%% 11:00 Monday, November 10, 2025
%% Yukio Yoshida
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% "\repeat percent Avoid straight \break after", put in one bar and run \break. And Sometimes everywhere need "\noBreak"
%% "\repeat percent ====>See Bass #51---#57 "\repeat percent 3", Try to "\repeat percent 4" (*_*)? omit(g,1.)
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% Part Vocal;; Start: \hide Staff.BarLine
%% and end: \undo \hide Staff.BarLine \bar "|." \break
%% And \score{ \context StaffGroup << } !!
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% For exaple; Should use-Top barLine :
%% "\tempo \markup { \hspace #-3 \with-color #red \italic \medium "ritenuto" } dis'8 ......."
%% And From Second bar-line: "dis'8^\markup { \hspace #-3 \with-color #red \italic \medium "ritenuto" } .........."
%% Well No-apper obje "tempo = *" on Top-barLine
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% If you want to change of color, then do see! in "define-grobs.scm"(lilypond's system file)
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\version "2.24.0"
%% for sheet-music
#(set-default-paper-size "letter")
#(set-global-staff-size 18)
BaritoneSol = {
\override Staff.StaffSymbol.color = #blue
\override Staff.LedgerLineSpanner.color = #blue
\override Staff.Clef.color = #blue
\override Staff.TimeSignature.color = #blue
\override Staff.KeySignature.color = #blue
\override Staff.BarLine.color = #blue
\override Voice.NoteHead.color = #blue
\override Voice.Rest.color = #blue
\override Voice.Stem.color = #blue
\override Voice.Flag.color = #blue
\override Voice.Beam.color = #blue
\override Voice.Slur.color = #blue
\override Voice.PhrasingSlur.color = #blue
\override Voice.Tie.color = #blue
\override Voice.Dots.color = #blue
\override Voice.Script.color = #blue
\override Voice.Accidental.color = #blue
\override Voice.DynamicLineSpanner.color = #blue
\override Voice.DynamicText.color = #blue
\override Voice.DynamicTextSpanner.color = #blue
\override Voice.TupletNumber.color = #blue
\override Voice.TupletBracket.color = #blue
\override Voice.BreathingSign.color = #blue
\override Voice.PercentRepeat.color = #blue
\override Voice.RepeatSlash.color = #blue
}
VoiceColorBlue = {
\override Staff.StaffSymbol.color = #blue
\override Staff.LedgerLineSpanner.color = #blue
\override Staff.Clef.color = #blue
\override Staff.TimeSignature.color = #blue
\override Staff.KeySignature.color = #blue
\override Staff.BarLine.color = #blue
\override Voice.NoteHead.color = #blue
\override Voice.Rest.color = #blue
\override Voice.Stem.color = #blue
\override Voice.Flag.color = #blue
\override Voice.Beam.color = #blue
\override Voice.Slur.color = #blue
\override Voice.PhrasingSlur.color = #blue
\override Voice.Tie.color = #blue
\override Voice.Dots.color = #blue
\override Voice.Script.color = #blue
\override Voice.Accidental.color = #blue
\override Voice.DynamicLineSpanner.color = #blue
\override Voice.DynamicText.color = #blue
\override Voice.DynamicTextSpanner.color = #blue
\override Voice.TupletNumber.color = #blue
\override Voice.TupletBracket.color = #blue
\override Voice.BreathingSign.color = #blue
\override Voice.PercentRepeat.color = #blue
\override Voice.RepeatSlash.color = #blue
}
VoiceColorBlueRevert = {
\revert Voice.NoteHead.color
\revert Voice.Rest.color
\revert Voice.Stem.color
\revert Voice.Flag.color
\revert Voice.Beam.color
\revert Voice.Slur.color
\revert Voice.PhrasingSlur.color
\revert Voice.Tie.color
\revert Voice.Dots.color
\revert Voice.Script.color
\revert Voice.Accidental.color
\revert Voice.DynamicLineSpanner.color
\revert Voice.DynamicTextSpanner.color
\revert Voice.DynamicText.color
\revert Voice.TupletNumber.color
\revert Voice.TupletBracket.color
\revert Voice.BreathingSign.color
\revert Voice.PercentRepeat.color
\revert Voice.RepeatSlash.color
}
Solo=^\markup { \hspace #-1.8 \with-color #red \box { \pad-around #0.5
{\teeny \italic "Solo"} } }
Aria=^\markup { \hspace #-1.8 \with-color #red \box { \pad-around #1
{\teeny \italic \bold "Aria; solo"} } }
Tutti=^\markup { \with-color #blue { \override #'(box-padding . 0.5)
\override #'(thickness . 2) \rounded-box {
{\teeny \italic "Tutti"} } } }
Both=^\markup { \with-color #blue \box { \pad-around #0.5
{\teeny \italic "Solo" } } or \with-color #blue \box { \pad-around #0.5 {\teeny \italic "Tutti" } }
}
VoiceColorRed = {
\override Voice.NoteHead.color = #red
\override Voice.Rest.color = #red
\override Voice.Stem.color = #red
\override Voice.Flag.color = #red
\override Voice.Dots.color = #red
\override Voice.Script.color = #red
\override Voice.PhrasingSlur.color = #red
}
VoiceColorRedRevert = {
\revert Voice.NoteHead.color
\revert Voice.Rest.color
\revert Voice.Stem.color
\revert Voice.Flag.color
\revert Voice.Dots.color
\revert Voice.Script.color
\revert Voice.PhrasingSlur.color
}
\paper {
%% ragged-last-bottom = ##f
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%%
sopranoVoiceFour = { \hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
r1. | r1. | r1. | r1. | \break
%% 17-20(25-28)
r1. | r1. | r1. | r1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. | \break
%% 25-28(31-34)
r1. | r1. | r1. | r1. | \break
%% 29-32(35-38)
r1. | r1. | r1. | r1. | \break
%% 33-36(39-42)
r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
r1. | r1. | r1. | r1. | \break
%% 57-60(63-66)
r1. | r1. | r1. | r1. | \break
%%61-64(67-70)
r1. | r1. | r1. | r1. | \break
%% 65-68(73-76)
r1. | r1. | r1. | r1. | \break
%% 69-72(77-80)
r1. | r1. | r1. | r1. | \break
%% 73-76(81-84)
r1. | r1. | r1. | r1. | \break
%% 77-80(85-88)
r1. | r1. | r1. | r1. | \break
%% 81-84(89-92)
r1 e'2^\markup { \column { \line {\italic "Each person is free to breathe as they wish, but breathing does not have to be synchronized."}
\line {\with-color #blue { \override #'(box-padding . 0.5) \override #'(thickness . 2) \rounded-box {
{\teeny \italic "Tutti"} } } }}}
\melisma | d'1. | e'1. | d'1. | \break
%% 85-88(93-96)
e'4 f'8 g' f' g' a'2 e'4 | d'1. | e' | d'1 e'8\melismaEnd r4. | \break
%% 89-90(97-98)
\time 4/1 r\breve r1.. e'8_( d'16 c') | \noBreak e'4_\( d'8( c')\) r4 b'4.^._( c''^. d''^. e''^. f''^. e''8 f'' g''4) g''8.( f'' e'' d'') r8 | \break
%% 91-92(99-100)
b'\breve\melisma b'8\melismaEnd b'1. r4. | \noBreak r8 e''\breve\melisma e''4\melismaEnd e''1. r8 | \break
%% 93-95(101-103)
r8 a'2.. a'1 r\breve | g'2.. f'8_( e' d') r1 g'1.._\( | \time 3/2 g'2\) r2^\fermata \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
sopranoVoiceLFour = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
m __
Amen, A -- men, A -- men, A __ men, A __ men,
A -- men, A -- men, A -- men.
