%% 11:00 Monday, November 10, 2025
%% Yukio Yoshida
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% "\repeat percent Avoid straight \break after", put in one bar and run \break. And Sometimes everywhere need "\noBreak"
%% "\repeat percent ====>See Bass #51---#57 "\repeat percent 3", Try to "\repeat percent 4" (*_*)? omit(g,1.)
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% Part Vocal;; Start: \hide Staff.BarLine
%%              and end: \undo \hide Staff.BarLine \bar "|." \break
%%      And \score{   \context StaffGroup <<    } !!
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% For exaple; Should  use-Top barLine :
%%   "\tempo \markup { \hspace #-3 \with-color #red \italic \medium "ritenuto" } dis'8 ......."
%% And From Second bar-line: "dis'8^\markup { \hspace #-3 \with-color #red \italic \medium "ritenuto" } .........."
%% Well No-apper obje "tempo = *" on Top-barLine
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% If you want to change of color, then do see! in "define-grobs.scm"(lilypond's system file)
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\version "2.24.0"
%% for sheet-music
#(set-default-paper-size "letter")
#(set-global-staff-size 18)
BaritoneSol = {
              \override Staff.StaffSymbol.color = #blue
              \override Staff.LedgerLineSpanner.color = #blue
              \override Staff.Clef.color = #blue
              \override Staff.TimeSignature.color = #blue
              \override Staff.KeySignature.color = #blue
              \override Staff.BarLine.color = #blue
              \override Voice.NoteHead.color = #blue
              \override Voice.Rest.color = #blue
              \override Voice.Stem.color = #blue
              \override Voice.Flag.color = #blue
              \override Voice.Beam.color = #blue
              \override Voice.Slur.color = #blue
              \override Voice.PhrasingSlur.color = #blue
              \override Voice.Tie.color = #blue
              \override Voice.Dots.color = #blue
              \override Voice.Script.color = #blue
              \override Voice.Accidental.color = #blue
              \override Voice.DynamicLineSpanner.color = #blue
              \override Voice.DynamicText.color = #blue
              \override Voice.DynamicTextSpanner.color = #blue
              \override Voice.TupletNumber.color = #blue
              \override Voice.TupletBracket.color = #blue
              \override Voice.BreathingSign.color = #blue
              \override Voice.PercentRepeat.color = #blue
              \override Voice.RepeatSlash.color = #blue
}

VoiceColorBlue = {
              \override Staff.StaffSymbol.color = #blue
              \override Staff.LedgerLineSpanner.color = #blue
              \override Staff.Clef.color = #blue
              \override Staff.TimeSignature.color = #blue
              \override Staff.KeySignature.color = #blue
              \override Staff.BarLine.color = #blue
              \override Voice.NoteHead.color = #blue
              \override Voice.Rest.color = #blue
              \override Voice.Stem.color = #blue
              \override Voice.Flag.color = #blue
              \override Voice.Beam.color = #blue
              \override Voice.Slur.color = #blue
              \override Voice.PhrasingSlur.color = #blue
              \override Voice.Tie.color = #blue
              \override Voice.Dots.color = #blue
              \override Voice.Script.color = #blue
              \override Voice.Accidental.color = #blue
              \override Voice.DynamicLineSpanner.color = #blue
              \override Voice.DynamicText.color = #blue
              \override Voice.DynamicTextSpanner.color = #blue
              \override Voice.TupletNumber.color = #blue
              \override Voice.TupletBracket.color = #blue
              \override Voice.BreathingSign.color = #blue
              \override Voice.PercentRepeat.color = #blue
              \override Voice.RepeatSlash.color = #blue
}
VoiceColorBlueRevert = {
              \revert Voice.NoteHead.color
              \revert Voice.Rest.color
              \revert Voice.Stem.color
              \revert Voice.Flag.color
              \revert Voice.Beam.color
              \revert Voice.Slur.color
              \revert Voice.PhrasingSlur.color
              \revert Voice.Tie.color
              \revert Voice.Dots.color
              \revert Voice.Script.color
              \revert Voice.Accidental.color
              \revert Voice.DynamicLineSpanner.color
              \revert Voice.DynamicTextSpanner.color
              \revert Voice.DynamicText.color
              \revert Voice.TupletNumber.color
              \revert Voice.TupletBracket.color
              \revert Voice.BreathingSign.color
              \revert Voice.PercentRepeat.color
              \revert Voice.RepeatSlash.color
}

Solo=^\markup { \hspace #-1.8 \with-color #red \box { \pad-around #0.5
                                   {\teeny \italic "Solo"} } }
Aria=^\markup { \hspace #-1.8 \with-color #red \box { \pad-around #1
                                   {\teeny \italic \bold "Aria; solo"} } }
Tutti=^\markup { \with-color #blue { \override #'(box-padding . 0.5)
                          \override #'(thickness . 2) \rounded-box {
                                   {\teeny \italic "Tutti"} } } }
Both=^\markup { \with-color #blue \box { \pad-around #0.5
                                   {\teeny \italic "Solo" } } or \with-color #blue \box { \pad-around #0.5 {\teeny \italic "Tutti" } }
}

VoiceColorRed = {
              \override Voice.NoteHead.color = #red
              \override Voice.Rest.color = #red
              \override Voice.Stem.color = #red
			  \override Voice.Flag.color = #red
              \override Voice.Dots.color = #red
              \override Voice.Script.color = #red
              \override Voice.PhrasingSlur.color = #red
}
VoiceColorRedRevert = {
              \revert Voice.NoteHead.color
              \revert Voice.Rest.color
              \revert Voice.Stem.color
			  \revert Voice.Flag.color
              \revert Voice.Dots.color
              \revert Voice.Script.color
              \revert Voice.PhrasingSlur.color
}

\paper {
             %%  ragged-last-bottom = ##f
}

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%%
sopranoVoiceFour = { \hide Staff.BarLine
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-4
   \repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
   r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
   r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
   r1. | r1. | r1. | r1. | \break
%% 17-20(25-28)
   r1. | r1. | r1. | r1. | \break
%% 21-24(29-32)
   r1. | r1. | r1. | r1. | \break
%% 25-28(31-34)
   r1. | r1. | r1. | r1. | \break
%% 29-32(35-38)
   r1. | r1. | r1. | r1. | \break
%% 33-36(39-42)
   r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
   r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
   r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
   r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
   r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
   r1. | r1. | r1. | r1. | \break
%% 57-60(63-66)
   r1. | r1. | r1. | r1. | \break
%%61-64(67-70)
   r1. | r1. | r1. | r1. | \break
%% 65-68(73-76)
    r1. | r1. | r1. | r1. | \break
%% 69-72(77-80)
    r1. | r1. | r1. | r1. | \break
%% 73-76(81-84)
    r1. | r1. | r1. | r1. | \break
%% 77-80(85-88)
    r1. | r1. | r1. | r1. | \break
%% 81-84(89-92)
    r1 e'2^\markup { \column { \line {\italic "Each person is free to breathe as they wish, but breathing does not have to be synchronized."}
	                                                 \line {\with-color #blue { \override #'(box-padding . 0.5) \override #'(thickness . 2) \rounded-box {
                                                               {\teeny \italic "Tutti"} } } }}}
	             \melisma | d'1. | e'1. | d'1. | \break
%% 85-88(93-96)
    e'4 f'8 g' f' g' a'2 e'4 | d'1. | e' | d'1 e'8\melismaEnd r4. | \break
%% 89-90(97-98)
    \time 4/1 r\breve r1.. e'8_( d'16 c') | \noBreak e'4_\( d'8( c')\) r4 b'4.^._( c''^. d''^. e''^. f''^. e''8 f'' g''4) g''8.( f'' e'' d'') r8 | \break
%% 91-92(99-100)
    b'\breve\melisma b'8\melismaEnd b'1. r4. | \noBreak r8 e''\breve\melisma e''4\melismaEnd e''1. r8 | \break
%% 93-95(101-103)
    r8 a'2.. a'1 r\breve | g'2.. f'8_( e' d') r1 g'1.._\( | \time 3/2 g'2\) r2^\fermata \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
sopranoVoiceLFour = \lyricmode {
    \override Lyrics.LyricText.color = #blue
    \override Lyrics.LyricHyphen.color = #blue
    \override Lyrics.LyricExtender.color = #blue
    \override Score.LyricText.font-shape = #'italic
    \teeny
m __
Amen, A -- men, A -- men, A __ men, A __ men,
A -- men, A -- men, A -- men.
