%% 12:22 AM Friday, October 17, 2025
%% Yukio Yoshida
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% "\repeat percent Avoid straight \break after", put in one bar and run \break. And Sometimes everywhere need "\noBreak"
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% Part Vocal;; Start: \hide Staff.BarLine
%% and end: \undo \hide Staff.BarLine \bar "|." \break
%% And \score{ \context StaffGroup << } !!
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% For exaple; Should use-Top barLine :
%% "\tempo \markup { \hspace #-3 \with-color #red \italic \medium "ritenuto" } dis'8 ......."
%% And From Second bar-line: "dis'8^\markup { \hspace #-3 \with-color #red \italic \medium "ritenuto" } .........."
%% Well No-apper obje "tempo = *" on Top-barLine
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% If you want to change of color, then do see! in "define-grobs.scm"(lilypond's system file)
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\version "2.24.0"
%% for sheet-music
#(set-default-paper-size "letter")
#(set-global-staff-size 18)
BaritoneSol = {
\override Staff.StaffSymbol.color = #blue
\override Staff.LedgerLineSpanner.color = #blue
\override Staff.Clef.color = #blue
\override Staff.TimeSignature.color = #blue
\override Staff.KeySignature.color = #blue
\override Staff.BarLine.color = #blue
\override Voice.NoteHead.color = #blue
\override Voice.Rest.color = #blue
\override Voice.Stem.color = #blue
\override Voice.Flag.color = #blue
\override Voice.Beam.color = #blue
\override Voice.Slur.color = #blue
\override Voice.PhrasingSlur.color = #blue
\override Voice.Tie.color = #blue
\override Voice.Dots.color = #blue
\override Voice.Script.color = #blue
\override Voice.Accidental.color = #blue
\override Voice.DynamicLineSpanner.color = #blue
\override Voice.DynamicText.color = #blue
\override Voice.DynamicTextSpanner.color = #blue
\override Voice.TupletNumber.color = #blue
\override Voice.TupletBracket.color = #blue
\override Voice.BreathingSign.color = #blue
\override Voice.PercentRepeat.color = #blue
\override Voice.RepeatSlash.color = #blue
}
VoiceColorBlue = {
\override Staff.StaffSymbol.color = #blue
\override Staff.LedgerLineSpanner.color = #blue
\override Staff.Clef.color = #blue
\override Staff.TimeSignature.color = #blue
\override Staff.KeySignature.color = #blue
\override Staff.BarLine.color = #blue
\override Voice.NoteHead.color = #blue
\override Voice.Rest.color = #blue
\override Voice.Stem.color = #blue
\override Voice.Flag.color = #blue
\override Voice.Beam.color = #blue
\override Voice.Slur.color = #blue
\override Voice.PhrasingSlur.color = #blue
\override Voice.Tie.color = #blue
\override Voice.Dots.color = #blue
\override Voice.Script.color = #blue
\override Voice.Accidental.color = #blue
\override Voice.DynamicLineSpanner.color = #blue
\override Voice.DynamicText.color = #blue
\override Voice.DynamicTextSpanner.color = #blue
\override Voice.TupletNumber.color = #blue
\override Voice.TupletBracket.color = #blue
\override Voice.BreathingSign.color = #blue
\override Voice.PercentRepeat.color = #blue
\override Voice.RepeatSlash.color = #blue
}
VoiceColorBlueRevert = {
\revert Voice.NoteHead.color
\revert Voice.Rest.color
\revert Voice.Stem.color
\revert Voice.Flag.color
\revert Voice.Beam.color
\revert Voice.Slur.color
\revert Voice.PhrasingSlur.color
\revert Voice.Tie.color
\revert Voice.Dots.color
\revert Voice.Script.color
\revert Voice.Accidental.color
\revert Voice.DynamicLineSpanner.color
\revert Voice.DynamicTextSpanner.color
\revert Voice.DynamicText.color
\revert Voice.TupletNumber.color
\revert Voice.TupletBracket.color
\revert Voice.BreathingSign.color
\revert Voice.PercentRepeat.color
\revert Voice.RepeatSlash.color
}
