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The MAN
[file-code; "ly,texi,sh are UTF-8"]
Normally; Windows & Linux "[Prompt] lilypond --pdf --png name.ly[Enter]"
And---- Only;
Linux(Prompt) $ ./run--lily.sh name[Enter](need makeinfo) ----
man.midi(//The one below is mp3//)
man.pdf
man.tar.gz (All-files;<========bytes)
The Jacket of a sheet is "png" and Sheets are "svg"
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%% 1:56 PM Thursday, April 17, 2025 %% Yukio Yoshida %% About Japanes Langage; title = \markup { \override #'(font-name . "Sazanami Gothic") "お江戸日本橋" %% \context Lyrics \lyricsto "*******" { %% \override Lyrics . LyricText #'font-name = "Sazanami Gothic" %% た16 か な8 わ よ4 あ8 け て } %% --- notes;16 16 8 8 4 8 8 8 %%----- msgothic , msmincho , \bold ------- %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %% LilyPond "\book format" use. \version "2.24.0" #(set-default-paper-size "letter") #(set-global-staff-size 18) \include "man-cv.ly" \book{ \bookpart{ %% #I Caver's title \markup{ \vspace #-.5 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% #(let* ((port (open-output-file "sheet-title-line.eps"))) (display "%!PS-Adobe-3.0 EPSF-3.0 %%Invocation: gs -sDEVICE=eps2write -sOutputFile=? -dNOPAUSE ? ? ? %%BoundingBox: 15 10 585 810 %%HiResBoundingBox: 15.00 10.00 585.00 810.00 %%Creator: GPL Ghostscript 9550 (eps2write) %%LanguageLevel: 2 %%CreationDate: D:20250115110451+09'00' %%Pages: 1 %%EndComments newpath 25 20 moveto 25 800 lineto 25 800 moveto 575 800 lineto 575 800 moveto 575 20 lineto 575 20 moveto 25 20 lineto .22 0 0 setrgbcolor 20 setlinewidth stroke %% in-line newpath 50 50 moveto 50 760 lineto 50 760 moveto 546 760 lineto 546 760 moveto 546 50 lineto 546 50 moveto 50 50 lineto 0 0 0 setrgbcolor 1 setlinecap 3 setlinewidth stroke %% Title-Word /Times-Italic findfont 14 scalefont setfont 80 740 moveto 0 0 0 setrgbcolor (Soprano; Instrument and Voice --- C \\clef on 1st line) false charpath 0 setlinewidth stroke /Times-Italic findfont 14 scalefont setfont 80 725 moveto 0 0 0 setrgbcolor (MezzoSoprano; Instrument and Voice --- C \\clef on 2nd line) false charpath 0 setlinewidth stroke /Times-Italic findfont 14 scalefont setfont 80 710 moveto 0 0 0 setrgbcolor (Alto; Instrument and Voice --- C \\clef on 3rd line) false charpath 0 setlinewidth stroke /Times-Italic findfont 14 scalefont setfont 80 695 moveto 0 0 0 setrgbcolor (Tenor; Instrument and Voice --- C \\clef on 4th line) false charpath 0 setlinewidth stroke /Times-Italic findfont 14 scalefont setfont 80 680 moveto 0 0 0 setrgbcolor (Baritone; Instrument and Voice --- C \\clef on 5th line) false charpath 0 setlinewidth stroke /Times-Italic findfont 14 scalefont setfont 80 665 moveto 0 0 0 setrgbcolor (bas; Instrument and Voice --- F \\clef on 4th line) false charpath 0 setlinewidth stroke /Times-Italic findfont 120 scalefont setfont 110 560 moveto 1 0 0 setrgbcolor (SHEET) false charpath 3 setlinewidth stroke /Times-Italic findfont 16 scalefont setfont 180 540 moveto 0 0 0 setrgbcolor (Typesetting output with LilyPond) false charpath 0 setlinewidth stroke %%%% /Times-Italic findfont 110 scalefont setfont 126 410 moveto 0 1 0 setrgbcolor (Letters) false charpath 3 setlinewidth stroke %%%% /Times-Italic findfont 24 scalefont setfont 200 430 moveto 0 0 0 setrgbcolor (Op.119 The MAN) false charpath 2 setlinewidth stroke /Times-Italic findfont 20 scalefont setfont 210 340 moveto 0 0 0 setrgbcolor (MUSICAL INSTRUMENT) false charpath 1 setlinewidth stroke /Times-Italic findfont 20 scalefont setfont 280 320 moveto 0 0 0 setrgbcolor (and) false charpath 1 setlinewidth stroke /Times-Italic findfont 120 scalefont setfont 61 234 moveto 0 0 0 setrgbcolor (MIXED) false charpath 3 setlinewidth stroke /Times-Italic findfont 120 scalefont setfont 58 150 moveto 0 0 0 setrgbcolor (CHORUS) false charpath 3 setlinewidth stroke /Times-Italic findfont 120 scalefont setfont 58 62 moveto 0 0 0 setrgbcolor (GROUP) false charpath 3 setlinewidth stroke" port ) (close port)) %Trailer %% end make sheet-title-line.eps -------- \markup { \center-column { \epsfile #X #124 #"sheet-title-line.eps" %% \epsfile #X #140 #"sheet-title-line.eps" \vspace #-3 %% Under of Title letters \line { \bold \italic \tiny "The dynamic of performance is freedom(the conductor's) discretion." } }} }%% end bookpart I %%%%%%%%%%%%%%%%%%%%%%%%%%% \pageBreak %%%%%% Poem area %%%%%%%%%%%%%%%%%%%%%%%%% \markup { \vspace #4 } \markup { \hspace #10 \column { " " \magnify #1.5 \with-color #red "Letters" " " " " \magnify #1.4 \italic { \with-color #blue "---- Tutti(S , A , T , B) ----" \raise #2 "A man is climbing the stairs of an abandoned building," \raise #3 " with no window frames, no handrails," \raise #4 " a building waiting to be demolished." \raise #5 "Sunshine and rain and wind have become a part of daily life" \raise #6 " since the man moved to this town a week ago." \raise #7 " " \raise #8 " " \raise #9 " " \raise #10 \magnify #1.4 \italic { \with-color #blue "---- Solo(T) ----" } \raise #11"The man works as a door-to-door Bible salesman. (sells Bible)" \raise #11 \magnify #1.4 \italic { \with-color #blue "---- Solo(A) ----" } \raise #13 "He goes from house to house and mainly sells Bible." \raise #14 " " \raise #15 " " \raise #16 " " \raise #17 \magnify #1.4 \italic { \with-color #blue "---- Tutti(S , A , T , B) ----" } \raise #18 "As he peers at the target location through his scope" \raise #19 " .....the man hums repeatedly," \raise #20 "As he peers at the target location through his scope" \raise #21 " .....the man prays repeatedly." \raise #22 "The man was praying to the Lord." " " \magnify #1.4 \italic { \with-color #blue "---- Solo(baritone) ----" } \raise #2 "``Lord, please let it rain that day. Lord, save me." \raise #3 "Lord, grant my wish! Before I become a sinner, Lord, I beg you," \raise #4 "I am a living person who believes in God," \raise #5 " but I am just one of the weak sheep." \raise #6 "Please hold me in your arms and save me from becoming a sinner.'' " \raise #7 " " \raise #8 "Amen" " " " " " " \line { \hspace #60 \normalsize \typewriter "--- Saturday, February 8, 2025 --- " } \raise #1 \line { \hspace #81 \normalsize \typewriter "Yukio Yoshida"} " " " " \line { \hspace #-3 \large \with-color #red \italic "Voices; pronunciation" } \line { \with-color #blue "Pronunciation--Symbol" \hspace #3 \bold "ɑ" \tiny \italic "or" \bold "ɔ , ɔː , m , n"(Solo ; Tutti) } " " } } }%% end poem I %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%% \pageBreak \markup { \vspace #4 } \markup { \hspace #10 \column { \magnify #1.4 \italic { \with-color #blue "---- Tutti(S , A , T , B) ----" \raise #2 "The storm from yesterday has died down," \raise #3 " and the fierce winds and rain are gone." \raise #4 "The sun is shining in from early this morning," \raise #5 " and the sky is a solid blue," \raise #6 " heralding the start of a beautiful, fine day." \raise #7 "It's the perfect day for a parade," \raise #8 " or for a stroll outside in the sunshine." \raise #9 "Moreover, the president is coming to town today," \raise #10 " so a celebratory parade will be held." \raise #11 "God has made today a good day." \raise #12 " " \raise #13 "Hallelujah, hallelujah, hallelujah." " " " " " " \line { \hspace #60 \normalsize \typewriter "--- Thursday, March 20, 2025 --- " } \raise #1 \line { \hspace #81 \normalsize \typewriter "Yukio Yoshida"} " " " " \line { \hspace #-3 \large \with-color #red \italic "Voices; pronunciation" } \line { \with-color #blue "Pronunciation--Symbol" \hspace #3 \bold "ɑ" \tiny \italic "or" \bold "ɔ , ɔː , m , n"(Solo ; Tutti) } " " }} }%% end poem II %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%% %%%%% Sheet Body %%%%%%%%%%%%%%%%%%%%%%%%%%%%% \pageBreak \bookpart{ %% II \header { dedication = \markup { \italic " " } title = \markup{ \line { \italic \huge "A Gun Sound and The MAN" } } subtitle = \markup{ \center-column { \italic "c major; c d e f g a b" } } subsubtitle = \markup { \center-column { \italic "soprano; C clef on 1st line, alto; C clef on 3rd line." \italic " bass; F clef on 4th line, tenor; C clef on 4th line." \italic " baritone; C clef on 5th line(& Solo; singer)." } } %% instrument = " instrument " %% poet = " Poet " composer = " Yukio Yoshida " %% meter = " Meter " %% arranger = " Arranger " tagline = " " copyright = "public Domain" }%% End header %% get sheet music --------------------------------------------------- \score { << %% \context ChoirStaff = "FourPartStaffaddchorus" << \context StaffGroup << \context Voice = "soprano" { \clef soprano \key c\major \time 3/2 \set Staff.instrumentName = "soprano" \soprano } \context Voice = "sopranoVocal" { \clef soprano \key c\major \time 3/2 %% \set Staff.fontSize = #-3 %% \override Staff.StaffSymbol.staff-space = #(magstep -4) %% \override Staff.StaffSymbol.thickness = #(magstep -4) \set Staff.instrumentName = "Voice; sop " \VoiceColorBlue { \sopranoVoice } } \new Lyrics = "mainSL" \lyricsto "sopranoVocal" { \sopranoVoiceL } \context Voice = "alto" { \clef