%% 7:09 AM Saturday, August 2, 2025
%% Yukio Yoshida
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% "\repeat percent Avoid straight \break after", put in one bar and run \break. And Sometimes everywhere need "\noBreak"
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% Part Vocal;; Start: \hide Staff.BarLine
%% and end: \undo \hide Staff.BarLine \bar "|." \break
%% And \score{ \context StaffGroup << } !!
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% For exaple; Should use-Top barLine :
%% "\tempo \markup { \hspace #-3 \with-color #red \italic \medium "ritenuto" } dis'8 ......."
%% And From Second bar-line: "dis'8^\markup { \hspace #-3 \with-color #red \italic \medium "ritenuto" } .........."
%% Well No-apper obje "tempo = *" on Top-barLine
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% If you want to change of color, then do see! in
%% "define-grobs.scm"(lilypond's system file)
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\version "2.24.0"
%% for sheet-music
#(set-default-paper-size "letter")
#(set-global-staff-size 18)
BaritoneSol = {
\override Staff.StaffSymbol.color = #blue
\override Staff.LedgerLineSpanner.color = #blue
\override Staff.Clef.color = #blue
\override Staff.TimeSignature.color = #blue
\override Staff.KeySignature.color = #blue
\override Staff.BarLine.color = #blue
\override Voice.NoteHead.color = #blue
\override Voice.Rest.color = #blue
\override Voice.Stem.color = #blue
\override Voice.Flag.color = #blue
\override Voice.Beam.color = #blue
\override Voice.Slur.color = #blue
\override Voice.PhrasingSlur.color = #blue
\override Voice.Tie.color = #blue
\override Voice.Dots.color = #blue
\override Voice.Script.color = #blue
\override Voice.Accidental.color = #blue
\override Voice.DynamicLineSpanner.color = #blue
\override Voice.DynamicText.color = #blue
\override Voice.DynamicTextSpanner.color = #blue
\override Voice.TupletNumber.color = #blue
\override Voice.TupletBracket.color = #blue
\override Voice.BreathingSign.color = #blue
\override Voice.PercentRepeat.color = #blue
\override Voice.RepeatSlash.color = #blue
}
VoiceColorBlue = {
\override Staff.StaffSymbol.color = #blue
\override Staff.LedgerLineSpanner.color = #blue
\override Staff.Clef.color = #blue
\override Staff.TimeSignature.color = #blue
\override Staff.KeySignature.color = #blue
\override Staff.BarLine.color = #blue
\override Voice.NoteHead.color = #blue
\override Voice.Rest.color = #blue
\override Voice.Stem.color = #blue
\override Voice.Flag.color = #blue
\override Voice.Beam.color = #blue
\override Voice.Slur.color = #blue
\override Voice.PhrasingSlur.color = #blue
\override Voice.Tie.color = #blue
\override Voice.Dots.color = #blue
\override Voice.Script.color = #blue
\override Voice.Accidental.color = #blue
\override Voice.DynamicLineSpanner.color = #blue
\override Voice.DynamicText.color = #blue
\override Voice.DynamicTextSpanner.color = #blue
\override Voice.TupletNumber.color = #blue
\override Voice.TupletBracket.color = #blue
\override Voice.BreathingSign.color = #blue
\override Voice.PercentRepeat.color = #blue
\override Voice.RepeatSlash.color = #blue
}
VoiceColorBlueRevert = {
\revert Voice.NoteHead.color
\revert Voice.Rest.color
\revert Voice.Stem.color
\revert Voice.Flag.color
\revert Voice.Beam.color
\revert Voice.Slur.color
\revert Voice.PhrasingSlur.color
\revert Voice.Tie.color
\revert Voice.Dots.color
\revert Voice.Script.color
\revert Voice.Accidental.color
\revert Voice.DynamicLineSpanner.color
\revert Voice.DynamicTextSpanner.color
\revert Voice.DynamicText.color
\revert Voice.TupletNumber.color
\revert Voice.TupletBracket.color