}
%%%%%
sopranoVoiceMFour = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-4
   \repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
   r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
   r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
   r1. | r1. | r1. | r1. | \break
%% 17-20(25-28)
   r1. | r1. | r1. | r1. | \break
%% 21-24(29-32)
   r1. | r1. | r1. | r1. | \break
%% 25-28(31-34)
   r1. | r1. | r1. | r1. | \break
%% 29-32(35-38)
   r1. | r1. | r1. | r1. | \break
%% 33-36(39-42)
   r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
   r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
   r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
   r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
   r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
   r1. | r1. | r1. | r1. | \break
%% 57-60(63-66)
   r1. | r1. | r1. | r1. | \break
%%61-64(67-70)
   r1. | r1. | r1. | r1. | \break
%% 65-68(73-76)
    r1. | r1. | r1. | r1. | \break
%% 69-72(77-80)
    r1. | r1. | r1. | r1. | \break
%% 73-76(81-84)
    r1. | r1. | r1. | r1. | \break
%% 77-80(85-88)
    r1. | r1. | r1. | r1. | \break
%% 81-84(89-92)
    r1 e'2\melisma | d'1. | e'1. | d1. | \break
%% 85-88(93-96)
    e'4 f'8 g' f' g' a'2 e'4 | d'1. | e' | d'1 e'8\melismaEnd r4. | \break
%% 89-90(97-98)
    \time 4/1 r\breve r1.. e'8_( d'16 c') | e'4_\( d'8( c')\) r4 b'4.^._( c''^. d''^. e''^. f''^. e''8 f'' g''4) g''8.( f'' e'' d'') r8 | \break
%% 91-92(99-100)
    b'\breve\melisma b'8\melismaEnd b'1. r4. | r8 e''\breve\melisma e''4\melismaEnd e''1. r8 | \break
%% 93-95(101-103)
    r8 a'2.. a'1 r\breve | g'2.. f'8_( e' d') r1 g'1.._\( | \time 3/2 g'2\) r2^\fermata \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments part
sopranoFour = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-4
   \repeat volta 2 { c'2 f'1_~ | f'2 b'8_( a' g' f' e' d' c'4)_~ | c'2 r2 c'2_~ | c'1 f'2 | \break
%% 5-8(16)
	b'8_( a' g' f' e' d' c'4) r4 d'16_( e' f' g') | r8 a'8_( b' c''4.) d''2. | e''1 b'4 f' | e'1. } | \break
%% 9-12(17-20)
    r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
    c'4. r8 d'16_( e' f' g' a' b') r8 c''2 | b'8._( a' g' f' e' d' c'4.) | e'1._~ | <e' b'>1._~  | \break
%% 17-20(25-28)
    <e' b'>1 g'2 | <f' d'>8 <e' c'>_~ <c' d'> <d' e'> <e' f'> <f' g'> a'4 f' d' |
    r2 <c' e'>8 <d' f'> <e' g'> <f' a'> g'2 | a'8 g' f' e' <a' f'> <g' e'> <f' d'> <e' c'>_~ c'2 | \break
%% 21-24(29-32)
    f'1^\markup { \hspace #-3 \italic "A performance for soprano instruments only."}
      	 <b' g'>16 <a' f'> <g' e'> <f' d'> c'4_~ | c'4 d'8 e' f' g' a' b' c''2_\( |
	\repeat percent 3 { e''8\) <d'' b'>16 <c'' a'> d''8 <c'' a'>16 <b' g'> } |
    g''8 f''16 e'' d'' c'' b' a' g' f' e' d' c'4 e'2 | \break
%%25-28(33-36)
    r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
    r1. | r1. | r1. | r1. | \break
%% 33-36(41-44)
    r1. | r1. | r1. | r1. | \break
%% 37-40(45-48)
    r2. c'2. | f'1_\( <c' e'>2\)_~ | <c' e'>_~ e'1_\( | c'1.\) | \break
%% 41-44(49-52)
    r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
    r1.^\fermata | r1.^\fermata | \pitchedTrill <c' e'>1._\startTrillSpan d' | \pitchedTrill <c' e'>1. | \break
%% 49-52(57-60)
    <c' e'>1.^\fermata\stopTrillSpan | \pitchedTrill <c'' e''>1. ^\startTrillSpan f'' | <c'' e''>1. | <c'' e''>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
    f'1. | \repeat percent 3 {g'8 <f' a'>16  <g' b'> a'8 <g' b'>16 <a' c''> } |
    \repeat percent 3 {b'8 <a' c''>16  <b' d''> c''8 <b' d''>16 <c'' e''> } | g''8 f''16 e'' d'' c'' b' a' g' f' e' d' c'4 e'2 | \break
%% 57-60(65-68)
    r1. | r1. | r1. | r1. | \break
%% 61-64(69-72)
    r1. | \repeat percent 3 { c''8 <b' d''>16  <c'' e''> d''8 <c'' e''>16 <d'' f''> } | r1. | r1.^\fermata | \break
%% 65-68(73-76)
    r1. | r1. | r1. | r1. | \break
%% 69-72(77-80)
   r4 b'2.. c''4._~ | c'' r8 a'8_( b') c''4 g'4 g'4_\( | a'\) b'4. c''4_\( a'8 c''4.\) r8 | b'8 a' g' f' e'4._\( d'\)  c'4 | \break
%% 73-76(81-84)   
   e'4. e'4 f'4.  g'2 | <d' g'>1 <g' c''>2_~ | <g' c''> <d' g'>1 | <e' f'>1._~ | \break
%% 77-80(85-88)
   <e' f'>1._~ | e'1._~ | <e' f'>1._~ | f'1.^\fermata | \break
%% 81-84(89-92)
    r1. | r1. | r1. | r1. | \break
%% 85-88(93-96)
    r1. | r1. | r1. | r1. | \break
%% 89-90(97-98)
    \time 4/1 <<  { e''\breve^\markup { Upper part; \bold \italic "There is only one soprano instrument." }_~ <e'' g''>\breve_~ |
                             <e'' g''>\longa } \\ { r2 g'2 c''1 <b' g'>8. <g' e'> <e' c'> d'4.._~ <c' d'>1_~ | <c' e'>\longa } >> | \break
%% 91-92(99-100)
    << { e''\longa | r\longa } \\ { e'\longa_~ | e'\breve c'1.. r4 } >> | \break
%% 93-95(101-103)
    r\longa | c'\breve_~ <c' g'>\breve_~ | \time 3/2 g'2.^\fermata r4^\fermata \bar "|." \break
}
%%%%% end Soprano sheet.