alto \key c\major \time 3/2 \set Staff.instrumentName = "alto " \alto } \context Voice = "altoVocal" { \clef alto \key c\major \time 3/2 %% \set Staff.fontSize = #-3 %% \override Staff.StaffSymbol.staff-space = #(magstep -4) %% \override Staff.StaffSymbol.thickness = #(magstep -4) \set Staff.instrumentName = "Voice; alt " \VoiceColorBlue { \altoVoice } } \new Lyrics = "mainSL" \lyricsto "altoVocal" { \altoVoiceL } \context Voice = "tenor" { \clef tenor \key c\major \time 3/2 \set Staff.instrumentName = "tenor " \tenor } \context Voice = "tenorVocal" { \clef tenor \key c\major \time 3/2 %% \set Staff.fontSize = #-3 %% \override Staff.StaffSymbol.staff-space = #(magstep -4) %% \override Staff.StaffSymbol.thickness = #(magstep -4) \set Staff.instrumentName = "Voice; tenor " \VoiceColorBlue { \tenorVoice } } \new Lyrics = "mainSL" \lyricsto "tenorVocal" { \tenorVoiceL } \context Voice = "baritone" { \clef baritone \key c\major \time 3/2 \set Staff.instrumentName = \markup { \column { \with-color #blue "baritone " \tiny \with-color #blue "Solo; singer" } } \BaritoneSol { \baritone } } \new Lyrics = "mainTL" \lyricsto "baritone" { \baritoneL } \context Voice = "bass" { \clef bass \key c\major \time 3/2 \set Staff.instrumentName = "bass " \bass } \context Voice = "bassVocal" { \clef bass \key c\major \time 3/2 %% \set Staff.fontSize = #-3 %% \override Staff.StaffSymbol.staff-space = #(magstep -4) %% \override Staff.StaffSymbol.thickness = #(magstep -4) \set Staff.instrumentName = "Voice; bass " \VoiceColorBlue { \bassVoice } } \new Lyrics = "mainBL" \lyricsto "bassVocal" { \bassVoiceL } >> >> \layout { \context { \Staff \RemoveEmptyStaves \override VerticalAxisGroup.remove-first = ##f } } } %%% get midi music \score { << \context ChoirStaff = "FourPartStaffaddchorus" << \context Voice = "soprano" { \clef soprano \key c\major \time 3/2 \set Staff.midiInstrument = "pad 4 (choir)" \set Staff.instrumentName = "soprano" \unfoldRepeats \sopranoM } \context Voice = "sopranoVocal" { \clef soprano \key c\major \time 3/2 \set Staff.midiInstrument = "pad 4 (choir)" \set Staff.instrumentName = "Voice; sop " \VoiceColorBlue { \sopranoVoiceM } } %% \new Lyrics = "mainSL" \lyricsto "sopranoVocal" { \sopranoVoiceLM } \context Voice = "alto" { \clef alto \key c\major \time 3/2 \set Staff.midiInstrument = "pad 4 (choir)" \set Staff.instrumentName = "alto " \unfoldRepeats \altoM } \context Voice = "altoVocal" { \clef alto \key c\major \time 3/2 \set Staff.midiInstrument = "pad 4 (choir)" \set Staff.instrumentName = "Voice; alt " \VoiceColorBlue { \altoVoiceM } } %% \new Lyrics = "mainSL" \lyricsto "altoVocal" { \altoVoiceLM } \context Voice = "tenor" { \clef tenor \key c\major \time 3/2 \set Staff.midiInstrument = "pad 4 (choir)" \set Staff.instrumentName = "tenor " \unfoldRepeats \tenorM } \context Voice = "tenorVocal" { \clef tenor \key c\major \time 3/2 \set Staff.midiInstrument = "pad 4 (choir)" \set Staff.instrumentName = "Voice; tenor " \VoiceColorBlue { \tenorVoiceM } } %% \new Lyrics = "mainSL" \lyricsto "tenorVocal" { \tenorVoiceLM } \context Voice = "baritone" { \clef baritone \key c\major \time 3/2 \set Staff.midiInstrument = "pad 4 (choir)" \set Staff.instrumentName = \markup { \column { \with-color #blue "baritone " \tiny \with-color #blue "Solo; singer" } } \BaritoneSol { \baritoneM } } \context Voice = "bass" { \clef bass \key c\major \time 3/2 \set Staff.midiInstrument = "pad 4 (choir)" \set Staff.instrumentName = "bass " \unfoldRepeats \bassM } \context Voice = "bassVocal" { \clef bass \key c\major \time 3/2 \set Staff.midiInstrument = "pad 4 (choir)" \set Staff.instrumentName = "Voice; bass " \VoiceColorBlue { \bassVoiceM } } %% \new Lyrics = "mainBL" \lyricsto "bassVocal" { \bassVoiceLM } >> >> \midi { tempoWholesPerMinute = #(ly:make-moment 46 4) } } %%%%%%%%% %% \markup { " " } %%\pageBreak %% since, Even-Page. %% \markup { \null } %%%%%% \pageBreak %% \markup { " " } \markup { \vspace #1 } \markup { \column { \line { About location \hspace #3 \musicglyph #"noteheads.uM2"(longa) \hspace #2 and \hspace #3 \musicglyph #"noteheads.sM1"(breve) } \line { \hspace #4 \italic "Please, Breath of longa and breve do in the members alternating (But, like Don't stand out). " } } } \markup { \vspace #.5 } \markup { " " } \markup { \line { * At location \musicglyph #"scripts.ufermata", \hspace #1 \italic " Always, please look at the conductor(or baton). " } } \markup { " " } \markup { * \with-color #blue {ɑ , ɔ , ɔː , m , n}(pronunciation-symbol); \hspace #1 \italic "To cearly distinguish pronunciation." } \markup { " " } \markup { \line { * The green part is performed by each individual vocally or by instructions from the conductor etc.}} \markup { " " } \markup { \vspace #1 } %%%%%%%% }%% end bookpart II \bookpart{ %% III wrting of attention And out of source code %% \markup { \vspace #6 } \markup { \hspace #26 \huge "INSTRUMENT RANGES" } \markup { \hspace #8 \italic "About;" \teeny\italic "Some of Instruments; there is a difference between writing-note and real-note." \italic "for instance:" } \markup { \hspace #8 \column { \line { \bold %% "WOODWINDS; Piccolo(in C)"--\tiny "like this"-- } \line { \score { { \clef treble \key c\major \time 4/1 d'1^\markup {\italic "written" } s1 g'''1 s1 \bar"||" s2 d''1_\markup { \hspace #-8 \italic "sounds one octave higher" } s1 g''''1 s2 | \break } \layout { \context { \Staff \override ClefSignature.transparent = ##t \override TimeSignature.transparent = ##t } indent = 20.00\mm line-width = 160.00\mm } } } }} \markup { " " } \markup { \vspace #2 } \markup { \hspace #8 \column { \line { \hspace #18.4 \bold "Bass Flute"--\tiny "like this"-- } \line { \score { { \clef treble \key c\major \time 4/1 c'1^\markup {\italic "written" } s1 a'''1 s1 \bar"||" \clef bass s2 c1_\markup { \hspace #-8 \italic "sounds one octave lower" } s1 \clef treble a''1 s2| \break } \layout { \context { \Staff \override ClefSignature.transparent = ##t \override TimeSignature.transparent = ##t } indent = 20.00\mm line-width = 160.00\mm } } } }} \markup { " " } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \markup { \vspace #6 } \markup { \fill-with-pattern #2 #CENTER - \null \null } \markup { " " } \markup { \hspace #20 \magnify #2 { Stage Position;\tiny \italic "(This arrangement--with the instrument needles column below--)" } } \markup { " " } \markup { \hspace #26 \column { \line { About the Chorus; \teeny \italic "(For instsnce")} \line { \hspace # 18 \rounded-box {Bass}\hspace #2 \rounded-box {Tenor}\hspace #2 \rounded-box {Alto}\hspace #2 \rounded-box{Soprano} } \teeny \italic " since, They must be reverse for Instrument's arrangement " } } \markup { \vspace #2 } \markup { \italic " About Position of Sololist is placed freely(on the stage) " } \markup { \vspace #2 } \markup { About Instrument arrangement;\teeny \italic "(must be reverse for Chours's position)" } \markup { \hspace # 20 \rounded-box { \column { \huge " Instruments " " Soprano " " Group "} }\hspace #3 \rounded-box { \column { \huge " Instruments " " Alto " " Group "} }\hspace #3 \rounded-box { \column { \huge " Instruments " " Tenor " " Group "} }\hspace #3 \rounded-box { \column { \huge " Instruments " " Bass " " Group "} } } \markup { \vspace #2 } \markup { \hspace #56 \huge " Conductor " } \markup { " " } \markup { \vspace #1 } \markup { \fill-with-pattern #2 #CENTER - \null \null } \markup { \vspace #2 } \markup { ........... Audience seats ........... } \markup { \vspace #4 } \markup { \teeny { \column { \bold \italic "If you can do it, please running on;" \line { \wordwrap { As it is the lighting of the audience's Seats(Do not turn off even when the play began). \hspace #2 \italic "When play began, lighting the stage (rather than the audience's) more brightly."