thickness = #(magstep -4) \set Staff.instrumentName = "Voice; tenor " \VoiceColorBlue { \tenorVoice } } \new Lyrics = "mainSL" \lyricsto "tenorVocal" { \tenorVoiceL } \context Voice = "baritone" { \clef baritone \key aes\major \time 3/2 \set Staff.instrumentName = \markup { \column { \with-color #blue "baritone " \tiny \with-color #blue "Solo; singer" } } \BaritoneSol { \baritone } } \new Lyrics = "mainTL" \lyricsto "baritone" { \baritoneL } \context Voice = "bass" { \clef bass \key aes\major \time 3/2 \set Staff.instrumentName = "bass " \bass } \context Voice = "bassVocal" { \clef bass \key aes\major \time 3/2 \set Staff.fontSize = #-4 \override Staff.StaffSymbol.staff-space = #(magstep -4) \override Staff.StaffSymbol.thickness = #(magstep -4) \set Staff.instrumentName = "Voice; bass " \VoiceColorBlue { \bassVoice } } \new Lyrics = "mainBL" \lyricsto "bassVocal" { \bassVoiceL } >> >> \layout { \context { \Staff \RemoveEmptyStaves %% \override VerticalAxisGroup.remove-first = ##t } } } %% get midi music -------------------------------------------------- \score { %% \unfoldRepeats \articulate << \context Staff { \clef soprano \key aes\major \time 3/2 \tempo 4 = 58 \set Staff.midiInstrument = "pad 4 (choir)" \unfoldRepeats \sopranoM } \context Staff { \clef soprano \key aes\major \time 3/2 \tempo 4 = 58 \set Staff.midiInstrument = "pad 4 (choir)" \unfoldRepeats \sopranoVoiceM } \context Staff { \clef alto \key aes\major \time 3/2 \tempo 4 = 58 \set Staff.midiInstrument = "pad 4 (choir)" \unfoldRepeats \altoM } \context Staff { \clef alto \key aes\major \time 3/2 \tempo 4 = 58 \set Staff.midiInstrument = "pad 4 (choir)" \unfoldRepeats \altoVoiceM } \context Staff { \clef tenor \key aes\major \time 3/2 \tempo 4 = 58 \set Staff.midiInstrument = "pad 4 (choir)" \unfoldRepeats \tenor } \context Staff { \clef tenor \key aes\major \time 3/2 \tempo 4 = 58 \set Staff.midiInstrument = "pad 4 (choir)" \unfoldRepeats \tenorVoiceM } \context Staff { \clef baritone \key aes\major \time 3/2 \tempo 4 = 58 \set Staff.midiInstrument = "pad 4 (choir)" \unfoldRepeats \baritoneM } \context Staff { \clef bass \key aes\major \time 3/2 \tempo 4 = 58 \set Staff.midiInstrument = "pad 4 (choir)" \unfoldRepeats \bassM } \context Staff { \clef bass \key aes\major \time 3/2 \tempo 4 = 58 \set Staff.midiInstrument = "pad 4 (choir)" \unfoldRepeats \bassVoiceM } >> \midi { tempoWholesPerMinute = #(ly:make-moment 58 4) } } %%%%%%%%% %% \markup { " " } %%\pageBreak %% since, Even-Page. %% \markup { \null } %%%%%% \pageBreak \markup { " " } \markup { \vspace #4 " " } \markup { " " } %% \markup { \vspace #4 } \markup { \column { \line { About location \hspace #3 \musicglyph #"noteheads.uM2"(longa) \hspace #2 and \hspace #3 \musicglyph #"noteheads.sM1"(breve) } \line { \hspace #4 \italic "Please, Breath of longa and breve do in the members alternating (But, like Don't stand out). " } } } \markup { \vspace #.5 } \markup { " " } \markup { \line { At location \musicglyph #"scripts.ufermata", \hspace #1 \italic " Always, please look at the conductor(or baton). " } } \markup { " " } \markup { \vspace #4 } \markup { \hspace #26 \huge "INSTRUMENT RANGES" } \markup { \hspace #8 \italic "About;" \teeny\italic "Some of Instruments; there is a difference between writing-note and real-note." \italic "for instance:" } \markup { \hspace #8 \column { \line { \bold %% "WOODWINDS; Piccolo(in C)"--\tiny "like this"-- } \line { \score { { \clef treble \key c\major \time 4/1 d'1^\markup {\italic "written" } s1 g'''1 s1 \bar"||" s2 d''1_\markup { \hspace #-8 \italic "sounds one octave higher" } s1 g''''1 s2 | \break } \layout { \context { \Staff \override ClefSignature.transparent = ##t \override TimeSignature.transparent = ##t } indent = 20.00\mm line-width = 160.00\mm } } } }} \markup { " " } \markup { \vspace #2 } \markup { \hspace #8 \column { \line { \hspace #18.4 \bold "Bass Flute"--\tiny "like this"-- } \line { \score { { \clef treble \key c\major \time 4/1 c'1^\markup {\italic "written" } s1 a'''1 s1 \bar"||" \clef bass s2 c1_\markup { \hspace #-8 \italic "sounds one octave lower" } s1 \clef treble a''1 s2| \break } \layout { \context { \Staff \override ClefSignature.transparent = ##t \override TimeSignature.transparent = ##t } indent = 20.00\mm line-width = 160.00\mm } } } }} \markup { " " } \markup { " " } \markup { \vspace #4 } \markup { \fill-with-pattern #2 #CENTER - \null \null } \markup { " " } \markup { \hspace #20 \magnify #2 { Stage Position;\tiny \italic "(This arrangement--with the instrument needles