%% 10:11 AM Sunday, October 5, 2025
%% Yukio Yoshida
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% "\repeat percent Avoid straight \break after", put in one bar and run \break. And Sometimes everywhere need "\noBreak"
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% Part Vocal;; Start: \hide Staff.BarLine
%%              and end: \undo \hide Staff.BarLine \bar "|." \break
%%      And \score{   \context StaffGroup <<    } !!
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% For exaple; Should  use-Top barLine :
%%   "\tempo \markup { \hspace #-3 \with-color #red \italic \medium "ritenuto" } dis'8 ......."
%% And From Second bar-line: "dis'8^\markup { \hspace #-3 \with-color #red \italic \medium "ritenuto" } .........."
%% Well No-apper obje "tempo = *" on Top-barLine
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% If you want to change of color, then do see! in "define-grobs.scm"(lilypond's system file)
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\version "2.24.0"
%% for sheet-music
#(set-default-paper-size "letter")
#(set-global-staff-size 18)
BaritoneSol = {
              \override Staff.StaffSymbol.color = #blue
              \override Staff.LedgerLineSpanner.color = #blue
              \override Staff.Clef.color = #blue
              \override Staff.TimeSignature.color = #blue
              \override Staff.KeySignature.color = #blue
              \override Staff.BarLine.color = #blue
              \override Voice.NoteHead.color = #blue
              \override Voice.Rest.color = #blue
              \override Voice.Stem.color = #blue
              \override Voice.Flag.color = #blue
              \override Voice.Beam.color = #blue
              \override Voice.Slur.color = #blue
              \override Voice.PhrasingSlur.color = #blue
              \override Voice.Tie.color = #blue
              \override Voice.Dots.color = #blue
              \override Voice.Script.color = #blue
              \override Voice.Accidental.color = #blue
              \override Voice.DynamicLineSpanner.color = #blue
              \override Voice.DynamicText.color = #blue
              \override Voice.DynamicTextSpanner.color = #blue
              \override Voice.TupletNumber.color = #blue
              \override Voice.TupletBracket.color = #blue
              \override Voice.BreathingSign.color = #blue
              \override Voice.PercentRepeat.color = #blue
              \override Voice.RepeatSlash.color = #blue
}

VoiceColorBlue = {
              \override Staff.StaffSymbol.color = #blue
              \override Staff.LedgerLineSpanner.color = #blue
              \override Staff.Clef.color = #blue
              \override Staff.TimeSignature.color = #blue
              \override Staff.KeySignature.color = #blue
              \override Staff.BarLine.color = #blue
              \override Voice.NoteHead.color = #blue
              \override Voice.Rest.color = #blue
              \override Voice.Stem.color = #blue
              \override Voice.Flag.color = #blue
              \override Voice.Beam.color = #blue
              \override Voice.Slur.color = #blue
              \override Voice.PhrasingSlur.color = #blue
              \override Voice.Tie.color = #blue
              \override Voice.Dots.color = #blue
              \override Voice.Script.color = #blue
              \override Voice.Accidental.color = #blue
              \override Voice.DynamicLineSpanner.color = #blue
              \override Voice.DynamicText.color = #blue
              \override Voice.DynamicTextSpanner.color = #blue
              \override Voice.TupletNumber.color = #blue
              \override Voice.TupletBracket.color = #blue
              \override Voice.BreathingSign.color = #blue
              \override Voice.PercentRepeat.color = #blue
              \override Voice.RepeatSlash.color = #blue
}
VoiceColorBlueRevert = {
              \revert Voice.NoteHead.color
              \revert Voice.Rest.color
              \revert Voice.Stem.color
              \revert Voice.Flag.color
              \revert Voice.Beam.color
              \revert Voice.Slur.color
              \revert Voice.PhrasingSlur.color
              \revert Voice.Tie.color
              \revert Voice.Dots.color
              \revert Voice.Script.color
              \revert Voice.Accidental.color
              \revert Voice.DynamicLineSpanner.color
              \revert Voice.DynamicTextSpanner.color
              \revert Voice.DynamicText.color
              \revert Voice.TupletNumber.color
              \revert Voice.TupletBracket.color
              \revert Voice.BreathingSign.color
              \revert Voice.PercentRepeat.color
              \revert Voice.RepeatSlash.color
}

Solo=^\markup { \hspace #-1.8 \with-color #red \box { \pad-around #0.5
                                   {\teeny \italic "Solo"} } }
Tutti=^\markup { \with-color #blue { \override #'(box-padding . 0.5)
                          \override #'(thickness . 2) \rounded-box {
                                   {\teeny \italic "Tutti"} } } }
Aria=^\markup { \hspace #-1.8 \with-color #red \box { \pad-around #1
                                   {\teeny \italic \bold "Aria; solo"} } }
Both=^\markup { \with-color #blue \box { \pad-around #0.5
                                   {\teeny \italic "Solo" } } or \with-color #blue \box { \pad-around #0.5 {\teeny \italic "Tutti" } }
}

VoiceColorRed = {
              \override Voice.NoteHead.color = #red
              \override Voice.Rest.color = #red
              \override Voice.Stem.color = #red
			  \override Voice.Flag.color = #red
              \override Voice.Dots.color = #red
              \override Voice.Script.color = #red
              \override Voice.PhrasingSlur.color = #red
}
VoiceColorRedRevert = {
              \revert Voice.NoteHead.color
              \revert Voice.Rest.color
              \revert Voice.Stem.color
			  \revert Voice.Flag.color
              \revert Voice.Dots.color
              \revert Voice.Script.color
              \revert Voice.PhrasingSlur.color
}

\paper {
             %%  ragged-last-bottom = ##f
}

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%%
sopranoVoiceThree = { \hide Staff.BarLine
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-2
    \time 4/1 \repeat volta 2 { r\longa } | r\longa | \break
%% 3-6
   \time 3/2
   r1. | r1. | r1. r1. | \break
%% 7-10
   r1. | r1. | r1. r1. | \break
%% 11-14
   r1. | r1. | r1. r1. | \break
%% 15-18
    r1. | r1. | r1. | r1. | \break
%% 19-22
    r1. | r1. | r1. | r1. | \break
%% 23-26
    r1. | r1. | r1. | r1. | \break
%% 27-30
    r1. | r1. | r1. | r1. | \break
%%31-34
    r1. | r1. | r1. | r1. | \break
%%35-39
    r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
    r1. | r1. | r1. | r1. | \break
%% 44-47
    r1. | r1. | r1. | r1. | \break
%% 48-51
    r1. | r1. | r1. | r1. | \break
%% 52-55
    r1. | r1. | r1. | r1. | \break
%% 56-60
    r1. | r1. | r1. | r1. | r1. |\break
%% 61-65
    r1. | r1. | r1. | r1. | r1. | \break
%% 66-69
    r1. | r1. | r1. | r1. | \break
%% 70-73
    r1. | r1. | r1. | r1. | \break
%% 74-77
    r1. | r1. | r1. | r1. | \break
%% 78-81
    r1. | r1. | r1. | r1. | \break
%% 82-85
    r1. | r1. | r1. | r1. | \break
%% 86-89
    r1. | r1. | r1. | r1. | \break
%% 90-93
    r1. | r1. | r1. | r1. | \break
%% 94-97
    r1. | r1. | r1. | r1. | \break
%% 98-101
    r1. | r1. | r1. | r1. | \break
%% 102-105
    r1. | r1. | r1. | r1. | \break
%% 106-109
	r1. | r1. | r1. | r1. | \break
%% 110-113
	r1. | r1. | r1. | r1. | \break
%% 114-117
	r1. | r1. | r1. | r1. | \break
%% 118-121
	r1. | r1. | r1. | r1. | \break
%% 122-125
	r1. | r1. | r1. | r1. | \break
%% 126-129
	r1. | r1. | r1. | r1. | \break
%% 130-133
	r1. | r1. | r1. | r1. | \break
%% 134-137
	r1. | r1. | r1. | r1. | \break
%% 138-141
	r1. | r1. | r1. | r1. | \break
%% 142-145
	r1. | r1. | r1. | r1. | \break
%% 146-149
	r1. | r1. | r1. | r1. | \break
%% 150-153
    r1. | f''1.^\Tutti | g''2. ais''4 g''4_(\melisma f''8) e'' | d'' c'' b' ais'\melismaEnd g'1 | \break
%% 154-157
	f'1_~f'4 r4 | f''1. | g''2  ais''1 | g''4._\(\melisma f''4 e'' d'' c'' b'8_~ | \break
%% 158-161
	b'8\)\melismaEnd ais'2\melisma g'8 f' e' d' e'4.\melismaEnd | f'1_~ f'4 r4 | f''1. | g''2. ais''4 g''4_(\melisma f''8) e'' | \break
%% 162-165
    d'' c'' b' a'\melismaEnd g'1 | f'1_~ f'4 r4 | r1.^\fermata | r1.^\fermata |
%% 166-169 
    \time 4/1
    a'2 ais' a'  ais' a' ais'  a'' ais'' | r2 a''2  ais'' a'' ais'' a' ais' a' | \break
%% 170-172
    ais'2 a' ais' r2  r2 ais'1 c'2_~ | \time 3/2 c'1 r2^\fermata \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
sopranoVoiceLThree = \lyricmode {
    \override Lyrics.LyricText.color = #blue
    \override Lyrics.LyricHyphen.color = #blue
    \override Lyrics.LyricExtender.color = #blue
    \override Score.LyricText.font-shape = #'italic
    \teeny
%%%%% ! Tutti %%%%%%%%%%%%%%%%
ký -- ri -- e e -- léi -- son
ký -- ri -- e e -- léi -- son
ký -- ri -- e e -- léi -- son

Chri -- ste e -- lé -- i -- son
Chri -- ste e -- lé -- i -- son
Chri -- ste e -- lé -- i -- son