}}}}} \markup { " " } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \pageBreak \markup { " " } %% eps-part ------------------------------------------------------------------- %% C:\Program Files (x86)\LilyPond\usr\share\ghostscript\8.70\Resource\Init\ %% Fontmap.GS // Not!! [Windows--ghostscript] #(let* ((port (open-output-file "Source-code.eps"))) (display "%!PS-Adobe-3.0 EPSF-3.0 %%BoundingBox: 60 227 525 636 %%HiResBoundingBox: 60.20 227.30 524.50 635.60 %%Creator: GPL Ghostscript 922 (eps2write) %%LanguageLevel: 2 %%CreationDate: D:20180608144500+09'00' %%Pages: 1 %%EndComments /Times-Italic findfont 200 scalefont setfont 120 500 moveto 1 0 0 setrgbcolor (ALL) false charpath 4 setlinewidth stroke /Times-Italic findfont 120 scalefont setfont 60 320 moveto 0 0 0 setrgbcolor (SOURCE) false charpath 3 setlinewidth stroke /Times-Italic findfont 120 scalefont setfont 100 230 moveto 0 0 0 setrgbcolor (CODE) false charpath 1 setlinewidth stroke" port) (close port)) %Trailer %% end -----eps part------------------------------------------------------------------- %%%% Needn't Surce code's Title-String for texi-document. \markup { \vspace #10 } \markup { \hspace #12 \epsfile #X #100 #"Source-code.eps" } \markup { " " } \markup { \vspace #1 } \markup { \fill-line { \center-column { \line { As all;\hspace #2 See! (HTML) @menu } "https://www.sheet-poem.com/poem/html/2025/2.24.0/man/man.html" } } } \markup { " " } \pageBreak %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% }}%% end bokkpart III, End book %%%%%%%%%%%%%%%%%%%% All End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% 1:08 AM Monday, April 28, 2025 %% Yukio Yoshida %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %% "\repeat percent Avoid straight \break after", put in one bar and run \break. And Sometimes everywhere need "\noBreak" %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %% Part Vocal;; Start: \hide Staff.BarLine %% and end: \undo \hide Staff.BarLine \bar "|." \break %% And \score{ \context StaffGroup << } !! %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %% For exaple; Should use-Top barLine : %% "\tempo \markup { \hspace #-3 \with-color #red \italic \medium "ritenuto" } dis'8 ......." %% And From Second bar-line: "dis'8^\markup { \hspace #-3 \with-color #red \italic \medium "ritenuto" } .........." %% Well No-apper obje "tempo = *" on Top-barLine %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %% If you want to change of color, then do see! in %% "define-grobs.scm"(lilypond's system file) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \version "2.24.0" %% for sheet-music #(set-default-paper-size "letter") #(set-global-staff-size 18) BaritoneSol = { \override Staff.StaffSymbol.color = #blue \override Staff.LedgerLineSpanner.color = #blue \override Staff.Clef.color = #blue \override Staff.TimeSignature.color = #blue \override Staff.KeySignature.color = #blue \override Staff.BarLine.color = #blue \override Voice.NoteHead.color = #blue \override Voice.Rest.color = #blue \override Voice.Stem.color = #blue \override Voice.Flag.color = #blue \override Voice.Beam.color = #blue \override Voice.Slur.color = #blue \override Voice.PhrasingSlur.color = #blue \override Voice.Tie.color = #blue \override Voice.Dots.color = #blue \override Voice.Script.color = #blue \override Voice.Accidental.color = #blue \override Voice.DynamicLineSpanner.color = #blue \override Voice.DynamicText.color = #blue \override Voice.DynamicTextSpanner.color = #blue \override Voice.TupletNumber.color = #blue \override Voice.TupletBracket.color = #blue \override Voice.BreathingSign.color = #blue \override Voice.PercentRepeat.color = #blue \override Voice.RepeatSlash.color = #blue } VoiceColorBlue = { \override Staff.StaffSymbol.color = #blue \override Staff.LedgerLineSpanner.color = #blue \override Staff.Clef.color = #blue \override Staff.TimeSignature.color = #blue \override Staff.KeySignature.color = #blue \override Staff.BarLine.color = #blue \override Voice.NoteHead.color = #blue \override Voice.Rest.color = #blue \override Voice.Stem.color = #blue \override Voice.Flag.color = #blue \override Voice.Beam.color = #blue \override Voice.Slur.color = #blue \override Voice.PhrasingSlur.color = #blue \override Voice.Tie.color = #blue \override Voice.Dots.color = #blue \override Voice.Script.color = #blue \override Voice.Accidental.color = #blue \override Voice.DynamicLineSpanner.color = #blue \override Voice.DynamicText.color = #blue \override Voice.DynamicTextSpanner.color = #blue \override Voice.TupletNumber.color = #blue \override Voice.TupletBracket.color = #blue \override Voice.BreathingSign.color = #blue \override Voice.PercentRepeat.color = #blue \override Voice.RepeatSlash.color = #blue } VoiceColorBlueRevert = { \revert Voice.NoteHead.color \revert Voice.Rest.color \revert Voice.Stem.color \revert Voice.Flag.color \revert Voice.Beam.color \revert Voice.Slur.color \revert Voice.PhrasingSlur.color \revert Voice.Tie.color \revert Voice.Dots.color \revert Voice.Script.color \revert Voice.Accidental.color \revert Voice.DynamicLineSpanner.color \revert Voice.DynamicTextSpanner.color \revert Voice.DynamicText.color \revert Voice.TupletNumber.color \revert Voice.TupletBracket.color \revert Voice.BreathingSign.color \revert Voice.PercentRepeat.color \revert Voice.RepeatSlash.color } Solo=^\markup { \hspace #-1.8 \with-color #red \box { \pad-around #0.5 {\teeny \italic "Solo"} } } Bsolo=^\markup { \with-color #blue \box { \pad-around #0.5 {\teeny \bold \italic "Solo"} } } Tutti=^\markup { \with-color #blue { \override #'(box-padding . 0.5) \override #'(thickness . 2) \rounded-box { {\teeny \italic "Tutti"} } } } Both=^\markup { \with-color #blue \box { \pad-around #0.5 {\teeny \italic "Solo" } } or \with-color #blue \box { \pad-around #0.5 {\teeny \italic "Tutti" } } } VoiceColorRed = { \override Voice.NoteHead.color = #red \override Voice.Rest.color = #red \override Voice.Stem.color = #red \override Voice.Flag.color = #red \override Voice.Dots.color = #red \override Voice.Script.color = #red \override Voice.PhrasingSlur.color = #red } VoiceColorRedRevert = { \revert Voice.NoteHead.color \revert Voice.Rest.color \revert Voice.Stem.color \revert Voice.Flag.color \revert Voice.Dots.color \revert Voice.Script.color \revert Voice.PhrasingSlur.color } \paper { %% ragged-last-bottom = ##f } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%% sopranoVoice = { \hide Staff.BarLine \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\longa | r\longa | \break %% 3-5 r\longa | r\longa | r\longa | \break %% 6-9 \time 3/2 r1. | r1. | r1. | r1. | \break %% 10-13 r1. | r1. | r1. | c'16^\Tutti c'4. c'8 r8. c'2_\( d'4\) | \break %% 14-17 d'4 d'2 r2. | f'16 f'4. f'8 r8. f'2_\( g'4\) | g'4 g'2 r8 f'4 g'4._\( | g'2\) a'2 r2 | \break %% 18-21 e'8 e'8. e'4 r8 a'4 a'8 a'8. r4 | r1. | b'16 c''4. b'2 a'4. r8. | a'8_\( g'4. e'2\) r2 | \break %% 22-25 r4. g'8 b'4. f'8 e'4. d'8 | r8 f'2 c''4 b'8 c''4 b'8 c''_( | d'') d''16 r16 b'2 g'2. | r1. | \break %% 26-29 r1. | r1. | r1. | r1. | \break %% 30-33 r1. | r1. | r1. | r1. | \break %% 34-38 r1. | r1. | r1. | r1. | r1. | \break %% 39-43 r1. | r1. | r1. | r1. | r1. | \break %% 44-47 r1. | r1. | r1. | r1. | \break %% 48-51 r1. | r1. | r1. | r1. | \break %% 52-55 r8 g'2^\Tutti r16 f'16 g'8 a'4_\( b'4.\) | c''4_\( c'' c''4.\) b'8 c''2 | r4. g'4 r8 b'2. | c''4. d''2 c''8 b'2 | \break %% 56-59 r8^\markup {\raise #5 \hspace #-6 \bold \magnify #1.5 "Chorus only"} g'8 g'4 a'4. r16 g'8 f'16_(_\( g'8) g'4\) | a'2 g'8. r16 b'2. | r4. g'4 r8 b'2. | c''4. d''2 c''8 b'2 | \break %% 60-63 r4 c'4 f'2. r8 e'8 | f'8_( e' d' c'4) r8 d'4 \tuplet 3/2 {e'_( \stemUp g' b')\stemNeutral } | r1. | r1. | \break %% 64-67 c''1.\melisma | c'' | c'' | c''1. | \break %% 68-71 c''4\melismaEnd r4 f''1\melisma | f''1. | f'' | f'' | \break %% 72-75 f''4\melismaEnd r2 c''2.\melisma | c''1. | c'' | c'' | \break %%76-79 c''2_( f''2.) _( c''4)\melismaEnd | r1.^\fermata | r1.^\fermata | r1. | \break %% 80-83 r1.^\markup {\raise #5 \hspace #-6 \bold \magnify #1.5 "Chorus only"} | r1. | b'1.\melisma | b'1. | \break %% 84-87 b'1. | b'4\melismaEnd c''8_( b') r4 b'4 r4 c''4 | r4 c''4\melisma b' a' g'8 f'\melismaEnd e'8_( d') | r1. | \break %% 88-91 c''8\melisma b' a' g' f' e' f' g'\melismaEnd a'_( b' c''4) | c''1.\melisma | c'' | c'' | \break %% 92-93 \time 4/1 c''1\melismaEnd r1 r\breve | \time 3/2 r1 s2 \undo \hide Staff.BarLine \bar "|." \break } %%%%% sopranoVoiceL = \lyricmode { \override Lyrics.LyricText.color = #blue \override Lyrics.LyricHyphen.color = #blue \override Lyrics.LyricExtender.color = #blue \override Score.LyricText.font-shape = #'italic \teeny A man is climb -- ing the stairs. the man is climb -- ing the stairs. "of an" aban -- doned building, with "no window" frames, no hand -- rails, a building waiting "to be" de -- mol -- ished. Sun -- shine and rain and wind have be -- come a part of daily life %% since the man moved to this town a week ago. %% Tenor Solo %%% %% The man works as a door-to-door Bible salesman. %% Alto Solo %%%% %% He goes from house to house and mainly sells Bibles. {\once \override Lyrics.LyricText.color = #green "As he peers"} at the tar -- get lo -- ca -- tion through {\once \override Lyrics.LyricText.color = #green "his scope"} "the man" hums re -- peat -- ed -- ly, As he peers "at the" tar -- get {\once \override Lyrics.LyricText.color = #green location} through {\once \override Lyrics.LyricText.color = #green "his scope"} "the man" prays re -- peat -- ed -- ly. The man was praying {\once \override Lyrics.LyricText.color = #green "to the"} Lord. n __ m __ n __ A __ men Amen Amen A __ men A __ men n __ } %%%%% sopranoVoiceM = { \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\longa | r\longa | \break %% 3-5 r\longa | r\longa | r\longa | \break %% 6-9 \time 3/2 r1. | r1. | r1. | r1. | \break %% 10-13 r1. | r1. | r1. | c'16 c'4. c'8 r8. c'2_\( d'4\) | \break %% 14-17 d'4 d'2 r2. | f'16 f'4. f'8 r8. f'2_\( g'4\) | g'4 g'2 r8 f'4 g'4._\( | g'2\) a'2 r2 \break %% 18-21 e'8 e'8. e'4 r8 a'4 a'8 a'8. r4 | r1. | b'16 c''4. b'2 a'4. r8. | a'8_\( g'4. e'2\) r2 | \break %% 22-25 r4. g'8 b'4. f'8 e'4. d'8 | r8 f'2 c''4 b'8 c''4 b'8 c''_( | d'') d''16 r16 b'2 g'2. | r1. | \break %% 26-29 r1. | r1. | r1. | r1. | \break %% 30-33 r1. | r1. | r1. | r1. | \break %% 34-38 r1. | r1. | r1. | r1. | r1. | \break %% 39-43 r1. | r1. | r1. | r1. | r1. | \break %% 44-47 r1. | r1. | r1. | r1. | \break %% 48-51 r1. | r1. | r1. | r1. | \break %% 52-55 r8 g'2^\Tutti r16 f'16 g'8 a'4_\( b'4.