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Road 12

[file-code; "ly,texi,sh are UTF-8"]
Normally; Windows & Linux "[Prompt] lilypond --pdf --png name.ly[Enter]"
And---- Only; Linux(Prompt) $ ./run--lily.sh name[Enter](need makeinfo) ----

road-12.midi(//The one below is mp3//)           road-12.pdf          • road-12.tar.gz (All-files;<13,500bytes)

The Jacket of a sheet is "png" and Sheets are "svg"

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Music Sheet

[picture of music]
[picture of music]
[picture of music]
[picture of music]
[picture of music]
[picture of music]
[picture of music]
[picture of music]
[picture of music]
[picture of music]

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road-12.ly

%% 11:29 PM Thursday, March 23, 2023
%% Yukio Yoshida
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% LilyPond "\book format" use.
\version "2.24.0"
#(set-default-paper-size "letter")
#(set-global-staff-size 18)
\include "road-12cv.ly"
\book{
\bookpart{ %% #I Caver's title
\markup{ \vspace #-.5 }
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
#(let* ((port (open-output-file "sheet-title-line.eps")))
  (display "%!PS-Adobe-3.0 EPSF-3.0
%%BoundingBox: 15 10 585 810
%%HiResBoundingBox: 15.00 10.00 585.00 810.00
%%Creator: GPL Ghostscript 950 (eps2write)
%%LanguageLevel: 2
%%CreationDate: D:20230508103029+09'00'
%%Pages: 1
%%EndComments
newpath
25 20 moveto 25 800 lineto 25 800 moveto 575 800 lineto
575 800 moveto 575 20 lineto 575 20 moveto 25 20 lineto
.22 0 0 setrgbcolor 20 setlinewidth stroke
%% in-line
newpath
50 50 moveto 50 760 lineto 50 760 moveto 546 760 lineto
546 760 moveto 546 50 lineto 546 50 moveto 50 50 lineto
0 0 0 setrgbcolor 1 setlinecap 3 setlinewidth stroke
%% Title-Word
/Times-Italic findfont 14 scalefont setfont 80 740 moveto
0 0 0 setrgbcolor
(Soprano;  Instrument  and Voice                          --- C \\clef on 1st line) false charpath 0 setlinewidth stroke
/Times-Italic findfont 14 scalefont setfont 80 725 moveto
0 0 0 setrgbcolor
(MezzoSoprano;  Instrument  and Voice               --- C \\clef on 2nd line) false charpath 0 setlinewidth stroke
/Times-Italic findfont 14 scalefont setfont 80 710 moveto
0 0 0 setrgbcolor
(Alto;  Instrument  and Voice                                --- C \\clef on 3rd line) false charpath 0 setlinewidth stroke
/Times-Italic findfont 14 scalefont setfont 80 695 moveto
0 0 0 setrgbcolor
(Tenor;  Instrument  and Voice                             --- C \\clef on 4th line) false charpath 0 setlinewidth stroke
/Times-Italic findfont 14 scalefont setfont 80 680 moveto
0 0 0 setrgbcolor
(Baritone;  Instrument  and Voice                         --- C \\clef on 5th line) false charpath 0 setlinewidth stroke
/Times-Italic findfont 14 scalefont setfont 80 665 moveto
0 0 0 setrgbcolor
(bas;  Instrument  and Voice                                 --- F \\clef on 4th line) false charpath 0 setlinewidth stroke
/Times-Italic findfont 120 scalefont setfont 110 560 moveto
1 0 0 setrgbcolor
(SHEET) false charpath 3 setlinewidth stroke
/Times-Italic findfont 16 scalefont setfont 180 540 moveto
0 0 0 setrgbcolor
(Typesetting output with LilyPond) false charpath 0 setlinewidth stroke
%%%%
/Times-Italic findfont 110 scalefont setfont 120 400 moveto
0 1 0 setrgbcolor
(POEM) false charpath 3 setlinewidth stroke
%%%%
/Times-Italic findfont 24 scalefont setfont 180 440 moveto
0 0 0 setrgbcolor
(          Road 12) false charpath 2 setlinewidth stroke
/Times-Italic findfont 20 scalefont setfont 210 340 moveto
0 0 0 setrgbcolor
(MUSICAL   INSTRUMENT) false charpath 1 setlinewidth stroke
/Times-Italic findfont 20 scalefont setfont 280 320 moveto
0 0 0 setrgbcolor
(and) false charpath 1 setlinewidth stroke
/Times-Italic findfont 120 scalefont setfont 61 234 moveto
0 0 0 setrgbcolor
(MIXED) false charpath 3 setlinewidth stroke
/Times-Italic findfont 120 scalefont setfont 58 150 moveto
0 0 0 setrgbcolor
(CHORUS) false charpath 3 setlinewidth stroke
/Times-Italic findfont 120 scalefont setfont 58 62 moveto
0 0 0 setrgbcolor
(GROUP) false charpath 3 setlinewidth stroke" port )