Solo=^\markup { \hspace #-1.8 \with-color #red \box { \pad-around #0.5
{\teeny \italic "Solo"} } }
Aria=^\markup { \hspace #-1.8 \with-color #red \box { \pad-around #1
{\teeny \italic \bold "Aria; solo"} } }
Tutti=^\markup { \with-color #blue { \override #'(box-padding . 0.5)
\override #'(thickness . 2) \rounded-box {
{\teeny \italic "Tutti"} } } }
Both=^\markup { \with-color #blue \box { \pad-around #0.5
{\teeny \italic "Solo" } } or \with-color #blue \box { \pad-around #0.5 {\teeny \italic "Tutti" } }
}
VoiceColorRed = {
\override Voice.NoteHead.color = #red
\override Voice.Rest.color = #red
\override Voice.Stem.color = #red
\override Voice.Flag.color = #red
\override Voice.Dots.color = #red
\override Voice.Script.color = #red
\override Voice.PhrasingSlur.color = #red
}
VoiceColorRedRevert = {
\revert Voice.NoteHead.color
\revert Voice.Rest.color
\revert Voice.Stem.color
\revert Voice.Flag.color
\revert Voice.Dots.color
\revert Voice.Script.color
\revert Voice.PhrasingSlur.color
}
\paper {
%% ragged-last-bottom = ##f
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%%
sopranoVoiceFour = { \hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
r1. | r1. | r1. | r1. | \break
%% 17-20(25-28)
r1. | r1. | r1. | r1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. | \break
%% 25-28(31-34)
r1. | r1. | r1. | r1. | \break
%% 29-32(35-38)
r1. | r1. | r1. | r1. | \break
%% 33-36(39-42)
r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
%% \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
sopranoVoiceLFour = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
}
%%%%%
sopranoVoiceMFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
r1. | r1. | r1. | r1. | \break
%% 17-20(25-28)
r1. | r1. | r1. | r1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. | \break
%% 25-28(31-34)
r1. | r1. | r1. | r1. | \break
%% 29-32(35-38)
r1. | r1. | r1. | r1. | \break
%% 33-36(39-42)
r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
%% \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments part
sopranoFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { c'2 f'1_~ | f'2 b'8_( a' g' f' e' d' c'4)_~ | c'2 r2 c'2_~ | c'1 f'2 | \break
%% 5-8(16)
b'8_( a' g' f' e' d' c'4) r4 d'16_( e' f' g') | r8 a'8_( b' c''4.) d''2. | e''1 b'4 f' | e'1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
c'4. r8 d'16_( e' f' g' a' b') r8 c''2 | b'8._( a' g' f' e' d' c'4.) | e'1._~ | <e' b'>1._~ | \break
%% 17-20(25-28)
<e' b'>1 g'2 | <f' d'>8 <e' c'>_~ <c' d'> <d' e'> <e' f'> <f' g'> a'4 f' d' |
r2 <c' e'>8 <d' f'> <e' g'> <f' a'> g'2 | a'8 g' f' e' <a' f'> <g' e'> <f' d'> <e' c'>_~ c'2 | \break
%% 21-24(29-32)
f'1^\markup { \hspace #-3 \italic "A performance for soprano instruments only."}
<b' g'>16 <a' f'> <g' e'> <f' d'> c'4_~ | c'4 d'8 e' f' g' a' b' c''2_\( |
\repeat percent 3 { e''8\) <d'' b'>16 <c'' a'> d''8 <c'' a'>16 <b' g'> } |
g''8 f''16 e'' d'' c'' b' a' g' f' e' d' c'4 e'2 | \break
%%25-28(33-36)
r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. | \break
%% 33-36(41-44)
r1. | r1. | r1. | r1. | \break
%% 37-40(45-48)
r2. c'2. | f'1_\( <c' e'>2\)_~ | <c' e'>_~ e'1_\( | c'1.\) | \break
%% 41-44(49-52)
r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
r1.^\fermata | r1.^\fermata | \pitchedTrill <c' e'>1._\startTrillSpan d' | \pitchedTrill <c' e'>1. | \break
%% 49-52(57-60)
<c' e'>1.^\fermata\stopTrillSpan | \pitchedTrill <c'' e''>1. ^\startTrillSpan f'' | <c'' e''>1. | <c'' e''>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
f'1. | \repeat percent 3 {g'8 <f' a'>16 <g' b'> a'8 <g' b'>16 <a' c''> } |
\repeat percent 3 {b'8 <a' c''>16 <b' d''> c''8 <b' d''>16 <c'' e''> } | g''8 f''16 e'' d'' c'' b' a' g' f' e' d' c'4 e'2 | \break
%% \bar "|." \break
}
%%%%% end Soprano sheet.
sopranoMFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { c'2 f'1_~ | f'2 b'8_( a' g' f' e' d' c'4)_~ | c'2 r2 c'2_~ | c'1 f'2 | \break
%% 5-8(16)
b'8_( a' g' f' e' d' c'4) r4 d'16_( e' f' g') | r8 a'8_( b' c''4.) d''2. | e''1 b'4 f' | e'1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
c'4. r8 d'16_( e' f' g' a' b') r8 c''2 | b'8._( a' g' f' e' d' c'4.) | e'1._~ | <e' b'>1._~ | \break
%% 17-20(25-28)
<e' b'>1 g'2 | <f' d'>8 <e' c'>_~ <c' d'> <d' e'> <e' f'> <f' g'> a'4 f' d' |
r2 <c' e'>8 <d' f'> <e' g'> <f' a'> g'2 | a'8 g' f' e' <a' f'> <g' e'> <f' d'> <e' c'>_~ c'2 | \break
%% 21-24(29-32)
f'1 <b' g'>16 <a' f'> <g' e'> <f' d'> c'4_~ | c'4 d'8 e' f' g' a' b' c''2_\( |
\repeat percent 3 { e''8\) <d'' b'>16 <c'' a'> d''8 <c'' a'>16 <b' g'> } |
g''8 f''16 e'' d'' c'' b' a' g' f' e' d' c'4 e'2 | \break
%%25-28(33-36)
r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. | \break
%% 33-36(41-44)
r1. | r1. | r1. | r1. | \break
%% 37-40(45-48)
r2. c'2. | f'1_\( <c' e'>2\)_~ | <c' e'>_~ e'1_\( | c'1.\) | \break
%% 41-44(49-52)
r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
r1.^\fermata | r1.^\fermata | \pitchedTrill <c' e'>1._\startTrillSpan d' | \pitchedTrill <c' e'>1. | \break
%% 49-52(57-60)
<c' e'>1.^\fermata\stopTrillSpan | \pitchedTrill <c'' e''>1. ^\startTrillSpan f'' | <c'' e''>1. | <c'' e''>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
f'1. | \repeat percent 3 {g'8 <f' a'>16 <g' b'> a'8 <g' b'>16 <a' c''> } |
\repeat percent 3 {b'8 <a' c''>16 <b' d''> c''8 <b' d''>16 <c'' e''> } | g''8 f''16 e'' d'' c'' b' a' g' f' e' d' c'4 e'2 | \break
%% \bar "|." \break
}
%%% end Soprano midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%% sopranoAria %%%%%%%%%%%
sopranoAriaFour = { \hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
f'2^\Aria b'2.. r8 | c''4 g'4. f'2 c'4. | c'16_( d' e') r8 f'4. b'2. r16 | c''4 g'4. f'8 e'4 c'2^\fermata | \break
%% 13-16(21-24)
r4 c'4 d'4_._\( e'_. f'4._.\) r8 | g'2_\( a'\) b' | r8 b'4 c''8_\( g'2 e'\) | r1. | \break
%%17-20(25-28)
r1. | r1. | r1. | r1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. | \break
%%25-28(33-36)
r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. | \break
%% 33-36(41-44)
r1. | r1. | r1. | r1. | \break
%% 37-40(45-48)
r16 f'2 b'2. c''8. | c''8. d''4.. d'8 f'4_\( g'8 b'4.\) | a'8. c''4. a'16 c''4. g'16 b'4 c''8._\( | d''4.\) d'8 f'4._\( g'8 b'2\)^\fermata | \break
%% 41-44(49-52)
r2.^\fermata f'2 b'4 _~ | b' c''4. b' c''8 d''4. | r16 e''4.. f''2 r4. f'8 | c''8 d''4. e''8 f''2 r8 g''4 | \break
%% 45-48(53-56)
e''2 r4. \once \stemDown f'^\fermata_\( g'4^\fermata | a'1^\fermata\) r2 | r1. | r1. | \break
%% 49-52(57-60)
%% I know the plateau where he rests, but I also know he is not there,