\) | c''4_\( c'' c''4.\) b'8 c''2 | r4. g'4 r8 b'2. | c''4. d''2 c''8 b'2 | \break %% 56-59 r8 g'8 g'4 a'4. r16 g'8 f'16_(_\( g'8) g'4\) | a'2 g'8. r16 b'2. | r4. g'4 r8 b'2. | c''4. d''2 c''8 b'2 | \break %% 60-63 r4 c'4 f'2. r8 e'8 | f'8_( e' d' c'4) r8 d'4 \tuplet 3/2 {e'_( g' b')} | r1. | r1. | \break %% 64-67 c''1.\melisma | c'' | c'' | c''1. | \break %% 68-71 c''4\melismaEnd r4 f''1\melisma | f''1. | f'' | f'' | \break %% 72-75 f''4\melismaEnd r2 c''2.\melisma | c''1. | c'' | c'' | \break %%76-79 c''2_( f''2.) _( c''4)\melismaEnd | r1.^\fermata | r1.^\fermata | r1. | \break %% 80- %% 80-83 r1. | r1. | b'1.\melisma | b'1. | \break %% 84-87 b'1. | b'4\melismaEnd c''8_( b') r4 b'4 r4 c''4 | r4 c''4\melisma b' a' g'8 f'\melismaEnd e'8_( d') | r1. | \break %% 88-91 c''8\melisma b' a' g' f' e' f' g'\melismaEnd a'_( b' c''4) | c''1.\melisma | c'' | c''\melismaEnd | \break %% 92-93 \time 4/1 c''1\melismaEnd r1 r\breve | \time 3/2 r1 s2 \undo \hide Staff.BarLine \bar "|." \break } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%% Instruments part soprano = { \autoBeamOff \partial 2 r2 | %% 1-2 \time 4/1 c'\longa_~ | c'\breve_( c''\breve)_~ | \break %% 3-5 c''1 r2. b'8-._\( r g'-. r e'-. r c'4-.\)_\( r8 e'-. r g'-. r b'-. c''-.\) r4. | c'''\longa | \noBreak r2. c'''2_( b''4 a'' g'' f'' e'' d'' c'') r1 | \break %% 6-9 \time 3/2 r4 <b' g'>4 <a' f'> <g' e'> <f' d'> <e' c'>_~ | <e' c'>1_\( <c' g'>2 \)_\( | c''1.\)_\( | <a' f'>2 <g' e'> <f' d'> | \break %% 10-13 c'1.\)_( | <c' e'>2)_\(<d' f'>\)_\( <c' e'>2\)_\( | f'1.\) | r1. | \break %% 14-17 r1. | \repeat percent 3 { r8 <c' f'>4 r8 <c' f' b'>2 r8 <a' e'>4. } | \break %% 18-21 <a' e'>\repeatTie_\( e'4.\) a' c'_~ | c'8 <d' f'>8 <e' a'> <f' d''> c''1 | <b' g'>8 <a' f'> <g' e'> <f' d'> d'1 | <c' e'>1. | \break %% 22-25 d'1_( \tuplet 3/2 { <d' f'>4)_( <e' g'> <f' a'>)_( } | \noBreak \tuplet 3/2 { a'8) g' f' e' d' c'_( } \tuplet 3/2 { <c' e'>8) <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> } c''2 | \noBreak r4.. \stemUp <b' a'>16 <a' g'> \stemNeutral <g' f'> <f' e'> <e' d'> c'2._~ | \noBreak c'2._\( f'\) | \break %% 26-29 a'8.[ b'16. c''] r4 a'4 b'8 c'' r4. | <d'' b'>8. <c'' a'> <b' g'> <a' f'> ~ <c' f'> <d' g'> <e' a'> <f' b'> _~ | f'1._( | c')_( | \break %% 30-33 <c' f'>2)_( <c' e'>)^( \tuplet 3/2 { e'4) f' g' } | r2 \repeat percent 4 { <c' g'>8_. r8 } | \repeat percent 6 { <g' d''>16 <c' g'> r8 } | g'1.^\fermata | \break %% 34-38 c'1.^\fermata | <c' e'>2_( <c' g'>)_( <c' b'>)^( | <b' g'>) <g' e'> <e' c'>_( | c'1.) | r1.^\fermata | \break %% 39-43 r1. | r2 <c' f'>2 <e' a'>4. f'8_~ | f'8 <d' g'>1 r4. | r1. | c'1_\( a'2\)_\( | \break %% 44-47 <c' f'>2\) d''4 <f' e''>2. | <e' a'>2 f''4 <a' g''>2. | <e'' d''>2 c''4 b' <a' g'>2 | \repeat percent 2 {<c' f'>2 d'16 f' r8 } | \break %% 48-51 \repeat percent 7 {<c' f'>4. d'16 f' r4 } r2. | \break %% 52-55 << { } \\ { c'2 e' f'_~ | f' e' c'_~ | c' e'1 | r2 c'1^\fermata } >> | \break %%56-59 r1. | r1. | r1. | r1. | \break %% 60-63 <c' f'>2._( <f' c'>)_~ | <f' c'>_( <c' f'>)_~ | f'1._\( | b'1.\) | \break %% 64-67 c'4.._. r16 d'2_. c'4_. d'_. | e'_. r4 g'4.^. f'_. d'4_. | c'_. r8 g'2^. e'4._. d'4_. | d'4._. r4. c'8_. e'4_. f'4._. | \break %% 68-71 f'8_. f'4_. f'8_. f'4_. f'4_. g'2^. | r4 f'4._. g'4.^. g'2^. | f'4.^. r8 f'8_. f'8._. f'4_. d'8._. e'4_. | d'4_. e'8_. f'4_. f'8_. g'2.^. | \break %% 72-75 r4 c'8_. c'4_. r16 c'8._. d'4_. d'8_. e'4_. | f'4._. r4. e'4._. f'4._. | e'2_. e'8_. f'4_. g'2^. r8 | r8 f'8_. f'4._. e'2_. r8 e'4_. | \break %% 76-79 d'8._. e'4_. f'4_. f'16_. f'4._. g'^. | r1.^\fermata | r1.^\fermata | r1.^\fermata | \break %% 80-83 r1. | r1. | r1. | r1. | \break %% 84-87 r1. | r1. | r1. | r1. | \break %% 88-91 c'4.-. r8 <c' f'>2 c' | \repeat percent 3 {<c' f'>2 c' <c' f'>} | \break %% 92-93 \time4/1 <c' f'>\longa \time 3/2 r1 s2 \bar "|." \break } %%%%% end Soprano sheet. sopranoM = { \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 c'\longa_~ | c'\breve_( c''\breve)_~ | \break %% 3-5 c''1 r2. b'8-._\( r g'-. r e'-. r c'4-.\)_\( r8 e'-. r g'-. r b'-. c''-.\) r4. | c'''\longa | \noBreak r2. c'''2_( b''4 a'' g'' f'' e'' d'' c'') r1 | \break %% 6-9 \time 3/2 r4 <b' g'>4 <a' f'> <g' e'> <f' d'> <e' c'>_~ | <e' c'>1_\( <c' g'>2 \)_\( | c''1.\)_\( | <a' f'>2 <g' e'> <f' d'> | \break %% 10-13 c'1.\)_( | <c' e'>2)_\(<d' f'>\)_\( <c' e'>2\)_\( | f'1.\) | r1. | \break %% 14-17 r1. | \repeat percent 3 { r8 <c' f'>4 r8 <c' f' b'>2 r8 <a' e'>4. } | \break %% 18- <a' e'>\repeatTie_\( e'4.\) a' c'_~ | c'8 <d' f'>8 <e' a'> <f' d''> c''1 | <b' g'>8 <a' f'> <g' e'> <f' d'> d'1 | <c' e'>1. | \break %% 22-25 d'1_( \tuplet 3/2 { <d' f'>4) <e' g'> <f' a'>_( } | \tuplet 3/2 { a'8) g' f' e' d' c'_( } \tuplet 3/2 { <c' e'>8) <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> } c''2 | r4.. <b' a'>16 <a' g'> <g' f'> <f' e'> <e' d'> c'2._~ | c'2._\( f'\) | \break %% 26-29 a'8.[ b'16. c''] r4 a'4 b'8 c'' r4. | <d'' b'>8. <c'' a'> <b' g'> <a' f'> ~ <c' f'> <d' g'> <e' a'> <f' b'> _~ | f'1._( | c')_( | \break %% 30-33 <c' f'>2)_( <c' e'>)^( \tuplet 3/2 { e'4) f' g' } | r2 \repeat percent 4 { <c' g'>8_. r8 } | \repeat percent 6 { <g' d''>16 <c' g'> r8 } | g'1.^\fermata | \break %% 34-38 c'1.^\fermata | <c' e'>2_( <c' g'>)_( <c' b'>)^( | <b' g'>) <g' e'> <e' c'>_( | c'1.) | r1.^\fermata | \break %% 39-43 r1. | r2 <c' f'>2 <e' a'>4. f'8_~ | f'8 <d' g'>1 r4. | r1. | c'1_\( a'2\)_\( | \break %% 44-47 <c' f'>2\) d''4 <f' e''>2. | <e' a'>2 f''4 <a' g''>2. | <e'' d''>2 c''4 b' <a' g'>2 | \repeat percent 2 {<c' f'>2 d'16 f' r8 } \break %% 48-51 \repeat percent 7 {<c' f'>4. d'16 f' r4 } r2. | \break %% 52-55 << { } \\ { c'2 e' f'_~ | f' e' c'_~ | c' e'1 | r2 c'1^\fermata } >> | \break %% 56-59 r1. | r1. | r1. | r1. | \break %% 60-63 <c' f'>2._( <f' c'>)_~ | <f' c'>_( <c' f'>)_~ | f'1._\( | b'1.\) | \break %% 64-67 c'4.._. r16 d'2_. c'4_. d'_. | e'_. r4 g'4.^. f'_. d'4_. | c'_. r8 g'2^. e'4._. d'4_. | d'4._. r4. c'8_. e'4_. f'4._. | \break %% 68-71 f'8_. f'4_. f'8_. f'4_. f'4_. g'2^. | r4 f'4._. g'4.^. g'2^. | f'4.^. r8 f'8_. f'8._. f'4_. d'8._. e'4_. | d'4_. e'8_. f'4_. f'8_. g'2.^. | \break %% 72-75 r4 c'8_. c'4_. r16 c'8._. d'4_. d'8_. e'4_. | f'4._. r4. e'4._. f'4._. | e'2_. e'8_. f'4_. g'2^. r8 | r8 f'8_. f'4._. e'2_. r8 e'4_. | \break %% 76-79 d'8._. e'4_. f'4_. f'16_. f'4._. g'^. | r1.^\fermata | r1.^\fermata | r1.^\fermata | \break %% 80-83 r1. | r1. | r1. | r1. | \break %% 84-87 r1. | r1. | r1. | r1. | \break %% 88-91 c'4.-. r8 <c' f'>2 c' | \repeat percent 3 {<c' f'>2 c' <c' f'>} | \break %% 92-93 \time4/1 <c' f'>\longa \time 3/2 r1 s2 \bar "|." \break } %%% end Soprano midi. %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%% altoVoice = {\hide Staff.BarLine \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\longa | r\longa | \break %% 3-5 r\longa | r\longa | r\longa | \break %% 6-9 \time 3/2 r1. | r1. | r1. | r1. | \break %% 10-13 r1. | r1. | r1. | f16^\Tutti f4. f8 r8. f2_\( g4\) | \break %% 14-17 g4 g2 r2. | b16 b4. b8 r8. b2_\( c'4\) | c'4 c'2 r8 b4 c'4._\( | c'2\) d'2 r2 | %% 18-21 a8 a8. a4 r8 d'4 d'8 d'8. r4 | r1. | e'16 f'4. e'2 d'4. r8. | d'8_\( c'4. a2\) r2 | \break %% 22-25 r4. g8 b4. f8 e4. d8 | r8 f2 \stemDown c'4 b8 c'4 b8 \stemNeutral c'_( | d') d'16 r16 b2 g2. | r1. | \break %% 26-29 r1. | r1. | r1. | r1. | \break %% 30-33 r1. | r1. | r1. | r1. | \break %% 34-38 r1. | r1. | r1. | r1. | r1. | \break %% 39-43 r1. | r1 r4. f'8_(^\Solo | g'2) r8 b'2 a'4. | b'4_( c''8) a'8 b'4_( c''8) r32 g'8 r32 b'16_( g' e' c') d'8. | f'4. f'4_\( b'4.\) r2 | \break %% 44-47 r1. | r1. | r1. | r1. | \break %% 48-51 r1. | r1. | r1. | r1. | \break %% 52-55 r8 c'8^\Tutti c'4 d'4. r16 c'8 b16_(_\( c'8) c'4\) | d'2 c'8. r16 e'2. | r4. c'4 r8 e'2. | f'4. g'2 f'8 e'2 | \break %% 56-59 r8 c'2 r16 b16 c'8 d'4_\( e'4.\) | f'4_\( f' f'4.\) e'8 f'2 | r4. c'4 r8 e'2. | f'4. g'2 f'8 e'2 | \break %% 60-63 f8 f2. r4. a8 r8 | b8_( a g f4) r8 g4 \tuplet 3/2 {a4_( \stemUp c' e')} \stemNeutral | r1. | r1. | \break %% 64-67 c'1.\melisma | c' | c' | c'1. | \break %% 68-71 c'4\melismaEnd r4 f'1\melisma | f'1. | f' | f' | \break %% 72-75 f'4\melismaEnd r2 c'2.\melisma | c'1. | c' | c' | \break %%76-79 c'2_( f'2.) _( c'4)\melismaEnd | r1.^\fermata | r1.^\fermata | r1. | \break %% 80-83 r1. | e'1.