sopranoMFour = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-4
   \repeat volta 2 { c'2 f'1_~ | f'2 b'8_( a' g' f' e' d' c'4)_~ | c'2 r2 c'2_~ | c'1 f'2 | \break
%% 5-8(16)
	b'8_( a' g' f' e' d' c'4) r4 d'16_( e' f' g') | r8 a'8_( b' c''4.) d''2. | e''1 b'4 f' | e'1. } | \break
%% 9-12(17-20)
    r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
    c'4. r8 d'16_( e' f' g' a' b') r8 c''2 | b'8._( a' g' f' e' d' c'4.) | e'1._~ | <e' b'>1._~ | \break
%% 17-20(25-28)
    <e' b'>1 g'2 | <f' d'>8 <e' c'>_~ <c' d'> <d' e'> <e' f'> <f' g'> a'4 f' d' |
    r2 <c' e'>8 <d' f'> <e' g'> <f' a'> g'2 | a'8 g' f' e' <a' f'> <g' e'> <f' d'> <e' c'>_~ c'2 | \break
%% 21-24(29-32)
    f'1 <b' g'>16 <a' f'> <g' e'> <f' d'> c'4_~ | c'4 d'8 e' f' g' a' b' c''2_\( |
	\repeat percent 3 { e''8\) <d'' b'>16 <c'' a'> d''8 <c'' a'>16 <b' g'> } |
    g''8 f''16 e'' d'' c'' b' a' g' f' e' d' c'4 e'2 | \break
%%25-28(33-36)
    r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
    r1. | r1. | r1. | r1. | \break
%% 33-36(41-44)
    r1. | r1. | r1. | r1. | \break
%% 37-40(45-48)
    r2. c'2. | f'1_\( <c' e'>2\)_~ | <c' e'>_~ e'1_\( | c'1.\) | \break
%% 41-44(49-52)
    r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
    r1.^\fermata | r1.^\fermata | \pitchedTrill <c' e'>1._\startTrillSpan d' | \pitchedTrill <c' e'>1. | \break
%% 49-52(57-60)
    <c' e'>1.^\fermata\stopTrillSpan | \pitchedTrill <c'' e''>1. ^\startTrillSpan f'' | <c'' e''>1. | <c'' e''>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
    f'1. | \repeat percent 3 {g'8 <f' a'>16  <g' b'> a'8 <g' b'>16 <a' c''> } |
    \repeat percent 3 {b'8 <a' c''>16  <b' d''> c''8 <b' d''>16 <c'' e''> } | g''8 f''16 e'' d'' c'' b' a' g' f' e' d' c'4 e'2 | \break
%% 57-60(65-68)
    r1. | r1. | r1. | r1. | \break
%% 61-64(69-72)
    r1. | \repeat percent 3 { c''8 <b' d''>16  <c'' e''> d''8 <c'' e''>16 <d'' f''> } | r1. | r1.^\fermata | \break
%% 65-68(73-76)
    r1. | r1. | r1. | r1. | \break
%% 69-72(77-80)
   r4 b'2.. c''4._~ | c'' r8 a'8_( b') c''4 g'4 g'4_\( | a'\) b'4. c''4_\( a'8 c''4.\) r8 | b'8 a' g' f' e'4._\( d'\)  c'4 | \break
%% 73-76(81-84)   
   e'4. e'4 f'4.  g'2 | <d' g'>1 <g' c''>2_~ | <g' c''> <d' g'>1 | <e' f'>1._~ | \break
%% 77-80(85-88)
   <e' f'>1._~ | e'1._~ | <e' f'>1._~ | f'1.^\fermata | \break
%% 81-84(89-92)
    r1. | r1. | r1. | r1. | \break
%% 85-88(93-96)
    r1. | r1. | r1. | r1. | \break
%% 89-90(97-98)
    \time 4/1 <<  { e''\breve_~ <e'' g''>\breve_~ | <e'' g''>\longa } \\
	                      { r2 g'2 c''1 <b' g'>8. <g' e'> <e' c'> d'4.._~ <c' d'>1_~ | <c' e'>\longa } >> | \break
%% 91-92(99-100)
    << { e''\longa | r\longa } \\ { e'\longa_~ | e'\breve c'1.. r4 } >> | \break
%% 93-95(101-103)
    r\longa | c'\breve_~ <c' g'>\breve_~ | \time 3/2 g'2.^\fermata r4^\fermata \bar "|." \break
}
%%% end Soprano midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%% sopranoAria %%%%%%%%%%%
sopranoAriaFour = { \hide Staff.BarLine
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-4
    \repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
    r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
    f'2^\Aria b'2.. r8 | c''4 g'4. f'2 c'4. | c'16_( d' e') r8 f'4. b'2. r16 | c''4 g'4. f'8 e'4 c'2^\fermata | \break
%% 13-16(21-24)
    r4 c'4 d'4_._\( e'_. f'4._.\) r8 | g'2_\( a'\) b' | r8 b'4 c''8_\( g'2  e'\) | r1. | \break
%%17-20(25-28)
    r1. | r1. | r1. | r1. | \break
%% 21-24(29-32)
    r1. | r1. | r1. | r1. | \break
%%25-28(33-36)
    r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
    r1. | r1. | r1. | r1. | \break
%% 33-36(41-44)
    r1. | r1. | r1. | r1. | \break
%% 37-40(45-48)
    r16 f'2 b'2. c''8. | c''8. d''4.. d'8 f'4_\( g'8 b'4.\) | a'8. c''4. a'16 c''4. g'16 b'4 c''8._\( | d''4.\) d'8 f'4._\( g'8 b'2\)^\fermata | \break
%% 41-44(49-52)
	r2.^\fermata f'2 b'4 _~ | b' c''4. b' c''8 d''4. | r16 e''4.. f''2 r4. f'8 | c''8 d''4. e''8 f''2 r8 g''4 | \break
%% 45-48(53-56)
   e''2 r4. \once \stemDown f'^\fermata_\( g'4^\fermata | a'1^\fermata\) r2 | r1. | r1. | \break
%% 49-52(57-60)
    r1. | r1. | r1. | r1. | \break
%% 53-56(61-64)
    r1. | r1. | r1. | r1. | \break
%% 57-60(65-68)
   f'2 a'1 | r8 g'8 a'4._\( b'\) c''2 | b'4. a'2 r16 c''8 r16 c''4. | b'4 c''2 c''4. b'8 a'4_~ | \break
%% 61-64(69-72)
   a' g'4._( f') r2^\fermata | c'4. c'8_( d' e' f') g'4.^\( a'4_~ | \noBreak a'4.\) r16 c''8_\( d''4..\) b'8 c''4. | r1.^\fermata | \break
%% 65-68(73-76)
   r1. | r1. | r1. | r1. | \break
%% 69-72(77-80)
   e''1 f''2_~ | f'' d''8_( e'') f''4 c''4 c''4_\( | d''\) e''4. f''4_\( d''8 f''4.\) r8 | e''8 d'' c'' b' a'4._\( g'\)  f'4 | \break
%% 73-76(81-84)
   a'4. a'4 b'4.  c''2 | f''4. d''4 b'4. r16 c''8 r16 f''4_~ | f'' e''8 c''4. b'8 d''2 r8 | e''8. d''4_\( b'16 g'1\)^\fermata | \break
%% 77-80(85-88)
   r1. | r1. | r1. | r1. | \break
%% 81-84(89-92)
   f'2 b'2.. r8 | \noBreak b'4 c''4. e'2. r8 | \noBreak c''4 e'2. r4. b'8 | \noBreak r8 c''4 e''4._\( d''\) c'' | \break
%% 85-88(93-96)
   e''2 b'4 c''8 d''4. a'4 | c''4_\(  b'4.\) r2^\fermata f'8 g'4 | r8 c''4. b'4 d''4. d''4._\( | e''\) f''_\( c''8 g'4..\) r8. | \break
%% 89-90(97-98)
    \time 4/1 r4.^\fermata c''4_\( c''4.\) r1 r\breve | r\longa | \break
%% 91-92(99-100)
    r\longa | r\longa | \break
%% 93-95(101-103)
    r\longa | r\longa | \time 3/2 r1 \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
sopranoAriaLFour = \lyricmode {
    \override Lyrics.LyricText.color = #blue
    \override Lyrics.LyricHyphen.color = #blue
    \override Lyrics.LyricExtender.color = #blue
    \override Score.LyricText.font-shape = #'italic
    \teeny
I know that where he rests. But I know that he is not there.
The un -- vis -- ited tomb -- stone bears the in -- scrip -- tion:
%% ---- Tenor Solo, and Alto Solo ---
%% "To this time I live, to this time I die, that is all."

I know that soon "this land" will dis -- ap -- pear, "and the" lives and deaths of its peo -- ple will dis -- ap -- pear.
I know that even the steps we take, and the flow of time, will soon dis -- ap -- pear.

I know the plat -- eau where he rests, but I also know he is not there,
his unvisited grave -- stone in -- scribed "with the" words,
%% ---- Tenor Solo, and Alto Solo ---
%% "To this time I live, to this time I die, that is all."

I know that soon this plat -- eau will dis -- ap -- pear, and so will the peo -- ple who lived and died there.
Every single step, and even the flow of time, will dis -- ap -- pear.

I know that we live and die, and that memo -- ry will drift for a while "as an" im -- print,
and then it too will sure -- ly dis -- ap -- pear.

A -- men.