%% his unvisited gravestone inscribed with the words,
%% ---- Tenor Solo, and Alto Solo ---
%% "To this time I live, to this time I die, that is all."
%% \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
sopranoAriaLFour = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
I know that where he rests. But I know that he is not there.
The un -- vis -- ited tomb -- stone bears the in -- scrip -- tion:
%% ---- Tenor Solo, and Alto Solo ---
%% "To this time I live, to this time I die, that is all."
I know that soon "this land" will dis -- ap -- pear, "and the" lives and deaths of its peo -- ple will dis -- ap -- pear.
I know that even the steps we take, and the flow of time, will soon dis -- ap -- pear.
I know the plateau where he rests, but I also know he is not there,
his unvisited gravestone inscribed with the words,
%% ---- Tenor Solo, and Alto Solo ---
%% "To this time I live, to this time I die, that is all."
I know that soon this plateau will disappear, and so will the people who lived and died there.
Every single step, and even the flow of time, will disappear.
Amen
}
%%%%% end sopranoAria sheet.
sopranoAriaMFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
f'2^\Aria b'2.. r8 | c''4 g'4. f'2 c'4. | c'16_( d' e') r8 f'4. b'2. r16 | c''4 g'4. f'8 e'4 c'2^\fermata | \break
%% 13-16(21-24)
r4 c'4 d'4_._\( e'_. f'4._.\) r8 | g'2_\( a'\) b' | r8 b'4 c''8_\( g'2 e'\) | r1. | \break
%%17-20(25-28)
r1. | r1. | r1. | r1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. | \break
%%25-28(33-36)
r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. | \break
%% 33-36(41-44)
r1. | r1. | r1. | r1. | \break
%% 37-40(45-48)
r16 f'2 b'2. c''8. | c''8. d''4.. d'8 f'4_\( g'8 b'4.\) | a'8. c''4. a'16 c''4. g'16 b'4 c''8._\( | d''4.\) d'8 f'4._\( g'8 b'2\)^\fermata | \break
%% 41-44(49-52)
r2.^\fermata f'2 b'4 _~ | b' c''4. b' c''8 d''4. | r16 e''4.. f''2 r4. f'8 | c''8 d''4. e''8 f''2 r8 g''4 | \break
%% 45-48(53-56)
e''2 r4. f'^\fermata_\( g'4^\fermata | a'1^\fermata\) r2 | r1. | r1. | \break
%% 49-52(57-60)
%% \bar "|." \break
}
%%%%% end sopranoAria midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%%
altoVoiceFour = {\hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
r1. | r1. | r1. | r4 f4_.^\Solo g_. a_. g4. a8_~ | \break
%% 17-20(25-28)
a4. f4_. g_. a_. r8 g4_~ | g4 a2 a4 c'2 | r1. | r1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. | \break
%%25-28(33-36)
r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. | \break
%% 33-36(39-42)
r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
%% \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
altoVoiceLFour = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
To this time I live, to this time I die, "that is" all.