A -- men.
%%%%%%%%%%%%%%%%%%%%%%%%%
}
%%%%%
sopranoVoiceMThree = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-2
    \time 4/1 \repeat volta 2 { r\longa } | r\longa | \break
%% 3-6
   \time 3/2
   r1. | r1. | r1. r1. | \break
%% 7-10
   r1. | r1. | r1. r1. | \break
%% 11-14
   r1. | r1. | r1. r1. | \break
%% 15-18
    r1. | r1. | r1. | r1. | \break
%% 19-22
    r1. | r1. | r1. | r1. | \break
%% 23-26
    r1. | r1. | r1. | r1. | \break
%% 27-30
    r1. | r1. | r1. | r1. | \break
%%31-34
    r1. | r1. | r1. | r1. | \break
%%35-39
    r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
    r1. | r1. | r1. | r1. | \break
%% 44-47
    r1. | r1. | r1. | r1. | \break
%% 48-51
    r1. | r1. | r1. | r1. | \break
%% 52-55
    r1. | r1. | r1. | r1. | \break
%% 56-60
    r1. | r1. | r1. | r1. | r1. |\break
%% 61-65
    r1. | r1. | r1. | r1. | r1. | \break
%% 66-69
    r1. | r1. | r1. | r1. | \break
%% 70-73
    r1. | r1. | r1. | r1. | \break
%% 74-77
    r1. | r1. | r1. | r1. | \break
%% 78-81
    r1. | r1. | r1. | r1. | \break
%% 82-85
    r1. | r1. | r1. | r1. | \break
%% 86-89
    r1. | r1. | r1. | r1. | \break
%% 90-93
    r1. | r1. | r1. | r1. | \break
%% 94-97
    r1. | r1. | r1. | r1. | \break
%% 98-101
    r1. | r1. | r1. | r1. | \break
%% 102-104
    r1. | r1. | r1. | r1. | \break
%% 106-109
	r1. | r1. | r1. | r1. | \break
%% 110-113
	r1. | r1. | r1. | r1. | \break
%% 114-117
	r1. | r1. | r1. | r1. | \break
%% 118-121
	r1. | r1. | r1. | r1. | \break
%% 122-125
	r1. | r1. | r1. | r1. | \break
%% 126-129
	r1. | r1. | r1. | r1. | \break
%% 130-133
	r1. | r1. | r1. | r1. | \break
%% 134-137
	r1. | r1. | r1. | r1. | \break
%% 138-141
	r1. | r1. | r1. | r1. | \break
%% 142-145
	r1. | r1. | r1. | r1. | \break
%% 146-149
	r1. | r1. | r1. | r1. | \break
%% 150-153
    r1. | f''1. | g''2. ais''4 g''4_(\melisma f''8) e'' | d'' c'' b' ais'\melismaEnd g'1 | \break
%% 154-157
	f'1_~f'4 r4 | f''1. | g''2  ais''1 | g''4._\(\melisma f''4 e'' d'' c'' b'8~ | \break
%% 158-161
	b'8\)\melismaEnd ais'2\melisma g'8 f' e' d' e'4.\melismaEnd | f'1_~ f'4 r4 | f''1. | g''2. ais''4 g''4_(\melisma f''8) e'' | \break
%% 162-165
    d'' c'' b' a'\melismaEnd g'1 | f'1_~ f'4 r4 | r1.^\fermata | r1.^\fermata |
%% 166-169 
    \time 4/1
    a'2 ais' a'  ais' a' ais'  a'' ais'' | r2 a''2  ais'' a'' ais'' a' ais' a' | \break
%% 170-172
    ais'2 a' ais' r2 r2 ais'1 c'2_~ | \time 3/2 c'1 r2^\fermata \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments part
sopranoThree = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-
    \time 4/1
    \repeat volta 2 { ais'\breve g'1 f'1 } e'\breve r\breve | \break
%% 3-6
    \time 3/2
    <ais' c'' e''>8 <b' d'' f''> <c'' e'' g''> <d'' f'' ais''> g''4 f'' e'' ais'_~ | ais' r8 b'16 c'' d'' e'' r8 <e'' d''>4 <d'' c''> <c'' b'> |
    ais'2 <ais' c''>16 <b' d''> <c'' e''> <d'' f''> <e'' g''>8 <f'' ais''>8_~ ais''2 | r4 a'4 ais'1 | \break
%% 7-10
    r1. | r1. | r1. r1. | \break
%% 11-14
    g'2  <f' ais'> <e' b'> | g'1. | <f' c''>1_( f'2) | <e' g'>2 ais'1_~ | \break
%% 15-18
    ais'2 a'4 g' f' e' | d' c'2._( <c' ais'>2) |
	\once \stemUp <ais' f'>16 <g' e'> <f' d'> c'8. <f' d'>16 <g' e'> \stemUp <ais' f'> <b' g'> \stemNeutral c''4. ais'2 |
    a'2 ais'1 | \break
%% 19-22
    r1. | r1. | r1. | r1. | \break
%% 23-26
    r1. | r1. | r1. | r1. | \break
%% 27-30
    r1. | r1. | r1. | r1. | \break
%%31-34
    r1. | r1. | r1. | r1. | \break
%%35-39
    r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
    r1. | r1. | r1. | r1. | \break
%% 44-47
    r1. | r1. | r1. | r1. | \break
%% 48-51
    <d' ais'>1. | <e' g'>2. f'_~ | f' r4 <e' g'>2_~ | <e' g'> <d' ais'>1 | \break
%% 52-55
    \pitchedTrill f'1._\startTrillSpan e' | <d' ais'>1.\stopTrillSpan | \pitchedTrill f'1._\startTrillSpan g' |
	<d' ais'>1.\stopTrillSpan | \break
%% 56-60
   r1.^\fermata^\markup {\raise #3 \hspace #-6 \italic "Instrumental Performance(Soprano and Bass only) up to 69 bars."
                                                         \hspace #6 } | \key d\major  %% add "hspace #6" is for svg
   fis''1. | \noBreak g''2. a''4 g''4(\melisma fis''8) e'' | d'' cis'' b' a'\melismaEnd g'1 |  fis'1~fis'4 r4 | \break
%% 61-65
   fis''1. | g''2  a''1 | g''4.\(\melisma fis''4 e'' d'' cis'' b'8~ |
   b'8\)\melismaEnd a'2\melisma g'8 fis' e' d' e'4.\melismaEnd | fis'1~ fis'4 r4 | \break
%% 66-69
   fis''1. | g''2. a''4 g''4(\melisma fis''8) e'' | d'' cis'' b' a'\melismaEnd g'1 | fis'1~ fis'4 r4 | \break
%% 70-73
   \key c\major
    r1. | r1. | r1. | r1. | \break
%% 74-77
    r1. | r1. | r1. | r1. | \break
%% 78-81
    r1. | r1. | r1. | <d' ais'>1._~ | \break
%% 82-85
    d'2 g'8 f' e' d' c'2  | r1. | r1. | r1. | \break
%% 86-89
    <e' ais'>1 r2 | e'4. f' g' ais' | r2 <ais' e'>1_~ | <ais' e'>2 r2 <b' g'>8 <ais' f'> <g' e'>_~ e'8_~ | \break
%% 90-93
    e'4 r4 <c' f'>4 <d' g'> <e' ais'> <f' b'> | c''2 r4 b'8 ais' g' f' e' d' | c'2 r4 <c' e' g'>4 <e' g' b'> <g' b' d''> |
	<c'' g'>4. <b' f'> <ais' e'> <g' c'> | \break
%% 94-97
   f'1. | g'2. ais'4 g'4 f'8 e' | d' c' b' ais' g'1 | f'1~f'4 r4 | \break
%% 98-101
   f'1. | g''2  a''1 | g''4. f''4 e'' d'' c'' b'8 ~ | b'8 a'2 g'8 f' e' d' e'4. | \break
%% 102-105
   f'1~ f'4 r4 | r1. | r1. | r1. | \break
%% 106-109
	r1. | r1. | r1. | r1. | \break
%% 110-113
	r1. | r1. | r1. | r1. | \break
%% 114-117
	r1. | r1. | r1. | r1. | \break
%% 118-121
	r1. | r1. | r1. | r1. | \break
%% 122-125
	r1. | r1. | r1. | r1. | \break
%% 126-129
	r1. | r1. | r1. | r1. | \break
%% 130-133
	r1. | r1. | r1. | r1. | \break
%% 134-137
	r1. | r1. | r1. | r1. | \break
%% 138-141
    <f' ais'>1 <e' b'>2_~ | <e' b'> r2 <f' ais'>2_~ | <f' ais'> <e' b'>1 | g'1. | \break
%% 142-145
	r1. | r1. | r1. | r1. | \break
%% 146-149
	r1. | r1. | r1. | r1. | \break
%% 150-153
	r1. | r1. | r1. | r1. | \break
%% 154-157
    <c' f'>2 <d' g'>16 <e' ais'> <g' c''> r f''2._~ | f'' <c'' f''>4 <g' c''> <d' g'> |
	<c' f'>_~ <c' e'>2_~ <e' c'>8_( <f' d'> <g' e'> <ais' f'> <b' g'> <c'' ais'>) | r4 d''16_( c'' b' ais') r1 | \break
%% 158-161
    \pitchedTrill <c' f'>1.^\startTrillSpan d' | \pitchedTrill c'\stopTrillSpan^\startTrillSpan d' |
    \pitchedTrill <c' f'>1.^\startTrillSpan e' | \pitchedTrill f'\stopTrillSpan^\startTrillSpan e' | \break
%% 162-165
    <g' ais'>1.^\startTrillSpan_~ | <g' ais'>1._~ | <g' ais'>1._~ | <g' ais'>1.\stopTrillSpan | \break
%% 166-169	
    \time 4/1 r\longa | r\longa | \break
%% 170-172
    r\breve c'\breve_~ | \time 3/2 c'1^\fermata r2^\fermata \bar "|." \break
}
%%%%% end Soprano sheet.
sopranoMThree = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-
    \time 4/1
    \repeat volta 2 { ais'\breve g'1 f'1 } e'\breve r\breve | \break
%% 3-6
    \time 3/2
    <ais' c'' e''>8 <b' d'' f''> <c'' e'' g''> <d'' f'' ais''> g''4 f'' e'' ais'_~ | ais' r8 b'16 c'' d'' e'' r8 <e'' d''>4 <d'' c''> <c'' b'> |
    ais'2 <ais' c''>16 <b' d''> <c'' e''> <d'' f''> <e'' g''>8 <f'' ais''>8_~ ais''2 | r4 a'4 ais'1 | \break
%% 7-10
   r1. | r1. | r1. r1. | \break
%% 11-14
    g'2  <f' ais'> <e' b'> | g'1. | <f' c''>1_( f'2) | <e' g'>2 ais'1_~ | \break
%% 15-18
    ais'2 a'4 g' f' e' | d' c'2._( <c' ais'>2) | <ais' f'>16 <g' e'> <f' d'> c'8. <f' d'>16 <g' e'> <ais' f'> <b' g'> c''4. ais'2 |
    a'2 ais'1 | \break