}
%%%%% end sopranoAria sheet.
sopranoAriaMFour = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-4
    \repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
    r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
    f'2^\Aria b'2.. r8 | c''4 g'4. f'2 c'4. | c'16_( d' e') r8 f'4. b'2. r16 | c''4 g'4. f'8 e'4 c'2^\fermata | \break
%% 13-16(21-24)
    r4 c'4 d'4_._\( e'_. f'4._.\) r8 | g'2_\( a'\) b' | r8 b'4 c''8_\( g'2  e'\) | r1. | \break
%%17-20(25-28)
    r1. | r1. | r1. | r1. | \break
%% 21-24(29-32)
    r1. | r1. | r1. | r1. | \break
%%25-28(33-36)
    r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
    r1. | r1. | r1. | r1. | \break
%% 33-36(41-44)
    r1. | r1. | r1. | r1. | \break
%% 37-40(45-48)
    r16 f'2 b'2. c''8. | c''8. d''4.. d'8 f'4_\( g'8 b'4.\) | a'8. c''4. a'16 c''4. g'16 b'4 c''8._\( | d''4.\) d'8 f'4._\( g'8 b'2\)^\fermata | \break
%% 41-44(49-52)
	r2.^\fermata f'2 b'4 _~ | b' c''4. b' c''8 d''4. | r16 e''4.. f''2 r4. f'8 | c''8 d''4. e''8 f''2 r8 g''4 | \break
%% 45-48(53-56)
   e''2 r4. f'^\fermata_\( g'4^\fermata | a'1^\fermata\) r2 | r1. | r1. | \break
%% 49-52(57-60)
    r1. | r1. | r1. | r1. | \break
%% 53-56(61-64)
    r1. | r1. | r1. | r1. | \break
%% 57-60(65-68)
   f'2 a'1 | r8 g'8 a'4._\( b'\) c''2 | b'4. a'2 r16 c''8 r16 c''4. | b'4 c''2 c''4. b'8 a'4_~ | \break
%% 61-64(69-72)
   a' g'4._( f') r2^\fermata | c'4. c'8_( d' e' f') g'4.^\( a'4_~ | \noBreak a'4.\) r16 c''8_\( d''4..\) b'8 c''4. | r1.^\fermata | \break
%% 65-68(73-76)
   r1. | r1. | r1. | r1. | \break
%% 69-72(77-80)
   e''1 f''2_~ | f'' d''8_( e'') f''4 c''4 c''4_\( | d''\) e''4. f''4_\( d''8 f''4.\) r8 | e''8 d'' c'' b' a'4._\( g'\)  f'4 | \break
%% 73-76(81-84)   
   a'4. a'4 b'4.  c''2 | f''4. d''4 b'4. r16 c''8 r16 f''4_~ | f'' e''8 c''4. b'8 d''2 r8 | e''8. d''4_\( b'16 g'1\)^\fermata | \break
%% 77-80(85-88)
   r1. | r1. | r1. | r1. | \break
%% 81-84(89-92)
   f'2 b'2.. r8 | \noBreak b'4 c''4. e'2. r8 | \noBreak c''4 e'2. r4. b'8 | \noBreak r8 c''4 e''4._\( d''\) c'' | \break
%% 85-88(93-96)
   e''2 b'4 c''8 d''4. a'4 | c''4_\(  b'4.\) r2^\fermata f'8 g'4 | r8 c''4. b'4 d''4. d''4._\( | e''\) f''_\( c''8 g'4..\) r8. | \break
%% 89-90(97-98)
    \time 4/1 r4.^\fermata c''4_\( c''4.\) r1 r\breve | r\longa | \break
%% 91-92(99-100)
    r\longa | r\longa | \break
%% 93-95(101-103)
    r\longa | r\longa | \time 3/2 r1 \bar "|." \break
}
%%%%% end sopranoAria midi.

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%%
altoVoiceFour = {\hide Staff.BarLine
   \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-4
   \repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
   r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
    r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
    r1. | r1. | r1. | r4 f4_.^\Solo g_. a_. g4. a8_~ | \break
%% 17-20(25-28)	
    a4. f4_. g_. a_. r8 g4_~ | g4 a2 a4 c'2 | r1. | r1. | \break
%% 21-24(29-32)
    r1. | r1. | r1. | r1. | \break
%%25-28(33-36)
    r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
    r1. | r1. | r1. | r1. | \break
%% 33-36(39-42)
   r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
   r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
   r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
   r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
   r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
   r1. | r1. | r1. | r1. | \break
%% 57-60(65-68)
    r1. | r1. | r1. | r1. | \break
%% 61-64(69-72)
    r1. | r1. | r1. | r1. | \break
%% 65-68(73-76)
    r8 e'4^.^\Solo f'^. g'^. f'4. g'4_~ | g'4. e'4^. f'^. g'^. r8 f'4_~ | f'4 g'2 g'4 b'2 | r1.^\fermata | \break
%% 69-72(77-80)
    r1. | r1. | r1. | r1. | \break
%% 73-76(81-84)
    r1. | r1. | r1. | r1. | \break
%% 77-80(85-88)
    r1. | r1. | r1. | r1. | \break
%% 81-84(89-92)
    r1 a2^\markup { \column { \line {\italic "Each person is free to breathe as they wish, but breathing does not have to be synchronized."}
	                                                 \line {\with-color #blue { \override #'(box-padding . 0.5) \override #'(thickness . 2) \rounded-box {
                                                               {\teeny \italic "Tutti"} } } }}}
	             \melisma | g1. | a1. | g1. | \break
%% 85-88(93-96)
    a4 b8 c' b c' d'2 a4 | g1. | a | g1 a8\melismaEnd r4. | \break
%% 89-90(97-98)
    \time 4/1 r\breve r1. r8. a8_( g16 f) r16 | a4_\( g8( f)\) r8 e'4.^._( f'^. g'^. a'^. b'^. a'8 b' c''4) c''8.( b' a' g') r4 | \break
%% 91-92(99-100)
    g'\breve\melisma e'8\melismaEnd e'1. r4. | \noBreak r8 a'\breve\melisma a'4\melismaEnd a'1. r8 | \break
%% 93-95(101-103)
    r8 d'2.. d'1 r\breve | c'2.. a8_( g f) r1 c'1.._\( | \time 3/2 c'2\) r2^\fermata \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
altoVoiceLFour = \lyricmode {
    \override Lyrics.LyricText.color = #blue
    \override Lyrics.LyricHyphen.color = #blue
    \override Lyrics.LyricExtender.color = #blue
    \override Score.LyricText.font-shape = #'italic
    \teeny
To this time I live, to this time I die, "that is" all.
To this time I live, to this time I die, "that is" all.
m __
Amen, A -- men, A -- men, A __ men, A __ men,
A -- men, A -- men, A -- men.
}
%%%%%
altoVoiceMFour = {
   \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-4
   \repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
   r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
    r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
    r1. | r1. | r1. | r4 f4_.^\Solo g_. a_. g4. a8_~ | \break
%% 17-20(25-28)	
    a4. f4_. g_. a_. r8 g4_~ | g4 a2 a4 c'2 | r1. | r1. | \break
%% 21-24(29-32)
    r1. | r1. | r1. | r1. | \break
%%25-28(33-36)
    r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
    r1. | r1. | r1. | r1. | \break
%% 33-36(39-42)
   r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
   r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
   r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
   r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
   r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
   r1. | r1. | r1. | r1. | \break
%% 57-60(65-68)
    r1. | r1. | r1. | r1. | \break
%% 61-64(69-72)
    r1. | r1. | r1. | r1. | \break
%% 65-68(73-76)
    r8 e'4^.^\Solo f'^. g'^. f'4. g'4_~ | g'4. e'4^. f'^. g'^. r8 f'4_~ | f'4 g'2 g'4 b'2 | r1.^\fermata | \break
%% 69-72(77-80)
    r1. | r1. | r1. | r1. | \break
%% 73-76(81-84)
    r1. | r1. | r1. | r1. | \break
%% 77-80(85-88)
    r1. | r1. | r1. | r1. | \break
    r1 a2\melisma | g1. | a1. | g1. | \break
%% 85-88(93-96)
    a4 b8 c' b c' d'2 a4 | g1. | a | g1 a8\melismaEnd r4. | \break
%% 89-90(97-98)
    \time 4/1 r\breve r1. r8. a8_( g16 f) r16 | a4_\( g8( f)\) r8 e'4.^._( f'^. g'^. a'^. b'^. a'8 b' c''4) c''8.( b' a' g') r4 | \break
%% 91-92(99-100)
    g'\breve\melisma e'8\melismaEnd e'1. r4. | \noBreak r8 a'\breve\melisma a'4\melismaEnd a'1. r8 | \break
%% 93-95(101-103)
    r8 d'2.. d'1 r\breve | c'2.. a8_( g f) r1 c'1.._\( | \time 3/2 c'2\) r2^\fermata \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments
altoFour = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-4
    \repeat volta 2 { r2 f2 b2_~ | b1 e'8_( d' c' b | a g f4) r2 f2_~ | f1 b2 | \break
%% 5-8(16)