column below--)" } } \markup { " " } \markup { \hspace #26 \column { \line { About the Chorus; \teeny \italic "(For instsnce")} \line { \hspace # 18 \rounded-box {Bass}\hspace #2 \rounded-box {Tenor}\hspace #2 \rounded-box {Alto}\hspace #2 \rounded-box{Soprano} } \teeny \italic " since, They must be reverse for Instrument's arrangement " } } \markup { \vspace #2 } \markup { \italic " About Position of Sololist is placed freely(on the stage) " } \markup { \vspace #2 } \markup { About Instrument arrangement;\teeny \italic "(must be reverse for Chours's position)" } \markup { \hspace # 20 \rounded-box { \column { \huge " Instruments " " Soprano " " Group "} }\hspace #3 \rounded-box { \column { \huge " Instruments " " Alto " " Group "} }\hspace #3 \rounded-box { \column { \huge " Instruments " " Tenor " " Group "} }\hspace #3 \rounded-box { \column { \huge " Instruments " " Bass " " Group "} } } \markup { \vspace #2 } \markup { \hspace #56 \huge " Conductor " } \markup { " " } \markup { \vspace #1 } \markup { \fill-with-pattern #2 #CENTER - \null \null } \markup { \vspace #2 } \markup { ........... Audience seats ........... } \markup { \vspace #4 } \markup { \teeny { \column { \bold \italic "If you can do it, please running on;" \line { \wordwrap { As it is the lighting of the audience's Seats(Do not turn off even when the play began). \hspace #2 \italic "When play began, lighting the stage (rather than the audience's) more brightly."}}}}} %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% }%% end bookpart II %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \bookpart{ %% III wrting of attention And out of source code %% \markup { " " } %% For adjustment of the page. %% \markup { \vspace #30 } %% \markup { " " } %%%% This is for page's even number. %%%% %%%% If odd number; need not do. %% \pageBreak %% eps-part ------------------------------------------------------------------- %% C:\Program Files (x86)\LilyPond\usr\share\ghostscript\8.70\Resource\Init\ %% Fontmap.GS // Not!! [Windows--ghostscript] #(let* ((port (open-output-file "Source-code.eps"))) (display "%!PS-Adobe-3.0 EPSF-3.0 %%BoundingBox: 60 227 525 636 %%HiResBoundingBox: 60.20 227.30 524.50 635.60 %%Creator: GPL Ghostscript 922 (eps2write) %%LanguageLevel: 2 %%CreationDate: D:20180608144500+09'00' %%Pages: 1 %%EndComments /Times-Italic findfont 200 scalefont setfont 120 500 moveto 1 0 0 setrgbcolor (ALL) false charpath 4 setlinewidth stroke /Times-Italic findfont 120 scalefont setfont 60 320 moveto 0 0 0 setrgbcolor (SOURCE) false charpath 3 setlinewidth stroke /Times-Italic findfont 120 scalefont setfont 100 230 moveto 0 0 0 setrgbcolor (CODE) false charpath 1 setlinewidth stroke" port) (close port)) %Trailer %% end -----eps part------------------------------------------------------------------- %%%% Needn't Surce code's Title-String for texi-document. \markup { \vspace #10 } \markup { \hspace #12 \epsfile #X #100 #"Source-code.eps" } \markup { " " } \markup { \vspace #1 } \markup { \fill-line { \center-column { \line { As all;\hspace #2 See! (HTML) @menu } "https://www.sheet-poem.com/poem/html/2017/2.24.0/road-9/road-9.html" } } } \pageBreak %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% }}%% end bokkpart III, End book %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% All End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%% %%%%%%%%%%%%%%%%% exclude. %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%% \markup { \column { "Name; road-9.y" %%%% %%%%% \verbatim-file #"road-9.ly" } } %%%% %%%%% \markup { \column { "Name; road-9-cv.ly" %%%% %%%%% \verbatim-file #"road-9-cv.ly" } } %%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
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%% 8:17 PM Thursday, March 16, 2023 %% Yukio $ convert-ly -e road-9cv.ly %% Part Vocal;; Start: \hide Staff.BarLine %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %% and end: \undo \hide Staff.BarLine \bar "|." \break %% Do use \score { << %% \context StaffGroup << %% ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: %% } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %% If you want to change of color, then do see! in %% "define-grobs.scm"(lilypond's system file) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %% This is system-files and for midi's effect \version "2.24.0" \include "articulate.ly" %% But here isn't use. See----> midi block %% for sheet-music #(set-default-paper-size "letter") #(set-global-staff-size 16) mf = #(make-dynamic-script "mf") BaritoneSol = { \override Staff.StaffSymbol.color = #blue \override Staff.LedgerLineSpanner.color = #blue \override Staff.Clef.color = #blue \override Staff.TimeSignature.color = #blue \override Staff.KeySignature.color = #blue \override Staff.BarLine.color = #blue \override Voice.NoteHead.color = #blue \override Voice.Rest.color = #blue \override Voice.Stem.color = #blue \override Voice.Flag.color = #blue \override Voice.Beam.color = #blue \override Voice.Slur.color = #blue \override Voice.PhrasingSlur.color = #blue \override Voice.Tie.color = #blue \override Voice.Dots.color = #blue \override Voice.Script.color = #blue \override Voice.Accidental.color = #blue \override Voice.DynamicLineSpanner.color = #blue \override Voice.DynamicText.color = #blue \override Voice.DynamicTextSpanner.color = #blue \override Voice.TupletNumber.color = #blue \override Voice.TupletBracket.color = #blue \override Voice.BreathingSign.color = #blue \override Voice.PercentRepeat.color = #blue \override Voice.RepeatSlash.color = #blue } VoiceColorBlue = { \override Staff.StaffSymbol.color = #blue \override Staff.LedgerLineSpanner.color = #blue \override Staff.Clef.color = #blue \override Staff.TimeSignature.color = #blue \override Staff.KeySignature.color = #blue \override Staff.BarLine.color = #blue \override Voice.NoteHead.color = #blue \override Voice.Rest.color = #blue \override Voice.Stem.color = #blue \override Voice.Flag.color = #blue \override Voice.Beam.color = #blue \override Voice.Slur.color = #blue \override Voice.PhrasingSlur.color = #blue \override Voice.Tie.color = #blue \override Voice.Dots.color = #blue \override Voice.Script.color = #blue \override Voice.Accidental.color = #blue \override Voice.DynamicLineSpanner.color = #blue \override Voice.DynamicText.color = #blue \override Voice.DynamicTextSpanner.color = #blue \override Voice.TupletNumber.color = #blue \override Voice.TupletBracket.color = #blue \override Voice.BreathingSign.color = #blue \override Voice.PercentRepeat.color = #blue \override Voice.RepeatSlash.color = #blue } VoiceColorBlueRevert = { \revert Voice.NoteHead.color \revert Voice.Rest.color \revert Voice.Stem.color \revert Voice.Flag.color \revert Voice.Beam.color \revert Voice.Slur.color \revert Voice.PhrasingSlur.color \revert Voice.Tie.color \revert Voice.Dots.color \revert Voice.Script.color \revert Voice.Accidental.color \revert Voice.DynamicLineSpanner.color \revert Voice.DynamicTextSpanner.color \revert Voice.DynamicText.color \revert Voice.TupletNumber.color \revert Voice.TupletBracket.color \revert Voice.BreathingSign.color \revert Voice.BreathingSign.color \revert Voice.PercentRepeat.color \revert Voice.RepeatSlash.color } \paper { %% ragged-last-bottom = ##f } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%% %%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%% sopranoVoice = { \autoBeamOff \partial 2 r2^\fermata | %% 1-4 R1. * 4 | \break %% 5-8 R1. * 4 | \break %% 9-12 R1. * 4 | \break %% 13-16 R1. * 4 | \break %% 17-20 R1. * 4 | \break %% 21-24 r1. | r1. | r1. | g''4. f''8. g'' ees''2. | \break %% 25-28 R1. * 4 | \break %% 29-32 R1. * 4 | \break %% 33-36 R1. * 4 | \break %% 37-40 ees''2.\melisma f'' | ees''1. | f''4. g''8\melismaEnd des''2\melisma bes' | g'2. ees' | \break %% 41-44 c'8\melismaEnd r4. c'1\melisma | c'1. | c'8\melismaEnd f'4.\melisma f'1 | bes'2.\melismaEnd r2.^\fermata | \break %% 45-48 R1. * 4 | \break %% 49-50 \time 4/1 r\longa | \time 3/2 r1 \bar "|." \break } sopranoVoiceL = \lyricmode { \override Lyrics.LyricText.color = #blue \override Lyrics.LyricHyphen.color = #blue \override Lyrics.LyricExtender.color = #blue \override Score.LyricText.font-shape = #'italic \teeny %% ou __ u __ %% u __ m __ Why are we living! u __ m __ ou __ m __ } sopranoVoiceM = { \autoBeamOff \partial 2 r2^\fermata | %% 1-4 R1. * 4 | \break %% 5-8 R1. * 4 | \break %% 9-12 R1. * 4 | \break %% 13-16 R1. * 4 | \break %% 17-20 R1. * 4 | \break %% 21-24 r1. | r1. r1. | g''4. f''8. g'' ees''2. | \break %% 25-28 R1. * 4 | \break %% 29-32 R1. * 4 | \break %% 33-36 R1. * 4 | \break %% 37-40 ees''2.\melisma f'' | ees''1. | f''4. g''8\melismaEnd des''2\melisma bes' | g'2. ees' | \break %% 41-44 c'8\melismaEnd r4. c'1\melisma | c'1. | c'8\melismaEnd f'4.\melisma f'1 | bes'2.\melismaEnd r2.^\fermata | \break %% 45-48, 49- \time 4/1 50- \time 3/2 \bar "|." \break %% End. See! line 180-183 (Soprano Vocal Part) } %%% Instruments part soprano = { \autoBeamOff \partial 2 r2^\fermata | %% 1-4 bes'4.-. \pitchedTrill bes'1\startTrillSpan des'' r8\stopTrillSpan | \noBreak des''4.