%% 19-22
    r1. | r1. | r1. | r1. | \break
%% 23-26
    r1. | r1. | r1. | r1. | \break
%% 27-30
    r1. | r1. | r1. | r1. | \break
%%31-34
    r1. | r1. | r1. | r1. | \break
%%35-39
    r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
    r1. | r1. | r1. | r1. | \break
%% 44-47
    r1. | r1. | r1. | r1. | \break
%% 48-51
    <d' ais'>1. | <e' g'>2. f'_~ | f' r4 <e' g'>2_~ | <e' g'> <d' ais'>1 | \break
%% 52-55
    \pitchedTrill f'1._\startTrillSpan e' | <d' ais'>1.\stopTrillSpan | \pitchedTrill f'1._\startTrillSpan g' |
	<d' ais'>1.\stopTrillSpan | \break
%% 56-60
   r1.^\fermata | \key d\major
   fis''1. | g''2. a''4 g''4(\melisma fis''8) e'' | d'' cis'' b' a'\melismaEnd g'1 | fis'1~fis'4 r4 | \break
%% 61-65
   fis''1. | g''2  a''1 | g''4.\(\melisma fis''4 e'' d'' cis'' b'8~ | b'8\)\melismaEnd a'2\melisma g'8 fis' e' d' e'4.\melismaEnd |
   fis'1~ fis'4 r4 | \break
%% 66-69
   fis''1. | g''2. a''4 g''4(\melisma fis''8) e'' | d'' cis'' b' a'\melismaEnd g'1 | fis'1~ fis'4 r4 | \break
%% 70-73
   \key c\major
    r1. | r1. | r1. | r1. | \break
%% 74-77
    r1. | r1. | r1. | r1. | \break
%% 78-81
    r1. | r1. | r1. | <d' ais'>1._~ | \break
%% 82-
    d'2 g'8 f' e' d' c'2  | r1. | r1. | r1. | \break
%% 86-89
    <e' ais'>1 r2 | e'4. f' g' ais' | r2 <ais' e'>1_~ | <ais' e'>2 r2 <b' g'>8 <ais' f'> <g' e'>_~ e'8 | \break
%% 90-93
    e'4 r4 <c' f'>4 <d' g'> <e' ais'> <f' b'> | c''2 r4 b'8 ais' g' f' e' d' | c'2 r4 <c' e' g'>4 <e' g' b'> <g' b' d''> |
	<c'' g'>4. <b' f'> <ais' e'> <g' c'> | \break
%% 94-97
   f'1. | g'2. ais'4 g'4 f'8 e' | d' c' b' ais' g'1 | f'1~f'4 r4 | \break
%% 98-101
   f'1. | g''2  a''1 | g''4. f''4 e'' d'' c'' b'8 ~ | b'8 a'2 g'8 f' e' d' e'4. | \break
%% 102-105
   f'1~ f'4 r4 | r1. | r1. | r1. | \break
%% 106-109
	r1. | r1. | r1. | r1. | \break
%% 110-113
	r1. | r1. | r1. | r1. | \break
%% 114-117
	r1. | r1. | r1. | r1. | \break
%% 118-121
	r1. | r1. | r1. | r1. | \break
%% 122-125
	r1. | r1. | r1. | r1. | \break
%% 126-129
	r1. | r1. | r1. | r1. | \break
%% 130-133
	r1. | r1. | r1. | r1. | \break
%% 134-137
	r1. | r1. | r1. | r1. | \break
%% 138-141
    <f' ais'>1 <e' b'>2_~ | <e' b'> r2 <f' ais'>2_~ | <f' ais'> <e' b'>1 | g'1. | \break
%% 142-145
	r1. | r1. | r1. | r1. | \break
%% 146-149
	r1. | r1. | r1. | r1. | \break
%% 150-153
	r1. | r1. | r1. | r1. | \break
%% 154-157
    <c' f'>2 <d' g'>16 <e' ais'> <g' c''> r f''2._~ | f'' <c'' f''>4 <g' c''> <d' g'> |
	<c' f'>_~ <c' e'>2_~ <e' c'>8_( <f' d'> <g' e'> <ais' f'> <b' g'> <c'' ais'>) | r4 d''16_( c'' b' ais') r1 | \break
%% 158-161
    \pitchedTrill <c' f'>1.^\startTrillSpan d' | \pitchedTrill c'\stopTrillSpan^\startTrillSpan d' |
    \pitchedTrill <c' f'>1.^\startTrillSpan e' | \pitchedTrill f'\stopTrillSpan^\startTrillSpan e' | \break
%% 162-165
    <g' ais'>1.^\startTrillSpan_~ | <g' ais'>1._~ | <g' ais'>1._~ | <g' ais'>1.\stopTrillSpan | \break
%% 166-169	
    \time 4/1 r\longa | r\longa | \break
%% 170-172
    r\breve c'\breve_~ | \time 3/2 c'1^\fermata r2^\fermata \bar "|." \break
}
%%% end Soprano midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%% mezzosoprano %%%%%%%%%%%
mezzosopranoThree = { \hide Staff.BarLine
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-2
    \time 4/1 \repeat volta 2 { r\longa }| r\breve fis'2.^\Aria\melisma d' b4.\melismaEnd r8 | \break
%% 3-6
    \time 3/2
    f'8 fis'8_\( g'\) e'8 fis'8. e'8_( f' fis' g') e'8 fis'8._~ | fis' r8 f'8. e'8 fis'8. r4 c'16 e'4_( fis'8) |
    fis'2 r8 c'8 d'4. r8 d'4 | c'8 e'4 d'8 r4 f'4_\( fis'2\) | \break
%% 7-10
    e'16 fis'4 fis'2 e'8. fis'2 | fis'2 f'4_( fis'4. f') | e'4. e'8 fis'4. f'8 fis'2 | r4. c''4 b'8 r4 c''2 | \break
%% 11-14
    a'16 g'8 fis'4. fis'8 fis'4. e'16 fis'4._\( | fis'\) r16 d' d'8 e'4 f'8 fis'2 | r1. | r1. | \break
%% 15-18
    r1. | r1. | r1. | r1. | \break
%% 19-22
    r2^\markup { \hspace #-3 Only; \with-color #red "Aria singer" \italic "and Bass Instruments(Up to bar 47)." } f'16 fis'8. d'4. d' |
	b16 c' e'4. f'8_\( fis'8.\) f'16 e'4_(_\( fis'8) fis'4\) | r16 f'8_\( fis'4\) r16 b16 a_\( fis'4.\) f'2 | d'4 e' f'8_( fis'4.) r2 | \break
%% 23-26
    r4. f'8 g'2 fis'8_\( g'4.\) f'8 a4_\( b c'\) d'4. r16 d'8. ~ | d'8. c'16 d'4. a4_\( b\) d'8 fis'4_~ | fis'4 r2 fis'4 c'8_\( e'4_( fis'8)\) | \break
%% 27-30
    r16 f'8 f'4_\( fis' g'\) r4. a8. | a8. a8. c'4 r16 c'8. e'4 fis'4. | r4. a8 a8 b4 e'4 fis'4. | d'4 d'4_\( fis'4.\) r8 fis'2 | \break
%% 31-34
    r4 e'8_( f' fis') e'4_\( fis'\) d'4. | r4. fis'8._( g') a'4 r2 | fis'8 g'4 a'4. a'8 b'4 c''4. | r8 c''4. f'4_\( fis'\) f'8_\( fis'4.\) | \break
%% 35-39
   c''4 e''2. r2 | \repeat percent 2 { r4 a4. a4 a'2 r8 | a4 a4. d'4. fis'2 } | \break
%% 40-43
   r4. d'4 b8 c'_\( e'4\) e'4. | d'4 e'8_\( fis'4 f'8 fis'4.\) g'4. | r16 c''4. r8 g'4._\( e'8. c'4.\) | r4 a16_. a_. a8._. a8._. e'4. b'4. | \break
%% 44-47
   r4. e'16 fis' fis'4. f'8 fis'2 | r1.^\fermata | f'8_( fis'4) b4. a8 c'4 d'4 b8 | fis'4. r8 f'8_( fis'4.) d'2 | \break
%% 48-51
   g'4_\( b'4\) a'4. fis' r4 | f'8_( fis'4) c' d' e'8_\( fis'4\) f'4 | f'8 fis'4. c'8_\( e'4.\) b4 a_\( | e'4.\) fis'2 r4. a4_\( | \break
%% 52-55
   e'4.\) r8 b8 b4 a8 c'4. b8_\( | c'8_( f'4 fis')\) r8 f'4_( fis'2) | r1 f'4_( fis'4) | r8 f'4 fis'4. f'4 fis'2 | \break
%% 56-60
    r1. | r1. | r1. | r1. | r1. |\break
%% 61-65
    r1. | r1. | r1. | r1. | r1. | \break
%% 66-69
    r1. | r1. | r1. | r1. | \break
%% 70-73
    r1. | r1. | r1. | r1. | \break
%% 74-77
    r1. | r1. | r1. | r1. | \break
%% 78-81
    r1. | r1. | r1. | r1. | \break
%% 82-85
    r1. | r1. | r1. | r1. | \break
%% 86-89
    r1. | r1. | r1. | r1. | \break
%% 90-93
    r1. | r1. | r1. | r1. | \break
%% 94-97
	r1. | r1. | r1. | r1. | \break
%% 98-101
	r1. | r1. | r1. | r1. | \break
%% 102-105
	r1. | r1. | r1. | r1. | \break
%% 106-109
	r1. | r1. | r1. | r1. | \break
%% 110-113
	r1. | r1. | r1. | r1. | \break
%% 114-117
	r1. | r1. | r1. | r1. | \break
%% 118-121
	r1. | r1. | r1. | r1. | \break
%% 122-125
	r1. | r1. | r1. | r1. | \break
%% 126-129
	r1. | r1. | r1. | r1. | \break
%% 130-133
	r1. | r1. | r1. | r1. | \break
%% 134-137
	r1. | r1. | r1. | r1. | \break
%% 138-141
	r1. | r1. | r1. | r1. | \break
%% 142-145
	r1. | r1. | r1. | r1. | \break
%% 146-149
	r1. | r1. | r1. | r1. | \break
%% 150-153
	r1. | r1. | r1. | r1. | \break
%% 154-157
	r1. | r1. | r1. | r1. | \break
%% 158-161
	r1. | r1. | r1. | r1. | \break
%% 162-165
   r1. | r1. | r1. | r1. | \break
%%166-169
   \time 4/1 r\longa | r\longa | \break
%% 170-172
    r\longa | \time3/2 r1 s2 \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
mezzosopranoLThree = \lyricmode {
    \override Lyrics.LyricText.color = #blue
    \override Lyrics.LyricHyphen.color = #blue
    \override Lyrics.LyricExtender.color = #blue
    \override Score.LyricText.font-shape = #'italic
    \teeny
n __
As al -- ways, the man climbs the stairs, step by step.
The bird's-eye view "from the" seventh floor "is the" same as al -- ways,
a blue sky with white clouds drifting by "and the" chirps of birds.
"The rest" is silence, and
the ruins "of the" building are aban -- doned to the flow of time.
The man spreads "a sheet" on the floor,
pre -- pares his snip -- er ri -- fle, and as -- sumed "a prone" po -- si -- tion.