}
%%%%%
altoVoiceMFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
r1. | r1. | r1. | r4 f4_.^\Solo g_. a_. g4. a8_~ | \break
%% 17-20(25-28)
a4. f4_. g_. a_. r8 g4_~ | g4 a2 a4 c'2 | r1. | r1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. | \break
%%25-28(33-36)
r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. | \break
%% 33-36(39-42)
r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
%% \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments
altoFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r2 f2 b2_~ | b1 e'8_( d' c' b | a g f4) r2 f2_~ | f1 b2 | \break
%% 5-8(16)
e'8_( d' c' b a g f4) r4 g16_( a b c') | r8 d'8_( e' f'4.) g'2. | f'4. e' d'8 c' b a g f | a1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. \break
%% 13-16(21-24)
e'2_( d'8 c' b a g f4.) | g16_( a b c') r8 d'8_( e' f'4.) g'2 | e'1._~ | <e' a>1._~ | \break
%% 17-20(25-28)
<e' a>1._~ | e'4 <d' c'>8 <c' b> <b a> <a g> f4. g8 a b | r4. c'8 d' e' c'2 <b g>4 | f1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. \break
%%25-28(33-36)
a2^\markup { \hspace #-3 \italic "A performance for alto instruments only."}
_~<a c'>8 <b d'> <c' e'> <d' f'> <e' g'> <f' a'>_~ a'4 | c''2 b'8 a' g' f' e' d' \once \stemUp c'16 b a g |
<f a>16 <g b> <a c'> <b d'> e'2 g'2. | e'4. c' a f | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. \break
%% 33-36(41-44)
r1. | r1. | r1. | r1. \break
%% 37-40(45-48)
f2. r2. | b1_\( <f a>2\)_~ | <f a>_~ a1_\( | f1.\) | \break
%% 41-44(49-52)
r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
r1.^\fermata | r1.^\fermata | \pitchedTrill <a c'>1._\startTrillSpan b | \pitchedTrill <a c'>1. | \break
%% 49-52(57-60)
<a c'>1.^\fermata\stopTrillSpan | \pitchedTrill <c' e'>1. ^\startTrillSpan f' | <c' e'>1. | <c' e'>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
a'4_~ <a' f'>8 <e' g'> <d' f'> <c' e'> <b d'> <a c'>_~ a2 | g16 a b c' d'8 e' f' g' a' b' c''2 |
g'2. e'2 <b d'>16 <a c'> <g b> <a f>_\( | f4.\) a c' e' | \break
%% 57-60(65-68)
%% \bar "|." \break
}
%%%%% end alto sheet.
altoMFour = {
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r2 f2 b2_~ | b1 e'8_( d' c' b | a g f4) r2 f2_~ | f1 b2 | \break
%% 5-8(16)
e'8_( d' c' b a g f4) r4 g16_( a b c') | r8 d'8_( e' f'4.) g'2. | f'4. e' d'8 c' b a g f | a1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. \break
%% 13-17(21-24)
e'2_( d'8 c' b a g f4.) | g16_( a b c') r8 d'8_( e' f'4.) g'2 | e'1._~ | <e' a>1._~ | \break
%% 17-20(25-28)
<e' a>1._~ | e'4 <d' c'>8 <c' b> <b a> <a g> f4. g8 a b | r4. c'8 d' e' c'2 <b g>4 | f1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. \break
%%25-28(33-36)
a2_~<a c'>8 <b d'> <c' e'> <d' f'> <e' g'> <f' a'>_~ a'4 | c''2 b'8 a' g' f' e' d' c'16 b a g |
<f a>16 <g b> <a c'> <b d'> e'2 g'2. | e'4. c' a f | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. \break
%% 33-36(41-44)
r1. | r1. | r1. | r1. \break
%% 37-40(45-48)
f2. r2. | b1_\( <f a>2\)_~ | <f a>_~ a1_\( | f1.\) | \break
%% 41-44(49-52)
r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
r1.^\fermata | r1.^\fermata | \pitchedTrill <a c'>1._\startTrillSpan b | \pitchedTrill <a c'>1. | \break
%% 49-52(57-60)