\revert Voice.BreathingSign.color
\revert Voice.PercentRepeat.color
\revert Voice.RepeatSlash.color
}
Solo=^\markup { \hspace #-1.8 \with-color #red \box { \pad-around #0.5
{\teeny \italic "Solo"} } }
Bsolo=^\markup { \with-color #blue \box { \pad-around #0.5
{\teeny \bold \italic "Solo"} } }
Tutti=^\markup { \with-color #blue { \override #'(box-padding . 0.5)
\override #'(thickness . 2) \rounded-box {
{\teeny \italic "Tutti"} } } }
Both=^\markup { \with-color #blue \box { \pad-around #0.5
{\teeny \italic "Solo" } } or \with-color #blue \box { \pad-around #0.5 {\teeny \italic "Tutti" } } }
VoiceColorRed = {
\override Voice.NoteHead.color = #red
\override Voice.Rest.color = #red
\override Voice.Stem.color = #red
\override Voice.Flag.color = #red
\override Voice.Dots.color = #red
\override Voice.Script.color = #red
\override Voice.PhrasingSlur.color = #red
}
VoiceColorRedRevert = {
\revert Voice.NoteHead.color
\revert Voice.Rest.color
\revert Voice.Stem.color
\revert Voice.Flag.color
\revert Voice.Dots.color
\revert Voice.Script.color
\revert Voice.PhrasingSlur.color
}
\paper {
%% ragged-last-bottom = ##f
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%%
sopranoVoiceThree = { \hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 \repeat volta 2 { r\longa } | r\longa | \break
%% 3-6
\time 3/2
r1. | r1. | r1. r1. | \break
%% 7-10
r1. | r1. | r1. r1. | \break
%% 11-14
r1. | r1. | r1. r1. | \break
%% 15-18
r1. | r1. | r1. | r1. | \break
%% 19-22
r1. | r1. | r1. | r1. | \break
%% 23-26
r1. | r1. | r1. | r1. | \break
%% 27-30
r1. | r1. | r1. | r1. | \break
%%31-34
r1. | r1. | r1. | r1. | \break
%%35-39
r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
r1. | r1. | r1. | r1. | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-
%% \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
sopranoVoiceLThree = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
}
%%%%%
sopranoVoiceMThree = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 \repeat volta 2 { r\longa } | r\longa | \break
%% 3-6
\time 3/2
r1. | r1. | r1. r1. | \break
%% 7-10
r1. | r1. | r1. r1. | \break
%% 11-14
r1. | r1. | r1. r1. | \break
%% 15-18
r1. | r1. | r1. | r1. | \break
%% 19-22
r1. | r1. | r1. | r1. | \break
%% 23-26
r1. | r1. | r1. | r1. | \break
%% 27-30
r1. | r1. | r1. | r1. | \break
%%31-34
r1. | r1. | r1. | r1. | \break
%%35-39
r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
r1. | r1. | r1. | r1. | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-
%% \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments part
sopranoThree = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-
\time 4/1
\repeat volta 2 { ais'\breve g'1 f'1 } e'\breve r\breve | \break
%% 3-6
\time 3/2
<ais' c'' e''>8 <b' d'' f''> <c'' e'' g''> <d'' f'' ais''> g''4 f'' e'' ais'_~ |
ais' r8 b'16 c'' d'' e'' r8 <e'' d''>4 <d'' c''> <c'' b'> |
ais'2 <ais' c''>16 <b' d''> <c'' e''> <d'' f''> <e'' g''>8 <f'' ais''>8_~ ais''2 | r4 a'4 ais'1 | \break
%% 7-10
r1. | r1. | r1. r1. | \break
%% 11-14
g'2 <f' ais'> <e' b'> | g'1. | <f' c''>1_( f'2) | <e' g'>2 ais'1_~ | \break
%% 15-18
ais'2 a'4 g' f' e' | d' c'2._( <c' ais'>2) |
\once \stemUp <ais' f'>16 <g' e'> <f' d'> c'8. <f' d'>16 <g' e'> \stemUp <ais' f'> <b' g'> \stemNeutral c''4. ais'2 |
a'2 ais'1 | \break
%% 19-22
r1. | r1. | r1. | r1. | \break
%% 23-26
r1. | r1. | r1. | r1. | \break
%% 27-30
r1. | r1. | r1. | r1. | \break
%%31-34
r1. | r1. | r1. | r1. | \break
%%35-39
r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
r1. | r1. | r1. | r1. | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-
<d' ais'>1.
%% \bar "|." \break
}
%%%%% end Soprano sheet.