The scope cap -- tures the pas -- sen -- ger cars, trucks,
and bus driv -- ers "on the" road. But to -- day is dif -- fer --ent.
There are three lanes "on each" "side of" "the road,"
and only "a row of" Oak trees "in the" me -- dian strip.
Car traf -- fic "has been" blocked off,
"and the" man's eyes are "on the" road where Presi -- dent Pa -- rede is waiting.

For the man, this day had come.
On the sev -- enth floor "of a" di -- lapi -- da -- ted building awaiting demo -- li -- tion,
in the midst "of a" warm breeze and the chirping of birds,
he stood "in his" open car "on the" road "he was" "looking at," "a kilo" -- meter away,
waiting "for the" right mo -- ment "to bring"
his face di -- rectly into "the bar" -- rel "of a gun,"
as pe -- ople "on both" sides "of the" road re -- sponded "with joy."
For the man, this day had come.

The man is crying, shedding tears, sobbing, choking.
The sad -- ness, the lone -- li -- ness of life...and now...the man is crying.
}
%%%%% end mezzosoprano sheet.
mezzosopranoMThree = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-2
    \time 4/1 \repeat volta 2 { r\longa } | r\breve fis'2.\melisma d' b4.\melismaEnd r8 | \break
%% 3-
    \time 3/2
    f'8 fis'8_\( g'\) e'8 fis'8. e'8_( f' fis' g') e'8 fis'8._~ | fis' r8 f'8. e'8 fis'8. r4 c'16 e'4_( fis'8) |
    fis'2 r8 c'8 d'4. r8 d'4 | c'8 e'4 d'8 r4 f'4_\( fis'2\) | \break
%% 7-10
    e'16 fis'4 fis'2 e'8. fis'2 | fis'2 f'4_( fis'4. f') | e'4. e'8 fis'4. f'8 fis'2 | r4. c''4 b'8 r4 c''2 | \break
%% 11-14
    a'16 g'8 fis'4. fis'8 fis'4. e'16 fis'4._\( | fis'\) r16 d' d'8 e'4 f'8 fis'2 | r1. | r1. | \break
%% 15-18
    r1. | r1. | r1. | r1. | \break
%% 19-22
    r2 f'16 fis'8. d'4. d' | b16 c' e'4. f'8_\( fis'8.\) f'16 e'4_(_\( fis'8) fis'4\) |
	r16 f'8_\( fis'4\) r16 b16 a_\( fis'4.\) f'2 | d'4 e' f'8_( fis'4.) r2 | \break
%% 23-26
    r4. f'8 g'2 fis'8_\( g'4.\) f'8 a4_\( b c'\) d'4. r16 d'8. ~ | d'8. c'16 d'4. a4_\( b\) d'8 fis'4_~ | fis'4 r2 fis'4 c'8_\( e'4_( fis'8)\) | \break
%% 27-30
    r16 f'8 f'4_\( fis' g'\) r4. a8. | a8. a8. c'4 r16 c'8. e'4 fis'4. | r4. a8 a8 b4 e'4 fis'4. | d'4 d'4_\( fis'4.\) r8 fis'2 | \break
%% 31-34
    r4 e'8_( f' fis') e'4_\( fis'\) d'4. | r4. fis'8._( g') a'4 r2 | fis'8 g'4 a'4. a'8 b'4 c''4. | r8 c''4. f'4_\( fis'\) f'8_\( fis'4.\) | \break
%% 35-39
   c''4 e''2. r2 \repeat percent 2 { r4 a4. a4 a'2 r8 | a4 a4. d'4. fis'2 } \break
%% 40-43
   r4. d'4 b8 c'_\( e'4\) e'4. | d'4 e'8_\( fis'4 f'8 fis'4.\) g'4. | r16 c''4. r8 g'4._\( e'8. c'4.\) | r4 a16_. a_. a8._. a8._. e'4. b'4. | \break
%% 44-47
   r4. e'16 fis' fis'4. f'8 fis'2 | r1.^\fermata | f'8_( fis'4) b4. a8 c'4 d'4 b8 | fis'4. r8 f'8_( fis'4.) d'2 | \break
%% 48-
   g'4_\( b'4\) a'4. fis' r4 | f'8_( fis'4) c' d' e'8_\( fis'4\) f'4 | f'8 fis'4. c'8_\( e'4.\) b4 a_\( | e'4.\) fis'2 r4. a4 | \break
%% 52-55
   e'4.\) r8 b8 b4 a8 c'4. b8_\( | c'8_( f'4 fis')\) r8 f'4_( fis'2) | r1 f'4_( fis'4) | r8 f'4 fis'4. f'4 fis'2 | \break
%% 56-60
    r1. | r1. | r1. | r1. | r1. |\break
%% 61-65
    r1. | r1. | r1. | r1. | r1. | \break
%% 66-69
    r1. | r1. | r1. | r1. | \break
%% 70-73
    r1. | r1. | r1. | r1. | \break
%% 74-77
    r1. | r1. | r1. | r1. | \break
%% 78-81
    r1. | r1. | r1. | r1. | \break
%% 82-85
    r1. | r1. | r1. | r1. | \break
%% 86-89
    r1. | r1. | r1. | r1. | \break
%% 90-93
    r1. | r1. | r1. | r1. | \break
%% 94-97
    r1. | r1. | r1. | r1. | \break
%% 98-101
    r1. | r1. | r1. | r1. | \break
%% 102-
	r1. | r1. | r1. | r1. | \break
%% 106-109
	r1. | r1. | r1. | r1. | \break
%% 110-113
	r1. | r1. | r1. | r1. | \break
%% 114-117
	r1. | r1. | r1. | r1. | \break
%% 118-121
	r1. | r1. | r1. | r1. | \break
%% 122-125
	r1. | r1. | r1. | r1. | \break
%% 126-129
	r1. | r1. | r1. | r1. | \break
%% 130-133
	r1. | r1. | r1. | r1. | \break
%% 134-137
	r1. | r1. | r1. | r1. | \break
%% 138-141
	r1. | r1. | r1. | r1. | \break
%% 142-145
	r1. | r1. | r1. | r1. | \break
%% 146-149
	r1. | r1. | r1. | r1. | \break
%% 150-153
	r1. | r1. | r1. | r1. | \break
%% 154-157
	r1. | r1. | r1. | r1. | \break
%% 158-161
	r1. | r1. | r1. | r1. | \break
%% 162-165
   r1. | r1. | r1. | r1. | \break
%%166-169
   \time 4/1 r\longa | r\longa | \break
%% 170-172
    r\longa | \time3/2 r1 s2 \bar "|." \break
}
%%%%% end mezzosoprano midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%%
altoVoiceThree = {\hide Staff.BarLine
   \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1 \repeat volta 2 { r\longa } | r\longa | \break
%% 3-6
   \time 3/2
   r1. | r1. | r1. r1. | \break
%% 7-10
   r1. | r1. | r1. r1. | \break
%% 11-14
   r1. | r1. | r1. r1. | \break
%% 15-18
    r1. | r1. | r1. | r1. | \break
%% 19-22
    r1. | r1. | r1. | r1. | \break
%% 23-26
    r1. | r1. | r1. | r1. | \break
%% 27-30
    r1. | r1. | r1. | r1. | \break
%%31-34
    r1. | r1. | r1. | r1. | \break
%%35-39
    r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
    r1. | r1. | r1. | r1. | \break
%% 44-47
    r1. | r1. | r1. | r1. | \break
%% 48-51
    r1. | r1. | r1. | r1. | \break
%% 52-55
    r1. | r1. | r1. | r1. | \break
%% 56-60
    r1. | r1. | r1. | r1. | r1. |\break
%% 61-65
    r1. | r1. | r1. | r1. | r1. | \break
%% 66-69
    r1. | r1. | r1. | r1. | \break
%% 70-73
    r1. | r1. | r1. | r1. | \break
%% 74-77
    r1. | r1. | r1. | r1. | \break
%% 78-81
    r1. | r1. | r1. | r1. | \break
%% 82-85
    r1. | r1. | r1. | r1. | \break
%%86-89
    r1. | r1. | r1. | r1. | \break
%% 90-93
    r1. | r1. | r1. | r1. | \break
    r1. | r1. | r1. | r1. | \break
%% 98-101
    r1. | r1. | r1. | r1. | \break
%% 102-105
	r1. | r1. | r1. | r1. | \break
%% 106-109
	r1. | r1. | r1. | r1. | \break
%% 110-113
	r1. | r1. | r1. | r1. | \break
%% 114-117
	r1. | r1. | r1. | r1. | \break
%% 118-121
	r1. | r1. | r1. | r1. | \break
%% 122-125
	r1. | r1. | r1. | r1. | \break
%% 126-129
	r1. | r1. | r1. | r1. | \break
%% 130-133
	r1. | r1. | r1. | r1. | \break
%% 134-137
	r1. | r1. | r1. | r1. | \break
%% 138-141
	r1. | r1. | r1. | r1. | \break
%% 142-145
	r1. | r1. | r1. | r1. | \break
%% 146-149
	r1. | r1. | r1. | r1. | \break
%% 150-153
    r1. | f'1^\Tutti_( g'8 a') b'4_ ~ \melisma | b'8 a' g' a'\melismaEnd b'1 | a'2 g'1\melisma  | \break
%% 154-157
	a'4 g'8 f'8 e' dis'\melismaEnd c'2. | b1_ ~ b4 r4 | f'1.\melisma | e'8 dis' c' dis'\melismaEnd e'1 | \break
%% 158-161
	f'2 e'1\melisma | f'8 e' dis' c' b a\melismaEnd g2 a4 | b1_~ b4 r4 | f'1_( g'8 a') b'4_~ \melisma | \break
%% 162-165
	b'8 a' g' a'\melismaEnd b'1 | a'2 g'1\melisma | a'4 g'8 fis'8 e' d'\melismaEnd cis'2. | b1_~ b4 r4 | \break
%% 166-169 
    \time 4/1
    d'2 dis' d'  dis' d' dis'  d'' dis'' | r2 d''2  dis'' d'' dis'' d' dis' d' | \break
%% 170-172
    dis'2 d' dis' r2  r2 dis'1 f2_~ | \time 3/2 f1 r2^\fermata \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
altoVoiceLThree = \lyricmode {
    \override Lyrics.LyricText.color = #blue
    \override Lyrics.LyricHyphen.color = #blue
    \override Lyrics.LyricExtender.color = #blue
    \override Score.LyricText.font-shape = #'italic
    \teeny
%%%%% ! Tutti %%%%%%%%%%%%%%%%
ký -- ri -- e e -- lé -- i -- son
ký -- ri -- e e -- lé -- i -- son
ký -- ri -- e e -- lé -- i -- son