-. \override Glissando.style = #'zigzag <des'' aes'>2\startTrillSpan <aes' ees'> r8\stopTrillSpan | \noBreak <c' f'>2\startTrillSpan <f' bes'> bes'4.-.\stopTrillSpan r8 | \noBreak <ees' aes'>2\startTrillSpan <aes' des''> des''2-.\stopTrillSpan ~ | \break %% 5-8 des''2 r1 | \repeat percent 3 { r8. <c' c''>16[ <des' des''> <ees' ees''> <f' f''>8] <ges' des'>2 <fes' c'> } | \break %% 9-12 r1. | r1. | r1. | r1 <c' c''>2 ~ | \break %% 13-16 \repeat percent 2 { c''2 <f' aes'>8[ <g' bes'>] c''4 <bes' g'>8[ <aes' f'>] c'4 ~ | c'4 <ees' bes'>8[ <f' c''>] des''4 <c'' f'>8[ <bes' ees'>] c'2 } | \break %% 17-20 c'2\repeatTie \tuplet 3/2 { <des' des''>4 <ees' ees''> <f' f''> } c''2 ~ | c''2 r1 | r1. | r1. | \break %% 21-24 R1. * 4 | \break %% 25-28 R1. * 4 | \break %% 29-32 \repeat percent 2 { r2 \tuplet 3/2 { <c' c''>4 <des' des''> <ees' ees''> } f''2 } f''2\repeatTie \pitchedTrill g''1\startTrillSpan a'' ~ | g''2.. a''4\stopTrillSpan r4.^\fermata | %% 33-36 f'2 r1 | r1. | f'2. ees' | des' c' | \break %% 37-40 R1. * 4 | \break %% 41-44 R1. * 4 | \break %% 45-48, 49- \time 4/1 50- \time 3/2 \bar "|." \break %% End. See! line 180-183 (Soprano Vocal Part) } %% end Soprano sheet. sopranoM = { \autoBeamOff \partial 2 r2^\fermata | %% 1-4 bes'4.-. \pitchedTrill bes'1\startTrillSpan des'' r8\stopTrillSpan | \noBreak des''4.-. \override Glissando.style = #'zigzag <des'' aes'>2\startTrillSpan <aes' ees'> r8\stopTrillSpan | \noBreak <c' f'>2\startTrillSpan <f' bes'> bes'4.-.\stopTrillSpan r8 | \noBreak <ees' aes'>2\startTrillSpan <aes' des''> des''2-.\stopTrillSpan ~ | \break %% 5-8 des''2 r1 | \repeat percent 3 { r8. <c' c''>16[ <des' des''> <ees' ees''> <f' f''>8] <ges' des'>2 <fes' c'> } | \break %% 9-12 r1. | r1. | r1. | r1 <c' c''>2 ~ | \break %% 13-16 \repeat percent 2 { c''2 <f' aes'>8[ <g' bes'>] c''4 <bes' g'>8[ <aes' f'>] c'4 ~ | c'4 <ees' bes'>8[ <f' c''>] des''4 <c'' f'>8[ <bes' ees'>] c'2 } | \break %% 17-20 c'2\repeatTie \tuplet 3/2 { <des' des''>4[ <ees' ees''> <f' f''> } c''2 ~ | c''2 r1 | r1. | r1. | \break %% 21-24 R1. * 4 | \break %% 25-28 R1. * 4 | \break %% 29-32 \repeat percent 2 { r2 \tuplet 3/2 { <c' c''>4 <des' des''> <ees' ees''> } f''2 } f''2\repeatTie \pitchedTrill g''1\startTrillSpan a'' ~ | g''2.. a''4\stopTrillSpan r4.^\fermata | %% 33-36 f'2 r1 | r1. | f'2. ees' | des' c' | \break %% 37-40 R1. * 4 | \break %% 41-44 R1. * 4 | \break %% 45-48, 49- \time 4/1 50- \time 3/2 \bar "|." \break %% End. See! line 180-183 (Soprano Vocal Part) }%% end soprano-midi. %%% %%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%% altoVoice = { \autoBeamOff \partial 2 r2^\fermata | %% 1-4 R1. * 4 | \break %% 5-8 R1. * 4 | \break %% 9-12 R1. * 4 | \break %% 13-16 R1. * 4 | \break %% 17-20 R1. * 4 | \break %% 21-24 r1. | r1. | r1. | g'4. f'8. g' ees'2. | \break %% 25-28 R1. * 4 | \break %% 29-32 R1. * 4 | \break %% 33-36 R1. * 4 | \break %% 37-40 aes'2.\melisma bes' | aes'1. | bes'4. c''8\melismaEnd g'2\melisma ees' | c'2. aes | \break %% 41-44 aes8\melismaEnd r4. aes1\melisma | aes1. | aes8\melismaEnd c'4.\melisma c'1 | ees'2.\melismaEnd r2.^\fermata | \break %% 45-48, 49- \time 4/1 50- \time 3/2 \bar "|." \break %% End. See! line 180-183 (Soprano Vocal Part) } altoVoiceL = \lyricmode { \override Lyrics.LyricText.color = #blue \override Lyrics.LyricHyphen.color = #blue \override Lyrics.LyricExtender.color = #blue \override Score.LyricText.font-shape = #'italic \teeny %% u __ ou __ %% ou __ m __ Why are we living! ou __ m __ u __ m __ } altoVoiceM = { \autoBeamOff \partial 2 r2^\fermata | %% 1-4 R1. * 4 | \break %% 5-8 R1. * 4 | \break %% 9-12 R1. * 4 | \break %% 13-16 R1. * 4 | \break %% 17-20 R1. * 4 | \break %% 21-24 r1. | r1. | r1. | g'4. f'8. g' ees'2. | \break %% 25-28 R1. * 4 | \break %% 29-32 R1. * 4 | \break %% 33-36 R1. * 4 | \break %% 37-40 aes'2.\melisma bes' | aes'1. | bes'4. c''8\melismaEnd g'2\melisma ees' | c'2. aes | \break %% 41-44 aes8\melismaEnd r4. aes1\melisma | aes1. | aes8\melismaEnd c'4.\melisma c'1 | ees'2.\melismaEnd r2.^\fermata | \break %% 45-48, 49- \time 4/1 50- \time 3/2 \bar "|." \break %% End. See! line 180-183 (Soprano Vocal Part) } %%% Instruments alto = { \autoBeamOff \partial 2 r2^\fermata | %% 1-4 ees'4.-. <aes ees'>1\arpeggio r8 | <g des'>1.\arpeggio | <bes f'>1.