    e'8_( d' c' b a g f4) r4 g16_( a b c') | r8 d'8_( e' f'4.) g'2. | f'4. e' d'8 c' b a g f |  a1. } | \break
%% 9-12(17-20)
    r1. | r1. | r1. | r1. \break
%% 13-16(21-24)
    e'2_( d'8 c' b a g f4.) | g16_( a b c')  r8 d'8_( e' f'4.) g'2 | e'1._~ | <e' a>1._~ | \break
%% 17-20(25-28)
	<e' a>1._~ | e'4 <d' c'>8 <c' b> <b a> <a g> f4. g8 a b | r4. c'8 d' e' c'2 <b g>4 | f1. | \break
%% 21-24(29-32)
    r1. | r1. | r1. | r1. \break
%%25-28(33-36)
    a2^\markup { \hspace #-3 \italic "A performance for alto instruments only."}
	     _~<a c'>8 <b d'> <c' e'> <d' f'> <e' g'> <f' a'>_~ a'4 | c''2 b'8 a' g' f' e' d' \once \stemUp c'16 b a g |
	<f a>16 <g b> <a c'> <b d'> e'2 g'2. | e'4. c'  a f | \break
%% 29-32(37-40)
    r1. | r1. | r1. | r1. \break
%% 33-36(41-44)
    r1. | r1. | r1. | r1. \break
%% 37-40(45-48)
    f2. r2. | b1_\( <f  a>2\)_~ | <f a>_~ a1_\( | f1.\) | \break
%% 41-44(49-52)
    r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
    r1.^\fermata | r1.^\fermata | \pitchedTrill <a c'>1._\startTrillSpan b | \pitchedTrill <a c'>1. | \break
%% 49-52(57-60)
    <a c'>1.^\fermata\stopTrillSpan | \pitchedTrill <c' e'>1. ^\startTrillSpan f' | <c' e'>1. | <c' e'>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
    a'4_~ <a' f'>8 <e' g'> <d' f'> <c' e'> <b d'> <a c'>_~ a2 | g16 a  b  c' d'8 e' f' g' a' b' c''2 |
	g'2. e'2 <b d'>16 <a c'> <g b> <a f>_\( | f4.\) a c' e' | \break
%% 57-60(65-68)
   r1. | r1. | r1. | r1. | \break
%% 61-64(69-72)
   r1. | r1. | r1. | r1. | \break
%% 65-68(73-76)
   r1. | r1. | g16 a  b  c' d'8 e' f' g' a' b' c''2 | d'1.^\fermata | \break
%% 69-72(77-80)
   r4 f'2.. g'4._~ | g' r8 e'8_( f') g'4 d'4 d'4_\( | e'\) f'4. g'4_\( e'8 g'4.\) r8 | f'8 e' d' c' b4._\( a\)  g4 | \break
%% 73-76(81-84)   
   b4. b4 c'4.  d'2 | <a d'>1 <d' g'>2_~ | <d' g'> <a d'>1 | <b c'>1._~ | \break
%% 77-80(85-88)
   <b c'>1._~ | b1._~ | <b c'>1._~  | c'1.^\fermata | \break
%% 81-84(89-92)
   r1. | r1. | r1. | r1. | \break
%% 85--88(93-96)
   r1. | r1. | r1. | r1. | \break
%% 89-90(97-98)
    \time 4/1 r2 c'2 f'1 <c' e'>8. <b d'> <a c'> g4.._~ <f g>1_~ | <f a>\longa_~ | \break
%% 91-92(99-100)
    a\longa | f\longa | \break
%% 93-95(101-103)
    r\longa | f\breve_~ <f c'>\breve_~ | \time 3/2 c'2.^\fermata r4^\fermata \bar "|." \break
}
%%%%% end alto sheet.
altoMFour = {
    \partial 2 r2^\fermata |
%% 1-4
    \repeat volta 2 { r2 f2 b2_~ | b1 e'8_( d' c' b | a g f4) r2 f2_~ | f1 b2 | \break
%% 5-8(16)
    e'8_( d' c' b a g f4) r4 g16_( a b c') | r8 d'8_( e' f'4.) g'2. | f'4. e' d'8 c' b a g f |  a1. } | \break
%% 9-12(17-20)
    r1. | r1. | r1. | r1. \break
%% 13-17(21-24)
    e'2_( d'8 c' b a g f4.) | g16_( a b c')  r8 d'8_( e' f'4.) g'2 | e'1._~ | <e' a>1._~ | \break
%% 17-20(25-28)
	<e' a>1._~ | e'4 <d' c'>8 <c' b> <b a> <a g> f4. g8 a b | r4. c'8 d' e' c'2 <b g>4 | f1. | \break
%% 21-24(29-32)
    r1. | r1. | r1. | r1. \break
%%25-28(33-36)
    a2_~<a c'>8 <b d'> <c' e'> <d' f'> <e' g'> <f' a'>_~ a'4 | c''2 b'8 a' g' f' e' d' c'16 b a g |
	<f a>16 <g b> <a c'> <b d'> e'2 g'2. | e'4. c'  a f | \break
%% 29-32(37-40)
    r1. | r1. | r1. | r1. \break
%% 33-36(41-44)
    r1. | r1. | r1. | r1. \break
%% 37-40(45-48)
    f2. r2. | b1_\( <f  a>2\)_~ | <f a>_~ a1_\( | f1.\) | \break
%% 41-44(49-52)
    r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
    r1.^\fermata | r1.^\fermata | \pitchedTrill <a c'>1._\startTrillSpan b | \pitchedTrill <a c'>1. | \break
%% 49-52(57-60)
    <a c'>1.^\fermata\stopTrillSpan | \pitchedTrill <c' e'>1. ^\startTrillSpan f' | <c' e'>1. | <c' e'>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
    a'4_~ <a' f'>8 <e' g'> <d' f'> <c' e'> <b d'> <a c'>_~ a2 | g16 a  b  c' d'8 e' f' g' a' b' c''2 |
	g'2. e'2 <b d'>16 <a c'> <g b> <a f>_\( | f4.\) a c' e' | \break
%% 57-60(65-68)
   r1. | r1. | r1. | r1. | \break
%% 61-64(69-72)
   r1. | r1. | r1. | r1. | \break
%% 65-68(73-76)
   r1. | r1. | g16 a  b  c' d'8 e' f' g' a' b' c''2 | d'1.^\fermata | \break
%% 69-72(77-80)
   r4 f'2.. g'4._~ | g' r8 e'8_( f') g'4 d'4 d'4_\( | e'\) f'4. g'4_\( e'8 g'4.\) r8 | f'8 e' d' c' b4._\( a\)  g4 | \break
%% 73-76(81-84)   
   b4. b4 c'4.  d'2 | <a d'>1 <d' g'>2_~ | <d' g'> <a d'>1 | <b c'>1._~ | \break
%% 77-80(85-88)
   <b c'>1._~ | b1._~ | <b c'>1._~  | c'1.^\fermata | \break
%% 81-84(89-92)
   r1. | r1. | r1. | r1. | \break
%% 85--88(93-96)
   r1. | r1. | r1. | r1. | \break
%% 89-90(97-98)
    \time 4/1 r2 c'2 f'1 <c' e'>8. <b d'> <a c'> g4.._~ <f g>1_~ | <f a>\longa_~ | \break
%% 91-92(99-100)
    a\longa | f\longa | \break
%% 93-95(101-103)
    r\longa | f\breve_~ <f c'>\breve_~ | \time 3/2 c'2.^\fermata r4^\fermata \bar "|." \break
}
%%%%% end alto midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%%
tenorVoiceFour = { \hide Staff.BarLine
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-4
    \repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
    r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
    r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
    r1. | r1. | r1. | r8 c'4^.^\Solo d'^. e'^. d'4. e'4_~ | \break
%% 17-20(25-28)	
    e'4 c'4^. d'^. e'^. r8 d'4. | e'2 r16 e'4 g'2 r8. | r1. | r1. | \break
%% 21-24(29-32)
    r1. | r1. | r1. | r1. \break
%% 25-28(33-36)
    r1. | r1. | r1. | r1. \break
%% 29-32(37-40)
    r1. | r1. | r1. | r1. \break
%% 33-36(39-42)
   r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
   r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
   r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
   r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
   r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
   r1. | r1. | r1. | r1. | \break
%% 57-60(63-66)
   r1. | r1. | r1. | r1. | \break
%% 61-64(67-70)
   r1. | r1. | r1. | r1. | \break
%% 65-68(71-74)
   r4 c4_.^\Solo d_. e_. d4. e8_~ | e4 c4_. d_. e_. r8 d4. | e2 e4 g2. | r1.^\fermata | \break
%% 69-72(77-80)
    r1. | r1. | r1. | r1. | \break
%% 73-76(81-84)
    r1. | r1. | r1. | r1. | \break
%% 77-80(85-88)
    r1. | r1. | r1. | r1. | \break
%% 81-84(89-92)
    r1 f2^\markup { \column { \line {\italic "Each person is free to breathe as they wish, but breathing does not have to be synchronized."}
	                                                 \line {\with-color #blue { \override #'(box-padding . 0.5) \override #'(thickness . 2) \rounded-box {
                                                               {\teeny \italic "Tutti"} } } }}}
	             \melisma | e1. | f1. | e1. | \break
%% 85-88(93-96)
    f4 g8 a g a b2 f4 | e1. | f | e1 f8\melismaEnd r4. | \break
%% 89-90(97-98)
    \time 4/1 r1. r8 f4_._( g_. a^. b^. c'^. b8 c' d'4) d'8( c' b a) r8 | r4 a8_( g16 f) r1. r\breve | \break
%% 91-92(99-100)
    e'\breve\melisma c'8\melismaEnd c'1. r4. | \noBreak r8 f'\breve\melisma f'4\melismaEnd f'1. r8 | \break
%% 93-95(101-103)
    r8 b2.. b1 r\breve | a2.. f8_( e d) r1 a1.._\( | \time 3/2 a2\) r2^\fermata \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
tenorVoiceLFour = \lyricmode {
    \override Lyrics.LyricText.color = #blue
    \override Lyrics.LyricHyphen.color = #blue
    \override Lyrics.LyricExtender.color = #blue
    \override Score.LyricText.font-shape = #'italic
    \teeny
To this time I live, to this time I die, "that is" all.