Chri -- ste e -- lé -- i -- son
Chri -- ste e -- lé -- i -- son
Chri -- ste e -- lé -- i -- son

A -- men.
%%%%%%%%%%%%%%%%%%%%%%%%%
}
%%%%%
altoVoiceMThree = {
   \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1 \repeat volta 2 { r\longa } | r\longa | \break
%% 3-6
   \time 3/2
   r1. | r1. | r1. r1. | \break
%% 7-10
   r1. | r1. | r1. r1. | \break
%% 11-14
   r1. | r1. | r1. r1. | \break
%% 15-18
    r1. | r1. | r1. | r1. | \break
%% 19-22
    r1. | r1. | r1. | r1. | \break
%% 23-26
    r1. | r1. | r1. | r1. | \break
%% 27-30
    r1. | r1. | r1. | r1. | \break
%%31-34
    r1. | r1. | r1. | r1. | \break
%%35-39
    r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
    r1. | r1. | r1. | r1. | \break
%% 44-47
    r1. | r1. | r1. | r1. | \break
%% 48-51
    r1. | r1. | r1. | r1. | \break
%% 52-55
    r1. | r1. | r1. | r1. | \break
%% 56-60
    r1. | r1. | r1. | r1. | r1. |\break
%% 61-65
    r1. | r1. | r1. | r1. | r1. | \break
%% 66-69
    r1. | r1. | r1. | r1. | \break
%% 70-73
    r1. | r1. | r1. | r1. | \break
%% 74-77
    r1. | r1. | r1. | r1. | \break
%% 78-81
    r1. | r1. | r1. | r1. | \break
%% 82-85
    r1. | r1. | r1. | r1. | \break
%% 86-89
    r1. | r1. | r1. | r1. | \break
%% 90-93
    r1. | r1. | r1. | r1. | \break
    r1. | r1. | r1. | r1. | \break
%% 98-101
    r1. | r1. | r1. | r1. | \break
%% 102-105
	r1. | r1. | r1. | r1. | \break
%% 106-109
	r1. | r1. | r1. | r1. | \break
%% 110-113
	r1. | r1. | r1. | r1. | \break
%% 114-117
	r1. | r1. | r1. | r1. | \break
%% 118-121
	r1. | r1. | r1. | r1. | \break
%% 122-125
	r1. | r1. | r1. | r1. | \break
%% 126-129
	r1. | r1. | r1. | r1. | \break
%% 130-133
	r1. | r1. | r1. | r1. | \break
%% 134-137
	r1. | r1. | r1. | r1. | \break
%% 138-141
	r1. | r1. | r1. | r1. | \break
%% 142-145
	r1. | r1. | r1. | r1. | \break
%% 146-149
	r1. | r1. | r1. | r1. | \break
%% 150-153
    r1. | f'1_( g'8 a') b'4_ ~ \melisma | b'8 a' g' a'\melismaEnd b'1 | a'2 g'1\melisma  | \break
%% 154-157
	a'4 g'8 f'8 e' dis'\melismaEnd c'2. | b1_ ~ b4 r4 | f'1.\melisma | e'8 dis' c' dis'\melismaEnd e'1 | \break
%% 158-161
	f'2 e'1\melisma | f'8 e' dis' c' b a\melismaEnd g2 a4 | b1_~ b4 r4 | f'1_( g'8 a') b'4_~ \melisma | \break
%% 162-165
	b'8 a' g' a'\melismaEnd b'1 | a'2 g'1\melisma | a'4 g'8 fis'8 e' d'\melismaEnd cis'2. | b1_~ b4 r4 | \break
%% 166-169 
    \time 4/1
    d'2 dis' d'  dis' d' dis'  d'' dis'' | r2 d''2  dis'' d'' dis'' d' dis' d' | \break
%% 170-172
    dis'2 d' dis' r2  r2 dis'1 f2_~ | \time 3/2 f1 r2^\fermata \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments
altoThree = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-2
    \time 4/1
    \repeat volta 2 { dis'\breve c'1 b1 } |  a\breve r\breve | \break
%% 3-6
    \time 3/2
    dis'8_( g2) <f b>8 <g c'> <f a> <g b> <f g>4. |
    \repeat percent 3{ <f b>8 <g c'> <f a> <g b> } | r4 <f g>8 <g a> <a b> <b c'> <c' d'> r8 dis'2 _~ | dis'2 g1 | \break
%% 7-10
   r1. | r1. | r1. r1. | \break
%% 11-14
   c'1. | <b dis'>2 <a e'> dis'2_~ | dis'4.  e' f' g' | f' e' dis'2. | \break
%% 15-18
   r2 dis'2 a4 g_~ | <g b>16 <a c'> dis'4. c'4 b a g | r8 g16 a b \once \stemUp c' r8 dis'2 b4 f_( |
   <f g>16) <g a> <a b> <b c'> <c' dis'> <dis' e'> <e' f'>8 dis'1 | \break
%% 19-22
    r1. | r1. | r1. | r1. | \break
%% 23-26
    r1. | r1. | r1. | r1. | \break
%% 27-30
    r1. | r1. | r1. | r1. | \break
%%31-34
    r1. | r1. | r1. | r1. | \break
%%35-39
    r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
    r1. | r1. | r1. | r1. | \break
%% 44-47
    r1. | r1. | r1. | r1. | \break
%% 48-51
    r4. <g_. dis'>2. e'4. | <e'^. dis'>4. <dis'^. c'> <c' b_.> <b a_.> | g8 a b c' dis' e' dis' c' b a g f_~ | f r4. <g dis'>2 b | \break
%% 52-55
        << { \pitchedTrill dis'1.^\startTrillSpan c' | b1.\stopTrillSpan } \\ { \pitchedTrill g1._\startTrillSpan f | s1.\stopTrillSpan } >> |
        << { \pitchedTrill dis'1.^\startTrillSpan e' | b1.\stopTrillSpan } \\ { \pitchedTrill g1._\startTrillSpan a | s1.\stopTrillSpan } >> |
%% 56-60
    r1. | r1. | r1. | r1. | r1. |\break
%% 61-65
    r1. | r1. | r1. | r1. | r1. | \break
%% 66-69
    r1. | r1. | r1. | r1. | \break
%% 70-73
    r1. | r1. | r1. | r1. | \break
%% 74-77
    r1. | r1. | r1. | r1. | \break
%% 78-81
    r1. | r1. | r1. | <g dis'>1. | \break
%% 82-85
    r1. | r1. | dis'2  b8 a g f8_~ f2 | r1. | \break
%% 86-89
    <f b>2 <g c'> <a dis'> | <g c'>1 b8 a g f_~  | f2 r4. a4. c'4_~ | <c' d'>4 r2 <c' dis'>2._~ | \break
%% 90-93	
    dis'2. r4 d'2 | <c' b>4. <b a> <a g> <g f> | <dis' f'>2 r2 <f' a'>2_~ | <f' a'>2 b'1 | \break
%% 	94-97
    b'8 a' g' a' b'1 | a'2 g'1  | a'4 g'8 f'8 e' dis' c'2. | b1 ~ b4 r4 | \break
%% 98-101
    f'1. | e'8 dis' c' dis' e'1 | f'2 e'1 | f'8 e' dis' c' b a g2 a4 | \break
%% 102-105
	b1 ~ b4 r4 | r1. | r1. | r1. | \break
%% 106-109
	r1. | r1. | r1. | r1. | \break
%% 110-113
	r1. | r1. | r1. | r1. | \break
%%114-117
	r1. | r1. | r1. | r1. | \break
%% 118-121
   r1.^\markup {\raise #3 \hspace #-6 \italic "Instrumental Performance(Alto and Tener only) up to 137 bars."
                                                         \hspace #6 } |  %% add "hspace #6" is for svg
	r1. | r1. | \key d\major fis'1_( g'8 a') b'4_~ | \break
%% 122-125
	b'8 a' g' a' b'1 | a'2 g'1 | a'4 g'8 fis'8 e' d' cis'2. | b1_~ b4 r4 |\break
%% 126-129
    fis'1. | e'8 d' cis' d' e'1 | fis'2 e'1 | fis'8 e' d' cis' b a g2 a4 | \break
%% 130-133
    b1_~ b4 r4 | fis'1_( g'8 a') b'4_~ | b'8 a' g' a' b'1 | a'2 g'1 | \break
%% 134-137
	a'4 g'8 fis'8 e' d' cis'2. | b1_~ b4 r4 | r1. | r1. | \break
%% 138-141
    \key c\major
 	r1. | r1. | r1. | r1. | \break
%% 142-145
    <f a c'>2 <g b d'>2_~ g2 | g'4. dis'2. a4._~ | <f a>1 r2 | g1. | \break
%% 146-149
	r1. | r1. | r1. | r1. | \break
%% 150-153
	r1. | r1. | r1. | r1. | \break
%% 154-157
    <dis' a>2 <c' g> <b f>_~ | f4. <g dis'>8. <a e'> <b f'> <c' g'>_~ g'4. | g'2 <e' g>4 <c' g> <a f>_~ f_~ |
    <f b>16 <g c'> <a dis'> <b e'> <c' f'>8 r dis'1 | \break
%% 158-161
    \pitchedTrill dis'1.^\startTrillSpan c' | \pitchedTrill dis'1.\stopTrillSpan ^\startTrillSpan e' |
	\pitchedTrill dis'1.^\startTrillSpan c' |  \pitchedTrill dis'1.\stopTrillSpan^\startTrillSpan e' | \break
%% 162-165
    <c' dis'>1.\stopTrillSpan ^\startTrillSpan _~ | <c' dis'>1._~ | <c' dis'>1._~ | <c' dis'>1.\stopTrillSpan | \break
%% 166-169 
    \time 4/1
    r\longa | r\longa | \break
%% 170-172
    r\breve f\breve_~ | \time 3/2 f1^\fermata r2^\fermata \bar "|." \break
}
%%%%% end alto sheet.
altoMThree = {
    \partial 2 r2^\fermata |
%% 1-2
    \time 4/1
    \repeat volta 2 { dis'\breve c'1 b1 } | a\breve r\breve | \break
%%3-6
    \time 3/2
    dis'8_( g2) <f b>8 <g c'> <f a> <g b> <f g>4. |
    \repeat percent 3{ <f b>8 <g c'> <f a> <g b> } | r4 <f g>8 <g a> <a b> <b c'> <c' d'> r8 dis'2_~ | dis'2 g1 | \break
%% 7-10
   r1. | r1. | r1. r1. | \break
%% 11-14
   c'1. | <b dis'>2 <a e'> dis'2_~ | dis'4.  e' f' g' | f' e' dis'2. | \break
%% 15-18
   r2 dis'2 a4 g_~ | <g b>16 <a c'> dis'4. c'4 b a g | r8 g16 a b c' r8 dis'2 b4 f_( |
   <f g>16) <g a> <a b> <b c'> <c' dis'> <dis' e'> <e' f'>8 dis'1 | \break
%% 19-22
    r1. | r1. | r1. | r1. | \break
%% 23-26
    r1. | r1. | r1. | r1. | \break
%% 27-30
    r1. | r1. | r1. | r1. | \break
%%31-34
    r1. | r1. | r1. | r1. | \break
%%35-39
    r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
    r1. | r1. | r1. | r1. | \break
%% 44-47
    r1. | r1. | r1. | r1. | \break
%% 48-
    r4. <g_. dis'>2. e'4. | <e'^. dis'>4. <dis'^. c'> <c' b_.> <b a_.> | g8 a b c' dis' e' dis' c' b a g f_~ | f r4. <g dis'>2 b | \break
%% 52-55
        << { \pitchedTrill dis'1.^\startTrillSpan c' | b1.\stopTrillSpan } \\ { \pitchedTrill g1._\startTrillSpan f | s1.\stopTrillSpan } >> |
        << { \pitchedTrill dis'1.^\startTrillSpan e' | b1.\stopTrillSpan } \\ { \pitchedTrill g1._\startTrillSpan a | s1.\stopTrillSpan } >> |
%% 56-60
    r1. | r1. | r1. | r1. | r1. |\break
%% 61-65
    r1. | r1. | r1. | r1. | r1. | \break
%% 66-69
    r1. | r1. | r1. | r1. | \break
%% 70-73
    r1. | r1. | r1. | r1. | \break
%% 74-77
    r1. | r1. | r1. | r1. | \break
%% 78-81
    r1. | r1. | r1. | <g dis'>1. | \break
%% 82-85
    r1. | r1. | dis'2  b8 a g f8_~ f2 | r1. | \break
%% 86-89
    <f b>2 <g c'> <a dis'> | <g c'>1 b8 a g f_~  | f2 r4. a4. c'4_~ | <c' d'>4 r2 <c' dis'>2._~ | \break
%% 90-93	
    dis'2. r4 d'2 | <c' b>4. <b a> <a g> <g f> | <dis' f'>2 r2 <f' a'>2_~ | <f' a'>2 b'1 | \break
%% 	94-97
    b'8 a' g' a' b'1 | a'2 g'1  | a'4 g'8 f'8 e' dis' c'2. | b1 ~ b4 r4 | \break
%% 98-101
    f'1. | e'8 dis' c' dis' e'1 | f'2 e'1 | f'8 e' dis' c' b a g2 a4 | \break
%% 102-105
	b1 ~ b4 r4 | r1. | r1. | r1. | \break
%% 106-109
 	r1. | r1. | r1. | r1. | \break
%% 110-113
	r1. | r1. | r1. | r1. | \break
%%114-117
	r1. | r1. | r1. | r1. | \break
%% 118-121
   r1. |  r1. | r1. | \key d\major fis'1_( g'8 a') b'4_~ | \break
%% 122-125
	b'8 a' g' a' b'1 | a'2 g'1 | a'4 g'8 fis'8 e' d' cis'2. | b1_~ b4 r4 |\break
%% 126-129
    fis'1. | e'8 d' cis' d' e'1 | fis'2 e'1 | fis'8 e' d' cis' b a g2 a4 | \break
%% 130-133
    b1_~ b4 r4 | fis'1_( g'8 a') b'4_~ | b'8 a' g' a' b'1 | a'2 g'1 | \break
%% 134-137
	a'4 g'8 fis'8 e' d' cis'2. | b1_~ b4 r4 | r1. | r1. | \break
%% 138-141
    \key c\major
 	r1. | r1. | r1. | r1. | \break
%% 142-145
    <f a c'>2 <g b d'>2_~ g2 | g'4. dis'2. a4._~ | <f a>1 r2 | g1. | \break
%% 146-149
	r1. | r1. | r1. | r1. | \break
%% 150-153
	r1. | r1. | r1. | r1. | \break
%% 154-157
    <dis' a>2 <c' g> <b f>_~ | f4. <g dis'>8. <a e'> <b f'> <c' g'>_~ g'4. | g'2 <e' g>4 <c' g> <a f>_~ f_~ |
    <f b>16 <g c'> <a dis'> <b e'> <c' f'>8 r dis'1 | \break
%% 158-161
    \pitchedTrill dis'1.^\startTrillSpan c' | \pitchedTrill dis'1.\stopTrillSpan ^\startTrillSpan e' |
	\pitchedTrill dis'1.^\startTrillSpan c' |  \pitchedTrill dis'1.\stopTrillSpan^\startTrillSpan e' | \break
%% 162-165
    <c' dis'>1.\stopTrillSpan ^\startTrillSpan _~ | <c' dis'>1._~ | <c' dis'>1._~ | <c' dis'>1.\stopTrillSpan | \break
%% 166-169 
    \time 4/1
    r\longa | r\longa | \break
%% 170-172
    r\breve f\breve_~ | \time 3/2 f1^\fermata r2^\fermata \bar "|." \break
}
%%%%% end alto midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%%
tenorVoiceThree = { \hide Staff.BarLine
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-2
   \time 4/1 \repeat volta 2 { r\longa } | r\longa | \break
%% 3-6
   \time 3/2
   r1. | r1. | r1. r1. | \break
%% 7-10
   r1. | r1. | r1. r1. | \break
%% 11-14
   r1. | r1. | r1. r1. | \break
%% 15-18
    r1. | r1. | r1. | r1. | \break
%% 19-22
    r1. | r1. | r1. | r1. | \break
%% 23-26
    r1. | r1. | r1. | r1. | \break
%% 27-30
    r1. | r1. | r1. | r1. | \break
%%31-34
    r1. | r1. | r1. | r1. | \break
%%35-39
    r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
    r1. | r1. | r1. | r1. | \break
%% 44-47
    r1. | r1. | r1. | r1. | \break
%% 48-51
    r1. | r1. | r1. | r1. | \break
%% 52-55
    r1. | r1. | r1. | r1. | \break
%% 56-60
    r1. | r1. | r1. | r1. | r1. |\break
%% 61-65
    r1. | r1. | r1. | r1. | r1. | \break
%% 66-69
    r1. | r1. | r1. | r1. | \break
%% 70-73
    r1. | r1. | r1. | r1. | \break
%% 74-77
    r1. | r1. | r1. | r1. | \break
%% 78-81
    r1. | r1. | r1. | r1. | \break
%% 82-85
    r1. | r1. | r1. | r1. | \break
%% 86-90
    r1. | r1. | r1. | r1. | \break
%% 90-93
    r1. | r1. | r1. | r1. | \break
    r1. | r1. | r1. | r1. | \break
%% 98-101
    r1. | r1. | r1. | r1. | \break
%% 102-105
	r1. | r1. | r1. | r1. | \break
%% 106-109
	r1. | r1. | r1. | r1. | \break
%% 110-113
	r1. | r1. | r1. | r1. | \break
%% 114-117
	r1. | r1. | r1. | r1. | \break
%% 118-121
	r1. | r1. | r1. | r1. | \break
%% 122-125
	r1. | r1. | r1. | r1. | \break
%% 126-129
	r1. | r1. | r1. | r1. | \break
%% 130-133
	r1. | r1. | r1. | r1. | \break
%% 134-137
	r1. | r1. | r1. | r1. | \break
%% 138-141
	r1. | r1. | r1. | r1. | \break
%% 142-145
	r1. | r1. | r1. | r1. | \break
%% 146-149
	r1. | r1. | r1. | r1. | \break
%% 150-153
    r1. | r4 a1^\Tutti_( bis8 c') | d'2 e'1 | d'1 e'2\melisma | \break
%% 154-157
	d'4 c'8 bis a g f e\melismaEnd f2 ~ | f4 g1 ~ g4 | r4 a2.\melisma bis8 c' d' e'\melismaEnd | fis'2 g'1 | \break
%% 158-161
	f'1\melisma e'8 d' c' b\melismaEnd | a2.\melisma bis4 a\melismaEnd g | g1. | r4 a1_( bis8 c') | \break
%% 162-165
	d'2 e'1 | d'1 e'2\melisma | d'4 c'8 bis a g f e\melismaEnd fis2_~ | fis4 g1_~ g4 | \break
%% 166-169 
    \time 4/1
    b2 bis b  bis b bis  b' bis' | r2 b'2  bis' b' bis' b bis b | \break
%% 170-172
    bis2 b bis r2  r2 bis1 d2_~ | \time 3/2 d1 r2^\fermata \undo \hide Staff.BarLine \bar "|." \break
 }
%%%%%
tenorVoiceLThree = \lyricmode {
    \override Lyrics.LyricText.color = #blue
    \override Lyrics.LyricHyphen.color = #blue
    \override Lyrics.LyricExtender.color = #blue
    \override Score.LyricText.font-shape = #'italic
    \teeny
%%%%% ! Tutti %%%%%%%%%%%%%%%%
ký -- ri -- e e -- lé -- i -- son
ký -- ri -- e e -- lé -- i -- son
ký -- ri -- e e -- lé -- i -- son