sopranoMThree = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-
\time 4/1
\repeat volta 2 { ais'\breve g'1 f'1 } e'\breve r\breve | \break
%% 3-6
\time 3/2
<ais' c'' e''>8 <b' d'' f''> <c'' e'' g''> <d'' f'' ais''> g''4 f'' e'' ais'_~ | ais' r8 b'16 c'' d'' e'' r8 <e'' d''>4 <d'' c''> <c'' b'> |
ais'2 <ais' c''>16 <b' d''> <c'' e''> <d'' f''> <e'' g''>8 <f'' ais''>8_~ ais''2 | r4 a'4 ais'1 | \break
%% 7-10
r1. | r1. | r1. r1. | \break
%% 11-14
g'2 <f' ais'> <e' b'> | g'1. | <f' c''>1_( f'2) | <e' g'>2 ais'1_~ | \break
%% 15-18
ais'2 a'4 g' f' e' | d' c'2._( <c' ais'>2) | <ais' f'>16 <g' e'> <f' d'> c'8. <f' d'>16 <g' e'> <ais' f'> <b' g'> c''4. ais'2 |
a'2 ais'1 | \break
%% 19-22
r1. | r1. | r1. | r1. | \break
%% 23-26
r1. | r1. | r1. | r1. | \break
%% 27-30
r1. | r1. | r1. | r1. | \break
%%31-34
r1. | r1. | r1. | r1. | \break
%%35-39
r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
r1. | r1. | r1. | r1. | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-
<d' ais'>1.
%% \bar "|." \break
}
%%% end Soprano midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%% mezzosoprano %%%%%%%%%%%
mezzosopranoThree = { \hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 \repeat volta 2 { r\longa }| r\breve fis'2.\melisma d' b4.\melismaEnd r8 | \break
%% 3-6
\time 3/2
f'8 fis'8_\( g'\) e'8 fis'8. e'8_( f' fis' g') e'8 fis'8._~ | fis' r8 f'8. e'8 fis'8. r4 c'16 e'4_( fis'8) |
fis'2 r8 c'8 d'4. r8 d'4 | c'8 e'4 d'8 r4 f'4_\( fis'2\) | \break
%% 7-10
e'16 fis'4 fis'2 e'8. fis'2 | fis'2 f'4_( fis'4. f') | e'4. e'8 fis'4. f'8 fis'2 | r4. c''4 b'8 r4 c''2 | \break
%% 11-14
a'16 g'8 fis'4. fis'8 fis'4. e'16 fis'4._\( | fis'\) r16 d' d'8 e'4 f'8 fis'2 | r1. | r1. | \break
%% 15-18
r1. | r1. | r1. | r1. | \break
%% 19-22
r2^\markup { \hspace #-3 \bold \italic "Only; Mezzo Soprano singing, and Bass Instruments(Up to bar 47)." } f'16 fis'8. d'4. d' |
b16 c' e'4. f'8_\( fis'8.\) f'16 e'4_(_\( fis'8) fis'4\) | r16 f'8_\( fis'4\) r16 b16 a_\( fis'4.\) f'2 | d'4 e' f'8_( fis'4.) r2 | \break
%% 23-26
r4. f'8 g'2 fis'8_\( g'4.\) f'8 a4_\( b c'\) d'4. r16 d'8. ~ | d'8. c'16 d'4. a4_\( b\) d'8 fis'4_~ | fis'4 r2 fis'4 c'8_\( e'4_( fis'8)\) | \break
%% 27-30
r16 f'8 f'4_\( fis' g'\) r4. a8. | a8. a8. c'4 r16 c'8. e'4 fis'4. | r4. a8 a8 b4 e'4 fis'4. | d'4 d'4_\( fis'4.\) r8 fis'2 | \break
%% 31-34
r4 e'8_( f' fis') e'4_\( fis'\) d'4. | r4. fis'8._( g') a'4 r2 | fis'8 g'4 a'4. a'8 b'4 c''4. | r8 c''4. f'4_\( fis'\) f'8_\( fis'4.\) | \break
%% 35-39
c''4 e''2. r2 | \repeat percent 2 { r4 a4. a4 a'2 r8 | a4 a4. d'4. fis'2 } | \break
%% 40-43
r4. d'4 b8 c'_\( e'4\) e'4. | d'4 e'8_\( fis'4 f'8 fis'4.\) g'4. | r16 c''4. r8 g'4._\( e'8. c'4.\) | r4 a16_. a_. a8._. a8._. e'4. b'4. | \break
%% 44-47
r4. e'16 fis' fis'4. f'8 fis'2 | r1.^\fermata | f'8_( fis'4) b4. a8 c'4 d'4 b8 | fis'4. r8 f'8_( fis'4.) d'2 | \break
%% 48-51
g'4_\( b'4\) a'4. fis' r4 | f'8_( fis'4) c' d' e'8_\( fis'4\) f'4 | f'8 fis'4. c'8_\( e'4.\) b4 a_\( | e'4.\) fis'2 r4. a4_\( | \break
%% 52-
e'4.\) r8 b4
%% waiting "for the" right mo -- ment "to bring"
%% his face di -- rectly into "the bar" -- rel "of a gun,"
%% as peo -- ple "on both" sides of the road re -- sponded with joy.