}
%%%%%
sopranoVoiceMFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
r1. | r1. | r1. | r1. | \break
%% 17-20(25-28)
r1. | r1. | r1. | r1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. | \break
%% 25-28(31-34)
r1. | r1. | r1. | r1. | \break
%% 29-32(35-38)
r1. | r1. | r1. | r1. | \break
%% 33-36(39-42)
r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
r1. | r1. | r1. | r1. | \break
%% 57-60(63-66)
r1. | r1. | r1. | r1. | \break
%%61-64(67-70)
r1. | r1. | r1. | r1. | \break
%% 65-68(73-76)
r1. | r1. | r1. | r1. | \break
%% 69-72(77-80)
r1. | r1. | r1. | r1. | \break
%% 73-76(81-84)
r1. | r1. | r1. | r1. | \break
%% 77-80(85-88)
r1. | r1. | r1. | r1. | \break
%% 81-84(89-92)
r1 e'2\melisma | d'1. | e'1. | d1. | \break
%% 85-88(93-96)
e'4 f'8 g' f' g' a'2 e'4 | d'1. | e' | d'1 e'8\melismaEnd r4. | \break
%% 89-90(97-98)
\time 4/1 r\breve r1.. e'8_( d'16 c') | e'4_\( d'8( c')\) r4 b'4.^._( c''^. d''^. e''^. f''^. e''8 f'' g''4) g''8.( f'' e'' d'') r8 | \break
%% 91-92(99-100)
b'\breve\melisma b'8\melismaEnd b'1. r4. | r8 e''\breve\melisma e''4\melismaEnd e''1. r8 | \break
%% 93-95(101-103)
r8 a'2.. a'1 r\breve | g'2.. f'8_( e' d') r1 g'1.._\( | \time 3/2 g'2\) r2^\fermata \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments part
sopranoFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { c'2 f'1_~ | f'2 b'8_( a' g' f' e' d' c'4)_~ | c'2 r2 c'2_~ | c'1 f'2 | \break
%% 5-8(16)
b'8_( a' g' f' e' d' c'4) r4 d'16_( e' f' g') | r8 a'8_( b' c''4.) d''2. | e''1 b'4 f' | e'1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
c'4. r8 d'16_( e' f' g' a' b') r8 c''2 | b'8._( a' g' f' e' d' c'4.) | e'1._~ | <e' b'>1._~ | \break
%% 17-20(25-28)
<e' b'>1 g'2 | <f' d'>8 <e' c'>_~ <c' d'> <d' e'> <e' f'> <f' g'> a'4 f' d' |
r2 <c' e'>8 <d' f'> <e' g'> <f' a'> g'2 | a'8 g' f' e' <a' f'> <g' e'> <f' d'> <e' c'>_~ c'2 | \break
%% 21-24(29-32)
f'1^\markup { \hspace #-3 \italic "A performance for soprano instruments only."}
<b' g'>16 <a' f'> <g' e'> <f' d'> c'4_~ | c'4 d'8 e' f' g' a' b' c''2_\( |
\repeat percent 3 { e''8\) <d'' b'>16 <c'' a'> d''8 <c'' a'>16 <b' g'> } |
g''8 f''16 e'' d'' c'' b' a' g' f' e' d' c'4 e'2 | \break
%%25-28(33-36)
r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. | \break
%% 33-36(41-44)
r1. | r1. | r1. | r1. | \break
%% 37-40(45-48)
r2. c'2. | f'1_\( <c' e'>2\)_~ | <c' e'>_~ e'1_\( | c'1.\) | \break
%% 41-44(49-52)
r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
r1.^\fermata | r1.^\fermata | \pitchedTrill <c' e'>1._\startTrillSpan d' | \pitchedTrill <c' e'>1. | \break
%% 49-52(57-60)
<c' e'>1.^\fermata\stopTrillSpan | \pitchedTrill <c'' e''>1. ^\startTrillSpan f'' | <c'' e''>1. | <c'' e''>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
f'1. | \repeat percent 3 {g'8 <f' a'>16 <g' b'> a'8 <g' b'>16 <a' c''> } |
\repeat percent 3 {b'8 <a' c''>16 <b' d''> c''8 <b' d''>16 <c'' e''> } | g''8 f''16 e'' d'' c'' b' a' g' f' e' d' c'4 e'2 | \break
%% 57-60(65-68)
r1. | r1. | r1. | r1. | \break
%% 61-64(69-72)
r1. | \repeat percent 3 { c''8 <b' d''>16 <c'' e''> d''8 <c'' e''>16 <d'' f''> } | r1. | r1.^\fermata | \break
%% 65-68(73-76)
r1. | r1. | r1. | r1. | \break
%% 69-72(77-80)
r4 b'2.. c''4._~ | c'' r8 a'8_( b') c''4 g'4 g'4_\( | a'\) b'4. c''4_\( a'8 c''4.\) r8 | b'8 a' g' f' e'4._\( d'\) c'4 | \break
%% 73-76(81-84)
e'4. e'4 f'4. g'2 | <d' g'>1 <g' c''>2_~ | <g' c''> <d' g'>1 | <e' f'>1._~ | \break
%% 77-80(85-88)
<e' f'>1._~ | e'1._~ | <e' f'>1._~ | f'1.^\fermata | \break
%% 81-84(89-92)
r1. | r1. | r1. | r1. | \break
%% 85-88(93-96)
r1. | r1. | r1. | r1. | \break
%% 89-90(97-98)
\time 4/1 << { e''\breve^\markup { Upper part; \bold \italic "There is only one soprano instrument." }_~ <e'' g''>\breve_~ |
<e'' g''>\longa } \\ { r2 g'2 c''1 <b' g'>8. <g' e'> <e' c'> d'4.._~ <c' d'>1_~ | <c' e'>\longa } >> | \break
%% 91-92(99-100)
<< { e''\longa | r\longa } \\ { e'\longa_~ | e'\breve c'1.. r4 } >> | \break
%% 93-95(101-103)
r\longa | c'\breve_~ <c' g'>\breve_~ | \time 3/2 g'2.^\fermata r4^\fermata \bar "|." \break
}
%%%%% end Soprano sheet.
sopranoMFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { c'2 f'1_~ | f'2 b'8_( a' g' f' e' d' c'4)_~ | c'2 r2 c'2_~ | c'1 f'2 | \break
%% 5-8(16)
b'8_( a' g' f' e' d' c'4) r4 d'16_( e' f' g') | r8 a'8_( b' c''4.) d''2. | e''1 b'4 f' | e'1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
c'4. r8 d'16_( e' f' g' a' b') r8 c''2 | b'8._( a' g' f' e' d' c'4.) | e'1._~ | <e' b'>1._~ | \break
%% 17-20(25-28)
<e' b'>1 g'2 | <f' d'>8 <e' c'>_~ <c' d'> <d' e'> <e' f'> <f' g'> a'4 f' d' |
r2 <c' e'>8 <d' f'> <e' g'> <f' a'> g'2 | a'8 g' f' e' <a' f'> <g' e'> <f' d'> <e' c'>_~ c'2 | \break
%% 21-24(29-32)
f'1 <b' g'>16 <a' f'> <g' e'> <f' d'> c'4_~ | c'4 d'8 e' f' g' a' b' c''2_\( |
\repeat percent 3 { e''8\) <d'' b'>16 <c'' a'> d''8 <c'' a'>16 <b' g'> } |
g''8 f''16 e'' d'' c'' b' a' g' f' e' d' c'4 e'2 | \break
%%25-28(33-36)
r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. | \break
%% 33-36(41-44)
r1. | r1. | r1. | r1. | \break
%% 37-40(45-48)
r2. c'2. | f'1_\( <c' e'>2\)_~ | <c' e'>_~ e'1_\( | c'1.\) | \break
%% 41-44(49-52)
r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
r1.^\fermata | r1.^\fermata | \pitchedTrill <c' e'>1._\startTrillSpan d' | \pitchedTrill <c' e'>1. | \break
%% 49-52(57-60)
<c' e'>1.^\fermata\stopTrillSpan | \pitchedTrill <c'' e''>1. ^\startTrillSpan f'' | <c'' e''>1. | <c'' e''>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
f'1. | \repeat percent 3 {g'8 <f' a'>16 <g' b'> a'8 <g' b'>16 <a' c''> } |
\repeat percent 3 {b'8 <a' c''>16 <b' d''> c''8 <b' d''>16 <c'' e''> } | g''8 f''16 e'' d'' c'' b' a' g' f' e' d' c'4 e'2 | \break
%% 57-60(65-68)
r1. | r1. | r1. | r1. | \break
%% 61-64(69-72)
r1. | \repeat percent 3 { c''8 <b' d''>16 <c'' e''> d''8 <c'' e''>16 <d'' f''> } | r1. | r1.^\fermata | \break
%% 65-68(73-76)
r1. | r1. | r1. | r1. | \break
%% 69-72(77-80)
r4 b'2.. c''4._~ | c'' r8 a'8_( b') c''4 g'4 g'4_\( | a'\) b'4. c''4_\( a'8 c''4.\) r8 | b'8 a' g' f' e'4._\( d'\) c'4 | \break
%% 73-76(81-84)
e'4. e'4 f'4. g'2 | <d' g'>1 <g' c''>2_~ | <g' c''> <d' g'>1 | <e' f'>1._~ | \break
%% 77-80(85-88)
<e' f'>1._~ | e'1._~ | <e' f'>1._~ | f'1.^\fermata | \break
%% 81-84(89-92)
r1. | r1. | r1. | r1. | \break
%% 85-88(93-96)
r1. | r1. | r1. | r1. | \break
%% 89-90(97-98)
\time 4/1 << { e''\breve_~ <e'' g''>\breve_~ | <e'' g''>\longa } \\
{ r2 g'2 c''1 <b' g'>8. <g' e'> <e' c'> d'4.._~ <c' d'>1_~ | <c' e'>\longa } >> | \break
%% 91-92(99-100)
<< { e''\longa | r\longa } \\ { e'\longa_~ | e'\breve c'1.. r4 } >> | \break
%% 93-95(101-103)
r\longa | c'\breve_~ <c' g'>\breve_~ | \time 3/2 g'2.^\fermata r4^\fermata \bar "|." \break
}
%%% end Soprano midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%% sopranoAria %%%%%%%%%%%
sopranoAriaFour = { \hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
f'2^\Aria b'2.. r8 | c''4 g'4. f'2 c'4. | c'16_( d' e') r8 f'4. b'2. r16 | c''4 g'4. f'8 e'4 c'2^\fermata | \break
%% 13-16(21-24)
r4 c'4 d'4_._\( e'_. f'4._.\) r8 | g'2_\( a'\) b' | r8 b'4 c''8_\( g'2 e'\) | r1. | \break
%%17-20(25-28)
r1. | r1. | r1. | r1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. | \break
%%25-28(33-36)
r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. | \break
%% 33-36(41-44)
r1. | r1. | r1. | r1. | \break
%% 37-40(45-48)
r16 f'2 b'2. c''8. | c''8. d''4.. d'8 f'4_\( g'8 b'4.\) | a'8. c''4. a'16 c''4. g'16 b'4 c''8._\( | d''4.\) d'8 f'4._\( g'8 b'2\)^\fermata | \break
%% 41-44(49-52)
r2.^\fermata f'2 b'4 _~ | b' c''4. b' c''8 d''4. | r16 e''4.. f''2 r4. f'8 | c''8 d''4. e''8 f''2 r8 g''4 | \break
%% 45-48(53-56)
e''2 r4. \once \stemDown f'^\fermata_\( g'4^\fermata | a'1^\fermata\) r2 | r1. | r1. | \break
%% 49-52(57-60)
r1. | r1. | r1. | r1. | \break
%% 53-56(61-64)
r1. | r1. | r1. | r1. | \break
%% 57-60(65-68)
f'2 a'1 | r8 g'8 a'4._\( b'\) c''2 | b'4. a'2 r16 c''8 r16 c''4. | b'4 c''2 c''4. b'8 a'4_~ | \break
%% 61-64(69-72)
a' g'4._( f') r2^\fermata | c'4. c'8_( d' e' f') g'4.^\( a'4_~ | \noBreak a'4.\) r16 c''8_\( d''4..\) b'8 c''4. | r1.^\fermata | \break
%% 65-68(73-76)
r1. | r1. | r1. | r1. | \break
%% 69-72(77-80)
e''1 f''2_~ | f'' d''8_( e'') f''4 c''4 c''4_\( | d''\) e''4. f''4_\( d''8 f''4.\) r8 | e''8 d'' c'' b' a'4._\( g'\) f'4 | \break
%% 73-76(81-84)
a'4. a'4 b'4. c''2 | f''4. d''4 b'4. r16 c''8 r16 f''4_~ | f'' e''8 c''4. b'8 d''2 r8 | e''8. d''4_\( b'16 g'1\)^\fermata | \break
%% 77-80(85-88)
r1. | r1. | r1. | r1. | \break
%% 81-84(89-92)
f'2 b'2.. r8 | \noBreak b'4 c''4. e'2. r8 | \noBreak c''4 e'2. r4. b'8 | \noBreak r8 c''4 e''4._\( d''\) c'' | \break
%% 85-88(93-96)
e''2 b'4 c''8 d''4. a'4 | c''4_\( b'4.\) r2^\fermata f'8 g'4 | r8 c''4. b'4 d''4. d''4._\( | e''\) f''_\( c''8 g'4..\) r8. | \break
%% 89-90(97-98)
\time 4/1 r4.^\fermata c''4_\( c''4.\) r1 r\breve | r\longa | \break
%% 91-92(99-100)
r\longa | r\longa | \break
%% 93-95(101-103)
r\longa | r\longa | \time 3/2 r1 \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
sopranoAriaLFour = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
I know that where he rests. But I know that he is not there.
The un -- vis -- ited tomb -- stone bears the in -- scrip -- tion:
%% ---- Tenor Solo, and Alto Solo ---
%% "To this time I live, to this time I die, that is all."
I know that soon "this land" will dis -- ap -- pear, "and the" lives and deaths of its peo -- ple will dis -- ap -- pear.
I know that even the steps we take, and the flow of time, will soon dis -- ap -- pear.
I know the plat -- eau where he rests, but I also know he is not there,
his unvisited grave -- stone in -- scribed "with the" words,
%% ---- Tenor Solo, and Alto Solo ---
%% "To this time I live, to this time I die, that is all."
I know that soon this plat -- eau will dis -- ap -- pear, and so will the peo -- ple who lived and died there.
Every single step, and even the flow of time, will dis -- ap -- pear.
I know that we live and die, and that memo -- ry will drift for a while "as an" im -- print,
and then it too will sure -- ly dis -- ap -- pear.
A -- men.