  (close port))
%Trailer
%% end make sheet-title-line.eps --------
\markup { \center-column {
\epsfile #X #124 #"sheet-title-line.eps"
%% \epsfile #X #140 #"sheet-title-line.eps"
\vspace #-3  %% Under of Title letters
\line { \bold \italic \tiny
"The dynamic of performance is freedom(the conductor's) discretion." } }}
}%% end bookpart I end bookpart I %%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% \pageBreak
%%%%%% Poem area
\markup { \vspace #6 }
\markup { \hspace #24 \column {
" "
\line { \hspace #-2 \magnify #1.5 \with-color #red "Where is the end of this Road?" }
"  "
\magnify #1.5 {
"On the path of life of joy and anger"
"On the road of life of relief and sorrow"
"Peace of mind and loneliness in life"
"   "
"   "
"Many sorrows pass by"
"On the Road"
"Many sufferings pass by"
"   "
"   "
"Born and born"
"Everything dies and disappears"
"The pain of this life"
}
"   "
"   "
"   "
\line { \hspace #-2 \magnify #1.5 \with-color #red "Where is the end of this Road!" }
"  "
\magnify #1.5 {
"Even it is shed by the wind"
"Even it is extinguished by the wind"
"At any moment to the eyes tomorrow"
"   "
"   "
"Why do not stop with pleasure?"
"Why can not stop with relief?"
"Why constantly tomorrow?"
"   "
"   "
"Tell me the beauty of anger"
"Tell me the truth of anger"
"Tell me the tears of anger"
"   "
\line { \hspace #80 \italic " end. " }
}
"   "
"   "
\line { \hspace #-3 \tiny \italic "Add; as vocal" }
\line { \bold \large "Voices; pronunciation" }
\line { " ɑ , ɔ , u , e , ə , m , n ... and so on." }
"  "
"   "
\italic {
\line{ \smallCaps "Chorus Words" \hspace #.5 \with-color #red "(Soloists)"}
\line {You,  ... let me die?}
\line {let me life?}
\line {In  .....on this road!}
}
}}
%% End poem %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\pageBreak
\bookpart{ %% II
\header {
dedication = \markup { \italic "  " }
title = \markup{ \line { \italic \huge "Where is the end of this Road?"} }
subtitle = \markup{ \center-column {
            \italic "c major; c d e f g a b" } }
subsubtitle = \markup{\center-column {
\italic \with-color #blue "Baritone; C clef on 5th line(& Solo; singer)."
\italic "soprano; C clef on 1st line,       alto; C clef on 3rd line."
\italic "     bass; F clef on 4th line,     tenor; C clef on 4th line."}}
composer = \markup { \bold "    Op.103;    Road 12" }
arranger = \markup { \italic "Yukio Yoshida" }
copyright = "public Domain"
 meter = \markup { \column { \line { \hspace #14 \tiny \italic \column {
\bold { \tiny "                    Baritone Sol; Voice Words" }
"First)"
"Where is the end of this Road?"
\raise #1 " "
\raise #2 "On the path of life of joy and anger"
\raise #3 "On the road of life of relief and sorrow"
\raise #4 "Peace of mind and loneliness in life"
\raise #5 " "
\raise #6 "Many sorrows pass by"
\raise #7 "On the Road"
\raise #8 "Many sufferings pass by"
\raise #9 " "
\raise #10 "Born and born"
\raise #11 "Everything dies and disappears"
\raise #12 "The pain of this life"
\raise #13 " "