%% \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
mezzosopranoLThree = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
n __
As al -- ways, the man climbs the stairs, step by step.
The bird's-eye view "from the" seventh floor "is the" same as al -- ways,
a blue sky with white clouds drifting by "and the" chirps of birds.
"The rest" is silence, and
the ruins "of the" building are aban -- doned to the flow of time.
The man spreads "a sheet" on the floor,
pre -- pares his snip -- er ri -- fle, and as -- sumed "a prone" po -- si -- tion.
The scope cap -- tures the pas -- sen -- ger cars, trucks,
and bus driv -- ers "on the" road. But to -- day is dif -- fer --ent.
There are three lanes "on each" "side of" "the road,"
and only "a row of" Oak trees "in the" me -- dian strip.
Car traf -- fic "has been" blocked off,
"and the" man's eyes are "on the" road where Presi -- dent Pa -- rede is waiting.
For the man, this day had come.
On the sev -- enth floor "of a" di -- lapi -- da -- ted building awaiting demo -- li -- tion,
in the midst "of a" warm breeze and the chirping of birds,
he stood "in his" open car "on the" road "he was" "looking at," "a kilo" -- meter away,
waiting "for the" right mo -- ment "to bring"
his face di -- rectly into "the bar" -- rel "of a gun,"
as pe -- ople "on both" sides of the road re -- sponded with joy.
%%% vocal add Solo S, A, T, B ---- rest;MzzSoprano
%% % repeat four times.!!
For the man, this day had come.
%%% Only Instrument for 8bars. ===> Baritone
}
%%%%% end mezzosoprano sheet.
mezzosopranoMThree = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 \repeat volta 2 { r\longa } | r\breve fis'2.\melisma d' b4.\melismaEnd r8 | \break
%% 3-
\time 3/2
f'8 fis'8_\( g'\) e'8 fis'8. e'8_( f' fis' g') e'8 fis'8._~ | fis' r8 f'8. e'8 fis'8. r4 c'16 e'4_( fis'8) |
fis'2 r8 c'8 d'4. r8 d'4 | c'8 e'4 d'8 r4 f'4_\( fis'2\) | \break
%% 7-10
e'16 fis'4 fis'2 e'8. fis'2 | fis'2 f'4_( fis'4. f') | e'4. e'8 fis'4. f'8 fis'2 | r4. c''4 b'8 r4 c''2 | \break
%% 11-14
a'16 g'8 fis'4. fis'8 fis'4. e'16 fis'4._\( | fis'\) r16 d' d'8 e'4 f'8 fis'2 | r1. | r1. | \break
%% 15-18
r1. | r1. | r1. | r1. | \break
%% 19-22
r2 f'16 fis'8. d'4. d' | b16 c' e'4. f'8_\( fis'8.\) f'16 e'4_(_\( fis'8) fis'4\) |
r16 f'8_\( fis'4\) r16 b16 a_\( fis'4.\) f'2 | d'4 e' f'8_( fis'4.) r2 | \break
%% 23-26
r4. f'8 g'2 fis'8_\( g'4.\) f'8 a4_\( b c'\) d'4. r16 d'8. ~ | d'8. c'16 d'4. a4_\( b\) d'8 fis'4_~ | fis'4 r2 fis'4 c'8_\( e'4_( fis'8)\) | \break
%% 27-30
r16 f'8 f'4_\( fis' g'\) r4. a8. | a8. a8. c'4 r16 c'8. e'4 fis'4. | r4. a8 a8 b4 e'4 fis'4. | d'4 d'4_\( fis'4.\) r8 fis'2 | \break
%% 31-34
r4 e'8_( f' fis') e'4_\( fis'\) d'4. | r4. fis'8._( g') a'4 r2 | fis'8 g'4 a'4. a'8 b'4 c''4. | r8 c''4. f'4_\( fis'\) f'8_\( fis'4.\) | \break
%% 35-39
c''4 e''2. r2 \repeat percent 2 { r4 a4. a4 a'2 r8 | a4 a4. d'4. fis'2 } \break
%% 40-43
r4. d'4 b8 c'_\( e'4\) e'4. | d'4 e'8_\( fis'4 f'8 fis'4.\) g'4. | r16 c''4. r8 g'4._\( e'8. c'4.\) | r4 a16_. a_. a8._. a8._. e'4. b'4. | \break
%% 44-47
r4. e'16 fis' fis'4. f'8 fis'2 | r1.^\fermata | f'8_( fis'4) b4. a8 c'4 d'4 b8 | fis'4. r8 f'8_( fis'4.) d'2 | \break
%% 48-
g'4_\( b'4\) a'4. fis' r4 | f'8_( fis'4) c' d' e'8_\( fis'4\) f'4 | f'8 fis'4. c'8_\( e'4.\) b4 a_\( | e'4.\) fis'2 r4. a4 | \break
%% 52-
e'4.\) r8 b4