}
%%%%% end sopranoAria sheet.
sopranoAriaMFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
f'2^\Aria b'2.. r8 | c''4 g'4. f'2 c'4. | c'16_( d' e') r8 f'4. b'2. r16 | c''4 g'4. f'8 e'4 c'2^\fermata | \break
%% 13-16(21-24)
r4 c'4 d'4_._\( e'_. f'4._.\) r8 | g'2_\( a'\) b' | r8 b'4 c''8_\( g'2 e'\) | r1. | \break
%%17-20(25-28)
r1. | r1. | r1. | r1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. | \break
%%25-28(33-36)
r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. | \break
%% 33-36(41-44)
r1. | r1. | r1. | r1. | \break
%% 37-40(45-48)
r16 f'2 b'2. c''8. | c''8. d''4.. d'8 f'4_\( g'8 b'4.\) | a'8. c''4. a'16 c''4. g'16 b'4 c''8._\( | d''4.\) d'8 f'4._\( g'8 b'2\)^\fermata | \break
%% 41-44(49-52)
r2.^\fermata f'2 b'4 _~ | b' c''4. b' c''8 d''4. | r16 e''4.. f''2 r4. f'8 | c''8 d''4. e''8 f''2 r8 g''4 | \break
%% 45-48(53-56)
e''2 r4. f'^\fermata_\( g'4^\fermata | a'1^\fermata\) r2 | r1. | r1. | \break
%% 49-52(57-60)
r1. | r1. | r1. | r1. | \break
%% 53-56(61-64)
r1. | r1. | r1. | r1. | \break
%% 57-60(65-68)
f'2 a'1 | r8 g'8 a'4._\( b'\) c''2 | b'4. a'2 r16 c''8 r16 c''4. | b'4 c''2 c''4. b'8 a'4_~ | \break
%% 61-64(69-72)
a' g'4._( f') r2^\fermata | c'4. c'8_( d' e' f') g'4.^\( a'4_~ | \noBreak a'4.\) r16 c''8_\( d''4..\) b'8 c''4. | r1.^\fermata | \break
%% 65-68(73-76)
r1. | r1. | r1. | r1. | \break
%% 69-72(77-80)
e''1 f''2_~ | f'' d''8_( e'') f''4 c''4 c''4_\( | d''\) e''4. f''4_\( d''8 f''4.\) r8 | e''8 d'' c'' b' a'4._\( g'\) f'4 | \break
%% 73-76(81-84)
a'4. a'4 b'4. c''2 | f''4. d''4 b'4. r16 c''8 r16 f''4_~ | f'' e''8 c''4. b'8 d''2 r8 | e''8. d''4_\( b'16 g'1\)^\fermata | \break
%% 77-80(85-88)
r1. | r1. | r1. | r1. | \break
%% 81-84(89-92)
f'2 b'2.. r8 | \noBreak b'4 c''4. e'2. r8 | \noBreak c''4 e'2. r4. b'8 | \noBreak r8 c''4 e''4._\( d''\) c'' | \break
%% 85-88(93-96)
e''2 b'4 c''8 d''4. a'4 | c''4_\( b'4.\) r2^\fermata f'8 g'4 | r8 c''4. b'4 d''4. d''4._\( | e''\) f''_\( c''8 g'4..\) r8. | \break
%% 89-90(97-98)
\time 4/1 r4.^\fermata c''4_\( c''4.\) r1 r\breve | r\longa | \break
%% 91-92(99-100)
r\longa | r\longa | \break
%% 93-95(101-103)
r\longa | r\longa | \time 3/2 r1 \bar "|." \break
}
%%%%% end sopranoAria midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%%
altoVoiceFour = {\hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
r1. | r1. | r1. | r4 f4_.^\Solo g_. a_. g4. a8_~ | \break
%% 17-20(25-28)
a4. f4_. g_. a_. r8 g4_~ | g4 a2 a4 c'2 | r1. | r1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. | \break
%%25-28(33-36)
r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. | \break
%% 33-36(39-42)
r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
r1. | r1. | r1. | r1. | \break
%% 57-60(65-68)
r1. | r1. | r1. | r1. | \break
%% 61-64(69-72)
r1. | r1. | r1. | r1. | \break
%% 65-68(73-76)
r8 e'4^.^\Solo f'^. g'^. f'4. g'4_~ | g'4. e'4^. f'^. g'^. r8 f'4_~ | f'4 g'2 g'4 b'2 | r1.^\fermata | \break
%% 69-72(77-80)
r1. | r1. | r1. | r1. | \break
%% 73-76(81-84)
r1. | r1. | r1. | r1. | \break
%% 77-80(85-88)
r1. | r1. | r1. | r1. | \break
%% 81-84(89-92)
r1 a2^\markup { \column { \line {\italic "Each person is free to breathe as they wish, but breathing does not have to be synchronized."}
\line {\with-color #blue { \override #'(box-padding . 0.5) \override #'(thickness . 2) \rounded-box {
{\teeny \italic "Tutti"} } } }}}
\melisma | g1. | a1. | g1. | \break
%% 85-88(93-96)
a4 b8 c' b c' d'2 a4 | g1. | a | g1 a8\melismaEnd r4. | \break
%% 89-90(97-98)
\time 4/1 r\breve r1. r8. a8_( g16 f) r16 | a4_\( g8( f)\) r8 e'4.^._( f'^. g'^. a'^. b'^. a'8 b' c''4) c''8.( b' a' g') r4 | \break
%% 91-92(99-100)
g'\breve\melisma e'8\melismaEnd e'1. r4. | \noBreak r8 a'\breve\melisma a'4\melismaEnd a'1. r8 | \break
%% 93-95(101-103)
r8 d'2.. d'1 r\breve | c'2.. a8_( g f) r1 c'1.._\( | \time 3/2 c'2\) r2^\fermata \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
altoVoiceLFour = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
To this time I live, to this time I die, "that is" all.
To this time I live, to this time I die, "that is" all.
m __
Amen, A -- men, A -- men, A __ men, A __ men,
A -- men, A -- men, A -- men.