To this time I live, to this time I die, "that is" all.
m __
A -- men, Amen, A __ men, A __ men, A -- men,
A -- men, A -- men, A -- men.
}
%%%%%
tenorVoiceMFour = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-4
    \repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
    r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
    r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
    r1. | r1. | r1. | r8^\Solo c'4^. d'^. e'^. d'4. e'4_~ | \break
%% 17-20(25-28)	
    e'4 c'4^. d'^. e'^. r8 d'4. | e'2 r16 e'4 g'2 r8. | r1. | r1. | \break
%% 21-24(29-32)
    r1. | r1. | r1. | r1. \break
%% 25-28(33-36)
    r1. | r1. | r1. | r1. \break
%% 29-32(37-40)
    r1. | r1. | r1. | r1. \break
%% 33-36(39-42)
   r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
   r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
   r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
   r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
   r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
   r1. | r1. | r1. | r1. | \break
%% 57-60(63-66)
   r1. | r1. | r1. | r1. | \break
%% 61-64(67-70)
   r1. | r1. | r1. | r1. | \break
%% 65-68(71-74)
   r4 c4_.^\Solo d_. e_. d4. e8_~ | e4 c4_. d_. e_. r8 d4. | e2 e4 g2. | r1.^\fermata | \break
%% 69-72(77-80)
    r1. | r1. | r1. | r1. | \break
%% 73-76(81-84)
    r1. | r1. | r1. | r1. | \break
%% 77-80(85-88)
    r1. | r1. | r1. | r1. | \break
%% 81-84(89-92)
    r1 f2\melisma | e1. | f1. | e1. | \break
%% 85-88(93-96)
    f4 g8 a g a b2 f4 | e1. | f | e1 f8\melismaEnd r4. | \break
%% 89-90(97-98)
    \time 4/1 r1. r8 f4_._( g_. a^. b^. c'^. b8 c' d'4) d'8( c' b a) r8 | r4 a8_( g16 f) r1. r\breve | \break
%% 91-92(99-100)
    e'\breve\melisma c'8\melismaEnd c'1. r4. | \noBreak r8 f'\breve\melisma f'4\melismaEnd f'1. r8 | \break
%% 93-95(101-103)
    r8 b2.. b1 r\breve | a2.. f8_( e d) r1 a1.._\( | \time 3/2 a2\) r2^\fermata \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments
tenorFour= {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-4
    \repeat volta 2 { r2. g | d8_( e f g a b) <f a c'>2._~ | <f a c'>1. | r2 b1 | \break
%% 5-8(16)
    d'8._( c' b a) c8_( d e f g a)_( | a2)_( <a c'>1)_~ | <a c'>1. | f1. } | \break
%% 9-12(17-20)
    r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
    \repeat percent 2 { d'8._( c' b a) c8_( d e f g a)_( | a2)_( <a c'>1) } | \break
%%17-20(25-28)
    d16_( e f g a) b8.  a16_( g f e) d4_~ <d g>2_~ | <d g>1 <c e>8 <d f> <e g> <f a> |
    r2 <g b>8 <a c'> <b d'> <c' e'>_~ e'2 | d'8 c' b a g f e d <c f>2 | \break
%% 21-24(29-32)
    r1. | r1. | r1. | r1. \break
%% 25-28(33-36)
    r1. | r1. | r1. | r1. \break
%% 29-32(37-40)
    g4.^\markup { \hspace #-3 \italic "A performance for tenor instruments only." } a b c' |
	d'8 e' f' <a' f'>16 <g' e'> <f' d'> e'8. d' c' \once \stemUp <b g>8 <a f> <g e> |
	\repeat percent 3 { c8 <d f>16 <e g> d8 <e g>16 <f a> } | c8 d16 e f g a b c' e' f' g' a'4 f'2 | \break
%% 33-36(41-44)
    r1. | r1. | r1. | r1. \break
%% 37-40(45-48)
    d2. r2. | g1_\( <d f>2\)_~ | <d f>_~ f1_\( | d1.\) | \break
%% 41-44(49-52)
    r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
    r1.^\fermata | r1.^\fermata | \pitchedTrill <c e>1._\startTrillSpan d | <c e>1. | \break
%% 49-52(57-60)
    <c e>1.^\fermata\stopTrillSpan | \pitchedTrill <c' e'>1. ^\startTrillSpan f' | <c' e'>1. | <c' e'>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
    \repeat percent 3 { c'8 <b g>16 <a f> b8 <a f>16 <g e> } |
    \repeat percent 3 { a8 <g e>16 <f d> g8 <f d>16 <e c> } | g1. | c8 d16 e f g a b c' e' f' g' a'4 f'2 | \break
%% 57-60(65-68)
    r1. | r1. | r1. | r1. | \break
%% 61-64(69-72)
   r1. | \repeat percent 3 { a8 <g e>16 <f d> g8 <f d>16 <e c> } | r1. | r1.^\fermata | \break
%% 65-68(73-76)
    r1. | r1. | r1. | r1. | \break
%% 69-72(77-80)
   r4 c'2.. d'4._~ | d' r8 b8_( c') d'4 a4 a4_\( | b\) c'4. d'4_\( b8 d'4.\) r8 | c'8 b a g f4._\( e\)  d4 | \break
%% 73-76(81-84)   
   f4. f4 g4.  a2 | <e a>1 <a d'>2_~ | <a d'> <e a>1 | <f g>1._~ | \break
%% 77-80(85-88)
   <f g>1._~ | f1._~  | <f g>1._~ | g1.^\fermata | \break
%% 81-84(89-92)
    r1. | r1. | r1. | r1. | \break
%% 85-88(93-96)
    r1. | r1. | r1. | r1. | \break
%% 89-90(97-98)
    \time 4/1 r2 a2 d'1 <a c'>8. <g b> <f a> e4.._~ <d e>1_~ | <d f>\longa_~ | \break
%% 91-92(99-100)
    f\longa | d\longa | \break
%% 93-95(101-103)
    r\longa | d\breve_~ <d a>\breve_~ | \time 3/2 a2.^\fermata r4^\fermata \bar "|." \break
}
%%%%% end tenor sheet.