\arpeggio ~ | <bes f'>1\arpeggio g'2-. ~ | \break %% 5-8 g'2 r1 | \repeat percent 3 { <c' fes'>2 <ees' aes'> <bes' bes>16[ <aes' aes> <ges' ges> <fes' fes>8] r8. } | \break %% 9-12 r1. | r1. | r1. | r1 <f f'>2 ~ | \break %% 13-16 \repeat percent 2 { f'2 <bes des'>8[ <c' ees'>] f'4 <ees' c'>8[ <des' bes>] f4 ~ | f4 <aes ees'>8[ <bes f'>] g'4 <f' bes>8[ <ees' aes>] f2 } | \break %% 17-20 f2\repeatTie \tuplet 3/2 { <g g'>4 <aes aes'> <bes bes'> } f'2 ~ | f'2 r1 | r1. | r1. | \break %% 21-24 R1. * 4 | \break %% 25-28 R1. * 4 | \break %% 29-32 \repeat percent 2 { r2 \tuplet 3/2 { <f f'>4 <g g'> <aes aes'> } bes'2 } bes'2\repeatTie \pitchedTrill c''1\startTrillSpan d'' ~ | c''2.. d''4\stopTrillSpan r4.^\fermata | %% 33-36 bes2 r1 | r1. | bes2. aes | g f | \break %% 37-40 R1. * 4 | \break %% 41-44 R1. * 4 | \break %% 45-48, 49- \time 4/1 50- \time 3/2 \bar "|." \break %% End. See! line 180-183 (Soprano Vocal Part) }%% end alto sheet altoM = { \autoBeamOff \partial 2 r2^\fermata | %% 1-4 ees'4.-. <aes ees'>1\arpeggio r8 | <g des'>1.\arpeggio | <bes f'>1.\arpeggio ~ | <bes f'>1\arpeggio g'2-. ~ | \break %% 5-8 g'2 r1 | \repeat percent 3 { <c' fes'>2 <ees' aes'> <bes' bes>16[ <aes' aes> <ges' ges> <fes' fes>8] r8. } | \break %% 9-12 r1. | r1. | r1. | r1 <f f'>2 ~ | \break %% 13- \repeat percent 2 { f'2 <bes des'>8[ <c' ees'>] f'4 <ees' c'>8[ <des' bes>] f4 ~ | f4 <aes ees'>8[ <bes f'>] g'4 <f' bes>8[ <ees' aes>] f2 } | \break %% 17-20 f2\repeatTie \tuplet 3/2 { <g g'>4 <aes aes'> <bes bes'> } f'2 ~ | f'2 r1 | r1. | r1. | \break %% 21-24 R1. * 4 | \break %% 25-28 R1. * 4 | \break %% 29-32 \repeat percent 2 { r2 \tuplet 3/2 { <f f'>4 <g g'> <aes aes'> } bes'2 } bes'2\repeatTie \pitchedTrill c''1\startTrillSpan des'' ~ | c''2.. d''4\stopTrillSpan r4.^\fermata | %% 33-36 bes2 r1 | r1. | bes2. aes | g f | \break %% 37-40 R1. * 4 | \break %% 41-44 R1. * 4 | \break %% 45-48, 49- \time 4/1 50- \time 3/2 \bar "|." \break %% End. See! line 180-183 (Soprano Vocal Part) }%% end alto-midi %%% %%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%% tenorVoice = { \autoBeamOff \partial 2 r2^\fermata | %% 1-4 R1. * 4 | \break %% 5-8 R1. * 4 | \break %% 9-12 R1. * 4 | \break %% 13-16 R1. * 4 | \break %% 17-20 R1. * 4 | \break %% 21-24 R1. * 4 | \break %% 25-28 g'2 f'4 ees'2. | r1. | r1. | r1. | \break %% 29-32 R1. * 4 | \break %% 33-36 R1. * 4 | \break %% 37-40 \repeat percent 4 { \stemUp <f bes>8\melisma <g c'> <aes des'> <ees aes> <f bes> <g c'> gis2. } | \break %% 41-44 g!4.\melismaEnd r8 ees1\melisma | ees1. | ees8\melismaEnd g4.\melisma g1 | bes2.\melismaEnd r2.\fermata | \break %% 45-48, 49- \time 4/1 50- \time 3/2 \bar "|." \break %% End. See! line 180-183 (Soprano Vocal Part) } tenorVoiceL = \lyricmode { \override Lyrics.LyricText.color = #blue \override Lyrics.LyricHyphen.color = #blue \override Lyrics.LyricExtender.color = #blue \override Score.LyricText.font-shape = #'italic \teeny %% ə __ ɔ __ %% ɔ __ m __ What are we! ə __ ɔ __ m __ } tenorVoiceM = { \autoBeamOff \partial 2 r2^\fermata | %% 1-4 R1. * 4 | \break %% 5-8 R1. * 4 | \break %% 9-12 R1. * 4 | \break %% 13-16 R1. * 4 | \break %% 17-20 R1. * 4 | \break %% 21-24 R1. * 4 | \break %% 25-28 g'2 f'4 ees'2. | r1. | r1. | r1. | \break %% 29-32 R1. * 4 | \break %% 33-36 R1. * 4 | \break %% 37-40 \repeat percent 4 { \stemUp <f bes>8\melisma <g c'> <aes des'> <ees aes> <f bes> <g c'> gis2. } | \break %% 41-44 g!4.\melismaEnd r8 ees1\melisma | ees1. | ees8\melismaEnd g4.\melisma g1 | bes2.\melismaEnd r2.\fermata | \break %% 45-48, 49- \time 4/1 50- \time 3/2 \bar "|." \break %% End. See! line 180-183 (Soprano Vocal Part) } %%% Instruments tenor = { \autoBeamOff \partial 2 r2^\fermata | %% 1-4 aes4.-. \pitchedTrill aes1\startTrillSpan c' r8\stopTrillSpan | \noBreak c'4.-. \override Glissando.style = #'zigzag <g c'>2\startTrillSpan <f bes> r8\stopTrillSpan | \noBreak <g des'>1.\arpeggio | \noBreak <f bes>2\startTrillSpan <bes ees'> ees'2-.\stopTrillSpan ~ | \break %% 5-8 ees'2 r1 | \repeat percent 2 { <c ees>4. <des f>8.[ <ees g> <f aes> <g bes>] <c c'>4. } | <c c'>2\repeatTie <f f'> \tuplet 3/2 { <ees ees'>4 <des des'> <c c'> } | \break %% 9-12 g2.. r8 r2 | r1. | r1. | r1. | \break %% 13-16 \repeat percent 2 { r2 <g bes>8[ <aes c'>] des'4 <c' aes>8[ <bes g>] des4 ~ | des4 <f c'>8[ <g des'>] ees'4 <des' g>8[ <c' f>] des2 } | \break %% 17-20 des\repeatTie \tuplet 3/2 { <ees ees'>4 <f f'> <g g'> } des'2 ~ | des'1 r2 | r1. | r1. | \break %% 21-24 R1. * 4 | \break %% 25-28 R1. * 4 | \break %% 29-32 \repeat percent 2 { \tuplet 3/2 { des4-. ees-. f-. } r2 g2 } | \repeat percent 2 { \tuplet 3/2 { des4-. ees-. f-. } \tuplet 3/2 { des4\( ees f } g2\) } | \break %% 33-36 g2\repeatTie r1 | r1. | g2. f | ees des | \break %% 37-40 R1. * 4 | \break %% 41-44 R1. * 4 | \break %% 45-48, 49- \time 4/1 50- \time 3/2 \bar "|." \break %% End. See! line 180-183 (Soprano Vocal Part) } %% end tenor sheet. tenorM = { \autoBeamOff \partial 2 r2^\fermata | %% 1-4 aes4.