}
%%%%%
altoVoiceMFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
r1. | r1. | r1. | r4 f4_.^\Solo g_. a_. g4. a8_~ | \break
%% 17-20(25-28)
a4. f4_. g_. a_. r8 g4_~ | g4 a2 a4 c'2 | r1. | r1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. | \break
%%25-28(33-36)
r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. | \break
%% 33-36(39-42)
r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
r1. | r1. | r1. | r1. | \break
%% 57-60(65-68)
r1. | r1. | r1. | r1. | \break
%% 61-64(69-72)
r1. | r1. | r1. | r1. | \break
%% 65-68(73-76)
r8 e'4^.^\Solo f'^. g'^. f'4. g'4_~ | g'4. e'4^. f'^. g'^. r8 f'4_~ | f'4 g'2 g'4 b'2 | r1.^\fermata | \break
%% 69-72(77-80)
r1. | r1. | r1. | r1. | \break
%% 73-76(81-84)
r1. | r1. | r1. | r1. | \break
%% 77-80(85-88)
r1. | r1. | r1. | r1. | \break
r1 a2\melisma | g1. | a1. | g1. | \break
%% 85-88(93-96)
a4 b8 c' b c' d'2 a4 | g1. | a | g1 a8\melismaEnd r4. | \break
%% 89-90(97-98)
\time 4/1 r\breve r1. r8. a8_( g16 f) r16 | a4_\( g8( f)\) r8 e'4.^._( f'^. g'^. a'^. b'^. a'8 b' c''4) c''8.( b' a' g') r4 | \break
%% 91-92(99-100)
g'\breve\melisma e'8\melismaEnd e'1. r4. | \noBreak r8 a'\breve\melisma a'4\melismaEnd a'1. r8 | \break
%% 93-95(101-103)
r8 d'2.. d'1 r\breve | c'2.. a8_( g f) r1 c'1.._\( | \time 3/2 c'2\) r2^\fermata \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments
altoFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r2 f2 b2_~ | b1 e'8_( d' c' b | a g f4) r2 f2_~ | f1 b2 | \break
%% 5-8(16)
e'8_( d' c' b a g f4) r4 g16_( a b c') | r8 d'8_( e' f'4.) g'2. | f'4. e' d'8 c' b a g f | a1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. \break
%% 13-16(21-24)
e'2_( d'8 c' b a g f4.) | g16_( a b c') r8 d'8_( e' f'4.) g'2 | e'1._~ | <e' a>1._~ | \break
%% 17-20(25-28)
<e' a>1._~ | e'4 <d' c'>8 <c' b> <b a> <a g> f4. g8 a b | r4. c'8 d' e' c'2 <b g>4 | f1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. \break
%%25-28(33-36)
a2^\markup { \hspace #-3 \italic "A performance for alto instruments only."}
_~<a c'>8 <b d'> <c' e'> <d' f'> <e' g'> <f' a'>_~ a'4 | c''2 b'8 a' g' f' e' d' \once \stemUp c'16 b a g |
<f a>16 <g b> <a c'> <b d'> e'2 g'2. | e'4. c' a f | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. \break
%% 33-36(41-44)
r1. | r1. | r1. | r1. \break
%% 37-40(45-48)
f2. r2. | b1_\( <f a>2\)_~ | <f a>_~ a1_\( | f1.\) | \break
%% 41-44(49-52)
r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
r1.^\fermata | r1.^\fermata | \pitchedTrill <a c'>1._\startTrillSpan b | \pitchedTrill <a c'>1. | \break
%% 49-52(57-60)
<a c'>1.^\fermata\stopTrillSpan | \pitchedTrill <c' e'>1. ^\startTrillSpan f' | <c' e'>1. | <c' e'>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
a'4_~ <a' f'>8 <e' g'> <d' f'> <c' e'> <b d'> <a c'>_~ a2 | g16 a b c' d'8 e' f' g' a' b' c''2 |
g'2. e'2 <b d'>16 <a c'> <g b> <a f>_\( | f4.\) a c' e' | \break
%% 57-60(65-68)
r1. | r1. | r1. | r1. | \break
%% 61-64(69-72)
r1. | r1. | r1. | r1. | \break
%% 65-68(73-76)
r1. | r1. | g16 a b c' d'8 e' f' g' a' b' c''2 | d'1.^\fermata | \break
%% 69-72(77-80)
r4 f'2.. g'4._~ | g' r8 e'8_( f') g'4 d'4 d'4_\( | e'\) f'4. g'4_\( e'8 g'4.\) r8 | f'8 e' d' c' b4._\( a\) g4 | \break
%% 73-76(81-84)
b4. b4 c'4. d'2 | <a d'>1 <d' g'>2_~ | <d' g'> <a d'>1 | <b c'>1._~ | \break
%% 77-80(85-88)
<b c'>1._~ | b1._~ | <b c'>1._~ | c'1.^\fermata | \break
%% 81-84(89-92)
r1. | r1. | r1. | r1. | \break
%% 85--88(93-96)
r1. | r1. | r1. | r1. | \break
%% 89-90(97-98)
\time 4/1 r2 c'2 f'1 <c' e'>8. <b d'> <a c'> g4.._~ <f g>1_~ | <f a>\longa_~ | \break
%% 91-92(99-100)
a\longa | f\longa | \break
%% 93-95(101-103)
r\longa | f\breve_~ <f c'>\breve_~ | \time 3/2 c'2.^\fermata r4^\fermata \bar "|." \break
}
%%%%% end alto sheet.
altoMFour = {
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r2 f2 b2_~ | b1 e'8_( d' c' b | a g f4) r2 f2_~ | f1 b2 | \break
%% 5-8(16)
e'8_( d' c' b a g f4) r4 g16_( a b c') | r8 d'8_( e' f'4.) g'2. | f'4. e' d'8 c' b a g f | a1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. \break
%% 13-17(21-24)
e'2_( d'8 c' b a g f4.) | g16_( a b c') r8 d'8_( e' f'4.) g'2 | e'1._~ | <e' a>1._~ | \break
%% 17-20(25-28)
<e' a>1._~ | e'4 <d' c'>8 <c' b> <b a> <a g> f4. g8 a b | r4. c'8 d' e' c'2 <b g>4 | f1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. \break
%%25-28(33-36)
a2_~<a c'>8 <b d'> <c' e'> <d' f'> <e' g'> <f' a'>_~ a'4 | c''2 b'8 a' g' f' e' d' c'16 b a g |
<f a>16 <g b> <a c'> <b d'> e'2 g'2. | e'4. c' a f | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. \break
%% 33-36(41-44)
r1. | r1. | r1. | r1. \break
%% 37-40(45-48)
f2. r2. | b1_\( <f a>2\)_~ | <f a>_~ a1_\( | f1.\) | \break
%% 41-44(49-52)
r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
r1.^\fermata | r1.^\fermata | \pitchedTrill <a c'>1._\startTrillSpan b | \pitchedTrill <a c'>1. | \break
%% 49-52(57-60)
<a c'>1.^\fermata\stopTrillSpan | \pitchedTrill <c' e'>1. ^\startTrillSpan f' | <c' e'>1. | <c' e'>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
a'4_~ <a' f'>8 <e' g'> <d' f'> <c' e'> <b d'> <a c'>_~ a2 | g16 a b c' d'8 e' f' g' a' b' c''2 |
g'2. e'2 <b d'>16 <a c'> <g b> <a f>_\( | f4.\) a c' e' | \break
%% 57-60(65-68)
r1. | r1. | r1. | r1. | \break
%% 61-64(69-72)
r1. | r1. | r1. | r1. | \break
%% 65-68(73-76)
r1. | r1. | g16 a b c' d'8 e' f' g' a' b' c''2 | d'1.^\fermata | \break
%% 69-72(77-80)
r4 f'2.. g'4._~ | g' r8 e'8_( f') g'4 d'4 d'4_\( | e'\) f'4. g'4_\( e'8 g'4.\) r8 | f'8 e' d' c' b4._\( a\) g4 | \break
%% 73-76(81-84)
b4. b4 c'4. d'2 | <a d'>1 <d' g'>2_~ | <d' g'> <a d'>1 | <b c'>1._~ | \break
%% 77-80(85-88)
<b c'>1._~ | b1._~ | <b c'>1._~ | c'1.^\fermata | \break
%% 81-84(89-92)
r1. | r1. | r1. | r1. | \break
%% 85--88(93-96)
r1. | r1. | r1. | r1. | \break
%% 89-90(97-98)
\time 4/1 r2 c'2 f'1 <c' e'>8. <b d'> <a c'> g4.._~ <f g>1_~ | <f a>\longa_~ | \break
%% 91-92(99-100)
a\longa | f\longa | \break
%% 93-95(101-103)
r\longa | f\breve_~ <f c'>\breve_~ | \time 3/2 c'2.^\fermata r4^\fermata \bar "|." \break
}
%%%%% end alto midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%%
tenorVoiceFour = { \hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
r1. | r1. | r1. | r8 c'4^.^\Solo d'^. e'^. d'4. e'4_~ | \break
%% 17-20(25-28)
e'4 c'4^. d'^. e'^. r8 d'4. | e'2 r16 e'4 g'2 r8. | r1. | r1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. \break
%% 25-28(33-36)
r1. | r1. | r1. | r1. \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. \break
%% 33-36(39-42)
r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
r1. | r1. | r1. | r1. | \break
%% 57-60(63-66)
r1. | r1. | r1. | r1. | \break
%% 61-64(67-70)
r1. | r1. | r1. | r1. | \break
%% 65-68(71-74)
r4 c4_.^\Solo d_. e_. d4. e8_~ | e4 c4_. d_. e_. r8 d4. | e2 e4 g2. | r1.^\fermata | \break
%% 69-72(77-80)
r1. | r1. | r1. | r1. | \break
%% 73-76(81-84)
r1. | r1. | r1. | r1. | \break
%% 77-80(85-88)
r1. | r1. | r1. | r1. | \break
%% 81-84(89-92)
r1 f2^\markup { \column { \line {\italic "Each person is free to breathe as they wish, but breathing does not have to be synchronized."}
\line {\with-color #blue { \override #'(box-padding . 0.5) \override #'(thickness . 2) \rounded-box {
{\teeny \italic "Tutti"} } } }}}
\melisma | e1. | f1. | e1. | \break
%% 85-88(93-96)
f4 g8 a g a b2 f4 | e1. | f | e1 f8\melismaEnd r4. | \break
%% 89-90(97-98)
\time 4/1 r1. r8 f4_._( g_. a^. b^. c'^. b8 c' d'4) d'8( c' b a) r8 | r4 a8_( g16 f) r1. r\breve | \break
%% 91-92(99-100)
e'\breve\melisma c'8\melismaEnd c'1. r4. | \noBreak r8 f'\breve\melisma f'4\melismaEnd f'1. r8 | \break
%% 93-95(101-103)
r8 b2.. b1 r\breve | a2.. f8_( e d) r1 a1.._\( | \time 3/2 a2\) r2^\fermata \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
tenorVoiceLFour = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
To this time I live, to this time I die, "that is" all.