Chri -- ste e -- lé -- i -- son
Chri -- ste e -- lé -- i -- son
Chri -- ste e -- lé -- i -- son

A -- men
%%%%%%%%%%%%%%%%%%%%%%%%%
}
%%%%%
tenorVoiceMThree = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-2
    \time 4/1 \repeat volta 2 { r\longa } | r\longa | \break
%% 3-6
   \time 3/2
   r1. | r1. | r1. r1. | \break
%% 7-10
   r1. | r1. | r1. r1. | \break
%% 11-14
   r1. | r1. | r1. r1. | \break
%% 15-18
    r1. | r1. | r1. | r1. | \break
%% 19-22
    r1. | r1. | r1. | r1. | \break
%% 23-26
    r1. | r1. | r1. | r1. | \break
%% 27-30
    r1. | r1. | r1. | r1. | \break
%%31-34
    r1. | r1. | r1. | r1. | \break
%%35-39
    r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
    r1. | r1. | r1. | r1. | \break
%% 44-47
    r1. | r1. | r1. | r1. | \break
%% 48-51
    r1. | r1. | r1. | r1. | \break
%% 52-55
    r1. | r1. | r1. | r1. | \break
%% 56-60
    r1. | r1. | r1. | r1. | r1. |\break
%% 61-65
    r1. | r1. | r1. | r1. | r1. | \break
%% 66-69
    r1. | r1. | r1. | r1. | \break
%% 70-73
    r1. | r1. | r1. | r1. | \break
%% 74-77
    r1. | r1. | r1. | r1. | \break
%% 78-81
    r1. | r1. | r1. | r1. | \break
%% 82-85
    r1. | r1. | r1. | r1. | \break
%% 86-89
    r1. | r1. | r1. | r1. | \break
%% 90-93
    r1. | r1. | r1. | r1. | \break
    r1. | r1. | r1. | r1. | \break
%% 98-101
    r1. | r1. | r1. | r1. | \break
%% 102-105
	r1. | r1. | r1. | r1. | \break
%% 106-109
	r1. | r1. | r1. | r1. | \break
%% 110-113
	r1. | r1. | r1. | r1. | \break
%% 114-117
	r1. | r1. | r1. | r1. | \break
%% 118-121
	r1. | r1. | r1. | r1. | \break
%% 122-125
	r1. | r1. | r1. | r1. | \break
%% 126-129
	r1. | r1. | r1. | r1. | \break
%% 130-133
	r1. | r1. | r1. | r1. | \break
%% 134-137
	r1. | r1. | r1. | r1. | \break
%% 138-141
	r1. | r1. | r1. | r1. | \break
%% 142-145
	r1. | r1. | r1. | r1. | \break
%% 146-149
	r1. | r1. | r1. | r1. | \break
%% 150-153
    r1. | r4 a1_( bis8 c') | d'2 e'1 | d'1 e'2\melisma | \break
%% 154-157
	d'4 c'8 bis a g f e\melismaEnd f2 ~ | f4 g1 ~ g4 | r4 a2.\melisma bis8 c' d' e'\melismaEnd | fis'2 g'1 | \break
%% 158-161
	f'1\melisma e'8 d' c' b\melismaEnd | a2.\melisma bis4 a\melismaEnd g | g1. | r4 a1_( bis8 c') | \break
%% 162-165
	d'2 e'1 | d'1 e'2\melisma | d'4 c'8 bis a g f e\melismaEnd fis2_~ | fis4 g1_~ g4 | \break
%% 166-169 
    \time 4/1
    b2 bis b  bis b bis  b' bis' | r2 b'2  bis' b' bis' b bis b | \break
%% 170-172
    bis2 b bis r2  r2 bis1 d2_~ | \time 3/2 d1 r2^\fermata \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments
tenorThree= {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-2
    \time 4/1
    \repeat volta 2 { f\breve g1 a1 } | bis\breve r\breve | \break
%% 3-6
   \time 3/2
   r1. | r1. | r1. r1. | \break
%% 7-10
    <a c' e'>8 <bis d' f'> <c' e' g'> <d' f' a'> g'4 f' e' a_~ |
	a r8 b16 c' d' e' r8 <e' d'>4 <d' c'> <c' bis> |
    g2 <a c'>16 <bis d'> <c' e'> <d' f'> <e' g'>8 <f' a'>8_~ a'2 | r4 g4 a1 | \break
%% 11-14
    <f a>4. <g bis> <ais c'> <bis d'> | <c' e'>4. <bis d'> <ais c'> <g bis> | a1. | g2. a | \break
%% 15-18
    r2. a4. bis | <d a>4.( a) <a d>_( d) | r1. | d16[ e f] r4.. a2.. | \break
%% 19-22
    r1. | r1. | r1. | r1. | \break
%% 23-26
    r1. | r1. | r1. | r1. | \break
%% 27-30
    r1. | r1. | r1. | r1. | \break
%%31-34
    r1. | r1. | r1. | r1. | \break
%%35-39
    r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
    r1. | r1. | r1. | r1. | \break
%% 44-47
    r1. | r1. | r1. | r1. | \break
%% 48-51
    <d a>1 f2_~ | f <c e>4_. <e g>_. <g bis>^. <bis d'>^. | e'8^. r16 e'8^. r16 f'4. r4 bis'2 | r2 bis1_~ | \break
%% 52-55
    bis1\pitchedTrill bis2^\startTrillSpan b | bis1. | bis2 bis1\stopTrillSpan | bis1. | \break
%% 56-60
    r1. | r1. | r1. | r1. | r1. |\break
%% 61-65
    r1. | r1. | r1. | r1. | r1. | \break
%% 66-69
    r1. | r1. | r1. | r1. | \break
%% 70-73
    r1. | r1. | r1. | r1. | \break
%% 74-77
    r1. | r1. | r1. | r1. | \break
%% 78-81
    r1. | r1. | r1. | <e bis>1. | \break
%% 82-85
    r1. | r1. | r1. | bis2 d'8 e' f' g'_~ g'2 | \break
%% 86-89
    << { c1_~ <c e>2_~ | <c e>1_~  c2_~ | c1_~ <c e>2_~ | <c e>2 c1\rest } \\
	      { \repeat percent 2 { <a c' e'>4. <bis d' f'> <c' e' g'> <d' f' a'>_~ | <a' f' d'> <g' e' c'> <f' d' bis> <c' a f> } } >> | \break
%% 90-93
    << { <d f>1 c2_~ | c2 <d f>1_~ | f2  e d | c1. } \\ { <bis' g'>2_~ <g' e'>_~ <e' c'>_~ | c'1. | f'1.\rest | f'1.\rest } >> | \break
%% 94-97
    d'2 e'1 | d'1 e'2 | d'4 c'8 bis a g f e fis2 ~ | fis4 g1 ~ g4 | \break
%% 98-101
    r4 a2. b8 c' d' e' | f'2 g'1 | f'1 e'8 d' c' bis | a2. bis4 a g | \break
%% 102-
    g1. | r1. | r1. | r1. | \break
%% 106-109
	r1. | r1. | r1. | r1. | \break
%% 110-113
	r1. | r1. | r1. | r1. | \break
%% 114-117
	r1. | r1. | r1. | r1. | \break
%% 118-121
	r1. | r1. | r1. | \key d\major r4 a1_( b8 cis') | \break
%% 122-125
    d'2 e'1 | d'1 e'2 | d'4 cis'8 b a g fis e fis2_~ | fis4 g1_~ g4 | \break
%% 126-129
    r4 a2. b8 cis' d' e' | fis'2 g'1 | fis'1 e'8 d' cis' b | a2. b4 a g_~ | \break
%% 130-133
    g1. | r4 a1_( b8 cis') | d'2 e'1 | d'1 e'2 | \break
%% 134-137
    d'4 cis'8 b a g fis e fis2_~ | fis4 g1_~ g4 | r1. | r1. |\break
%% 138-141
    \key c\major
 	r1. | r1. | r1. | r1. | \break
%% 142-145
    \repeat percent 8 { <c e>8_\( <d f> <e g> <f a> <g bis>\) r8 } | \break
%% 146-149
	r1. | r1. | r1. | r1. | \break
%% 150-153
	r1. | r1. | r1. | r1. | \break
%% 154-157
    <bis e>1 <g e>4 <f c> | g2 <e bis>1 | <<{\autoBeamOff f8 g a bis c' d' e' r } \\ { c'4. a r8 } >> bis2 |
    <bis e>2 g1 | \break
%% 158-161
    \pitchedTrill bis1.^\startTrillSpan c' | \pitchedTrill bis1.\stopTrillSpan ^\startTrillSpan a |
	\pitchedTrill bis1.^\startTrillSpan c' |  \pitchedTrill bis1.\stopTrillSpan^\startTrillSpan a | \break
%% 162-165
    <a bis>1.\stopTrillSpan ^\startTrillSpan _~ | <a bis>1._~ | <a bis>1._~ | <a bis>1.\stopTrillSpan | \break
%% 166-169 
    \time 4/1
    r\longa | r\longa | \break
%% 170-172
    r\breve d\breve_~ | \time 3/2 d1^\fermata r2^\fermata \bar "|." \break
}
%%%%% end tenor sheet.
tenorMThree = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-2
    \time 4/1
    \repeat volta 2 { f\breve g1 a1 } |  bis\breve r\breve | \break
%% 3-6
   \time 3/2
   r1. | r1. | r1. r1. | \break
%% 7-10
    <a c' e'>8 <bis d' f'> <c' e' g'> <d' f' a'> g'4 f' e' a_~ |
	a r8 b16 c' d' e' r8 <e' d'>4 <d' c'> <c' bis> |
    g2 <a c'>16 <bis d'> <c' e'> <d' f'> <e' g'>8 <f' a'>8_~ a'2 | r4 g4 a1 | \break
%% 11-14
    <f a>4. <g bis> <ais c'> <bis d'> | <c' e'>4. <bis d'> <ais c'> <g bis> | a1. | g2. a | \break
%% 15-18
    r2. a4. bis | <d a>4.( a) <a d>_( d) | r1. | d16[ e f] r4.. a2.. | \break
%% 19-22
    r1. | r1. | r1. | r1. | \break
%% 23-26
    r1. | r1. | r1. | r1. | \break
%% 27-30
    r1. | r1. | r1. | r1. | \break
%%31-34
    r1. | r1. | r1. | r1. | \break
%%35-39
    r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
    r1. | r1. | r1. | r1. | \break
%% 44-47
    r1. | r1. | r1. | r1. | \break
%% 48-51
    <d a>1 f2_~ | f <c e>4_. <e g>_. <g bis>^. <bis d'>^. | e'8^. r16 e'8^. r16 f'4. r4 bis'2 | r2 bis1 | \break
%% 52-55
    bis1\pitchedTrill bis2^\startTrillSpan b | bis1. | bis2 bis1\stopTrillSpan | bis1. | \break
%% 56-60
    r1. | r1. | r1. | r1. | r1. |\break
%% 61-65
    r1. | r1. | r1. | r1. | r1. | \break
%% 66-69
    r1. | r1. | r1. | r1. | \break
%% 70-73
    r1. | r1. | r1. | r1. | \break
%% 74-77
    r1. | r1. | r1. | r1. | \break
%% 78-81
    r1. | r1. | r1. | <e bis>1. | \break
%% 82-85
    r1. | r1. | r1. | bis2 d'8 e' f' g'_~ g'2 | \break
%% 86-89
    << { c1_~ <c e>2_~ | <c e>1_~  c2_~ | c1_~ <c e>2_~ | <c e>2 c1\rest } \\
	      { \repeat percent 2 { <a c' e'>4. <bis d' f'> <c' e' g'> <d' f' a'>_~ | <a' f' d'> <g' e' c'> <f' d' bis> <c' a f> } } >> | \break
%% 90-93
    << { <d f>1 c2_~ | c2 <d f>1_~ | f2  e d | c1. } \\ { <bis' g'>2_~ <g' e'>_~ <e' c'>_~ | c'1. | f'1.\rest | f'1.\rest } >> | \break
%% 94-97
    d'2 e'1 | d'1 e'2 | d'4 c'8 bis a g f e fis2 ~ | fis4 g1 ~ g4 | \break
%% 98-101
    r4 a2. b8 c' d' e' | f'2 g'1 | f'1 e'8 d' c' bis | a2. bis4 a g | \break
%% 102-104
    g1. | r1. | r1. | r1. | \break
%% 106-109
 	r1. | r1. | r1. | r1. | \break
%% 110-113
 	r1. | r1. | r1. | r1. | \break
%% 114-117
 	r1. | r1. | r1. | r1. | \break
%% 118-121
	r1. | r1. | r1. | \key d\major r4 a1_( b8 cis') | \break
%% 122-125
    d'2 e'1 | d'1 e'2 | d'4 cis'8 b a g fis e fis2_~ | fis4 g1_~ g4 | \break
%% 126-129
    r4 a2. b8 cis' d' e' | fis'2 g'1 | fis'1 e'8 d' cis' b | a2. b4 a g_~ | \break
%% 130-133
    g1. | r4 a1_( b8 cis') | d'2 e'1 | d'1 e'2 | \break
%% 134-137
    d'4 cis'8 b a g fis e fis2_~ | fis4 g1_~ g4 | r1. | r1. |\break
%% 138-141
    \key c\major
 	r1. | r1. | r1. | r1. | \break
%% 142-145
    \repeat percent 8 { <c e>8_\( <d f> <e g> <f a> <g bis>\) r8 } | \break
%% 146-149
	r1. | r1. | r1. | r1. | \break
%% 150-153
	r1. | r1. | r1. | r1. | \break
%% 154-157
    <bis e>1 <g e>4 <f c> | g2 <e bis>1| <<{ f8 g a bis c' d' e' r } \\ { c'4. a r8 } >> bis2 |
    <bis e>2 g1 | \break
%% 158-161
    \pitchedTrill bis1.^\startTrillSpan c' | \pitchedTrill bis1.\stopTrillSpan ^\startTrillSpan a |
	\pitchedTrill bis1.^\startTrillSpan c' |  \pitchedTrill bis1.\stopTrillSpan^\startTrillSpan a | \break
%% 162-165
    <a bis>1.\stopTrillSpan ^\startTrillSpan _~ | <a bis>1._~ | <a bis>1._~ | <a bis>1.\stopTrillSpan | \break
%% 166-169 
    \time 4/1
    r\longa | r\longa | \break
%% 170-172
    r\breve d\breve_~ | \time 3/2 d1^\fermata r2^\fermata \bar "|." \break
}
%%%%% end tenor midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%% baritone part %%%%%%%%%%%%%%%%%%%%%%%
baritoneThree = { \hide Staff.BarLine
    \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
      \time 4/1 \repeat volta 2 { r\longa } | r\longa | \break
%% 3-6
   \time 3/2
   r1. | r1. | r1. r1. | \break
%% 7-10
   r1. | r1. | r1. r1. | \break
%% 11-14
   r1. | r1. | r1. r1. | \break
%% 15-18
    r1. | r1. | r1. | r1. | \break
%% 19-22
    r1. | r1. | r1. | r1. | \break
%% 23-26
    r1. | r1. | r1. | r1. | \break
%% 27-30
    r1. | r1. | r1. | r1. | \break
%%31-34
    r1. | r1. | r1. | r1. | \break
%%35-39
    r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
    r1. | r1. | r1. | r1. | \break
%% 44-47
    r1. | r1. | r1. | r1. | \break
%% 48-51
    r1. | r1. | r1. | r1. | \break
%% 52-55
    r1. | r1. | r1. | r1. | \break
%% 56-60
    r1. | r1. | r1. | r1. | r1. |\break
%% 61-65
    r1. | r1. | r1. | r1. | r1. | \break
%% 66-69
    r1. | r1. | r1. | r1. | \break
%% 70-73
    r1 c2^\Aria\melisma | c2\melismaEnd r4 e2. | r4 gis2. r4 f4 | e8 gis4 f4_\( a4.\) g4 gis_\( | \break
%% 74-77
	gis a4.\) r8 a4_\( b2\) | e8 e_\( gis4\) f16 g8_\( gis4.\) r16 f8 gis4 | g16 gis a4._\( b4._( c')\) r4 |
    gis4 g gis8_( a4.)	 g4 f | \break
%% 78-81
    g8 gis4. gis_( a8) r2 | a4. g4 gis f4. r4 | g4 gis2 r4 a4_\( c'\) | r1. | \break
%% 82-85
    r1. | r1. | r1. | r1 r8 c4.\melisma | \break
%% 86-89	
    c4.\melismaEnd e2 r8 gis2 | e2 e4 g8 g_\( gis gis4.\) | gis4 e8 c4 d8 e4_\( f gis\) | r4 g,4 g,8 gis,4. r8 g4. | \break
%% 90-93
    gis4 a8 b c'4. b8 c'4_\( d'\) | g8 gis4. e16 d d2 r4. | b,4._\( c\) r2.  | b,8 c4 g4 gis4. gis2 | \break
%% 94-97
    r4.^\fermata gis2 r8 g2 | gis2 r4 c4. g4. | g4 gis4. r8 c4. g4. | g8 g4. a2 r2^\fermata | \break
%% 98-101
    c'2 e' g' | gis' r2.^\fermata g'4_( | gis'4.) g' r4^\fermata gis'2 | r1. | \break
%% 102-105
    c'2 e' g' | gis' r1^\fermata | c'1 e'2 | g'2_\( gis'1\) | \break
%% 106-109
    c'4. a8 gis2 g2 | gis2 r4^\fermata gis2. | c'2 e'2  r2^\fermata | c'4. gis2.. r4^\fermata | \break
%% 110-113
    r4^\fermata e4. r8 gis2. | e2 gis' r4 g4 | gis2. g | r2^\fermata gis1 | \break
%% 114-117
    gis'1 r2^\fermata | r1^\fermata c'2_~ | c' gis r2^\fermata | c'2 gis4 g g2 | \break
%% 118-121
    c'2 g gis | g2 gis2. r4 | gis1. | r1. | \break
%% 122-125
	r1. | r1. | r1. | r1. | \break
%% 126-129
	r1. | r1. | r1. | r1. | \break
%% 130-133
	r1. | r1. | r1. | r1. | \break
%% 134-137
	r1. | r1. | r1. | r1. | \break
%% 138-141
   g2 gis4 gis2. | g4. g4. gis2. | g'2 gis'4 gis'2. | g'4. g'4. gis'2. | \break
%% 142-145
   g,2 gis,4 gis,2. | g,4. g,4. gis,2. | r1. | g,2 gis, g, | \break
%% 146-149
   gis,4. g, gis,2. | g2 gis g | gis4. g gis2. | g'2 gis' g' | \break
%% 150-153
   gis'4. g' gis'2. | r1. | r1. | r1. | \break
%% 154-157
   r1. | r1. | r1. | r1. | \break
%% 158-161
   r1. | r1. | r1. | r1. | \break
%% 162-165
   r1. | r1. | r1. | r1. | \break
%%166-169
   \time 4/1 r\longa | r\longa | \break
%% 170-172
    r\longa | \time3/2 r1 s2 \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
baritoneLThree = \lyricmode {
    \override Lyrics.LyricText.color = #blue
    \override Lyrics.LyricHyphen.color = #blue
    \override Lyrics.LyricExtender.color = #blue
    \override Score.LyricText.font-shape = #'italic
    \teeny
m __ God, God, you did not ac -- cept my per -- son -- al re -- quest,
but ac -- cepted the re -- quests of many of the town -- speople.
If only it had been a rainy day, I would have wished for it.
A -- men.
ɔː __
God, I never knew that mo -- men -- tary peace could be so beau -- ti -- ful.
"For the" first time, I ex -- pe -- ri -- enced the pas -- sage of time in a quiet,
peace -- ful, and all-ful -- fil -- ling way.