tenorMFour = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-4
    \repeat volta 2 { r2. g | d8_( e f g a b) <f a c'>2._~ | <f a c'>1. | r2 b1 | \break
%% 5-8(16)
    d'8._( c' b a) c8_( d e f g a)_( | a2)_( <a c'>1)_~ | <a c'>1. | f1. } | \break
%% 9-12(17-20)
    r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
    \repeat percent 2 { d'8._( c' b a) c8_( d e f g a)_( | a2)_( <a c'>1) } | \break
%%17-20(25-28)
    d16_( e f g a) b8.  a16_( g f e) d4_~ <d g>2_~ | <d g>1 <c e>8 <d f> <e g> <f a> |
    r2 <g b>8 <a c'> <b d'> <c' e'>_~ e'2 | d'8 c' b a g f e d <c f>2 | \break
%% 21-24(29-32)
    r1. | r1. | r1. | r1. \break
%% 25-28(33-36)
    r1. | r1. | r1. | r1. \break
%% 29-32(37-40)
    g4. a b c' | d'8 e' f' <a' f'>16 <g' e'> <f' d'> e'8. d' c' <b g>8 <a f> <g e> |
	\repeat percent 3 { c8 <d f>16 <e g> d8 <e g>16 <f a> } | c8 d16 e f g a b c' e' f' g' a'4 f'2 | \break
%% 33-36(41-44)
    r1. | r1. | r1. | r1. \break
%% 37-40(45-48)
    d2. r2. | g1_\( <d f>2\)_~ | <d f>_~ f1_\( | d1.\) | \break
%% 41-44(49-52)
    r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
    r1.^\fermata | r1.^\fermata | \pitchedTrill <c e>1._\startTrillSpan d | <c e>1. | \break
%% 49-52(57-60)
    <c e>1.^\fermata\stopTrillSpan | \pitchedTrill <c' e'>1. ^\startTrillSpan f' | <c' e'>1. | <c' e'>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
    \repeat percent 3 { c'8 <b g>16 <a f> b8 <a f>16 <g e> } |
    \repeat percent 3 { a8 <g e>16 <f d> g8 <f d>16 <e c> } | g1. | c8 d16 e f g a b c' e' f' g' a'4 f'2 | \break
%% 57-60(65-68)
    r1. | r1. | r1. | r1. | \break
%% 61-64(69-72)
   r1. | \repeat percent 3 { a8 <g e>16 <f d> g8 <f d>16 <e c> } | r1. | r1.^\fermata | \break
%% 65-68(73-76)
    r1. | r1. | r1. | r1. | \break
%% 69-72(77-80)
   r4 c'2.. d'4._~ | d' r8 b8_( c') d'4 a4 a4_\( | b\) c'4. d'4_\( b8 d'4.\) r8 | c'8 b a g f4._\( e\)  d4 | \break
%% 73-76(81-84)   
   f4. f4 g4.  a2 | <e a>1 <a d'>2_~ | <a d'> <e a>1 | <f g>1._~ | \break
%% 77-80(85-88)
   <f g>1._~ | f1._~  | <f g>1._~ | g1.^\fermata | \break
%% 81-84(89-92)
    r1. | r1. | r1. | r1. | \break
%% 85-88(93-96)
    r1. | r1. | r1. | r1. | \break
%% 89-90(97-98)
    \time 4/1 r2 a2 d'1 <a c'>8. <g b> <f a> e4.._~ <d e>1_~ | <d f>\longa | \break
%% 91-92(99-100)
    f\longa | d\longa | \break
%% 93-95(101-103)
    r\longa | d\breve_~ <d a>\breve_~ | \time 3/2 a2.^\fermata r4^\fermata \bar "|." \break
}
%%%%% end tenor midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%% omit baritone part %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%{
%%%%%%%% baritone part %%%%%%%%%%%%%%%%%%%%%%%
baritoneFour = { \hide Staff.BarLine
    \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-


%% \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
baritoneLFour = \lyricmode {
    \override Lyrics.LyricText.color = #blue
    \override Lyrics.LyricHyphen.color = #blue
    \override Lyrics.LyricExtender.color = #blue
    \override Score.LyricText.font-shape = #'italic
    \teeny


}
%%%%% end baritone sheet.
baritoneMFour = {
   \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-


%% \bar "|." \break
}
%%%%% end baritone midi. %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%% bass; part %%%%%%%%%%%%%%%%
bassVoiceFour = { \hide Staff.BarLine
   \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-4
   \repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
   r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
    r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
    r1. | r1. | r1. | r1. | \break
%% 17-20(25-28)
    r1. | r1. | r1. | r1. | \break
%% 21-24(29-32)
    r1. | r1. | r1. | r1. | \break
%% 25-28(33-36)
    r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
    r1. | r1. | r1. | r1. | \break
%% 33-36(39-42)
   r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
   r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
   r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
   r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
   r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
   r1. | r1. | r1. | r1. | \break
%% 57-60(63-66)
   r1. | r1. | r1. | r1. | \break
%% 61-64(67-70)
   r1. | r1. | r1. | r1. | \break
%% 65-68(73-76)
   r1. | r1. | r1. | r1. | \break
%% 69-72(77-80)
    r1. | r1. | r1. | r1. | \break
%% 73-76(81-84)
    r1. | r1. | r1. | r1. | \break
%% 77-80(85-88)
    r1. | r1. | r1. | r1. | \break
%% 81-84(89-92)
    r1 b,2^\markup { \column { \line {\italic "Each person is free to breathe as they wish, but breathing does not have to be synchronized."}
	                                                 \line {\with-color #blue { \override #'(box-padding . 0.5) \override #'(thickness . 2) \rounded-box {
                                                               {\teeny \italic "Tutti"} } } }}}
	             \melisma | a,1. | b,1. | a,1. | \break
%% 85-88(93-96)
    b,4 c8 d c d e2 b,4 | a,1. | b, | a,1 b,8\melismaEnd r4. | \break
%% 89-90(97-98)
    \time 4/1 r1. b,4_._( c_. d^. e^. f^. e8 f g4) g8( f e d) r4 | r4 d8_( c16 b,) r1. r\breve | \break
%% 91-92(99-100)
    f\breve\melisma f8\melismaEnd f1. r4. | \noBreak r8 b\breve\melisma b4\melismaEnd b1. r8 | \break
%% 93-95(101-103)
    r8 e2.. e1 r\breve | d2.. b,8_( a, g,) r1 d1.._\( | \time 3/2 d2\) r2^\fermata \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
bassVoiceLFour = \lyricmode {
    \override Lyrics.LyricText.color = #blue
    \override Lyrics.LyricHyphen.color = #blue
    \override Lyrics.LyricExtender.color = #blue
    \override Score.LyricText.font-shape = #'italic
    \teeny
m __
A -- men, Amen, A __ men, A __ men, A -- men,
A -- men, A -- men, A -- men.