%% \bar "|." \break
}
%%%%% end mezzosoprano midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%%
altoVoiceThree = {\hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 \repeat volta 2 { r\longa } | r\longa | \break
%% 3-6
\time 3/2
r1. | r1. | r1. r1. | \break
%% 7-10
r1. | r1. | r1. r1. | \break
%% 11-14
r1. | r1. | r1. r1. | \break
%% 15-18
r1. | r1. | r1. | r1. | \break
%% 19-22
r1. | r1. | r1. | r1. | \break
%% 23-26
r1. | r1. | r1. | r1. | \break
%% 27-30
r1. | r1. | r1. | r1. | \break
%%31-34
r1. | r1. | r1. | r1. | \break
%%35-39
r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
r1. | r1. | r1. | r1. | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-
%% \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
altoVoiceLThree = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
}
%%%%%
altoVoiceMThree = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 \repeat volta 2 { r\longa } | r\longa | \break
%% 3-6
\time 3/2
r1. | r1. | r1. r1. | \break
%% 7-10
r1. | r1. | r1. r1. | \break
%% 11-14
r1. | r1. | r1. r1. | \break
%% 15-18
r1. | r1. | r1. | r1. | \break
%% 19-22
r1. | r1. | r1. | r1. | \break
%% 23-26
r1. | r1. | r1. | r1. | \break
%% 27-30
r1. | r1. | r1. | r1. | \break
%%31-34
r1. | r1. | r1. | r1. | \break
%%35-39
r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
r1. | r1. | r1. | r1. | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-
%% \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments
altoThree = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1
\repeat volta 2 { dis'\breve c'1 b1 } | a\breve r\breve | \break
%% 3-6
\time 3/2
dis'8_( g2) <f b>8 <g c'> <f a> <g b> <f g>4. |
\repeat percent 3{ <f b>8 <g c'> <f a> <g b> } | r4 <f g>8 <g a> <a b> <b c'> <c' d'> r8 dis'2 _~ | dis'2 g1 | \break
%% 7-10
r1. | r1. | r1. r1. | \break
%% 11-14
c'1. | <b dis'>2 <a e'> dis'2_~ | dis'4. e' f' g' | f' e' dis'2. | \break
%% 15-18
r2 dis'2 a4 g_~ | <g b>16 <a c'> dis'4. c'4 b a g | r8 g16 a b \once \stemUp c' r8 dis'2 b4 f_( |
<f g>16) <g a> <a b> <b c'> <c' dis'> <dis' e'> <e' f'>8 dis'1 | \break
%% 19-22
r1. | r1. | r1. | r1. | \break
%% 23-26
r1. | r1. | r1. | r1. | \break
%% 27-30
r1. | r1. | r1. | r1. | \break
%%31-34
r1. | r1. | r1. | r1. | \break
%%35-39
r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
r1. | r1. | r1. | r1. | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-
<g dis'>1.
%% \bar "|." \break
}
%%%%% end alto sheet.
altoMThree = {
\partial 2 r2^\fermata |
%% 1-2
\time 4/1
\repeat volta 2 { dis'\breve c'1 b1 } | a\breve r\breve | \break
%%3-6
\time 3/2
dis'8_( g2) <f b>8 <g c'> <f a> <g b> <f g>4. |
\repeat percent 3{ <f b>8 <g c'> <f a> <g b> } | r4 <f g>8 <g a> <a b> <b c'> <c' d'> r8 dis'2_~ | dis'2 g1 | \break
%% 7-10
r1. | r1. | r1. r1. | \break
%% 11-14
c'1. | <b dis'>2 <a e'> dis'2_~ | dis'4. e' f' g' | f' e' dis'2. | \break
%% 15-18
r2 dis'2 a4 g_~ | <g b>16 <a c'> dis'4. c'4 b a g | r8 g16 a b c' r8 dis'2 b4 f_( |
<f g>16) <g a> <a b> <b c'> <c' dis'> <dis' e'> <e' f'>8 dis'1 | \break
%% 19-22
r1. | r1. | r1. | r1. | \break
%% 23-26
r1. | r1. | r1. | r1. | \break
%% 27-30
r1. | r1. | r1. | r1. | \break
%%31-34
r1. | r1. | r1. | r1. | \break
%%35-39
r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
r1. | r1. | r1. | r1. | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-
<g dis'>1.