-. \pitchedTrill aes1\startTrillSpan c' r8\stopTrillSpan | \noBreak c'4.-. \override Glissando.style = #'zigzag <g c'>2\startTrillSpan <f bes> r8\stopTrillSpan | \noBreak <g des'>1.\arpeggio | \noBreak <f bes>2\startTrillSpan <bes ees'> ees'2-.\stopTrillSpan ~ | \break %% 5- ees'2 r1 | \repeat percent 2 { <c ees>4. <des f>8.[ <ees g> <f aes> <g bes>] <c c'>4. } | <c c'>2\repeatTie <f f'> \tuplet 3/2 { <ees ees'>4 <des des'> <c c'> } | \break %% 9-12 g2.. r8 r2 | r1. | r1. | r1. | \break %% 13-16 \repeat percent 2 { r2 <g bes>8[ <aes c'>] des'4 <c' aes>8[ <bes g>] des4 ~ | des4 <f c'>8[ <g des'>] ees'4 <des' g>8[ <c' f>] des2 } | \break %% 17-20 des\repeatTie \tuplet 3/2 { <ees ees'>4 <f f'> <g g'> } des'2 ~ | des'1 r2 | r1. | r1. | \break %% 21-24 R1. * 4 | \break %% 25-28 R1. * 4 | \break %% 29-32 \repeat percent 2 { \tuplet 3/2 { des4-. ees-. f-. } r2 g2 } | \repeat percent 2 { \tuplet 3/2 { des4-. ees-. f-. } \tuplet 3/2 { des4\( ees f } g2\) } | \break %% 33-36 g2\repeatTie r1 | g2. f | ees des | \break %% 37-40 R1. * 4 | \break %% 41-44 R1. * 4 | \break %% 45-48, 49- \time 4/1 50- \time 3/2 \bar "|." \break %% End. See! line 180-183 (Soprano Vocal Part) }%% end tenor-midi %%% %%%%%%%% baritone part %%%%%%%%%%%%%%%%%%%%%%% baritone = { \hide Staff.BarLine \autoBeamOff \partial 2 r2^\fermata | %% 1-4 r1. | \noBreak r1. | \noBreak r1. | \noBreak r1. | \break %% 5-8 c'2^\markup{\hspace #-4 \with-color #blue \bold \italic "Baritone Sol; Only Voice" \teeny \italic {(but, It is OK to follow the accompaniment by one instrument. ---The type of instrument is free choice---)}} \melisma f1\melismaEnd | \noBreak c'4. c'8 des'2 c' | \noBreak r1. | \noBreak c'4. des' c' bes | \break %% 9-12 r8 g4. aes8 bes4. c'2 | \breathe ees1\melisma des4 r4\melismaEnd | des'2 ees'4 c' aes8\(( ges fes) ees( ~ | ees c2..)\) r2 | \break %% 13-16 r1. | r1. | r1. | r1. | \break %% 17-20 r1. | r2 f1\melisma | f2 r4\melismaEnd aes2. | r4. g2 f4. r4 | \break %% 21-24 f4.\( ees8.( des)\) c4. r8 c'4 ~ | c'4 r8. ees'4. r8. ees2 | \breathe des4 c4. c8 ees2. | r8 ees2\melisma des2..\melismaEnd | \break %% 25-28 r8 des2\melisma ees2.. | f2\melismaEnd r1\fermata | g2 c4 ees4 des4\( c4 ~ | c2\) r1\fermata | \break %% 29-32 r1. | r1. | r1. | r1. | \break %% 33-36 r1 f'2 | ees'4 des' c'2. r4 | r1. | f2\melisma g1 | \break %% 37-40 aes4 r2\melismaEnd g2 f4 | g2. aes4 bes2( | c') r4. g4( aes4.) | g4 f4. c' des'2 | \break %% 41-44 g4..( aes8.) aes8 bes4.\( c' | des'4.\) g8 aes4 bes c'2 | r8 c'2 c'8 des'2. | r8 des'2 g r4.\fermata | \break %% 45-48 ees4-.^\markup { \hspace #-8 \column { \line { " " } \line { " " } \line { \bold \italic \with-color #blue \caps { From here until the finale Only of baritone solo.\hspace #2 But, }} \line { \bold \italic \with-color # blue { To performers;\hspace #2 \small {From 45bar to 49bar measure, if you perform improvisation, the performance is OK. }}} } } des-. c2 bes,4 c4( ~ | c4 ees2) r2. | f4( g4.) aes2 aes4. | c'2\( bes4( c' des'2)\)\fermata | \break %% 49-50 \time 4/1 r2 des1\melisma c1\melismaEnd r2 r1 | \time 3/2 r1\fermata \undo \hide Staff.BarLine \bar "|." \break } %% end baritone sheet baritoneL = \lyricmode { \override Lyrics.LyricText.color = #blue \override Lyrics.LyricHyphen.color = #blue \override Lyrics.LyricExtender.color = #blue \override Score.LyricText.font-shape = #'italic \teeny ə __ "What is" a Hu -- man? "What is" bio -- logi -- cal? And the uni -- verse? ə __ Is that the an -- swer? ə __ Why? There is every -- thing like this! Why? why? and Will it End? m __ ə __ Where is the an -- swer? What is it all? ə __ Why is everything like this? When will the time stop! When the ex -- pan -- sion of this space stops! What is we! Live, die, Only just go and go! Tell me the an -- swer! ə __ } baritoneM = { \autoBeamOff \partial 2 r2^\fermata | %% 1-4 r1. | \noBreak r1. | \noBreak r1. | \noBreak r1. | \break %% 5-8 c'2\melisma f1\melismaEnd | \noBreak c'4. c'8 des'2 c' | \noBreak r1. | \noBreak c'4. des' c' bes | \break %% 9-12 r8 g4. aes8 bes4. c'2 | \breathe ees1\melisma des4 r4\melismaEnd | des'2 ees'4 c' aes8\(( ges fes) ees( ~ | ees c2..)\) r2 | \break %% 13-16 r1. | r1. | r1. | r1. | \break %% 17-20 r1. | r2 f1\melisma | f2 r4\melismaEnd aes2. | r4. g2 f4. r4 | \break %% 21-24 f4.\( ees8.( des)\) c4. r8 c'4 ~ | c'4 r8. ees'4. r8. ees2 | \breathe des4 c4. c8 ees2. | r8 ees2\melisma des2..