\melisma | e' | e' | \break %% 84-87 e'4\melismaEnd f'8_( e') r4 d' r8 c'4 r8 | r1. | g'4\melisma f' e' d'8 c'\melismaEnd b_( a) r4 | r1. | \break %% 88-91 r1 d'8\melisma c' b a | g f g a\melismaEnd b_( c' d'4) d'2\melisma | d'1. | d' | \break %% 92-93 \time 4/1 d'1\melismaEnd r1 r\breve | \time 3/2 r1 s2 \undo \hide Staff.BarLine \bar "|." \break } %%%%% altoVoiceL = \lyricmode { \override Lyrics.LyricText.color = #blue \override Lyrics.LyricHyphen.color = #blue \override Lyrics.LyricExtender.color = #blue \override Score.LyricText.font-shape = #'italic \teeny A man is climb -- ing the stairs. the man is climb -- ing the stairs. "of an" aban -- doned building, with "no window" frames, no hand -- rails, a building waiting "to be" de -- mol -- ished. Sun -- shine and rain and wind have be -- come a part of daily life %% since the man moved to this town a week ago. %% Tenor Solo %%% %% The man works as a door-to-door Bi -- ble sales -- man. %% Alto Solo %%% He goes from house to house and main -- ly sells Bi -- ble. As he peers "at the" tar -- get {\once \override Lyrics.LyricText.color = #green "location"} through {\once \override Lyrics.LyricText.color = #green "his scope"} "the man" hums re -- peat -- ed -- ly, {\once \override Lyrics.LyricText.color = #green "As he peers"} at the tar -- get lo -- ca -- tion through {\once \override Lyrics.LyricText.color = #green "his scope"} "the man" prays re -- peat -- ed -- ly, The man was praying {\once \override Lyrics.LyricText.color = #green "to the"} Lord. m __ n __ m __ A __ men Amen Amen A __ men A __ men n __ } %%%%% altoVoiceM = { \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\longa | r\longa | \break %% 3-5 r\longa | r\longa | r\longa | \break %% 6-9 \time 3/2 r1. | r1. | r1. | r1. | \break %% 10-13 r1. | r1. | r1. | f16 f4. f8 r8. f2_\( g4\) | \break %% 14-17 g4 g2 r2. | b16 b4. b8 r8. b2_\( c'4\) | c'4 c'2 r8 b4 c'4._\( | c'2\) d'2 r2 | \break %% 18-21 a8 a8. a4 r8 d'4 d'8 d'8. r4 | r1. | e'16 f'4. e'2 d'4. r8. | d'8_\( c'4. a2\) r2 | \break %% 22-25 r4. g8 b4. f8 e4. d8 | r8 f2 c'4 b8 c'4 b8 c'_( | d') d'16 r16 b2 g2. | r1. | \break %% 26-29 r1. | r1. | r1. | r1. | \break %% 30-33 r1. | r1. | r1. | r1. | \break %% 34-38 r1. | r1. | r1. | r1. | r1. | \break %% 39-43 r1. | r1 r4. f'8_(^\Solo | g'2) r8 b'2 a'4. | b'4_( c''8) a'8 b'4_( c''8) r32 g'8 r32 b'16_( g' e' c') d'8. | f'4. f'4_\( b'4.\) r2 | \break %% 44-47 r1. | r1. | r1. | r1. | \break %% 48-51 r1. | r1. | r1. | r1. | \break %% 52-55 r8 c'8 c'4 d'4. r16 c'8 b16_(_\( c'8) c'4\) | d'2 c'8. r16 e'2. | r4. c'4 r8 e'2. | f'4. g'2 f'8 e'2 | \break %% 56-59 r8 c'2 r16 b16 c'8 d'4_\( e'4.\) | f'4_\( f' f'4.\) e'8 f'2 | r4. c'4 r8 e'2. | f'4. g'2 f'8 e'2 | \break %% 60-63 f8 f2. r4. a8 r8 | b8_( a g f4) r8 g4 \tuplet 3/2 {a4_( c' e')} | r1. | r1. | \break %% 64-67 c'1.\melisma | c' | c' | c'1. | \break %% 68-71 c'4\melismaEnd r4 f'1\melisma | f'1. | f' | f' | \break %% 72-75 f'4\melismaEnd r2 c'2.\melisma | c'1. | c' | c' | \break %%76-79 c'2_( f'2.) _( c'4)\melismaEnd | r1.^\fermata | r1.^\fermata | r1. | \break %% 80-83 r1. | e'1.\melisma | e' | e' | \break %% 84-87 e'4\melismaEnd f'8_( e') r4 d' r8 c'4 r8 | r1. | g'4\melisma f' e' d'8 c'\melismaEnd b_( a) r4 | r1. | \break %% 88-91 r1 d'8\melisma c' b a | g f g a\melismaEnd b_( c' d'4) d'2\melisma | d'1. | d' |\break %% 92-93 \time 4/1 d'1\melismaEnd r1 r\breve | \time 3/2 r1 s2 \bar "|." \break } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%% Instruments alto = { \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 c'\longa_~ | c'\breve_\( f\breve\)_~ | \break %% 3-5 f1 r2. r8_\( a-. r c'-. r e'-. f'4-.\)_\( e'8-. r c'-. r a-. r f-.\) r4. | f''\longa | \noBreak r2. f''2_( e''4 d'' c'' b' a' g' f') r1 | \break %% 6-9 \time 3/2 <f' c'>2 <c' g> f2_~ | <f c'>1 d'2 | e'2 <c' a>4 <d' b>_~ <b g> <c' a> | r4 <e' c'>4 <d' b> <c' a> <b g> <a f>_~ | \break %% 10-13 f1._( | <f a>2)_\( <g b>\)_\( <f a>\)_\( | b1.\) | r1. | \break %% 14-17 r1. | r8 <f g a>16 <g a b> < a b c'> d'8. c'16 b a g a4 <b d'>2 | c'1 <b d'>2_~ | <b d'>1 <a d'>2_~ | \break %% 18-21 <a d'>2 r2 d'2 | g'4._~ <g' e' c'>8. <f' d' b> <e' c' a> <d' b g> <c' a f>_~ f8._\( | a1\) c'2_~ | <c' a>1. | \break %% 22-25 b2 \tuplet 3/2 { g4 a b a g f } | \repeat percent 8 {e'16^.} r2 \repeat percent 8 {c'16^.} | r4.. \stemUp <e' d'>16 <d' c'> \stemNeutral <c' b> <b a> <a g> f2._~ | f2._( b) | \break %% 26-29 d'2 \tuplet 3/2 { <c' b>4 <b a> <a g> <g f>_~ f2_~ } | f2 b \tuplet 3/2 { <f g>8 <g a> <a b> <b c'> <c' d'> <d' e'> } | <<{ s1.} \\ {f'1._(}>> | << {s1.} \\ {f1.)_(} >> | \break %% 30-33 <<{ b2 \override Glissando.style = #'trill e'1\glissando | b'2. } \\ {\stemUp f2) \stemNeutral \once \override NoteHead.color = #(x11-color 'LimeGreen) \once \override Voice.Script.color = #(x11-color 'LimeGreen) b1_. | s2}>> r8 a'16 g' f' e' d' c' b a g f_( | <f g>8.) <g a> <a b> <b c'> <c' d'> <d' e'> r4. | c'1.^\fermata | \break %% 34-38 f1.^\fermata | <f a>2_\( <f c'>\)_\( <f e'>\)^\( | <e' c'>\) <c' a> <a f>_\( | f1.\) | r1.^\fermata | \break %% 39-33 r1 <f b>2 | <a d'>4. b4 <g c'>2.. | r1. | r1 f2_~ | f2_\( d'1\)_^\( | \break %% 44-47 <a' b>2.\) g'4 <f b>2 | <c'' d'>2. d'4 <a d'>2 | <c' d'>2 e'4 f' <g' a'>2 | \repeat percent 2 { r8 b16 g <f b>2 } | \break %% 48-51 \repeat percent 7 { r4 b16 g <f b>4. } r2. | \break %% 52-55 << { } \\ { f2 a b_~ | b a f_~ | f a1 | r2 f1^\fermata } >> | \break %% 56-59 r1. | r1. | r1. | r1. | \break %% 60-63 <g b>8.-. <a c'>-. <b d'>-. r8. <c' a>8.-. <b g>-. <a f>-. r8. f16-. g-. a-. b-. c'-. d'-. e'-. f'-. r4 b2. _~ | b1._( | e'1.) | \break %% 64-67 f4.._. r16 g2_. f4_. g_. | a_. r4 c'4.^. b_. g4_. | f_. r8 c'2^. a4._. g4_. | g4._. r4. f8_. a4_. b4._. | \break %% 68-71 b8_. b4_. b8_. b4_. b4_. c'2^. | r4 b4._. c'4.^. c'2^. | b4.^. r8 b8_. b8._. b4_. g8._. a4_. | g4_. a8_. b4_. b8_. c'2.^. | \break %% 72-75 r4 f8_. f4_. r16 f8._. g4_. g8_. a4_. | b4._. r4. a4._. b4._. | a2_. a8_. b4_. c'2^. r8 | r8 b8_. b4._. a2_. r8 a4_. | \break %% 76-79 g8._. a4_. b4_. b16_. b4._. c'^. | r1.^\fermata | r1.^\fermata | r1.^\fermata | \break %% 80-83 r1. | r1. | r1. | r1. | \break %% 84-87 r1. | r1. | r1. | r1. | \break %% 88- } %%%%% end alto sheet. altoM = { \partial 2 r2^\fermata | %% 1-2 \time 4/1 c'\longa_~ | c'\breve_\( f\breve\)_~ | \break %% 3-5 f1 r2. r8_\( a-. r c'-. r e'-. f'4-.\)_\( e'8-. r c'-. r a-. r f-.\) r4. | f''\longa | \noBreak r2. f''2_( e''4 d'' c'' b' a' g' f') r1 | \break %% 6-9 \time 3/2 <f' c'>2 <c' g> f2_~ | <f c'>1 d'2 | e'2 <c' a>4 <d' b>_~ <b g> <c' a> | r4 <e' c'>4 <d' b> <c' a> <b g> <a f>_~ | \break %% 10-13 f1._( | <f a>2)_\( <g b>\)_\( <f a>\)_\( | b1.\) | r1. | \break %% 14-17 r1. | r8 <f g a>16 <g a b> < a b c'> d'8. c'16 b a g a4 <b d'>2 | c'1 <b d'>2_~ | <b d'>1 <a d'>2_~ | \break %% 18-21 <a d'>2 r2 d'2 | g'4._~ <g' e' c'>8. <f' d' b> <e' c' a> <d' b g> <c' a f>_~ f8._\( | a1\) c'2_~ | <c' a>1. | \break %% 22-25 b2 \tuplet 3/2 { g4 a b a g f } | \repeat percent 8 {e'16^.} r2 \repeat percent 8 {c'16^.} | r4.. <e' d'>16 <d' c'> <c' b> <b a> <a g> f2._~ | f2._( b) | \break %% 26-29 d'2 \tuplet 3/2 { <c' b>4 <b a> <a g> <g f>_~ f2_~ } | f2 b \tuplet 3/2 { <f g>8 <g a> <a b> <b c'> <c' d'> <d' e'> } | <<{ s1.} \\ {f'1._(}>> | << {s1.} \\ {f1.)_(} >> | \break %% 30-33 <<{ b2 \override Glissando.style = #'trill e'1\glissando | b'2. } \\ {\stemUp f2) \stemNeutral b1_. | s2}>> r8 a'16 g' f' e' d' c' b a g f_( | <f g>8.) <g a> <a b> <b c'> <c' d'> <d' e'> r4. | c'1.^\fermata | \break %% 34-38 f1.^\fermata | <f a>2_\( <f c'>\)_\( <f e'>\)^\( | <e' c'>\) <c' a> <a f>_\( | f1.\) | r1.^\fermata | \break %% 39-43 r1 <f b>2 | <a d'>4. b4 <g c'>2.. | r1. | r1 f2_~ | f2_\( d'1\)^\( | \break %% 44-47 <a' b>2.\) g'4 <f b>2 | <c'' d'>2. d'4 <a d'>2 | <c' d'>2 e'4 f' <g' a'>2 | \repeat percent 2 { r8 b16 g <f b>2 } | \break %% 48-51 \repeat percent 7 { r4 b16 g <f b>4. } r2. | \break %% 52-55 << { } \\ { f2 a b_~ | b a f_~ | f a1 | r2 f1^\fermata } >> | \break %% 55-59 r1. | r1. | r1. | r1. | \break %% 60-63 <g b>8.-. <a c'>-. <b d'>-. r8. <c' a>8.-. <b g>-. <a f>-. r8. f16-. g-. a-. b-. c'-. d'-. e'-. f'-. r4 b2. _~ | b1._( | e'1.) | \break %% 64-67 f4.._. r16 g2_. f4_. g_. | a_. r4 c'4.^. b_. g4_. | f_. r8 c'2^. a4._. g4_. | g4._. r4. f8_. a4_. b4._. | \break %% 68-71 b8_. b4_. b8_. b4_. b4_. c'2^. | r4 b4._. c'4.^. c'2^. | b4.^. r8 b8_. b8._. b4_. g8._. a4_. | g4_. a8_. b4_. b8_. c'2.^. | \break %% 72-75 r4 f8_. f4_. r16 f8._. g4_. g8_. a4_. | b4._. r4. a4._. b4._. | a2_. a8_. b4_. c'2^. r8 | r8 b8_. b4._. a2_. r8 a4_. | \break %% 76-79 g8._. a4_. b4_. b16_. b4._. c'^. | r1.^\fermata | r1.^\fermata | r1.^\fermata | \break %% 80-83 r1. | r1. | r1. | r1. | \break %% 84-87 r1. | r1. | r1. | r1. | \break %% 88- } %%%%% end alto midi. %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%% tenorVoice = { \hide Staff.BarLine \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\longa | r\longa | \break %% 3-5 r\longa | r\longa | r\longa | \break %% 6-9 \time 3/2 r1. | r1. | r1. | r1. | \break %% 10-13 r1. | r1. | r1. | d16^\Tutti d4. d8 r8. d2_\( e4\) | \break %% 14-17 e4 e2 r2. | e16 e4. e8 r8. e2_\( a4\) | a4 a2 r8 g4 a4._\( | a2\) b2 r2 | \break %% 18-21 r1. | a8 a8. a4 r8 d'4 d'8 d'8. r8 b8 | b4. b2 a4. r4 | a8_\( g4. f2\) r2 | \break %% 22-25 r1. | r1. | r1. | a2. r4 b8 c'4. | \break %% 26-29 r4 c'2.. b8 b4 | \stemUp r4 f2 r16 g8 f8_( g a b8.) \stemNeutral | c'2 r1 | r1. | \break %% 30-33 r1. | r1. | r1. | r1. | \break %% 34-38 r1. | r1. | r1. | r1. | r1. | \break %% 39-43 r4 d2^\Solo f4. r16 e8. e8_( | g4) r8. f4_\( b4.\) r16 c'4._\( | d'2\) r1 | r1. | f4. f4_\( b4.