%% \bar "|." \break
}
%%%%% end alto midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%%
tenorVoiceThree = { \hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 \repeat volta 2 { r\longa } | r\longa | \break
%% 3-6
\time 3/2
r1. | r1. | r1. r1. | \break
%% 7-10
r1. | r1. | r1. r1. | \break
%% 11-14
r1. | r1. | r1. r1. | \break
%% 15-18
r1. | r1. | r1. | r1. | \break
%% 19-22
r1. | r1. | r1. | r1. | \break
%% 23-26
r1. | r1. | r1. | r1. | \break
%% 27-30
r1. | r1. | r1. | r1. | \break
%%31-34
r1. | r1. | r1. | r1. | \break
%%35-39
r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
r1. | r1. | r1. | r1. | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-
%% \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
tenorVoiceLThree = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
}
%%%%%
tenorVoiceMThree = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 \repeat volta 2 { r\longa } | r\longa | \break
%% 3-6
\time 3/2
r1. | r1. | r1. r1. | \break
%% 7-10
r1. | r1. | r1. r1. | \break
%% 11-14
r1. | r1. | r1. r1. | \break
%% 15-18
r1. | r1. | r1. | r1. | \break
%% 19-22
r1. | r1. | r1. | r1. | \break
%% 23-26
r1. | r1. | r1. | r1. | \break
%% 27-30
r1. | r1. | r1. | r1. | \break
%%31-34
r1. | r1. | r1. | r1. | \break
%%35-39
r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
r1. | r1. | r1. | r1. | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-
%% \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments
tenorThree= {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1
\repeat volta 2 { f\breve g1 a1 } | bis\breve r\breve | \break
%% 3-6
\time 3/2
r1. | r1. | r1. r1. | \break
%% 7-10
<a c' e'>8 <bis d' f'> <c' e' g'> <d' f' a'> g'4 f' e' a_~ |
a r8 b16 c' d' e' r8 <e' d'>4 <d' c'> <c' bis> |
g2 <a c'>16 <bis d'> <c' e'> <d' f'> <e' g'>8 <f' a'>8_~ a'2 | r4 g4 a1 | \break
%% 11-14
<f a>4. <g bis> <ais c'> <bis d'> | <c' e'>4. <bis d'> <ais c'> <g bis> | a1. | g2. a | \break
%% 15-18
r2. a4. bis | <d a>4.( a) <a d>_( d) | r1. | d16[ e f] r4.. a2.. | \break
%% 19-22
r1. | r1. | r1. | r1. | \break
%% 23-26
r1. | r1. | r1. | r1. | \break
%% 27-30
r1. | r1. | r1. | r1. | \break
%%31-34
r1. | r1. | r1. | r1. | \break
%%35-39
r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
r1. | r1. | r1. | r1. | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-
<d a>1.
%% \bar "|." \break
}
%%%%% end tenor sheet.
tenorMThree = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1
\repeat volta 2 { f\breve g1 a1 } | bis\breve r\breve | \break
%% 3-6
\time 3/2
r1. | r1. | r1. r1. | \break
%% 7-10
<a c' e'>8 <bis d' f'> <c' e' g'> <d' f' a'> g'4 f' e' a_~ |
a r8 b16 c' d' e' r8 <e' d'>4 <d' c'> <c' bis> |
g2 <a c'>16 <bis d'> <c' e'> <d' f'> <e' g'>8 <f' a'>8_~ a'2 | r4 g4 a1 | \break
%% 11-14
<f a>4. <g bis> <ais c'> <bis d'> | <c' e'>4. <bis d'> <ais c'> <g bis> | a1. | g2. a | \break
%% 15-18
r2. a4. bis | <d a>4.( a) <a d>_( d) | r1. | d16[ e f] r4.. a2.. | \break
%% 19-22
r1. | r1. | r1. | r1. | \break
%% 23-26
r1. | r1. | r1. | r1. | \break
%% 27-30
r1. | r1. | r1. | r1. | \break
%%31-34
r1. | r1. | r1. | r1. | \break
%%35-39
r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
r1. | r1. | r1. | r1. | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-
<d a>1.