\melismaEnd | \break %% 25-28 r8 des2\melisma ees2.. | f2\melismaEnd r1\fermata | g2 c4 ees4 des4\( c4 ~ | c2\) r1\fermata | \break %% 29-32 r1. | r1. | r1. | r1. | \break %% 33-36 r1 f'2 | ees'4 des' c'2. r4 | f2\melisma g1 | \break %% 37-40 aes4 r2\melismaEnd g2 f4 | g2. aes4 bes2( | c') r4. g4( aes4.) | g4 f4. c' des'2 | \break %% 41-44 g4..( aes8.) aes8 bes4.\( c' | des'4.\) g8 aes4 bes c'2 | r8 c'2 c'8 des'2. | r8 des'2 g r4.\fermata | \break %% 45-48 ees4-. des-. c2 bes,4 c4( ~ | c4 ees2) r2. | f4( g4.) aes2 aes4. | c'2\( bes4( c' des'2)\)\fermata | \break %% 49-50 \time 4/1 r2 des1\melisma c1\melismaEnd r2 r1 | \time 3/2 r1\fermata \bar "|." \break } %% end baritone midi %%% %%%%%%% bass; part %%%%%%%%%%%%%%%% bassVoice = { \autoBeamOff \partial 2 r2^\fermata | %% 1-4 R1. * 4 | \break %% 5-8 R1. * 4 | \break %% 9-12 R1. * 4 | \break %% 13-16 R1. * 4 | \break %% 17-20 R1. * 4 | \break %% 21-24 R1. * 4 | \break %% 25-28 g2 f4 ees2. | r1. | r1. | r1. | \break %% 29-32 R1. * 4 | \break %% 33-36 R1. * 4 | \break %% 39-40 \repeat percent 4 { cis2.\melisma \stemUp <bes, ees>8 <c! f> <des g> <aes, des> <bes, ees> <c f>} | \break %% 41-44 <c f>4.\repeatTie \melismaEnd r8 c1\melisma | c1. | c8\melismaEnd ees4.\melisma ees1 | g2.\melismaEnd r2.\fermata | \break %% 45-48, 49- \time 4/1 50- \time 3/2 \bar "|." \break %% End. See! line 180-183 (Soprano Vocal Part) } bassVoiceL = \lyricmode { \override Lyrics.LyricText.color = #blue \override Lyrics.LyricHyphen.color = #blue \override Lyrics.LyricExtender.color = #blue \override Score.LyricText.font-shape = #'italic \teeny %% ɔ __ ə __ %% ə __ m __ What are we! ɔ __ ə __ m __ } bassVoiceM = { \autoBeamOff \partial 2 r2^\fermata | %% 1-4 R1. * 4 | \break %% 5-8 R1. * 4 | \break %% 9-12 R1. * 4 | \break %% 13-16 R1. * 4 | \break %% 17-20 R1. * 4 | \break %% 21-24 R1. * 4 | \break %% 25-28 g2 f4 ees2. | r1. | r1. | r1. | \break %% 29-32 R1. * 4 | \break %% 33-36 R1. * 4 | \break %% 39-40 \repeat percent 4 { cis2.\melisma \stemUp <bes, ees>8 <c! f> <des g> <aes, des> <bes, ees> <c f>} | \break %% 41-44 <c f>4.\repeatTie \melismaEnd r8 c1\melisma | c1. | c8\melismaEnd ees4.\melisma ees1 | g2.\melismaEnd r2.\fermata | \break %% 45-48, 49- \time 4/1 50- \time 3/2 \bar "|." \break %% End. See! line 180-183 (Soprano Vocal Part) } %%% Instruments bass = { \autoBeamOff \partial 2 r2^\fermata | %% 1-4 des4.-. <g, des>1\arpeggio r8 | <f, c>1.\arpeggio | <g, c>2\startTrillSpan <c f> f4.-.\stopTrillSpan r8 | <c g>1\arpeggio aes2-. ~ | \break %% 5-8 aes2 r1 | <aes, ees>8. <bes, des> c4. <bes, des>8. <aes, ees> <g, f> <f, g> ~ | <f, g>8. <g, f> <aes, ees> <bes, des> c2. | r8. <g, f>8.. <f, g> c2.. ~ | \break %% 9-12 c2.. r8 r2 | r1. | r1. | r1. | \break %% 13-16 \repeat percent 2 { r2 ees8-. f-. g4-. f8-. ees-. bes,4 ~ | bes,4 f8-. g-. aes4-. g8-. f-. des2 } | \break %% 17-20 des2\repeatTie \tuplet 3/2 { aes4 bes c' } g2 ~ | g1 r2 | r1. | r1. | \break %% 21-24 R1. * 4 | \break %% 25-28 R1. * 4 | \break %% 29-32 \repeat percent 2 { \tuplet 3/2 { g,4-. aes,-. bes,-. } r2 c2 } | \repeat percent 2 { \tuplet 3/2 { g,4-. aes,-. bes,-. } \tuplet 3/2 { g,4\( aes, bes, } c2\) } | \break %% 33-36 c2\repeatTie r1 | r1. | c2. bes, | aes, g, | \break %% 37-40 R1. * 4 | \break %% 41-44 R1. * 4 | \break %% 45-48, 49- \time 4/1 50- \time 3/2 \bar "|." \break %% End. See! line 180-183 (Soprano Vocal Part) } %%end bass-sheet bassM = { \autoBeamOff \partial 2 r2^\fermata | %% 1-4 des4.-. <g, des>1\arpeggio r8 | <f, c>1.\arpeggio | <g, c>2\startTrillSpan <c f> f4.-.\stopTrillSpan r8 | <c g>1\arpeggio aes2-. ~ | \break %% 5-8 aes2 r1 | <aes, ees>8. <bes, des> c4. <bes, des>8. <aes, ees> <g, f> <f, g> ~ | <f, g>8. <g, f> <aes, ees> <bes, des> c2. | r8. <g, f>8.. <f, g> c2.. ~ | \break %% 9- c2.. r8 r2 | r1. | r1. | r1. | \break %% 13-16 \repeat percent 2 { r2 ees8-. f-. g4-. f8-. ees-. bes,4 ~ | bes,4 f8-. g-. aes4-. g8-. f-. des2 } | \break %% 17-20 des2\repeatTie \tuplet 3/2 { aes4 bes c' } g2 ~ | g1 r2 | r1. | r1. | \break %% 21-24 R1. * 4 | \break %% 25-28 R1. * 4 | \break %% 29-32 \repeat percent 2 { \tuplet 3/2 { g,4-. aes,-. bes,-. } r2 c2 } | \repeat percent 2 { \tuplet 3/2 { g,4-. aes,-. bes,-. } \tuplet 3/2 { g,4\( aes, bes, } c2\) } | \break %% 33-36 c2\repeatTie r1 | r1. | c2. bes, | aes, g, | \break %% 37-40 R1. * 4 | \break %% 41-44 R1. * 4 | \break %% 45-48, 49- \time 4/1 50- \time 3/2 \bar "|." \break %% End. See! line 180-183 (Soprano Vocal Part) }%% end bass-midi %%% %%%%%%%%%%%%%%%%%%%% End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%% Thank you. %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