\) r2 | %% 44-47 r1. | r1. | r1. | r1. | \break %% 48-51 r1. | r1. | r1. | r1. | \break %% 52-55 r8 g2^\Tutti r16 f16 g8 a4_\( b4.\) | c'4_\( c' c'4.\) b8 c'2 | r4. a4 r8 c'2. | d'4. e'2 d'8 c'2 | \break %% 56-59 r8 g8 g4 b4. r16 g8 f16_(_\( g8) g4\) | a2 g8. r16 b2. | r4. a4 r8 c'2. | d'4. e'2 d'8 c'2 | \break %% 60-63 b4 c'2 c'4 e'2 | r16 f'8.. g'8.. a'4_( b' c'') r4 | r1. | r1. | \break %% 64-67 d1.\melisma | d | d | d | \break %% 68-71 d4\melismaEnd r4 d1\melisma | d1. | d | d | \break %% 72-75 d4\melismaEnd r2 d2.\melisma | d1. | d | d | \break %%76-79 d2_( e2.) _( d4)\melismaEnd | r1.^\fermata | r1.^\fermata | r1. | \break %% 80-83 r4 g4\melisma a b c'8 d'\melismaEnd e'8_( f') | r8 e'4. r4 e'4. r4. | b1.\melisma | b | \break %% 84-87 b | b4\melismaEnd c'8_( b) r4 b4 r4 c'4 | r4 c'4\melisma b a g8 f\melismaEnd e_( d) | r1. | \break %% 88-91 r1. | r2 a8\melisma g f e d c d e\melismaEnd | f_( g a4) a1\melisma | a1. | \break %% 92-93 \time 4/1 a1\melismaEnd r1 r\breve | \time 3/2 r1 s2 \undo \hide Staff.BarLine \bar "|." \break } %%%%% tenorVoiceL = \lyricmode { \override Lyrics.LyricText.color = #blue \override Lyrics.LyricHyphen.color = #blue \override Lyrics.LyricExtender.color = #blue \override Score.LyricText.font-shape = #'italic \teeny A man is climb -- ing the stairs. the man is climb -- ing the stairs. "of an" aban -- doned building, with "no window" frames, no hand -- rails, a building waiting "to be" de -- mol -- ished. %% Sunshine and rain and wind have become a part of daily life since the man moved to this town a week ago. %% Solo %%% "The man" works "as a" "door-to-door" Bi -- ble sales -- man. (sells Bi -- ble.) %% He goes from house to house and main -- ly sells Bi -- ble. {\once \override Lyrics.LyricText.color = #green "As he peers"} at the tar -- get lo -- ca -- tion through {\once \override Lyrics.LyricText.color = #green "his scope"} "the man" hums re -- peat -- ed -- ly, As he peers "at the" tar -- get {\once \override Lyrics.LyricText.color = #green location} through {\once \override Lyrics.LyricText.color = #green "his scope"} "the man" prays re -- peat -- ed -- ly. The man was praying to the Lord. ɔ __ ɔ __ ɔ __ A __ men Amen Amen A __ men Amen Amen A __ men A __ me n __ } %%%%% tenorVoiceM = { \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\longa | r\longa | \break %% 3-5 r\longa | r\longa | r\longa | \break %% 6-9 \time 3/2 r1. | r1. | r1. | r1. | \break %% 10-13 r1. | r1. | r1. | d16 d4. d8 r8. d2_\( e4\) | \break %% 14-17 e4 e2 r2. | e16 e4. e8 r8. e2_\( a4\) | a4 a2 r8 g4 a4._\( | a2\) b2 r2 | \break %% 18-21 r1. | a8 a8. a4 r8 d'4 d'8 d'8. r8 b8 | b4. b2 a4. r4 | a8_\( g4. f2\) r2 | \break %% 22-25 r1. | r1. | r1. | a2. r4 b8 c'4. | \break %% 26-29 r4 c'2.. b8 b4 | r4 f2 r16 g8 f8_( g a b8.) | c'2 r1 | r1. | \break %% 30-33 r1. | r1. | r1. | r1. | \break %% 34-38 r1. | r1. | r1. | r1. | r1. | \break %% 39-43 r4 d2^\Solo f4. r16 e8. e8_( | g4) r8. f4_\( b4.\) r16 c'4._\( | d'2\) r1 | r1. | f4. f4_\( b4.\) r2 | %% 44-47 r1. | r1. | r1. | r1. | \break %% 48-51 r1. | r1. | r1. | r1. | \break %% 52-55 r8 g2^\Tutti r16 f16 g8 a4_\( b4.\) | c'4_\( c' c'4.\) b8 c'2 | r4. a4 r8 c'2. | d'4. e'2 d'8 c'2 | \break %% 56-59 r8 g8 g4 b4. r16 g8 f16_(_\( g8) g4\) | a2 g8. r16 b2. | r4. a4 r8 c'2. | d'4. e'2 d'8 c'2 | \break %% 60-63 b4 c'2 c'4 e'2 | r16 f'8.. g'8.. a'4_( b' c'') r4 | r1. | r1. | \break %% 64-67 d1.\melisma | d | d | d | \break %% 68-71 d4\melismaEnd r4 d1\melisma | d1. | d | d | \break %% 72-75 d4\melismaEnd r2 d2.\melisma | d1. | d | d | \break %%76-79 d2_( e2.) _( d4)\melismaEnd | r1.^\fermata | r1.^\fermata | r1. | \break %% 80-83 r4 g4\melisma a b c'8 d'\melismaEnd e'8_( f') | r8 e'4. r4 e'4. r4. | b1.\melisma | b | \break %% 84-87 b | b4\melismaEnd c'8_( b) r4 b4 r4 c'4 | r4 c'4\melisma b a g8 f\melismaEnd e_( d) | r1. | \break %% 88-91 r1. | r2 a8\melisma g f e d c d e\melismaEnd | f_( g a4) a1\melisma | a1. | \break %% 92-93 \time 4/1 a1\melismaEnd r1 r\breve | \time 3/2 r1 s2 \bar "|." \break } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%% Instruments tenor = { \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 c\longa_~ | c\longa_~ | \break %% 3-5 <c f>2_~ <c c'>1. <d b>2._\( <e a> <f f'>2\)_~ | <f f'>\longa_~ | <f f'>2.-. <g e'>-. <a d'>-. b-. c'1_~ | \break %% 6-9 \time 3/2 c'2._\( f\)_\( | c'\)_\( f'\)_\( | c'\)_\( f\)_~ | <f a>4. <e g> <d f> <c e>_~ | \break %% 10-13 <c e>_( e2.) r4. | c4. d e f | r4 g4 a b c'2 | r1. | \break %% 14-17 << { f2 a c' | b1. | } \\ { c1. | d4. e f g | } >> a1. | <c c'> | \break %% 18-21 ges2 g1 | r2 <f a>1_~ | <f b>2_\( c'1_\)_\( | g1.\) | \break %% 22-25 <f a>1 a2_( | \stemUp \tuplet 3/2 { a8) \stemNeutral g f e d c_( } \tuplet 3/2 { <c e>8) <d f> <e g> <f a> <g b> <a c'> } c'2 | r4.. \stemUp <b a>16 <a g> \stemNeutral <g f> <f e> <e d> c2._~ | c2._\( f\) | \break %% 26-29 <d g>2 _(<g c'>2.)_( <d g>4)_~ | <d g> <c c'>4.-. r4. \override Glissando.style = #'trill <c c'>2_.\glissando | d'1._._( | d1.) | \break %% 30-33 r4. g'4^. a'16 g4_. f16 a'4^. b'16 c8._~ | c8._\( <c f>4.\)_\( <c b>\)^\( <b e'>\)_\( f'8.\)_\( | a'8.\)_\( f' d' b g e c\) e16_\( f g | a1.\)^\fermata | \break %% 34-38 d1.^\fermata | <d f>2_\( <d a>\)_\( <d c'>\)^\( | <c' a>\) <a f> <f d>_\( | d1.\) | r1.^\fermata | \break %% 39-43 r2 <d g>2 <f b>4. g8_~ | g8 <e a>4. r1 | r1 <d g>2_\( | <d g>1\) r2 | r1 b2 | \break %% 44-47 << {<a d'>8[ <b e'> <c' f'>] g'2. a'4. | <g' e'>8[ <f' d'> <e' c'>] b2. a4. | <f g>8. <g a> <a b> <b c'>_\( c'2.\) | r1 b2_\( } \\ {<c e>8. <d f> <e g> f2... | d1._~ | d_~ | d_\( } >> | \break %% 48-51 << { b2\) r2 c'2_~ | c' r2 b2_~ | b2 r2 c'2_~ | c'1 r2 } \\ { d1\) c2_~ | c1 d2_~ | d1 c2_~ | c1 r2 } >> | \break %% 52-55 << { } \\ { c2 e f_~ | f e c_~ | c e1 | r2 c1^\fermata } >> | \break %% 55-59 r1. | r1. | r1. | r1. | \break %% 60-63 <c e>1_\( <c f>2\)_~ | <c f>2_\( <c g>1\)_~ | g1._\( | c'1.\) | \break %% 64-67 c4.._. r16 d2_. c4_. d_. | e_. r4 g4._. f_. d4_. | c_. r8 g2_. e4._. d4_. | d4._. r4. c8_. e4_. f4._. | \break %% 68-71 f8_. f4_. f8_. f4_. f4_. g2_. | r4 f4._. g4._. g2_. | f4._. r8 f8_. f8._. f4_. d8._. e4_. | d4_. e8_. f4_. f8_. g2._. | \break %% 72-75 r4 c8_. c4_. r16 c8._. d4_. d8_. e4_. | f4._. r4. e4._. f4._. | e2_. e8_. f4_. g2_. r8 | r8 f8_. f4._. e2_. r8 e4_. | \break %% 76-79 d8._. e4_. f4_. f16_. f4._. g_. | r1.^\fermata | r1.^\fermata | r1.^\fermata | \break %% 80-83 r1. | r1. | r1. | r1. | \break %% 84-87 r1. | r1. | r1. | r1. | \break %% 88- } %%%%% end tenor sheet. tenorM = { \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 c\longa_~ | c\longa_~ | \break %% 3-5 <c f>2_~ <c c'>1. <d b>2._\( <e a> <f f'>2\)_~ | <f f'>\longa_~ | <f f'>2.-. <g e'>-. <a d'>-. b-. c'1 | \break %% 6-9 \time 3/2 c'2._\( f\)_\( | c'\)_\( f'\)_\( | c'\)_\( f\)_~ | <f a>4. <e g> <d f> <c e>_~ | \break %% 10-13 <c e>_( e2.) r4. | c4. d e f | r4 g4 a b c'2 | r1. | \break %% 14-17 << { f2 a c' | b1. | } \\ { c1. | d4. e f g | } >> a1. | <c c'> | \break %% 18- ges2 g1 | r2 <f a>1_~ | <f b>2_\( c'1_\)_\( | g1.\) | \break %% 22-25 <f a>1 a2_( | \tuplet 3/2 { a8) g f e d c_( } \tuplet 3/2 { <c e>8) <d f> <e g> <f a> <g b> <a c'> } c'2 | r4.. \stemUp <b a>16 <a g> \stemNeutral <g f> <f e> <e d> c2._~ | c2._\( f\) | \break %% 26-29 %% <d g>2 _(<g c'>2.)_( <d g>4)_~ | <d g> <c c'>4.-. r4. <c c'>2_._( | d'1._.)_( | d1.) | \break <d g>2 _(<g c'>2.)_( <d g>4)_~ | <d g> <c c'>4.-. r4. \override Glissando.style = #'trill <c c'>2_.\glissando | d'1._._( | d1.) | \break %% 30-33 r4. g'4^. a'16 g4_. f16 a'4^. b'16 c8._~ | c8._\( <c f>4.\)_\( <c b>\)^\( <b e'>\)_\( f'8.\)_\( | a'8.\)_\( f' d' b g e c\) e16_\( f g | a1.\)^\fermata | \break %% 34-38 d1.^\fermata | <d f>2_\( <d a>\)_\( <d c'>\)^\( | <c' a>\) <a f> <f d>_\( | d1.\) | r1.^\fermata | \break %% 39-43 r2 <d g>2 <f b>4. g8_~ | g8 <e a>4. r1 | r1 <d g>2_\( | <d g>1\) r2 | r1 b2 | \break %% 44-47 << {<a d'>8[ <b e'> <c' f'>] g'2. a'4. | <g' e'>8[ <f' d'> <e' c'>] b2. a4. | <f g>8. <g a> <a b> <b c'>_\( c'2.\) | r1 b2_\( } \\ {<c e>8. <d f> <e g> f2... | d1._~ | d_~ | d_\( } >> | \break %% 48-51 << { b2\) r2 c'2_~ | c' r2 b2_~ | b2 r2 c'2_~ | c'1 r2 } \\ { d1\) c2_~ | c1 d2_~ | d1 c2_~ | c1 r2 } >> | \break %% 52-55 << { } \\ { c2 e f_~ | f e c_~ | c e1 | r2 c1^\fermata } >> | \break %% 56-59 r1. | r1. | r1. | r1. | \break %% 60-63 <c e>1_\( <c f>2\)_~ | <c f>2_\( <c g>1\)_~ | g1._\( | c'1.\) | \break %% 64-67 c4.._. r16 d2_. c4_. d_. | e_. r4 g4._. f_. d4_. | c_. r8 g2_. e4._. d4_. | d4._. r4. c8_. e4_. f4._. | \break %% 68-71 f8_. f4_. f8_. f4_. f4_. g2_. | r4 f4._. g4._. g2_. | f4._. r8 f8_. f8._. f4_. d8._. e4_. | d4_. e8_. f4_. f8_. g2._. | \break %% 72-75 r4 c8_. c4_. r16 c8._. d4_. d8_. e4_. | f4._. r4. e4._. f4._. | e2_. e8_. f4_. g2_. r8 | r8 f8_. f4._. e2_. r8 e4_. | \break %% 76-79 d8._. e4_. f4_. f16_. f4._. g_. | r1.^\fermata | r1.^\fermata | r1.