<a c'>1.^\fermata\stopTrillSpan | \pitchedTrill <c' e'>1. ^\startTrillSpan f' | <c' e'>1. | <c' e'>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
a'4_~ <a' f'>8 <e' g'> <d' f'> <c' e'> <b d'> <a c'>_~ a2 | g16 a b c' d'8 e' f' g' a' b' c''2 |
g'2. e'2 <b d'>16 <a c'> <g b> <a f>_\( | f4.\) a c' e' | \break
%% 57-60(65-68)
%% \bar "|." \break
}
%%%%% end alto midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%%
tenorVoiceFour = { \hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
r1. | r1. | r1. | r8 c'4^.^\Solo d'^. e'^. d'4. e'4_~ | \break
%% 17-20(25-28)
e'4 c'4^. d'^. e'^. r8 d'4. | e'2 r16 e'4 g'2 r8. | r1. | r1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. \break
%% 25-28(33-36)
r1. | r1. | r1. | r1. \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. \break
%% 33-36(39-42)
r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
%% \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
tenorVoiceLFour = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
To this time I live, to this time I die, "that is" all.
}
%%%%%
tenorVoiceMFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
r1. | r1. | r1. | r8^\Solo c'4^. d'^. e'^. d'4. e'4_~ | \break
%% 17-20(25-28)
e'4 c'4^. d'^. e'^. r8 d'4. | e'2 r16 e'4 g'2 r8. | r1. | r1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. \break
%% 25-28(33-36)
r1. | r1. | r1. | r1. \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. \break
%% 33-36(39-42)
r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
%% \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments
tenorFour= {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r2. g | d8_( e f g a b) <f a c'>2._~ | <f a c'>1. | r2 b1 | \break
%% 5-8(16)
d'8._( c' b a) c8_( d e f g a)_( | a2)_( <a c'>1)_~ | <a c'>1. | f1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
\repeat percent 2 { d'8._( c' b a) c8_( d e f g a)_( | a2)_( <a c'>1) } | \break
%%17-20(25-28)
d16_( e f g a) b8. a16_( g f e) d4_~ <d g>2_~ | <d g>1 <c e>8 <d f> <e g> <f a> |
r2 <g b>8 <a c'> <b d'> <c' e'>_~ e'2 | d'8 c' b a g f e d <c f>2 | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. \break
%% 25-28(33-36)
r1. | r1. | r1. | r1. \break
%% 29-32(37-40)
g4.^\markup { \hspace #-3 \italic "A performance for tenor instruments only." } a b c' |
d'8 e' f' <a' f'>16 <g' e'> <f' d'> e'8. d' c' \once \stemUp <b g>8 <a f> <g e> |
\repeat percent 3 { c8 <d f>16 <e g> d8 <e g>16 <f a> } | c8 d16 e f g a b c' e' f' g' a'4 f'2 | \break
%% 33-36(41-44)
r1. | r1. | r1. | r1. \break
%% 37-40(45-48)
d2. r2. | g1_\( <d f>2\)_~ | <d f>_~ f1_\( | d1.\) | \break
%% 41-44(49-52)
r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
r1.^\fermata | r1.^\fermata | \pitchedTrill <c e>1._\startTrillSpan d | <c e>1. | \break
%% 49-52(57-60)
<c e>1.^\fermata\stopTrillSpan | \pitchedTrill <c' e'>1. ^\startTrillSpan f' | <c' e'>1. | <c' e'>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
\repeat percent 3 { c'8 <b g>16 <a f> b8 <a f>16 <g e> } |
\repeat percent 3 { a8 <g e>16 <f d> g8 <f d>16 <e c> } | g1. | c8 d16 e f g a b c' e' f' g' a'4 f'2 | \break
%% 57-60(65-68)
%% \bar "|." \break
}
%%%%% end tenor sheet.
tenorMFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r2. g | d8_( e f g a b) <f a c'>2._~ | <f a c'>1. | r2 b1 | \break
%% 5-8(16)
d'8._( c' b a) c8_( d e f g a)_( | a2)_( <a c'>1)_~ | <a c'>1. | f1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
\repeat percent 2 { d'8._( c' b a) c8_( d e f g a)_( | a2)_( <a c'>1) } | \break
%%17-20(25-28)
d16_( e f g a) b8. a16_( g f e) d4_~ <d g>2_~ | <d g>1 <c e>8 <d f> <e g> <f a> |
r2 <g b>8 <a c'> <b d'> <c' e'>_~ e'2 | d'8 c' b a g f e d <c f>2 | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. \break
%% 25-28(33-36)
r1. | r1. | r1. | r1. \break
%% 29-32(37-40)
g4. a b c' | d'8 e' f' <a' f'>16 <g' e'> <f' d'> e'8. d' c' <b g>8 <a f> <g e> |
\repeat percent 3 { c8 <d f>16 <e g> d8 <e g>16 <f a> } | c8 d16 e f g a b c' e' f' g' a'4 f'2 | \break
%% 33-36(41-44)
r1. | r1. | r1. | r1. \break
%% 37-40(45-48)
d2. r2. | g1_\( <d f>2\)_~ | <d f>_~ f1_\( | d1.\) | \break
%% 41-44(49-52)
r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
r1.^\fermata | r1.^\fermata | \pitchedTrill <c e>1._\startTrillSpan d | <c e>1. | \break
%% 49-52(57-60)
<c e>1.^\fermata\stopTrillSpan | \pitchedTrill <c' e'>1. ^\startTrillSpan f' | <c' e'>1. | <c' e'>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
\repeat percent 3 { c'8 <b g>16 <a f> b8 <a f>16 <g e> } |
\repeat percent 3 { a8 <g e>16 <f d> g8 <f d>16 <e c> } | g1. | c8 d16 e f g a b c' e' f' g' a'4 f'2 | \break
%% 57-60(65-68)
%% \bar "|." \break
}
%%%%% end tenor midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%% omit baritone part %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%{
%%%%%%%% baritone part %%%%%%%%%%%%%%%%%%%%%%%
baritoneFour = { \hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-
%% \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
baritoneLFour = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
}
%%%%% end baritone sheet.
baritoneMFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-
%% \bar "|." \break
}
%%%%% end baritone midi. %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%% bass; part %%%%%%%%%%%%%%%%
bassVoiceFour = { \hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
r1. | r1. | r1. | r1. | \break
%% 17-20(25-28)
r1. | r1. | r1. | r1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. | \break
%% 25-28(33-36)
r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. | \break
%% 33-36(39-42)
r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
%% \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
bassVoiceLFour = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
}
%%%%%
bassVoiceMFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
r1. | r1. | r1. | r1. | \break
%% 17-20(25-28)
r1. | r1. | r1. | r1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. | \break
%% 25-28(33-36)
r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. | \break
%% 33-36(39-42)
r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
%% \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments
bassFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { << { \autoBeamOff c1 e2_~ | e2 \stemDown f4 g a b_~ | b1. | \stemUp a4_\( g f e8. d c b,\)_~ \stemNeutral } \\