To this time I live, to this time I die, "that is" all.
m __
A -- men, Amen, A __ men, A __ men, A -- men,
A -- men, A -- men, A -- men.
}
%%%%%
tenorVoiceMFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
r1. | r1. | r1. | r8^\Solo c'4^. d'^. e'^. d'4. e'4_~ | \break
%% 17-20(25-28)
e'4 c'4^. d'^. e'^. r8 d'4. | e'2 r16 e'4 g'2 r8. | r1. | r1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. \break
%% 25-28(33-36)
r1. | r1. | r1. | r1. \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. \break
%% 33-36(39-42)
r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
r1. | r1. | r1. | r1. | \break
%% 57-60(63-66)
r1. | r1. | r1. | r1. | \break
%% 61-64(67-70)
r1. | r1. | r1. | r1. | \break
%% 65-68(71-74)
r4 c4_.^\Solo d_. e_. d4. e8_~ | e4 c4_. d_. e_. r8 d4. | e2 e4 g2. | r1.^\fermata | \break
%% 69-72(77-80)
r1. | r1. | r1. | r1. | \break
%% 73-76(81-84)
r1. | r1. | r1. | r1. | \break
%% 77-80(85-88)
r1. | r1. | r1. | r1. | \break
%% 81-84(89-92)
r1 f2\melisma | e1. | f1. | e1. | \break
%% 85-88(93-96)
f4 g8 a g a b2 f4 | e1. | f | e1 f8\melismaEnd r4. | \break
%% 89-90(97-98)
\time 4/1 r1. r8 f4_._( g_. a^. b^. c'^. b8 c' d'4) d'8( c' b a) r8 | r4 a8_( g16 f) r1. r\breve | \break
%% 91-92(99-100)
e'\breve\melisma c'8\melismaEnd c'1. r4. | \noBreak r8 f'\breve\melisma f'4\melismaEnd f'1. r8 | \break
%% 93-95(101-103)
r8 b2.. b1 r\breve | a2.. f8_( e d) r1 a1.._\( | \time 3/2 a2\) r2^\fermata \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments
tenorFour= {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r2. g | d8_( e f g a b) <f a c'>2._~ | <f a c'>1. | r2 b1 | \break
%% 5-8(16)
d'8._( c' b a) c8_( d e f g a)_( | a2)_( <a c'>1)_~ | <a c'>1. | f1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
\repeat percent 2 { d'8._( c' b a) c8_( d e f g a)_( | a2)_( <a c'>1) } | \break
%%17-20(25-28)
d16_( e f g a) b8. a16_( g f e) d4_~ <d g>2_~ | <d g>1 <c e>8 <d f> <e g> <f a> |
r2 <g b>8 <a c'> <b d'> <c' e'>_~ e'2 | d'8 c' b a g f e d <c f>2 | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. \break
%% 25-28(33-36)
r1. | r1. | r1. | r1. \break
%% 29-32(37-40)
g4.^\markup { \hspace #-3 \italic "A performance for tenor instruments only." } a b c' |
d'8 e' f' <a' f'>16 <g' e'> <f' d'> e'8. d' c' \once \stemUp <b g>8 <a f> <g e> |
\repeat percent 3 { c8 <d f>16 <e g> d8 <e g>16 <f a> } | c8 d16 e f g a b c' e' f' g' a'4 f'2 | \break
%% 33-36(41-44)
r1. | r1. | r1. | r1. \break
%% 37-40(45-48)
d2. r2. | g1_\( <d f>2\)_~ | <d f>_~ f1_\( | d1.\) | \break
%% 41-44(49-52)
r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
r1.^\fermata | r1.^\fermata | \pitchedTrill <c e>1._\startTrillSpan d | <c e>1. | \break
%% 49-52(57-60)
<c e>1.^\fermata\stopTrillSpan | \pitchedTrill <c' e'>1. ^\startTrillSpan f' | <c' e'>1. | <c' e'>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
\repeat percent 3 { c'8 <b g>16 <a f> b8 <a f>16 <g e> } |
\repeat percent 3 { a8 <g e>16 <f d> g8 <f d>16 <e c> } | g1. | c8 d16 e f g a b c' e' f' g' a'4 f'2 | \break
%% 57-60(65-68)
r1. | r1. | r1. | r1. | \break
%% 61-64(69-72)
r1. | \repeat percent 3 { a8 <g e>16 <f d> g8 <f d>16 <e c> } | r1. | r1.^\fermata | \break
%% 65-68(73-76)
r1. | r1. | r1. | r1. | \break
%% 69-72(77-80)
r4 c'2.. d'4._~ | d' r8 b8_( c') d'4 a4 a4_\( | b\) c'4. d'4_\( b8 d'4.\) r8 | c'8 b a g f4._\( e\) d4 | \break
%% 73-76(81-84)
f4. f4 g4. a2 | <e a>1 <a d'>2_~ | <a d'> <e a>1 | <f g>1._~ | \break
%% 77-80(85-88)
<f g>1._~ | f1._~ | <f g>1._~ | g1.^\fermata | \break
%% 81-84(89-92)
r1. | r1. | r1. | r1. | \break
%% 85-88(93-96)
r1. | r1. | r1. | r1. | \break
%% 89-90(97-98)
\time 4/1 r2 a2 d'1 <a c'>8. <g b> <f a> e4.._~ <d e>1_~ | <d f>\longa_~ | \break
%% 91-92(99-100)
f\longa | d\longa | \break
%% 93-95(101-103)
r\longa | d\breve_~ <d a>\breve_~ | \time 3/2 a2.^\fermata r4^\fermata \bar "|." \break
}
%%%%% end tenor sheet.
tenorMFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r2. g | d8_( e f g a b) <f a c'>2._~ | <f a c'>1. | r2 b1 | \break
%% 5-8(16)
d'8._( c' b a) c8_( d e f g a)_( | a2)_( <a c'>1)_~ | <a c'>1. | f1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
\repeat percent 2 { d'8._( c' b a) c8_( d e f g a)_( | a2)_( <a c'>1) } | \break
%%17-20(25-28)
d16_( e f g a) b8. a16_( g f e) d4_~ <d g>2_~ | <d g>1 <c e>8 <d f> <e g> <f a> |
r2 <g b>8 <a c'> <b d'> <c' e'>_~ e'2 | d'8 c' b a g f e d <c f>2 | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. \break
%% 25-28(33-36)
r1. | r1. | r1. | r1. \break
%% 29-32(37-40)
g4. a b c' | d'8 e' f' <a' f'>16 <g' e'> <f' d'> e'8. d' c' <b g>8 <a f> <g e> |
\repeat percent 3 { c8 <d f>16 <e g> d8 <e g>16 <f a> } | c8 d16 e f g a b c' e' f' g' a'4 f'2 | \break
%% 33-36(41-44)
r1. | r1. | r1. | r1. \break
%% 37-40(45-48)
d2. r2. | g1_\( <d f>2\)_~ | <d f>_~ f1_\( | d1.\) | \break
%% 41-44(49-52)
r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
r1.^\fermata | r1.^\fermata | \pitchedTrill <c e>1._\startTrillSpan d | <c e>1. | \break
%% 49-52(57-60)
<c e>1.^\fermata\stopTrillSpan | \pitchedTrill <c' e'>1. ^\startTrillSpan f' | <c' e'>1. | <c' e'>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
\repeat percent 3 { c'8 <b g>16 <a f> b8 <a f>16 <g e> } |
\repeat percent 3 { a8 <g e>16 <f d> g8 <f d>16 <e c> } | g1. | c8 d16 e f g a b c' e' f' g' a'4 f'2 | \break
%% 57-60(65-68)
r1. | r1. | r1. | r1. | \break
%% 61-64(69-72)
r1. | \repeat percent 3 { a8 <g e>16 <f d> g8 <f d>16 <e c> } | r1. | r1.^\fermata | \break
%% 65-68(73-76)
r1. | r1. | r1. | r1. | \break
%% 69-72(77-80)
r4 c'2.. d'4._~ | d' r8 b8_( c') d'4 a4 a4_\( | b\) c'4. d'4_\( b8 d'4.\) r8 | c'8 b a g f4._\( e\) d4 | \break
%% 73-76(81-84)
f4. f4 g4. a2 | <e a>1 <a d'>2_~ | <a d'> <e a>1 | <f g>1._~ | \break
%% 77-80(85-88)
<f g>1._~ | f1._~ | <f g>1._~ | g1.^\fermata | \break
%% 81-84(89-92)
r1. | r1. | r1. | r1. | \break
%% 85-88(93-96)
r1. | r1. | r1. | r1. | \break
%% 89-90(97-98)
\time 4/1 r2 a2 d'1 <a c'>8. <g b> <f a> e4.._~ <d e>1_~ | <d f>\longa | \break
%% 91-92(99-100)
f\longa | d\longa | \break
%% 93-95(101-103)
r\longa | d\breve_~ <d a>\breve_~ | \time 3/2 a2.^\fermata r4^\fermata \bar "|." \break
}
%%%%% end tenor midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%% omit baritone part %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%{
%%%%%%%% baritone part %%%%%%%%%%%%%%%%%%%%%%%
baritoneFour = { \hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-
%% \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
baritoneLFour = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
}
%%%%% end baritone sheet.
baritoneMFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-
%% \bar "|." \break
}
%%%%% end baritone midi. %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%% bass; part %%%%%%%%%%%%%%%%
bassVoiceFour = { \hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
r1. | r1. | r1. | r1. | \break
%% 17-20(25-28)
r1. | r1. | r1. | r1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. | \break
%% 25-28(33-36)
r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. | \break
%% 33-36(39-42)
r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
r1. | r1. | r1. | r1. | \break
%% 57-60(63-66)
r1. | r1. | r1. | r1. | \break
%% 61-64(67-70)
r1. | r1. | r1. | r1. | \break
%% 65-68(73-76)
r1. | r1. | r1. | r1. | \break
%% 69-72(77-80)
r1. | r1. | r1. | r1. | \break
%% 73-76(81-84)
r1. | r1. | r1. | r1. | \break
%% 77-80(85-88)
r1. | r1. | r1. | r1. | \break
%% 81-84(89-92)
r1 b,2^\markup { \column { \line {\italic "Each person is free to breathe as they wish, but breathing does not have to be synchronized."}
\line {\with-color #blue { \override #'(box-padding . 0.5) \override #'(thickness . 2) \rounded-box {
{\teeny \italic "Tutti"} } } }}}
\melisma | a,1. | b,1. | a,1. | \break
%% 85-88(93-96)
b,4 c8 d c d e2 b,4 | a,1. | b, | a,1 b,8\melismaEnd r4. | \break
%% 89-90(97-98)
\time 4/1 r1. b,4_._( c_. d^. e^. f^. e8 f g4) g8( f e d) r4 | r4 d8_( c16 b,) r1. r\breve | \break
%% 91-92(99-100)
f\breve\melisma f8\melismaEnd f1. r4. | \noBreak r8 b\breve\melisma b4\melismaEnd b1. r8 | \break
%% 93-95(101-103)
r8 e2.. e1 r\breve | d2.. b,8_( a, g,) r1 d1.._\( | \time 3/2 d2\) r2^\fermata \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
bassVoiceLFour = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
m __
A -- men, Amen, A __ men, A __ men, A -- men,
A -- men, A -- men, A -- men.