^\fermata | \break %% 80-83 r1. | r1. | r1. | r1. | \break %% 84-87 r1. | r1. | r1. | r1. | \break %% 88- } %%%%% end tenor midi. %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%% baritone part %%%%%%%%%%%%%%%%%%%%%%% baritone = { \hide Staff.BarLine \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\longa | r\longa | \break %% 3-5 r\longa | r\longa | r\longa | \break %% 6-9- 10-13- 14-17- 18-21- 22-25- 26-29- 30-33-34-38-39-43-44-47-48-51-52-55-56-59 \time 3/2 r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | \break %% 60-63 r1. | r1. | r1. | b,2^\Bsolo c r8 c4. | \break %% 64-67 c4.. r16 d2 c4 d_( | e) r4 g4. f d4_( | c) r8 g2 e4. d4 | d4. r4. c8_\( e4\) f4. | \break %% 68-71 f8_\( f4\) f8 f4_\( f4\) g2 | r4 f4. g4. g2 | f4. r8 f8 f8. f4 d8. e4 | d4 e8 f4 f8 g2. | \break %% 72-75 r4 c8 c4 r16 c8. d4 d8 e4 | f4. r4. e4. f4. | e2 e8 f4 g2 r8 | r8 f8 f4. e2 r8 e4 | \break %% 76-79 d8._\( e4 f4\) f16 f4._\( g\) | r8 e2 r8 e2 r4^\fermata | r1.^\fermata | r1.^\fermata | \break %% 80-83 r1. | r1. | r1. | r1. | \break %% 84-87 r1. | r1. | r1. | r1. | \break %% 88-91 r1. | r1. | r1. | r1. | \break %% 92-93 \time 4/1 r\longa | \time 3/2 r1 s2 \undo \hide Staff.BarLine \bar "|." \break } %%%%% baritoneL = \lyricmode { \override Lyrics.LyricText.color = #blue \override Lyrics.LyricHyphen.color = #blue \override Lyrics.LyricExtender.color = #blue \override Score.LyricText.font-shape = #'italic \teeny Lord, please let it rain that day. Lord, save me. Lord, grant my wish! Be -- fore I be -- come a sin -- ner, Lord, I beg you, "I am" a liv -- ing per -- son who be -- lieves in God, %% this after===>Instruments play!!! but "I am" just "one of" the weak sheep. Please hold me in your arms and save me from be -- com -- ing a sin -- ner. {\once \override Lyrics.LyricText.color = #green "Amen."} {\once \override Lyrics.LyricText.color = #green "Amen."} %%%%%%%% %% A __ men. A __ men __. %% with Chours "S,A,T,B" and with "Tutti" %%% man Part I end. %%% Part II ; Start with the Hallelujah hymn %%%%%%%% } %%%%% end baritone sheet. baritoneM = { \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\longa | r\longa | \break %% 3-5 r\longa | r\longa | r\longa | \break %% 6-9- 10-13- 14-17- 18-21- 22-25- 26-29- 30-33-34-38- 39-43- 44-47- 48-51- 52-55-56-59 \time 3/2 r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | \break r1. | r1. | r1. | r1. | \break %% 60-63 r1. | r1. | r1. | b,2 c r8 c4. | \break %% 64-67 c4.. r16 d2 c4 d_( | e) r4 g4. f d4_( | c) r8 g2 e4. d4 | d4. r4. c8_\( e4\) f4. | \break %% 68-71 f8_\( f4\) f8 f4_\( f4\) g2 | r4 f4. g4. g2 | f4. r8 f8 f8. f4 d8. e4 | d4 e8 f4 f8 g2. | \break %% 72-75 r4 c8 c4 r16 c8. d4 d8 e4 | f4. r4. e4. f4. | e2 e8 f4 g2 r8 | r8 f8 f4. e2 r8 e4 | \break %% 76-79 d8._\( e4 f4\) f16 f4._\( g\) | r8 e2 r8 e2 r4^\fermata | r1.^\fermata | r1.^\fermata | \break %% 80-83 r1. | r1. | r1. | r1. | \break %% 84-87 r1. | r1. | r1. | r1. | \break %% 88-91 r1. | r1. | r1. | r1. | \break %% 92-93 \time 4/1 r\longa | \time 3/2 r1 s2 \bar "|." \break } %%%%% end baritone midi. %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%% bass; part %%%%%%%%%%%%%%%% bassVoice = { \hide Staff.BarLine \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\longa | r\longa | \break %% 3-5 r\longa | r\longa | r\longa | \break %% 6-9 \time 3/2 r1. | r1. | r1. | r1. | \break %% 10-13 r1. | r1. | r1. | g,16^\Tutti g,4. g,8 r8. g,2_\( a,4\) | \break %% 14-17 a,4 a,2 r2. | a,16 a,4. a,8 r8. a,2_\( d4\) | d4 d2 r8 c4 d4. _\( | d2\) e2 r2 | \break %% 18-21 r1. | b,8 b,8. b,4 r8 e4 e8 e8. r8 e8 | e4. e2 d4. r4 | d8_\( c4. b,2\) r2 | \break %% 22-25 r1. | r1. | r1. | f2. r4 e8 f4. | \break %% 26-29 r4 f2.. e8 e4 | r4 b,2 r16 c8 \stemUp b,8_( c d e8.) \stemNeutral | f2 r1 | r1. | \break %% 30-33 r1. | r1. | r1. | r1. | \break %% 34-38 r1. | r1. | r1. | r1. | r1. | \break %% 39-43 r1. | r1. | r1. | r1. | r1. | \break %% 44-47 r1. | r1. | r1. | r1. | \break %% 48-51 r1. | r1. | r1. | r1. | \break %% 52-55 r8 c8^\Tutti c4 d4. r16 c8 b,16_(_\( c8) c4\) | d2 c8. r16 e2. | r4. d4 r8 f2. | g4. a2 g8 f2 | \break %% 56-59 r8 c2 r16 b,16 c8 d4_\( e4.\) | f4_\( f f4.\) e8 f2 | r4. d4 r8 f2. | g4. a2 g8 f2 | \break %% 60-63 r4 c2 c4 e2 | r16 c8.. d8.. e4_( f g) r4 | r1. | r1. | \break %% 64-67 a,1.\melisma | a, | a, | a, | \break %% 68-71 a,4\melismaEnd r4 a,1\melisma | a,1. | a, | a, | \break %% 72-75 a,4\melismaEnd r2 a,2.\melisma | a,1. | a, | a, | \break %%76-79 a,2_( b,2.) _( a,4)\melismaEnd | r1.^\fermata | r1.^\fermata | r4 c4\melisma d e f8 g\melismaEnd a8_( b) | \break %% 80-83 r8 a4. r4 a4. r4. | e1.\melisma | e1. | e1. | \break %% 84-87 e4\melismaEnd f8_( e) r4 d4 r8 c4 r8 | r1. | g4\melisma f e d8 c\melismaEnd b,_( a,) r4 | r1. | \break %% 88-91 r1. | r1. | d8\melisma c b, a, g, f, g, a,\melismaEnd b,_( c d4) | d1.\melisma | \break %% 92-93 \time 4/1 d1\melismaEnd r1 r\breve | \time 3/2 r1 s2 \undo \hide Staff.BarLine \bar "|." \break } %%%%% bassVoiceL = \lyricmode { \override Lyrics.LyricText.color = #blue \override Lyrics.LyricHyphen.color = #blue \override Lyrics.LyricExtender.color = #blue \override Score.LyricText.font-shape = #'italic \teeny A man is climb -- ing the stairs. the man is climb -- ing the stairs. "of an" aban -- doned building, with "no window" frames, no hand -- rails, a building waiting "to be" de -- mol -- ished. %% Sunshine and rain and wind have become a part of daily life since the man moved to this town a week ago. %% Tenor Solo %%% %% The man works as a door-to-door Bible salesman, %% Alto Solo %%% %% He goes from house to house and mainly sells Bibles. As he peers "at the" tar -- get {\once \override Lyrics.LyricText.color = #green "location"} through {\once \override Lyrics.LyricText.color = #green "his scope"} "the man" hums re -- peat -- ed -- ly, {\once \override Lyrics.LyricText.color = #green "As he peers"} at the tar -- get lo -- ca -- tion through {\once \override Lyrics.LyricText.color = #green "his scope"} "the man" prays re -- peat -- ed -- ly, {\once \override Lyrics.LyricText.color = #green "The man"} was praying to the Lord. ɔː __ ɔː __ ɔː __ A __ men Amen Amen A __ men Amen Amen A __ men A __ men n __ } %%%%% bassVoiceM = { \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\longa | r\longa | \break %% 3-5 r\longa | r\longa | r\longa | \break %% 6-9 \time 3/2 r1. | r1. | r1. | r1. | \break %% 10-13 r1. | r1. | r1. | g,16 g,4. g,8 r8. g,2_\( a,4\) | \break %% 14-17 a,4 a,2 r2. | a,16 a,4. a,8 r8. a,2_\( d4\) | d4 d2 r8 c4 d4. _\( | d2\) e2 r2 | \break %% 18-21 r1. | b,8 b,8. b,4 r8 e4 e8 e8. r8 e8 | e4. e2 d4. r4 | d8_\( c4. b,2\) r2 | \break %% 22-25 r1. | r1. | r1. | f2. r4 e8 f4. | \break %% 26-29 r4 f2.. e8 e4 | r4 b,2 r16 c8 b,8_( c d e8.) | f2 r1 | r1. | \break %% 30-33 r1. | r1. | r1. | r1. | \break %% 34-38 r1. | r1. | r1. | r1. | r1. | \break %% 39-43 r1. | r1. | r1. | r1. | r1. | \break %% 44-47 r1. | r1. | r1. | r1. | \break %% 48-51 r1. | r1. | r1. | r1. | \break %% 52-55 r8 c8^\Tutti c4 d4. r16 c8 b,16_(_\( c8) c4\) | d2 c8. r16 e2. | r4. d4 r8 f2. | g4. a2 g8 f2 | \break %% 56-59 r8 c2 r16 b,16 c8 d4_\( e4.\) | f4_\( f f4.\) e8 f2 | r4. d4 r8 f2. | g4. a2 g8 f2 | \break %% 60-63 r4 c2 c4 e2 | r16 c8.. d8.. e4_( f g) r4 | r1. | r1. | \break %% 64-67 a,1.\melisma | a, | a, | a, | \break %% 68-71 a,4\melismaEnd r4 a,1\melisma | a,1. | a, | a, | \break %% 72-75 a,4\melismaEnd r2 a,2.\melisma | a,1. | a, | a, | \break %%76-79 a,2_( b,2.) _( a,4)\melismaEnd | r1.^\fermata | r1.^\fermata | r4 c4\melisma d e f8 g\melismaEnd a8_( b) | \break %% 80-83 r8 a4. r4 a4. r4. | e1.\melisma | e1. | e1. | \break %% 84-87 e4\melismaEnd f8_( e) r4 d4 r8 c4 r8 | r1. | g4\melisma f e d8 c\melismaEnd b,_( a,) r4 | r1. | \break %% 88-91 r1. | r1. | d8\melisma c b, a, g, f, g, a,\melismaEnd b,_( c d4) | d1.\melisma | \break %% 92-93 \time 4/1 d1\melismaEnd r1 r\breve | \time 3/2 r1 s2 \bar "|." \break } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%% Instruments bass = { \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 f,\longa_~ | f,\longa_~ | \break %% 3-5 <f, c>\breve <e, b,>\breve_\( | <b, e>\longa\)_\( | <e c>2\)_\( <d b,> <c a,>2. <b, g,> <a, f,> g,\)_~ | \break %% 6-9 \time 3/2 \repeat percent 4 { \repeat percent 4 { <g, b, d>8.-. <c a, f,> } } | \break %% 10-13 <c a, f,>4.\repeatTie _(a,2.) r4. | e,4. f, g, b, | r4 c4 d e f2 | r1. | \break %% 14-17 <f, f>1. | ces1. | << { c1. | e1. } \\ { e,2 f, g,_~ | g,4. a, b, c } >> | \break %% 18-21 d1 <c e>2_~ | <c f>2_~ f1_\( | d1.\)_\( | a,\) | \break %% 22-25 <g, b,>1. | \repeat percent 8 {a,16^.} r2 \repeat percent 8 {c16^.} | r4.. \stemUp <e d>16 \stemNeutral <d c> <c b,> <b, a,> <a, g,> f,2._~ | f,2._( b,) | \break %% 26-29 << { \repeat percent 4 { <b, d>4._. } } \\ { \repeat percent 3 { c,8\rest <e, g,>8.^. <f, a,>^. } } >> | << { <b, d>4._.\repeatTie^( <e g>2.) r4. } \\ { r1 \override Glissando.style = #'trill f,2\glissando } >> | << { s1. } \\ { f1._( } >> | << { s1. } \\ { g,1.) } >> | \break %% 30-33 r4. <<{s4. g, \override Glissando.style = #'trill \once \override Voice.Stem.color = #(x11-color 'LimeGreen) \once \override Voice.Dots.color = #(x11-color 'LimeGreen) \once \override NoteHead.color = #(x11-color 'LimeGreen) \once \override Voice.Glissando.color = #(x11-color 'LimeGreen) b, \glissando | \once \override NoteHead.color = #(x11-color 'LimeGreen) \once \override Voice.Dots.color = #(x11-color 'LimeGreen) f1. } \\ { \stemUp e,4._\( e,\)_\( \stemNeutral e,\)_\( | e,1.