%% \bar "|." \break
}
%%%%% end tenor midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%% baritone part %%%%%%%%%%%%%%%%%%%%%%%
baritoneThree = { \hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 \repeat volta 2 { r\longa } | r\longa | \break
%% 3-6
\time 3/2
r1. | r1. | r1. r1. | \break
%% 7-10
r1. | r1. | r1. r1. | \break
%% 11-14
r1. | r1. | r1. r1. | \break
%% 15-18
r1. | r1. | r1. | r1. | \break
%% 19-22
r1. | r1. | r1. | r1. | \break
%% 23-26
r1. | r1. | r1. | r1. | \break
%% 27-30
r1. | r1. | r1. | r1. | \break
%%31-34
r1. | r1. | r1. | r1. | \break
%%35-39
r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
r1. | r1. | r1. | r1. | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-
%% \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
baritoneLThree = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
}
%%%%% end baritone sheet.
baritoneMThree = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 \repeat volta 2 { r\longa } | \longa | \break
%% 3-6
\time 3/2
r1. | r1. | r1. r1. | \break
%% 7-10
r1. | r1. | r1. r1. | \break
%% 11-14
r1. | r1. | r1. r1. | \break
%% 15-18
r1. | r1. | r1. | r1. | \break
%% 19-22
r1. | r1. | r1. | r1. | \break
%% 23-26
r1. | r1. | r1. | r1. | \break
%% 27-30
r1. | r1. | r1. | r1. | \break
%%31-34
r1. | r1. | r1. | r1. | \break
%%35-39
r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
r1. | r1. | r1. | r1. | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-
%% \bar "|." \break
}
%%%%% end baritone midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%% bass; part %%%%%%%%%%%%%%%%
bassVoiceThree = { \hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 \repeat volta 2 { r\longa } | r\longa | \break
%% 3-6
\time 3/2
r1. | r1. | r1. r1. | \break
%% 7-10
r1. | r1. | r1. r1. | \break
%% 11-14
r1. | r1. | r1. r1. | \break
%% 15-18
r1. | r1. | r1. | r1. | \break
%% 19-22
r1. | r1. | r1. | r1. | \break
%% 23-26
r1. | r1. | r1. | r1. | \break
%% 27-30
r1. | r1. | r1. | r1. | \break
%%31-34
r1. | r1. | r1. | r1. | \break
%%35-39
r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
r1. | r1. | r1. | r1. | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-
%% \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
bassVoiceLThree = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
God, you did not accept my personal request,
but accepted the requests of many of the townspeople.
If only it had been a rainy day, I would have wished for it.
Amen.
God, I never knew that momentary peace could be so beautiful.
For the first time, I experienced the passage of time in a quiet,
peaceful, and all-fulfilling way.
}
%%%%%
bassVoiceMThree = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 \repeat volta 2 { r\longa } | r\longa | \break
%% 3-6
\time 3/2
r1. | r1. | r1. r1. | \break
%% 7-10
r1. | r1. | r1. r1. | \break
%% 11-14
r1. | r1. | r1. r1. | \break
%% 15-18
r1. | r1. | r1. | r1. | \break
%% 19-22
r1. | r1. | r1. | r1. | \break
%% 23-26
r1. | r1. | r1. | r1. | \break
%% 27-30
r1. | r1. | r1. | r1. | \break
%%31-34
r1. | r1. | r1. | r1. | \break
%%35-39
r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
r1. | r1. | r1. | r1. | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-
%% \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments
bassThree = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1
\repeat volta 2 { b,\breve c1 d1 } | eis\breve r\breve | \break
%% 3-6
\time 3/2
r1. | r1. | r1. r1. | \break
%% 7-10
\time 3/2