{ r1 <f, a,>2_\( | <e, b,>1.\)_~ | <e, b,>_\( | <f, a,>\) } >> | \break
%% 5-8(16)
<< { b,2 d16 e f r f2._\( | <f a>1\) r2 | g8_( f e d) c2 e_~ | e1. } \\
{ <e, g,>2._~ e,_~ | <e, a,>1 r2 | <c a,>1._~ | <a, e,> } >> } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
\repeat percent 2 { b,2 d16 e f r f2._\( | <f a>1.\) } | \break
%% 17-20(25-28)
<e, g,>2_( <e, a,>1)^~ | a,1._~ | <a, c>1._~ | c1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. | \break
%% 25-28(33-36)
r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. | \break
%% 33-36(41-44)
<< { \autoBeamOff <f a>2^\markup { \hspace #-3 \italic "A performance for bass instruments only." }
_~ <a c'> d' | c'16 b a g f e d c b,8 a, g, f, e,2 | r1. | r1.} \\ { f,2 a, c | a,1. | f,1. | <e, a,>1.} >> | \break
%%37-40(45-48)
r2. g,2. | c1_\( <g, b,>2\)_~ | <g, b,>_~ b,1_\( | g,1.\) | \break
%% 41-44(49-52)
r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
r1.^\fermata | r1.^\fermata | \pitchedTrill <a, c>1._\startTrillSpan b, | \pitchedTrill <a, c>1. | \break
%% 49-52(57-60)
<a, c>1.^\fermata\stopTrillSpan | \pitchedTrill <c e>1. ^\startTrillSpan f | <c e>1. | <c e>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
<< { \autoBeamOff c'8 d' b a g f e d c2 | \noBreak e16 f g a b d e f g a b r c'2. | \noBreak d'2 g c | \noBreak
r8 c16 d e f g a b8 a g f e d c4 } \\ { \repeat percent 4 {a,2 g,8 f, r4 c2} } >> | \break
%% 57-60(65-68)
%% \bar "|." \break
}
%%%%% end bass-sheet.
bassMFour = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-4
\repeat volta 2 { << { c1 e2_~ | e2 f4 g a b_~ | b1. | a4_\( g f e8. d c b,\) } \\
{ r1 <f, a,>2_\( | <e, b,>1.\)_~ | <e, b,>_\( | <f, a,>\) } >> | \break
%% 5-8(16)
<< { b,2 d16 e f r f2._\( | <f a>1\) r2 | g8_( f e d) c2 e_~ | e1. } \\
{ <e, g,>2._~ e,_~ | <e, a,>1 r2 | <c a,>1._~ | <a, e,> } >> } | \break
%% 9-12(17-20)
r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
\repeat percent 2 { b,2 d16 e f r f2._\( | <f a>1.\) } | \break
%% 17-20(25-28)
<e, g,>2_( <e, a,>1)^~ | a,1._~ | <a, c>1._~ | c1. | \break
%% 21-24(29-32)
r1. | r1. | r1. | r1. | \break
%% 25-28(33-36)
r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
r1. | r1. | r1. | r1. | \break
%% 33-36(41-44)
<< { <f a>2_~ <a c'> d' | c'16 b a g f e d c b,8 a, g, f, e,2 | r1. | r1. } \\ { f,2 a, c | a,1. | f,1. | <e, a,>1.} >> | \break
%% 37-40(45-48)
r2. g,2. | c1_\( <g, b,>2\)_~ | <g, b,>_~ b,1_\( | g,1.\) | \break
%% 41-44(49-52)
r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
r1.^\fermata | r1.^\fermata | \pitchedTrill <a, c>1._\startTrillSpan b, | \pitchedTrill <a, c>1. | \break
%% 49-52(57-60)
<a, c>1.^\fermata\stopTrillSpan | \pitchedTrill <c e>1. ^\startTrillSpan f | <c e>1. | <c e>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
<< { \autoBeamOff c'8 d' b a g f e d c2 | e16 f g a b d e f g a b r c'2. | d'2 g c |
r8 c16 d e f g a b8 a g f e d c4 } \\ { \repeat percent 4 {a,2 g,8 f, r4 c2} } >> | \break
%% 57-60(65-68)
%% \bar "|." \break
}
%%% end bass-midi.
%%%%%%%%%%%%%%%% End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%