}
%%%%%
bassVoiceMFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
r1. | r1. | r1. | r1. | \break
%% 17-20(25-28)
r1. | r1. | r1. | r1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. | \break
%% 25-28(33-36)
r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. | \break
%% 33-36(39-42)
r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
r1. | r1. | r1. | r1. | \break
%% 57-60(63-66)
r1. | r1. | r1. | r1. | \break
%% 61-64(67-70)
r1. | r1. | r1. | r1. | \break
%% 65-68(73-76)
r1. | r1. | r1. | r1. | \break
%% 69-72(77-80)
r1. | r1. | r1. | r1. | \break
%% 73-76(81-84)
r1. | r1. | r1. | r1. | \break
%% 77-80(85-88)
r1. | r1. | r1. | r1. | \break
r1 b,2\melisma | a,1. | b,1. | a,1. | \break
%% 85-88(93-96)
b,4 c8 d c d e2 b,4 | a,1. | b, | a,1 b,8\melismaEnd r4. | \break
%% 89-90(97-98)
\time 4/1 r1. b,4_._( c_. d^. e^. f^. e8 f g4) g8( f e d) r4 | r4 d8_( c16 b,) r1. r\breve | \break
%% 91-92(99-100)
f\breve\melisma f8\melismaEnd f1. r4. | \noBreak r8 b\breve\melisma b4\melismaEnd b1. r8 | \break
%% 93-95(101-103)
r8 e2.. e1 r\breve | d2.. b,8_( a, g,) r1 d1.._\( | \time 3/2 d2\) r2^\fermata \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments
bassFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { << { \autoBeamOff c1 e2_~ | e2 \stemDown f4 g a b_~ | b1. | \stemUp a4_\( g f e8. d c b,\)_~ \stemNeutral } \\
{ r1 <f, a,>2_\( | <e, b,>1.\)_~ | <e, b,>_\( | <f, a,>\) } >> | \break
%% 5-8(16)
<< { b,2 d16 e f r f2._\( | <f a>1\) r2 | g8_( f e d) c2 e_~ | e1. } \\
{ <e, g,>2._~ e,_~ | <e, a,>1 r2 | <c a,>1._~ | <a, e,> } >> } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
\repeat percent 2 { b,2 d16 e f r f2._\( | <f a>1.\) } | \break
%% 17-20(25-28)
<e, g,>2_( <e, a,>1)^~ | a,1._~ | <a, c>1._~ | c1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. | \break
%% 25-28(33-36)
r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. | \break
%% 33-36(41-44)
<< { \autoBeamOff <f a>2^\markup { \hspace #-3 \italic "A performance for bass instruments only." }
_~ <a c'> d' | c'16 b a g f e d c b,8 a, g, f, e,2 | r1. | r1.} \\ { f,2 a, c | a,1. | f,1. | <e, a,>1.} >> | \break
%%37-40(45-48)
r2. g,2. | c1_\( <g, b,>2\)_~ | <g, b,>_~ b,1_\( | g,1.\) | \break
%% 41-44(49-52)
r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
r1.^\fermata | r1.^\fermata | \pitchedTrill <a, c>1._\startTrillSpan b, | \pitchedTrill <a, c>1. | \break
%% 49-52(57-60)
<a, c>1.^\fermata\stopTrillSpan | \pitchedTrill <c e>1. ^\startTrillSpan f | <c e>1. | <c e>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
<< { \autoBeamOff c'8 d' b a g f e d c2 | \noBreak e16 f g a b d e f g a b r c'2. | \noBreak d'2 g c | \noBreak
r8 c16 d e f g a b8 a g f e d c4 } \\ { \repeat percent 3 { a,2 g,8 f, r4 c2 } g,1. }>> | \break
%% 57-60(65-68)
r1. | r1. | r1. | r1. | \break
%% 61-64(67-70)
r1. | r1. | r1. | r1. | \break
%% 65-68(73-76)
r1. | r1. | << { \stemDown a,2 g,8 f, e,4\rest c2 \stemNeutral } \\
{ \autoBeamOff \stemUp e16 f g a b d e f g a b a\rest c'2. \stemNeutral } >> | e1.^\fermata | \break
%% 69-72(77-80)
r4 g2.. a4._~ | a r8 f8_( g) a4 e4 e4_\( | f\) g4. a4_\( f8 a4.\) r8 | g8 f e d c4._\( b,\) a,4 | \break
%% 73-76(81-84)
c4. c4 d4. e2 | <b, e>1 <e a>2_~ | <e a> <b, e>1 | <c d>1._~ | \break
%% 77-80(85-88)
<c d>1._~ | c1._~ | <c d>1._~ | d1.^\fermata | \break
%% 81-84(89-92)
r1. | r1. | r1. | r1. | \break
%% 85-88(93-96)
r1. | r1. | r1. | r1. | \break
%% 89-90(97-98)
\time 4/1 << { f2\rest e2 a1 <e g>8. <d f> <c e> b,4.._~ <a, b,>1_~ | <b, d>\longa } \\
{ e,\breve_\markup { \column { \line {Lower part; \bold \italic "There is only one bass instrument." } " " } }
_~ <e, g,>\breve_~ | <e, g,>\longa } >> | \break
%% 91-92(99-100)
<< { b\longa | r\longa } \\ { g,\longa_~ | g,\breve e,1.. r4 } >> | \break
%% 93-95(101-103)
r\longa | g,\breve_~ <g, d>\breve_~ | \time 3/2 d2.^\fermata r4^\fermata \bar "|." \break
}
%%%%% end bass-sheet.
bassMFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { << { c1 e2_~ | e2 f4 g a b_~ | b1. | a4_\( g f e8. d c b,\) } \\
{ r1 <f, a,>2_\( | <e, b,>1.\)_~ | <e, b,>_\( | <f, a,>\) } >> | \break
%% 5-8(16)
<< { b,2 d16 e f r f2._\( | <f a>1\) r2 | g8_( f e d) c2 e_~ | e1. } \\
{ <e, g,>2._~ e,_~ | <e, a,>1 r2 | <c a,>1._~ | <a, e,> } >> } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
\repeat percent 2 { b,2 d16 e f r f2._\( | <f a>1.\) } | \break
%% 17-20(25-28)
<e, g,>2_( <e, a,>1)^~ | a,1._~ | <a, c>1._~ | c1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. | \break
%% 25-28(33-36)
r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. | \break
%% 33-36(41-44)
<< { <f a>2_~ <a c'> d' | c'16 b a g f e d c b,8 a, g, f, e,2 | r1. | r1. } \\ { f,2 a, c | a,1. | f,1. | <e, a,>1.} >> | \break
%% 37-40(45-48)
r2. g,2. | c1_\( <g, b,>2\)_~ | <g, b,>_~ b,1_\( | g,1.\) | \break
%% 41-44(49-52)
r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
r1.^\fermata | r1.^\fermata | \pitchedTrill <a, c>1._\startTrillSpan b, | \pitchedTrill <a, c>1. | \break
%% 49-52(57-60)
<a, c>1.^\fermata\stopTrillSpan | \pitchedTrill <c e>1. ^\startTrillSpan f | <c e>1. | <c e>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
<< { \autoBeamOff c'8 d' b a g f e d c2 | \noBreak e16 f g a b d e f g a b r c'2. | \noBreak d'2 g c | \noBreak
r8 c16 d e f g a b8 a g f e d c4 } \\ { \repeat percent 3 { a,2 g,8 f, r4 c2 } g,1. } >> | \break
%% 57-60(65-68)
r1. | r1. | r1. | r1. | \break
%% 61-64(67-70)
r1. | r1. | r1. | r1. | \break
%% 65-68(73-76)
r1. | r1. | << { a,2 g,8 f, r4 c2 } \\ { \autoBeamOff e16 f g a b d e f g a b r c'2. } >> | e1.^\fermata | \break
%% 69-72(77-80)
r4 g2.. a4._~ | a r8 f8_( g) a4 e4 e4_\( | f\) g4. a4_\( f8 a4.\) r8 | g8 f e d c4._\( b,\) a,4 | \break
%% 73-76(81-84)
c4. c4 d4. e2 | <b, e>1 <e a>2_~ | <e a> <b, e>1 | <c d>1._~ | \break
%% 77-80(85-88)
<c d>1._~ | c1._~ | <c d>1._~ | d1.^\fermata | \break
%% 81-84(89-92)
r1. | r1. | r1. | r1. | \break
%% 85-88(93-96)
r1. | r1. | r1. | r1. | \break
%% 89-90(97-98)
\time 4/1 << { r2 e2 a1 <e g>8. <d f> <c e> b,4.._~ <a, b,>1_~ | <b, d>\longa } \\
{ e,\breve_~ <e, g,>\breve_~ | <e, g,>\longa } >> | \break
%% 91-92(99-100)
<< { b\longa | r\longa } \\ { g,\longa_~ | g,\breve e,1.. r4 } >> | \break
%% 93-95(101-103)
r\longa | g,\breve_~ <g, d>\breve_~ | \time 3/2 d2.^\fermata r4^\fermata \bar "|." \break
}
%%% end bass-midi.
%%%%%%%%%%%%%%%% End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%