}
%%%%%
bassVoiceMFour = {
   \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-4
    \repeat volta 2 { r1. | r1. | r1. | r1. | \break
%% 5-8(16)
    r1. | r1. | r1. | r1. } | \break
%% 9-12(17-20)
    r1. | r1. | r1. | r1. | \break
%% 13-16(21-24)
    r1. | r1. | r1. | r1. | \break
%% 17-20(25-28)
    r1. | r1. | r1. | r1. | \break
%% 21-24(29-32)
    r1. | r1. | r1. | r1. | \break
%% 25-28(33-36)
    r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
    r1. | r1. | r1. | r1. | \break
%% 33-36(39-42)
   r1. | r1. | r1. | r1. | \break
%% 37-40(43-46)
   r1. | r1. | r1. | r1. | \break
%% 41-44(47-50)
   r1. | r1. | r1. | r1. | \break
%% 45-48(51-54)
   r1. | r1. | r1. | r1. | \break
%% 49-52(55-58)
   r1. | r1. | r1. | r1. | \break
%% 53-56(59-62)
   r1. | r1. | r1. | r1. | \break
%% 57-60(63-66)
   r1. | r1. | r1. | r1. | \break
%% 61-64(67-70)
   r1. | r1. | r1. | r1. | \break
%% 65-68(73-76)
    r1. | r1. | r1. | r1. | \break
%% 69-72(77-80)
    r1. | r1. | r1. | r1. | \break
%% 73-76(81-84)
    r1. | r1. | r1. | r1. | \break
%% 77-80(85-88)
    r1. | r1. | r1. | r1. | \break
    r1 b,2\melisma | a,1. | b,1. | a,1. | \break
%% 85-88(93-96)
    b,4 c8 d c d e2 b,4 | a,1. | b, | a,1 b,8\melismaEnd r4. | \break
%% 89-90(97-98)
    \time 4/1 r1. b,4_._( c_. d^. e^. f^. e8 f g4) g8( f e d) r4 | r4 d8_( c16 b,) r1. r\breve | \break
%% 91-92(99-100)
    f\breve\melisma f8\melismaEnd f1. r4. | \noBreak r8 b\breve\melisma b4\melismaEnd b1. r8 | \break
%% 93-95(101-103)
    r8 e2.. e1 r\breve | d2.. b,8_( a, g,) r1 d1.._\( | \time 3/2 d2\) r2^\fermata \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments
bassFour = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-4
    \repeat volta 2 { << { \autoBeamOff c1 e2_~ | e2 \stemDown f4 g a b_~  | b1. | \stemUp a4_\( g f e8. d c b,\)_~ \stemNeutral } \\
          { r1 <f, a,>2_\( | <e, b,>1.\)_~  | <e, b,>_\( | <f, a,>\) } >> | \break
%% 5-8(16)
    << { b,2 d16 e f r f2._\( | <f a>1\) r2 | g8_( f e d) c2 e_~ | e1. } \\
          { <e, g,>2._~ e,_~ | <e, a,>1 r2 | <c a,>1._~ | <a, e,> } >> } | \break
%% 9-12(17-20)
    r1. | r1. | r1. | r1. | \break
%% 13-16(21-24) 
    \repeat percent 2 { b,2 d16 e f r f2._\( | <f a>1.\) } | \break
%% 17-20(25-28)
    <e, g,>2_( <e, a,>1)^~ | a,1._~ | <a, c>1._~ | c1. | \break
%% 21-24(29-32)
    r1. | r1. | r1. | r1. | \break
%% 25-28(33-36)
    r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
    r1. | r1. | r1. | r1. | \break
%% 33-36(41-44)
    << { \autoBeamOff <f a>2^\markup { \hspace #-3 \italic "A performance for bass instruments only." }
	                                           _~ <a c'> d' | c'16 b a g f e d c b,8 a, g, f, e,2 | r1. | r1.} \\ { f,2 a,  c | a,1. | f,1. | <e, a,>1.} >> | \break
%%37-40(45-48)
    r2. g,2. | c1_\( <g, b,>2\)_~ | <g, b,>_~ b,1_\( | g,1.\) | \break
%% 41-44(49-52)
    r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
    r1.^\fermata | r1.^\fermata | \pitchedTrill <a, c>1._\startTrillSpan b, | \pitchedTrill <a, c>1. | \break
%% 49-52(57-60)
    <a, c>1.^\fermata\stopTrillSpan | \pitchedTrill <c e>1. ^\startTrillSpan f | <c e>1. | <c e>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
    << { \autoBeamOff c'8 d' b a g f e d c2 | \noBreak e16 f g a b d e f g a b r c'2. | \noBreak d'2 g c | \noBreak
                                    r8 c16 d e f g a b8 a g f e d c4 } 	\\ { \repeat percent 3 { a,2 g,8 f, r4 c2 } g,1. }>> | \break
%% 57-60(65-68)
   r1. | r1. | r1. | r1. | \break
%% 61-64(67-70)
   r1. | r1. | r1. | r1. | \break
%% 65-68(73-76)
    r1. | r1. | << { \stemDown a,2 g,8 f, e,4\rest c2 \stemNeutral } \\
                     	{ \autoBeamOff  \stemUp e16 f g a b d e f g a b a\rest c'2. \stemNeutral } >> | e1.^\fermata | \break
%% 69-72(77-80)
   r4 g2.. a4._~ | a r8 f8_( g) a4 e4 e4_\( | f\) g4. a4_\( f8 a4.\) r8 | g8 f e d c4._\( b,\)  a,4 | \break
%% 73-76(81-84)   
   c4. c4 d4. e2 | <b, e>1 <e a>2_~ | <e a> <b, e>1 | <c d>1._~ | \break
%% 77-80(85-88)
   <c d>1._~ | c1._~  | <c d>1._~  | d1.^\fermata | \break
%% 81-84(89-92)
   r1. | r1. | r1. | r1. | \break
%% 85-88(93-96)
   r1. | r1. | r1. | r1. | \break
%% 89-90(97-98)
    \time 4/1 << { f2\rest e2 a1 <e g>8. <d f> <c e> b,4.._~ <a, b,>1_~ | <b, d>\longa } \\
	                     { e,\breve_\markup { \column { \line {Lower part; \bold \italic "There is only one bass instrument." } "    " } }
						       _~ <e, g,>\breve_~  | <e, g,>\longa } >> | \break
%% 91-92(99-100)
    << { b\longa | r\longa } \\ { g,\longa_~ | g,\breve e,1.. r4 } >> | \break
%% 93-95(101-103)
    r\longa | g,\breve_~ <g, d>\breve_~ | \time 3/2 d2.^\fermata r4^\fermata \bar "|." \break
}
%%%%% end bass-sheet.
bassMFour = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-4
    \repeat volta 2 { << { c1 e2_~ | e2 f4 g a b_~ | b1. | a4_\( g f e8. d c b,\) } \\
          { r1 <f, a,>2_\( | <e, b,>1.\)_~  | <e, b,>_\( | <f, a,>\) } >> | \break
%% 5-8(16)
    << { b,2 d16 e f r f2._\( | <f a>1\) r2 | g8_( f e d) c2 e_~ | e1. } \\
          { <e, g,>2._~ e,_~ | <e, a,>1 r2 | <c a,>1._~ | <a, e,> } >> } | \break
%% 9-12(17-20)
    r1. | r1. | r1. | r1. | \break
%% 13-16(21-24) 
    \repeat percent 2 { b,2 d16 e f r f2._\( | <f a>1.\) } | \break
%% 17-20(25-28)
    <e, g,>2_( <e, a,>1)^~ | a,1._~ | <a, c>1._~ | c1. | \break
%% 21-24(29-32)
    r1. | r1. | r1. | r1. | \break
%% 25-28(33-36)
    r1. | r1. | r1. | r1. | \break
%% 29-32(37-40)
    r1. | r1. | r1. | r1. | \break
%% 33-36(41-44)
    << { <f a>2_~ <a c'> d' | c'16 b a g f e d c b,8 a, g, f, e,2 | r1. | r1. } \\ { f,2 a,  c | a,1. | f,1. | <e, a,>1.} >> | \break
%% 37-40(45-48)
    r2. g,2. | c1_\( <g, b,>2\)_~ | <g, b,>_~ b,1_\( | g,1.\) | \break
%% 41-44(49-52)
    r1. | r1. | r1. | r1. | \break
%% 45-48(53-56)
    r1.^\fermata | r1.^\fermata | \pitchedTrill <a, c>1._\startTrillSpan b, | \pitchedTrill <a, c>1. | \break
%% 49-52(57-60)
    <a, c>1.^\fermata\stopTrillSpan | \pitchedTrill <c e>1. ^\startTrillSpan f | <c e>1. | <c e>1.^\fermata\stopTrillSpan | \break
%% 53-56(61-64)
    << { \autoBeamOff c'8 d' b a g f e d c2 | \noBreak e16 f g a b d e f g a b r c'2. | \noBreak d'2 g c | \noBreak
                                    r8 c16 d e f g a b8 a g f e d c4 } 	\\ { \repeat percent 3 { a,2 g,8 f, r4 c2 } g,1. } >> | \break
%% 57-60(65-68)
   r1. | r1. | r1. | r1. | \break
%% 61-64(67-70)
   r1. | r1. | r1. | r1. | \break
%% 65-68(73-76)
    r1. | r1. | << { a,2 g,8 f, r4 c2 } \\ { \autoBeamOff  e16 f g a b d e f g a b r c'2. } >> | e1.^\fermata | \break
%% 69-72(77-80)
   r4 g2.. a4._~ | a r8 f8_( g) a4 e4 e4_\( | f\) g4. a4_\( f8 a4.\) r8 | g8 f e d c4._\( b,\)  a,4 | \break
%% 73-76(81-84)   
   c4. c4 d4. e2 | <b, e>1 <e a>2_~ | <e a> <b, e>1 | <c d>1._~ | \break
%% 77-80(85-88)
   <c d>1._~ | c1._~  | <c d>1._~  | d1.^\fermata | \break
%% 81-84(89-92)
   r1. | r1. | r1. | r1. | \break
%% 85-88(93-96)
   r1. | r1. | r1. | r1. | \break
%% 89-90(97-98)
    \time 4/1 << { r2 e2 a1 <e g>8. <d f> <c e> b,4.._~ <a, b,>1_~ | <b, d>\longa } \\
	                     { e,\breve_~ <e, g,>\breve_~ | <e, g,>\longa } >> | \break
%% 91-92(99-100)
    << { b\longa | r\longa } \\ { g,\longa_~ | g,\breve e,1.. r4 } >> | \break
%% 93-95(101-103)
    r\longa | g,\breve_~ <g, d>\breve_~ | \time 3/2 d2.^\fermata r4^\fermata \bar "|." \break
}
%%% end bass-midi.
%%%%%%%%%%%%%%%% End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%