Next: run–makeinfo, Previous: road-9cv.ly, Up: Top
%% 1:22 PM Monday, January 29, 2024 %% Yukio Yoshida. \input colordvi.tex \input texinfo @c %**start of header @setfilename road-9.info @c @settitle Road 9 @documentlanguage en @documentencoding utf-8 @setchapternewpage odd @c %**end of header @c *********** Body start ****************** @ifnottex @node Top, Music Sheet, ("dir"), ("dirTop") @comment node-name, next, previous, up @end ifnottex @c @node Top @ifhtml @html <p align = "center"> <span style="font-size: 40px;"><b>Road 9</b></spam> </p> <code> [file-code; "ly,texi,sh are UTF-8"]<br /> <span style="font-size: 16px;"> <b>Normally; Windows & Linux</b> "[Prompt] <tt>lilypond --pdf --png name.ly</tt>[Enter]"<br /> <b>And---- Only; <i>Linux(Prompt)<kbd> <span style="color: red;">$ ./run--lily.sh name</span></kbd>[Enter]</i>(need makeinfo) ----</b><br /> </span> </code><br /> @end html @end ifhtml @c @top @c @ignore ------------------------------------------------------------------------ @ifhtml @menu * road-9:: --- Music Sheet: Music Sheet. * road-9.ly:: --- Source code framework: road-9.ly. * road-9cv.ly:: --- Source code notes: road-9cv.ly. * road-9.texi:: --- Source code document: road-9.texi. * run--makeinfo:: --- Source code run-file: run--makeinfo. @end menu @end ifhtml @c @ignore ------------------------------------------------------------------------ @html <p align = "center"> <a href="road-9.midi">road-9.midi</a>(//The one below is mp3//)           <a href="road-9.pdf">road-9.pdf</a>          • <a href="road-9.tar.gz">road-9.tar.gz</a> (All-files;<10,950bytes)<br /> <audio src="road-9.mp3" controls> Download <a href="road-9.mp3">episode 42 Learnung to love HTML5</a> </audio><br /> The Jacket of a sheet is "png" and Sheets are "svg"</p> @end html @ifnottex @node Music Sheet, road-9.ly, Top, Top @comment node-name, next, previous, up @c @top @end ifnottex @unnumbered Music Sheet @html <div align="center"> <a href="road-9.pdf"> @end html @ifhtml @html <img src="road-9-page1.png" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="road-9-2.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="road-9-3.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="road-9-4.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="road-9-5.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="road-9-6.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> </a> @end html @end ifhtml @html </div> @end html @ifnottex @node road-9.ly, road-9cv.ly, Music Sheet, Top @comment node-name, next, previous, up @end ifnottex @unnumbered road-9.ly @html <blockquote><blockquote> @end html @verbatiminclude road-9.ly @html </blockquote></blockquote> @end html @ifnottex @node road-9cv.ly, road-9.texi, road-9.ly, Top @comment ode-name, next, previous, up @end ifnottex @unnumbered road-9cv.ly @html <blockquote><blockquote> @end html @verbatiminclude road-9cv.ly @html </blockquote></blockquote> @end html @ifnottex @node road-9.texi, run--makeinfo, road-9cv.ly, Top @comment node-name, next, previous, up @end ifnottex @unnumbered road-9.texi @html <blockquote><blockquote> @end html @verbatiminclude road-9.texi @html </blockquote></blockquote> @end html @ifnottex @node run--makeinfo, , road-9.texi, Top @comment node-name, next, previous, up @end ifnottex @unnumbered run--makeinfo @html <blockquote><blockquote> <b><i>Only; running is on Linux(on WSL).</i></b><br /> @end html @ifhtml @html <span style="font: 16px;"> <table> <td>    <b><i>run--lily.sh</i></b><br /> <span style="color: red;"> @verbatiminclude run--lily.sh </span> </td> </table> @end html @end ifhtml @ @ @ @ This is under the following environment.@* @ @ @ @ Linux[on WSL(windows11)]@ ---(GNU/Linux 4.4.0-19041-Microsoft x86_64) or (GNU/Linux 5.10.16.3-microsoft-standard-WSL2 x86_64)---@* @html </blockquote></blockquote> <br /> <br /> @end html @c *********** End Body ********************* @bye
Previous: road-9.texi, Up: Top
Only; running is on Linux(on WSL).
run--lily.sh
#!/usr/bin/bash rm -r html lilypond --pdf --png $1.ly lilypond --svg $1.ly makeinfo --no-split --force --html $1.texi mkdir html mv *.svg html/ mv *.pdf html/ mv $1-page1.png html/ mv *.midi html/ mv *.html html/ cd html xdg-open $1.pdf | xdg-open $1.midi | explorer.exe $1.html cd ../ rm *.eps *.png ls -lXThis is under the following environment.
Linux[on WSL(windows11)] —(GNU/Linux 4.4.0-19041-Microsoft x86_64) or (GNU/Linux 5.10.16.3-microsoft-standard-WSL2 x86_64)—