\)_\( } >> | << { s1. } \\ { \autoBeamOff \stemUp e,8.\) f, g, a,4. b,4. a,8._\( \stemNeutral } >> | << { s1.} \\ {d1.\)^\fermata } >> | \break %%34-38 g,1.^\fermata | g,2_\( <g, b,>\)_\( <g, f>\)^\( | <f d>\) <d b,> <b, g,>_\( | g,1.\) | r1^\fermata g,2_\( | \break %% 39-43 <g, c>2\) <b, e>4. c4 <a, d>4. | r1. | <g, c>1._~ | <g, c>1 r2 | r2 e1 | \break %% 44-47 <e, b,>2 <f, a,> g, | <a, f,>2. <b, e,>_\( | e,4.\) g, b, c^\( | <c a,>2\) <b, g,> e,_\( | \break %% 48-51 <e, g, b,>8\)_. <f, a, c>_. <g, b, d>_. <e g,>2._\( <d g,>16\)_\( <c g,>\)_\( <b, g,>\)_\( <g, f,>8.\)^~ | <f, g,>16 r8 <e, g,>16_\( <e, a,>\)_\( <e, b,>\)_\( <e, c>\)_\( <e, d>8.\) e2 <f d b,>8^. <e c a,>_. <d b, g,>-.^~ | <d b, g,>1 r2 | <e, e>1. | \break %% 52-55 << { } \\ { f,2 a, b,_~ | b, a, f,_~ | f, a,1 | r2 f,1^\fermata } >> | \break %% 56-59 r1. | r1. | r1. | r1. | \break %% 60-63 <g, b,>4-. <a, c>-. r4 <c a,>-. <b, g,>-. r4 | f,8.-. g,-. a,-. b,-. c2. _~ | c1._( | f1.) | \break %% 64-67 \pitchedTrill f,1._\startTrillSpan fes, | f, | f, | f, | \break %% 68-71 f,2 r2\stopTrillSpan \pitchedTrill f,2_\startTrillSpan fis, | f,1. | f, | f, | \break %% 72-75 f, | f, | f, | f, | \break %% 76-79 f,8 r8\stopTrillSpan f,1_\startTrillSpan f,4 | r1.\stopTrillSpan^\fermata | r1.^\fermata | r1.^\fermata | \break %% 80-83 r1. | r1. | r1. | r1. | \break %% 84-87 r1. | r1. | r1. | r1. | \break %% 88- } %%%%% end bass-sheet. bassM = { \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 f,\longa_~ | f,\longa | \break %% 3-5 <f, c>\breve <e, b,>\breve_\( | <b, e>\longa\)_\( | <e c>2\)_( <d b,> <c a,>2. <b, g,> <a, f,> g,\)_~ | \break %% 6-9 \time 3/2 \repeat percent 4 { \repeat percent 4 { <g, b, d>8.-. <c a, f,> } } | \break %% 10- <c a, f,>4.\repeatTie _(a,2.) r4. | e,4. f, g, b, | r4 c4 d e f2 | r1. | \break %% 14-17 <f, f>1. | ces1. | << { c1. | e1. } \\ { e,2 f, g,_~ | g,4. a, b, c } >> | \break %% 18-21 d1 <c e>2_~ | <c f>2_~ f1_\( | d1.\)_\( | a,\) | \break %% 22-25 <g, b,>1. | \repeat percent 8 {a,16^.} r2 \repeat percent 8 {c16^.} | r4.. <e d>16 <d c> <c b,> <b, a,> <a, g,> f,2._~ | f,2._( b,) | \break %% 26-29 << { \repeat percent 4 { <b, d>4._. } } \\ { \repeat percent 3 { c,8\rest <e, g,>8.^. <f, a,>^. } } >> | << { <b, d>4._.\repeatTie^( <e g>2.) r4. } \\ { r1 \override Glissando.style = #'trill f,2\glissando } >> | << { s1. } \\ { f1._( } >> | << { s1. } \\ { g,1.) } >> | \break %% 30-33 r4. <<{s4. g, b, \glissando | f1. } \\ { \stemUp e,4._\( e,\)_\( \stemNeutral e,\)_\( | e,1.\)_\( } >> | << { s1. } \\ { e,8.\) f, g, a,4. b,4. a,8._\( } >> | << { s1. } \\ { d1.\)^\fermata} >> | \break %%34-38 g,1.^\fermata | g,2_\( <g, b,>\)_\( <g, f>\)^\( | <f d>\) <d b,> <b, g,>_\( | g,1.\) | r1^\fermata g,2_\(| \break %% 39-43 <g, c>2\) <b, e>4. c4 <a, d>4. | r1. | <g, c>1._~ | <g, c>1 r2 | r2 e1 | \break %% 44-47 <e, b,>2 <f, a,> g, | <a, f,>2. <b, e,>_\( | e,4.\) g, b, c^\( | <c a,>2\) <b, g,> e,_\( | \break %% 48-51 <e, g, b,>8\)_. <f, a, c>_. <g, b, d>_. <e g,>2._\( <d g,>16\)_\( <c g,>\)_\( <b, g,>\)_\( <g, f,>8.\)^~ | <f, g,>16 r8 <e, g,>16_\( <e, a,>\)_\( <e, b,>\)_\( <e, c>\)_\( <e, d>8.\) e2 <f d b,>8^. <e c a,>_. <d b, g,>-.^~ | <d b, g,>1 r2 | <e, e>1. | \break %% 52-55 << { } \\ { f,2 a, b,_~ | b, a, f,_~ | f, a,1 | r2 f,1^\fermata } >> | \break %% 56-59 r1. | r1. | r1. | r1. | \break %% 60-63 <g, b,>4-. <a, c>-. r4 <c a,>-. <b, g,>-. r4 | f,8.-. g,-. a,-. b,-. c2. _~ | c1._( | f1.) | \break %% 64-67 \pitchedTrill f,1._\startTrillSpan fes, | f, | f, | f, | \break %% 68-71 f,2 r2\stopTrillSpan \pitchedTrill f,2_\startTrillSpan fis, | f,1. | f, | f, | \break %% 72-75 f, | f, | f, | f, | \break %% 76-79 f,8 r8\stopTrillSpan f,1_\startTrillSpan f,4 | r1.\stopTrillSpan^\fermata | r1.^\fermata | r1.^\fermata | \break %% 80-83 r1. | r1. | r1. | r1. | \break %% 84-87 r1. | r1. | r1. | r1. | \break %% 88- } %%% end bass-midi. %%%%%%%%%%%%%%%% End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
Next: run–makeinfo, Previous: man-cv.ly, Up: Top
%% 3:16 AM Friday, April 25, 2025 %% Yukio Yoshida. \input colordvi.tex \input texinfo @c %**start of header @setfilename man.info @c @settitle man @documentlanguage en @documentencoding utf-8 @setchapternewpage odd @c %**end of header @c *********** Body start ****************** @ifnottex @node Top, Music Sheet, ("dir"), ("dirTop") @comment node-name, next, previous, up @end ifnottex @c @node Top @ifhtml @html <p align = "center"> <span style="font-size: 40px;"><b>The MAN</b></spam> </p> <code> [file-code; "ly,texi,sh are UTF-8"]<br /> <span style="font-size: 16px;"> <b>Normally; Windows & Linux</b> "[Prompt] <tt>lilypond --pdf --png name.ly</tt>[Enter]"<br /> <b>And---- Only; <i>Linux(Prompt)<kbd> <span style="color: red;">$ ./run--lily.sh name</span></kbd>[Enter]</i>(need makeinfo) ----</b><br /> </span> </code><br /> @end html @end ifhtml @c @top @c @ignore ------------------------------------------------------------------------ @ifhtml @menu * man:: --- Music Sheet: Music Sheet. * man.ly:: --- Source code framework: man.ly. * man-cv.ly:: --- Source code notes: man-cv.ly. * man.texi:: --- Source code document: man.texi. * run--makeinfo:: --- Source code run-file: run--makeinfo. @end menu @end ifhtml @c @ignore ------------------------------------------------------------------------ @html <p align = "center"> <a href="man.midi">man.midi</a><del>(//The one below is mp3//)</del>           <a href="man.pdf">man.pdf</a>          • <a href="man.tar.gz">man.tar.gz</a> (All-files;<========bytes)<br /> <!-- <audio src="man.mp3" controls> Download <a href="man.mp3">episode 42 Learnung to love HTML5</a> </audio> --> <br /> The Jacket of a sheet is "png" and Sheets are "svg"</p> @end html @ifnottex @node Music Sheet, man.ly, Top, Top @comment node-name, next, previous, up @c @top @end ifnottex @unnumbered Music Sheet @html <div align="center"> <a href="man.pdf"> @end html @ifhtml @html <img src="man-page1.png" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="man-2.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="man-3.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="man-4.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="man-5.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="man-6.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="man-7.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="man-8.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="man-9.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="man-10.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="man-11.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="man-12.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="man-13.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="man-14.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="man-15.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="man-16.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> </a> @end html @end ifhtml @html </div> @end html @ifnottex @node man.ly, man-cv.ly, Music Sheet, Top @comment node-name, next, previous, up @end ifnottex @unnumbered man.ly @html <blockquote><blockquote> @end html @verbatiminclude man.ly @html </blockquote></blockquote> @end html @ifnottex @node man-cv.ly, man.texi, man.ly, Top @comment ode-name, next, previous, up @end ifnottex @unnumbered man-cv.ly @html <blockquote><blockquote> @end html @verbatiminclude man-cv.ly @html </blockquote></blockquote> @end html @ifnottex @node man.texi, run--makeinfo, man-cv.ly, Top @comment node-name, next, previous, up @end ifnottex @unnumbered man.texi @html <blockquote><blockquote> @end html @verbatiminclude man.texi @html </blockquote></blockquote> @end html @ifnottex @node run--makeinfo, , man.texi, Top @comment node-name, next, previous, up @end ifnottex @unnumbered run--makeinfo @html <blockquote><blockquote> <b><i>Only; running is on Linux(on WSL).</i></b><br /> @end html @ifhtml @html <span style="font: 16px;"> <table> <td>    <b><i>run--lily.sh</i></b><br /> <span style="color: red;"> @verbatiminclude run--lily.sh </span> </td> </table> @end html @end ifhtml @ @ @ @ This is under the following environment.@* @ @ @ @ Linux[on WSL(windows11)]@ --- (GNU/Linux 4.4.0-26100-Microsoft x86_64) or (GNU/Linux 5.15.167.4-microsoft-standard-WSL2 x86_64) and so on---@* @html </blockquote></blockquote> <br /> <br /> @end html @c *********** End Body ********************* @bye
Only; running is on Linux(on WSL).
run--lily.sh
#!/usr/bin/bash rm -r html lilypond --pdf --png $1.ly lilypond --svg $1.ly makeinfo --no-split --force --html $1.texi mkdir html mv *.svg html/ mv *.pdf html/ mv $1-page1.png html/ mv *.midi html/ mv *.html html/ cd html xdg-open $1.pdf | xdg-open $1.midi | explorer.exe $1.html cd ../ rm *.eps *.png ls -lXThis is under the following environment.
Linux[on WSL(windows11)] — (GNU/Linux 4.4.0-26100-Microsoft x86_64) or (GNU/Linux 5.15.167.4-microsoft-standard-WSL2 x86_64) and so on—