Oh! Here "he is!" I "can see" his face! I "can see" his fore -- head.
You never kill people. I kill people.
You never kill people. I kill peo -- ple.
I'm the one who'll kill him, not you!  I'm sorry!

He falls "on his" back and that's it.
That's it.

Lord, "save me." Lord, for -- give "my sins."
Lord, grant me eter -- nal peace.

ký -- ri -- e e -- léi -- son ký -- ri -- e e -- léi -- son ký -- ri -- e e -- léi -- son.
Chri -- ste e -- lé -- i -- son Chri -- ste e -- lé -- i -- son Chri -- ste e -- lé -- i -- son.
}
%%%%% end baritone sheet.
baritoneMThree = {
   \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
      \time 4/1 \repeat volta 2 { r\longa } | \longa | \break
%% 3-6
   \time 3/2
   r1. | r1. | r1. r1. | \break
%% 7-10
   r1. | r1. | r1. r1. | \break
%% 11-14
   r1. | r1. | r1. r1. | \break
%% 15-18
    r1. | r1. | r1. | r1. | \break
%% 19-22
    r1. | r1. | r1. | r1. | \break
%% 23-26
    r1. | r1. | r1. | r1. | \break
%% 27-30
    r1. | r1. | r1. | r1. | \break
%%31-34
    r1. | r1. | r1. | r1. | \break
%%35-39
    r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
    r1. | r1. | r1. | r1. | \break
%% 44-47
    r1. | r1. | r1. | r1. | \break
%% 48-51
    r1. | r1. | r1. | r1. | \break
%% 52-55
    r1. | r1. | r1. | r1. | \break
%% 56-60
    r1. | r1. | r1. | r1. | r1. |\break
%% 61-65
    r1. | r1. | r1. | r1. | r1. | \break
%% 66-69
    r1. | r1. | r1. | r1. | \break
%% 70-73
    r1 c2\melisma | c2\melismaEnd r4 e2. | r4 gis2. r4 f4 | e8 gis4 f4_\( a4.\) g4 gis_\( | \break
%% 74-77
	gis a4.\) r8 a4_\( b2\) | e8 e_\( gis4\) f16 g8_\( gis4.\) r16 f8 gis4 | g16 gis a4._\( b4._( c')\) r4 |
    gis4 g gis8_( a4.)	 g4 f | \break
%% 78-81
    g8 gis4. gis_( a8) r2 | a4. g4 gis f4. r4 | g4 gis2 r4 a4_\( c'\) | r1. | \break
%% 82-85
    r1. | r1. | r1. | r1 r8 c4.\melisma | \break
%% 86-89	
    c4.\melismaEnd e2 r8 gis2 | e2 e4 g8 g_\( gis gis4.\) | gis4 e8 c4 d8 e4_\( f gis\) | r4 g,4 g,8 gis,4. r8 g4. | \break
%% 90-93
    gis4 a8 b c'4. b8 c'4_\( d'\) | g8 gis4. e16 d d2 r4. | b,4._\( c\) r2.  | b,8 c4 g4 gis4. gis2 | \break
%% 94-97
    r4.^\fermata gis2 r8 g2 | gis2 r4 c4. g4. | g4 gis4. r8 c4. g4. | g8 g4. a2 r2^\fermata | \break
%% 98-101
    c'2 e' g'2 | gis' r2.^\fermata g'4_( | gis'4.) g' r4^\fermata gis'2 | r1. | \break
%% 102-105
    c'2 e' g' | gis' r1^\fermata | c'1 e'2 | g'2_\( gis'1\) | \break
%% 106-109
    c'4. a8 gis2 g2 | gis2 r4^\fermata gis2. | c'2 e'2  r2^\fermata | c'4. gis2.. r4^\fermata | \break
%% 110-113
    r4^\fermata e4. r8 gis2. | e2 gis' r4 g4 | gis2. g | r2^\fermata gis1 | \break
%% 114-117
    gis'1 r2^\fermata | r1^\fermata c'2_~ | c' gis r2^\fermata | c'2 gis4 g g2 | \break
%% 118-121
    c'2 g gis | g2 gis2. r4 | gis1. | r1. | \break
%% 122-125
	r1. | r1. | r1. | r1. | \break
%% 126-129
	r1. | r1. | r1. | r1. | \break
%% 130-133
	r1. | r1. | r1. | r1. | \break
%% 134-137
	r1. | r1. | r1. | r1. | \break
%% 138-141
   g2 gis4 gis2. | g4. g4. gis2. | g'2 gis'4 gis'2. | g'4. g'4. gis'2. | \break
%% 142-145
   g,2 gis,4 gis,2. | g,4. g,4. gis,2. | r1. | g,2 gis, g, | \break
%% 146-149
   gis,4. g, gis,2. | g2 gis g | gis4. g gis2. | g'2 gis' g' | \break
%% 150-153
   gis'4. g' gis'2. | r1. | r1. | r1. | \break
%% 154-157
   r1. | r1. | r1. | r1. | \break
%% 158-161
   r1. | r1. | r1. | r1. | \break
%% 162-165
   r1. | r1. | r1. | r1. | \break
%%166-169
   \time 4/1 r\longa | r\longa | \break
%% 170-172
    r\longa | \time3/2 r1 s2 \bar "|." \break
}
%%%%% end baritone midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%% bass; part %%%%%%%%%%%%%%%%
bassVoiceThree = { \hide Staff.BarLine
   \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1 \repeat volta 2 { r\longa } | r\longa | \break
%% 3-6
   \time 3/2
   r1. | r1. | r1. r1. | \break
%% 7-10
   r1. | r1. | r1. r1. | \break
%% 11-14
   r1. | r1. | r1. r1. | \break
%% 15-18
    r1. | r1. | r1. | r1. | \break
%% 19-22
    r1. | r1. | r1. | r1. | \break
%% 23-26
    r1. | r1. | r1. | r1. | \break
%% 27-30
    r1. | r1. | r1. | r1. | \break
%%31-34
    r1. | r1. | r1. | r1. | \break
%%35-39
    r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
    r1. | r1. | r1. | r1. | \break
%% 44-47
    r1. | r1. | r1. | r1. | \break
%% 48-51
    r1. | r1. | r1. | r1. | \break
%% 52-55
    r1. | r1. | r1. | r1. | \break
%% 56-60
    r1. | r1. | r1. | r1. | r1. |\break
%% 61-65
    r1. | r1. | r1. | r1. | r1. | \break
%% 66-69
    r1. | r1. | r1. | r1. | \break
%% 70-73
    r1. | r1. | r1. | r1. | \break
%% 74-77
    r1. | r1. | r1. | r1. | \break
%% 78-81
    r1. | r1. | r1. | r1. | \break
%% 82-85
    r1. | r1. | r1. | r1. | \break
%% 86-89
    r1. | r1. | r1. | r1. | \break
%% 90-93
    r1. | r1. | r1. | r1. | \break
%% 94-97
    r1. | r1. | r1. | r1. | \break
%% 98-101
    r1. | r1. | r1. | r1. | \break
%% 102-105
	r1. | r1. | r1. | r1. | \break
%% 106-109
	r1. | r1. | r1. | r1. | \break
%% 110-113
	r1. | r1. | r1. | r1. | \break
%% 114-117
	r1. | r1. | r1. | r1. | \break
%% 118-121
	r1. | r1. | r1. | r1. | \break
%% 122-125
	r1. | r1. | r1. | r1. | \break
%% 126-129
	r1. | r1. | r1. | r1. | \break
%% 130-133
	r1. | r1. | r1. | r1. | \break
%% 134-137
	r1. | r1. | r1. | r1. | \break
%% 138-141
	r1. | r1. | r1. | r1. | \break
%% 142-145
	r1. | r1. | r1. | r1. | \break
%% 146-149
	r1. | r1. | r1. | r1. | \break
%% 150-153
	r1. | r4 b,2^\Tutti c4_( d8 e f) g_~ | g8 c'2.\melisma b8 a g f eis\melismaEnd | d2.\melisma c4 d c\melismaEnd | \break
%% 154-157
	b,4 c1~ c4 | r4 b,1_~ b,4 | c2 f1 | c'2\melisma b4 a g f\melismaEnd | \break
%% 158-161
    eis2\melisma c8 b,\melismaEnd c2. | c1. | r4 b,2 c4_( d8 eis f) g_~ | g8 c'2.\melisma b8 a g f eis\melismaEnd | \break
%% 162-165
    d2.\melisma c4 d c\melismaEnd | b,4 c1~ c4 | r1.^\fermata | r1.^\fermata | \break
%% 166-169 
    \time 4/1
    e2 eis e  eis e eis  e' eis' | r2 e'2  eis' e' eis' e eis e | \break
%% 170-172
    eis2 e eis r2  r2 eis1 g,2_~ | \time 3/2 g,1 r2^\fermata \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
bassVoiceLThree = \lyricmode {
    \override Lyrics.LyricText.color = #blue
    \override Lyrics.LyricHyphen.color = #blue
    \override Lyrics.LyricExtender.color = #blue
    \override Score.LyricText.font-shape = #'italic
    \teeny
%%%%% ! Solo %%%%%%%%%%%%%%%%
ký -- ri -- e e -- lé -- i -- son
ký -- ri -- e e -- lé -- i -- son
ký -- ri -- e e -- lé -- i -- son

Chri -- ste e -- lé -- i -- son
Chri -- ste e -- lé -- i -- son
Chri -- ste e -- lé -- i -- son