dis8_( g,2) <f, b,>8 <g, c> <f, a,> <g, b,> <f, g,>4. |
\repeat percent 3{ <f, b,>8 <g, c> <f, a,> <g, b,> } |
r4 <f, g,>8 <g, a,> <a, b,> <b, c> <c d> r8 dis2 _~ | dis2 g,1 | \break
%% 11-14
<dis a,>2_( dis1)_~ | dis2 a,1 | <f, a,>16 <f, b,> c4 <e, g,>16 <f, a,> b,4 c d2_~ | d dis1 | \break
%% 15-18
r2. dis4. e | <c dis>4. dis16[ c b,] <c dis>4. e16[ f g] <c dis>4. | dis'8 c'16 b a g f e dis r8 c16 dis2. | r1. | \break
%% 19-22
<g, dis>4_( g,8)[ a, b, c] dis4 c8[ b, a, g,] | <a, c>2 r4 <a, dis>2._~ |
<dis f>8 e16 dis c b, a, g, f, r g,4._( <g, dis>2) | b,4. dis f4 <g dis'>2 | \break
%% 23-26
r1. | r1. | r1. | r2. <f, a,>2._~ | \break
%%27-30
<f, a,>1. | <dis b,>4. r8 <dis f>4. r8 dis4. r8 | <dis g,>4._( <g, b,>2)_( <b, dis>4.) c16 b, a, g, |
\repeat percent 3 {g,16 a, b, c dis e f g} \break
%% 31-34
dis2 \pitchedTrill a,1_\startTrillSpan b, | dis1\stopTrillSpan a,2_~ | a,2. <g, b,>2._~ | <b, dis>1._~ | \break
%% 35-39
b,2_( dis'1)_( | dis2) b,4 a, g,2 | <f, a,>4. <g, b,> <a, c> <b, dis> | c1 <b, g,>4 g,_~ | g,_~ <g, dis>1 r4 | \break
%% 40-43
<g, dis>2_( <g, dis a>1)_~ | <a f>4._~ <f dis>_~ <dis b,>_( g,)_~ | \arpeggioArrowUp <g, dis a>1\arpeggio r2 |
<a^. g>16 <g^. f> <f^. e> <e dis> <dis c_.> <c b,_.> <b, a,_.> <a, g,>_~ g,1_~ | \break
%% 44-47
<g, c>8._. <a, dis>_. <b, e>_. r16 dis2.._~ | <g, dis>1.^\fermata |
<< { \pitchedTrill g,1._\startTrillSpan a, | s1\stopTrillSpan } \\
{ \pitchedTrill dis1.^\startTrillSpan c | dis1\stopTrillSpan } >> r2^\fermata | \break
%% 48-51
r1. | r1. | r1. | \pitchedTrill dis1._\startTrillSpan c | \break
%% 52-
%% \bar "|." \break
}
%%%%% end bass-sheet.
bassMThree = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1
\repeat volta 2 { b,\breve c1 d1 } | eis\breve r\breve | \break
%% 3-6
\time 3/2
r1. | r1. | r1. r1. | \break
%% 7-10
\time 3/2
dis8_( g,2) <f, b,>8 <g, c> <f, a,> <g, b,> <f, g,>4. |
\repeat percent 3{ <f, b,>8 <g, c> <f, a,> <g, b,> } |
r4 <f, g,>8 <g, a,> <a, b,> <b, c> <c d> r8 dis2 _~ | dis2 g,1 | \break
%% 11-14
<dis a,>2_( dis1)_~ | dis2 a,1 | <f, a,>16 <f, b,> c4 <e, g,>16 <f, a,> b,4 c d2_~ | d dis1 | \break
%% 15-18
r2. dis4. e | <c dis>4. dis16[ c b,] <c dis>4. e16[ f g] <c dis>4. | dis'8 c'16 b a g f e dis r8 c16 dis2. | r1. | \break
%% 19-22
<g, dis>4_( g,8)[ a, b, c] dis4 c8[ b, a, g,] | <a, c>2 r4 <a, dis>2._~ |
<dis f>8 e16 dis c b, a, g, f, r g,4._( <g, dis>2) | b,4. dis f4 <g dis'>2 | \break
%% 23-26
r1. | r1. | r1. | r2. <f, a,>2._~ | \break
%%27-30
<f, a,>1. | <dis b,>4. r8 <dis f>4. r8 dis4. r8 | <dis g,>4._( <g, b,>2)_( <b, dis>4.) c16 b, a, g, |
\repeat percent 3 {g,16 a, b, c dis e f g} \break
%% 31-34
dis2 \pitchedTrill a,1_\startTrillSpan b, | dis1\stopTrillSpan a,2_~ | a,2. <g, b,>2._~ | <b, dis>1._~ | \break
%% 35-
b,2_( dis'1)_( | dis2) b,4 a, g,2 | <f, a,>4. <g, b,> <a, c> <b, dis> | c1 <b, g,>4 g,_~ | g,_~ <g, dis>1 r4 | \break
%% 40-
<g, dis>2_( <g, dis a>1)_~ | <a f>4._~ <f dis>_~ <dis b,>_( g,)_~ | \arpeggioArrowUp <g, dis a>1\arpeggio r2 |
<a^. g>16 <g^.f> <f^. e> <e dis> <dis c_.> <c b,_.> <b, a,_.> <a, g,>_~ g,1 | \break
%% 44-47
<g, c>8._. <a, dis>_. <b, e>_. r16 dis2.._~ | <g, dis>1.^\fermata |
<< { \pitchedTrill g,1._\startTrillSpan a, | s1\stopTrillSpan } \\
{ \pitchedTrill dis1.^\startTrillSpan c | dis1\stopTrillSpan } >> r2^\fermata | \break
%% 48-51
r1. | r1. | r1. | \pitchedTrill dis1._\startTrillSpan c | \break
%% 52-
%% \bar "|." \break
}
%%% end bass-midi.
%%%%%%%%%%%%%%%% End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%