A -- men.
%%%%%%%%%%%%%%%%%%%%%%%%%
}
%%%%%
bassVoiceMThree = {
   \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1 \repeat volta 2 { r\longa } | r\longa | \break
%% 3-6
   \time 3/2
   r1. | r1. | r1. r1. | \break
%% 7-10
   r1. | r1. | r1. r1. | \break
%% 11-14
   r1. | r1. | r1. r1. | \break
%% 15-18
    r1. | r1. | r1. | r1. | \break
%% 19-22
    r1. | r1. | r1. | r1. | \break
%% 23-26
    r1. | r1. | r1. | r1. | \break
%% 27-30
    r1. | r1. | r1. | r1. | \break
%%31-34
    r1. | r1. | r1. | r1. | \break
%%35-39
    r1. | r1. | r1. | r1. | r1. | \break
%% 40-43
    r1. | r1. | r1. | r1. | \break
%% 44-47
    r1. | r1. | r1. | r1. | \break
%% 48-51
    r1. | r1. | r1. | r1. | \break
%% 52-55
    r1. | r1. | r1. | r1. | \break
%% 56-60
    r1. | r1. | r1. | r1. | r1. |\break
%% 61-65
    r1. | r1. | r1. | r1. | r1. | \break
%% 66-69
    r1. | r1. | r1. | r1. | \break
%% 70-73
    r1. | r1. | r1. | r1. | \break
%% 74-77
    r1. | r1. | r1. | r1. | \break
%% 78-81
    r1. | r1. | r1. | r1. | \break
%% 82-85
    r1. | r1. | r1. | r1. | \break
%% 86-89
    r1. | r1. | r1. | r1. | \break
%% 90-93
    r1. | r1. | r1. | r1. | \break
%% 94-97
    r1. | r1. | r1. | r1. | \break
%% 98-101
    r1. | r1. | r1. | r1. | \break
%% 102-105
	r1. | r1. | r1. | r1. | \break
%% 106-109
	r1. | r1. | r1. | r1. | \break
%% 110-113
	r1. | r1. | r1. | r1. | \break
%% 114-117
	r1. | r1. | r1. | r1. | \break
%% 118-121
	r1. | r1. | r1. | r1. | \break
%% 122-125
	r1. | r1. | r1. | r1. | \break
%% 126-129
	r1. | r1. | r1. | r1. | \break
%% 130-133
	r1. | r1. | r1. | r1. | \break
%% 134-137
	r1. | r1. | r1. | r1. | \break
%% 138-141
	r1. | r1. | r1. | r1. | \break
%% 142-145
	r1. | r1. | r1. | r1. | \break
%% 146-149
	r1. | r1. | r1. | r1. | \break
%% 150-153
	r1. | r4 b,2 c4_( d8 e f) g_~ | g8 c'2.\melisma b8 a g f eis\melismaEnd | d2.\melisma c4 d c\melismaEnd | \break
%% 154-157
	b,4 c1~ c4 | r4 b,1_~ b,4 | c2 f1 | c'2\melisma b4 a g f\melismaEnd | \break
%% 158-161
    eis2\melisma c8 b,\melismaEnd c2. | c1. | r4 b,2 c4_( d8 eis f) g_~ | g8 c'2.\melisma b8 a g f eis\melismaEnd | \break
%% 162-165
    d2.\melisma c4 d c\melismaEnd | b,4 c1~ c4 | r1.^\fermata | r1.^\fermata | \break
%% 166-169 
    \time 4/1
    e2 eis e  eis e eis  e' eis' | r2 e'2  eis' e' eis' e eis e | \break
%% 170-172
    eis2 e eis r2  r2 eis1 g,2_~ | \time 3/2 g,1 r2^\fermata \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments
bassThree = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-2
    \time 4/1
    \repeat volta 2 { b,\breve c1 d1 } |  eis\breve r\breve | \break
%% 3-6
   \time 3/2
   r1. | r1. | r1. r1. | \break
%% 7-10
    \time 3/2
    dis8_( g,2) <f, b,>8 <g, c> <f, a,> <g, b,> <f, g,>4. |
    \repeat percent 3{ <f, b,>8 <g, c> <f, a,> <g, b,> } |
	r4 <f, g,>8 <g, a,> <a, b,> <b, c> <c d> r8 dis2 _~ | dis2 g,1 | \break
%% 11-14
   <dis a,>2_( dis1)_~ | dis2 a,1 | <f, a,>16 <f, b,> c4 <e, g,>16 <f, a,> b,4 c d2_~ | d dis1 | \break
%% 15-18
    r2. dis4. e | <c dis>4. dis16[ c b,] <c dis>4. e16[ f g] <c dis>4. | dis'8 c'16 b a g f e dis r8 c16 dis2. | r1. | \break
%% 19-22
    <g, dis>4_( g,8)[ a, b, c] dis4 c8[ b, a, g,] | <a, c>2 r4 <a, dis>2._~ |
	<dis f>8 e16 dis c b, a, g, f, r g,4._( <g, dis>2) | b,4. dis f4 <g dis'>2 | \break
%% 23-26
    r1. | r1. | r1. | r2. <f, a,>2._~ | \break
%%27-30
    <f, a,>1. | <dis b,>4. r8 <dis f>4. r8 dis4. r8 | <dis g,>4._( <g, b,>2)_( <b, dis>4.) c16 b, a, g, |
	\repeat percent 3 {g,16 a, b, c dis e f g} \break
%% 31-34
   dis2 \pitchedTrill a,1_\startTrillSpan b, | dis1\stopTrillSpan a,2_~ | a,2. <g, b,>2._~ | <b, dis>1._~  | \break
%% 35-39
    b,2_( dis'1)_( | dis2) b,4 a, g,2 | <f, a,>4. <g, b,> <a, c> <b, dis> | c1 <b, g,>4 g,_~ | g,_~ <g, dis>1 r4 | \break
%% 40-43
    <g, dis>2_( <g, dis a>1)_~ | <a f>4._~ <f dis>_~ <dis b,>_( g,)_~ | \arpeggioArrowUp <g, dis a>1\arpeggio r2 |
	<a^. g>16 <g^. f> <f^. e> <e dis> <dis c_.> <c b,_.> <b, a,_.> <a, g,>_~ g,1_~ | \break
%% 44-47
    <g, c>8._. <a, dis>_. <b, e>_. r16 dis2.._~ | <g, dis>1.^\fermata |
    << { \pitchedTrill g,1._\startTrillSpan a, | s1\stopTrillSpan } \\
	      { \pitchedTrill dis1.^\startTrillSpan c | dis1\stopTrillSpan } >>  r2^\fermata | \break
 %% 48-51
    r1. | r1. | r1. | \pitchedTrill dis1._\startTrillSpan c | \break
%% 52-55
    dis2\stopTrillSpan <e, g,>1_~ | <e, g,>1._~ | <e, g,>1._~ | <e, g,>1. | \break
%% 56-60
    r1.^\fermata | \key d\major
    r4 b,2 cis4( d8 e fis) g~ | g8 cis'2.\melisma b8 a g fis e\melismaEnd | d2.\melisma cis4 d cis\melismaEnd | b,4 cis1~ cis4 | \break
%% 61-65
    r4 b,1 ~ b,4 | cis2 fis1 | cis'2\melisma b4 a g fis\melismaEnd | e2\melisma cis8 b,\melismaEnd cis2. | cis1. | \break
%% 66-69
    r4 b,2 cis4( d8 e fis) g~ | g8 cis'2.\melisma b8 a g fis e\melismaEnd | d2.\melisma cis4 d cis\melismaEnd | b,4 cis1~ cis4 | \break
%% 70-73
    \key c\major
    r1. | r1. | r1. | r1. | \break
%% 74-77
    r1. | r1. | r1. | r1. | \break
%% 78-81
    r1. | r1. | r1. | <a, eis>1. | \break
%% 82-85
    r1. | eis2 g8 a b c' d'2 | r1. | r1. | \break
%% 86-89
    r1. | r1. | <f, a, c>4._. <g, b, d>_. <a, c eis>_. <b, d f>^. | <c eis g>^. <d f a>^. <eis g b>^. <f a c'>^. _~ | \break
%% 90-93
    <c' a f>^. eis^. d^. c_. | c1. | r1. | r1. | \break
%% 94-97
    r4 b,2 c4( d8 eis f) g~ | g8 c'2. b8 a g f eis | d2. c4 d c | b,4 c1~ c4 | \break
%% 98-101
    r4 b,1 ~ b,4 | cis2 f1 | c'2 b4 a g f | eis2 c8 b, c2. | \break
%% 102-105
	c1. | r1. | r1. | r1. | \break
%% 106-109
	r1. | r1. | r1. | r1. | \break
%% 110-113
	r1. | r1. | r1. | r1. | \break
%% 114-117
	r1. | r1. | r1. | r1. | \break
%% 118-121
	r1. | r1. | r1. | r1. | \break
%% 122-125
	r1. | r1. | r1. | r1. | \break
%% 126-129
	r1. | r1. | r1. | r1. | \break
%% 130-133
	r1. | r1. | r1. | r1. | \break
%% 134-137
	r1. | r1. | r1. | r1. | \break
%% 138-141
    <eis, b,>2 <f, a,>1 | r2 <eis, b,>1 | g,1. | <eis, g, b,>1. | \break
%% 142-145
	r1. | r1. | r1. | r1. | \break
%% 146-149
	r1. | r1. | r1. | r1. | \break
%% 150-153
	r1. | r1. | r1. | r1. | \break
%% 154-157
    << { \pitchedTrill a,1.^\startTrillSpan b,  | \pitchedTrill eis1.\stopTrillSpan ^\startTrillSpan f | s1.\stopTrillSpan } \\
        	{ \pitchedTrill eis,1._\startTrillSpan f, | \pitchedTrill b,1.\stopTrillSpan _\startTrillSpan a, | c1\stopTrillSpan <b, d>2_~ } >> |
    << { s2 } \\ { b,2 } >> <c eis>8 <d b,> <c a,> <b, g,> <a, f,> eis,4. | \break
%% 158-161
    r1. | r1.  | 	\pitchedTrill <g, c>1.^\startTrillSpan a, |  \pitchedTrill c1.\stopTrillSpan^\startTrillSpan b, | \break
%% 162-165
    <d eis>1.\stopTrillSpan ^\startTrillSpan _~ | <d eis>1._~ | <d eis>1._~ | <d eis>1.\stopTrillSpan | \break
%% 166-169 
    \time 4/1
    r\longa | r\longa | \break
%% 170-172
    r\breve g,\breve_~ | \time 3/2 g,1\fermata r2^\fermata \bar "|." \break
}
%%%%% end bass-sheet.
bassMThree = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-2
    \time 4/1
    \repeat volta 2 { b,\breve c1 d1 } | eis\breve r\breve | \break
%% 3-6
   \time 3/2
   r1. | r1. | r1. r1. | \break
%% 7-10
    \time 3/2
    dis8_( g,2) <f, b,>8 <g, c> <f, a,> <g, b,> <f, g,>4. |
    \repeat percent 3{ <f, b,>8 <g, c> <f, a,> <g, b,> } |
	r4 <f, g,>8 <g, a,> <a, b,> <b, c> <c d> r8 dis2 _~ | dis2 g,1 | \break
%% 11-14
    <dis a,>2_( dis1)_~ | dis2 a,1 | <f, a,>16 <f, b,> c4 <e, g,>16 <f, a,> b,4 c d2_~ | d dis1 | \break
%% 15-18
    r2. dis4. e | <c dis>4. dis16[ c b,] <c dis>4. e16[ f g] <c dis>4. | dis'8 c'16 b a g f e dis r8 c16 dis2. | r1. | \break
%% 19-22
    <g, dis>4_( g,8)[ a, b, c] dis4 c8[ b, a, g,] | <a, c>2 r4 <a, dis>2._~ |
	<dis f>8 e16 dis c b, a, g, f, r g,4._( <g, dis>2) | b,4. dis f4 <g dis'>2 | \break
%% 23-26
    r1. | r1. | r1. | r2. <f, a,>2._~ | \break
%%27-30
    <f, a,>1. | <dis b,>4. r8 <dis f>4. r8 dis4. r8 | <dis g,>4._( <g, b,>2)_( <b, dis>4.) c16 b, a, g, |
	\repeat percent 3 {g,16 a, b, c dis e f g} \break
%% 31-34
   dis2 \pitchedTrill a,1_\startTrillSpan b, | dis1\stopTrillSpan a,2_~ | a,2. <g, b,>2._~ | <b, dis>1._~ | \break
%% 35-   
    b,2_( dis'1)_( | dis2) b,4 a, g,2 | <f, a,>4. <g, b,> <a, c> <b, dis> | c1 <b, g,>4 g,_~ | g,_~ <g, dis>1 r4 | \break
%% 40-
    <g, dis>2_( <g, dis a>1)_~ | <a f>4._~ <f dis>_~ <dis b,>_( g,)_~ | \arpeggioArrowUp <g, dis a>1\arpeggio r2 |
	<a^. g>16 <g^.f> <f^. e> <e dis> <dis c_.> <c b,_.> <b, a,_.> <a, g,>_~ g,1 | \break
%% 44-47
    <g, c>8._. <a, dis>_. <b, e>_. r16 dis2.._~ | <g, dis>1.^\fermata |
    << { \pitchedTrill g,1._\startTrillSpan a, | s1\stopTrillSpan } \\
	      { \pitchedTrill dis1.^\startTrillSpan c | dis1\stopTrillSpan } >>  r2^\fermata | \break
%% 48-51
    r1. | r1. | r1. | \pitchedTrill dis1._\startTrillSpan c | \break
%% 52-55
    dis2\stopTrillSpan <e, g,>1_~ | <e, g,>1._~ | <e, g,>1._~ | <e, g,>1. | \break
%% 56-60
    r1.^\fermata | \key d\major
    r4 b,2 cis4( d8 e fis) g~ | g8 cis'2.\melisma b8 a g fis e\melismaEnd | d2.\melisma cis4 d cis\melismaEnd | b,4 cis1~ cis4 | \break
%% 61-65
    r4 b,1 ~ b,4 | cis2 fis1 | cis'2\melisma b4 a g fis\melismaEnd | e2\melisma cis8 b,\melismaEnd cis2. | cis1. | \break
%% 66-69
    r4 b,2 cis4( d8 e fis) g~ | g8 cis'2.\melisma b8 a g fis e\melismaEnd | d2.\melisma cis4 d cis\melismaEnd | b,4 cis1~ cis4 | \break
%% 70-73
    \key c\major
    r1. | r1. | r1. | r1. | \break
%% 74-77
    r1. | r1. | r1. | r1. | \break
%% 78-81
    r1. | r1. | r1. | <a, eis>1. | \break
%% 82-85
    r1. | eis2 g8 a b c' d'2 | r1. | r1. | \break
%% 86-89
    r1. | r1. | <f, a, c>4._. <g, b, d>_. <a, c eis>_. <b, d f>^. | <c eis g>^. <d f a>^. <eis g b>^. <f a c'>^. _~ | \break
%% 90-93
    <c' a f>^. eis^. d^. c_. | c1. | r1. | r1. | \break
%% 94-97
    r4 b,2 c4( d8 eis f) g~ | g8 c'2. b8 a g f eis | d2. c4 d c | b,4 c1~ c4 | \break
%% 98-101
    r4 b,1 ~ b,4 | cis2 f1 | c'2 b4 a g f | eis2 c8 b, c2. | \break
%% 102-105
	c1. | r1. | r1. | r1. | \break
%% 106-109
	r1. | r1. | r1. | r1. | \break
%% 110-113
	r1. | r1. | r1. | r1. | \break
%% 114-117
	r1. | r1. | r1. | r1. | \break
%% 118-121
	r1. | r1. | r1. | r1. | \break
%% 122-125
	r1. | r1. | r1. | r1. | \break
%% 126-129
	r1. | r1. | r1. | r1. | \break
%% 130-133
	r1. | r1. | r1. | r1. | \break
%% 134-137
	r1. | r1. | r1. | r1. | \break
%% 138-
    <eis, b,>2 <f, a,>1 | r2 <eis, b,>1 | g,1. | <eis, g, b,>1. | \break
%% 142-145
	r1. | r1. | r1. | r1. | \break
%% 146-149
	r1. | r1. | r1. | r1. | \break
%% 150-153
	r1. | r1. | r1. | r1. | \break
%% 154-157
    << { \pitchedTrill a,1.^\startTrillSpan b,  | \pitchedTrill eis1.\stopTrillSpan ^\startTrillSpan f | s1.\stopTrillSpan } \\
        	{ \pitchedTrill eis,1._\startTrillSpan f, | \pitchedTrill b,1.\stopTrillSpan _\startTrillSpan a, | c1\stopTrillSpan <b, d>2_~ } >> |
    << { s2 } \\ { b,2 } >> <c eis>8 <d b,> <c a,> <b, g,> <a, f,> eis,4. | \break
%% 158-161
    r1. | r1.  | 	\pitchedTrill <g, c>1.^\startTrillSpan a, |  \pitchedTrill c1.\stopTrillSpan^\startTrillSpan b, | \break
%% 162-165
    <d eis>1.\stopTrillSpan ^\startTrillSpan _~ | <d eis>1._~ | <d eis>1._~ | <d eis>1.\stopTrillSpan | \break
%% 166-169 
    \time 4/1
    r\longa | r\longa | \break
%% 170-172
    r\breve g,\breve_~ | \time 3/2 g,1^fermata r2^\fermata \bar "|." \break
}
%%% end bass-midi.
%%%%%%%%%%%%%%%% End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%