\raise #14 " "
%% \vspace #1
}\hspace #4 \teeny \italic \column {
\vspace #1
"Second)"
"Where is the end of this Road!"
\raise #1 " "
\raise #2 "Even it is shed by the wind"
\raise #3 "Even it is extinguished by the wind"
\raise #4 "At any moment to the eyes tomorrow"
\raise #5 " "
\raise #6 "Why do not stop with pleasure?"
\raise #7 "Why can not stop with relief?"
\raise #8 "Why constantly tomorrow?"
\raise #9 " "
\raise #10 "Tell me the beauty of anger"
\raise #11 "Tell me the truth of anger"
\raise #12 "Tell me the tears of anger"
\raise #13 " "
}\hspace #8 \column {
" "
\bold \tiny "Chorus Voices; pronunciation"
\raise #1 " "
\raise #2 \teeny \italic
" ɑ , ɔ , u , e , ə , m , n ... and so on."
\raise #3.5 " "
\raise #4.5 \line{\bold { \tiny { \italic "Chorus Voice; Words"
\hspace #2 \with-color #red "(Soloists)"}}} 
\raise #5 \teeny \line {You,  ... let me die?}
\raise #6 \teeny \line {let me life?}
\raise #7 \teeny \line {In  .....on this road!}
\raise #8 " "
\raise #9 " "
}}
%% \line {\hspace #14 \lower #4 {
%%  \musicglyph #"noteheads.s2blackpetrucci"}\hspace #.5
%%  \lower #4.6 \tiny \italic {
%%    If you are able to do anything, please to dance
%%   (Modern dance and All free!! But, Only in notes of
%%   \with-color #red "Longa" and \with-color #red "Breve".}
%% " " }
\vspace #2 } }
%% tagline = "    "
}%% End header
%% get sheet music ---------------------------------------------------
\score {
  <<
%%  \context ChoirStaff = "FourPartStaffaddchorus" <<
  \context StaffGroup << 
  \context Voice = "soprano" { \clef soprano \key c \major \time 3/2
         \set Staff.instrumentName = "soprano" \soprano }
  \context Voice = "sopranoVocal" { \clef soprano \key c \major \time 3/2
         \set Staff.fontSize = #-4
         \override Staff.StaffSymbol.staff-space = #(magstep -4)
         \override Staff.StaffSymbol.thickness = #(magstep -4)
         \set Staff.instrumentName = "Voice; sop "
                               \VoiceColorBlue { \sopranoVoice } }
  \new Lyrics = "mainSL" \lyricsto "sopranoVocal" { \sopranoVoiceL }

  \context Voice = "alto" { \clef alto \key c \major \time 3/2
                   \set Staff.instrumentName = "alto   " \alto }
  \context Voice = "altoVocal" { \clef alto \key c \major \time 3/2
         \set Staff.fontSize = #-4
         \override Staff.StaffSymbol.staff-space = #(magstep -4)
         \override Staff.StaffSymbol.thickness = #(magstep -4)
         \set Staff.instrumentName = "Voice; alt "
                              \VoiceColorBlue { \altoVoice } }
  \new Lyrics = "mainSL" \lyricsto "altoVocal" { \altoVoiceL }

  \context Voice = "tenor" { \clef tenor \key c \major \time 3/2
           \set Staff.instrumentName = "tenor  " \tenor }
  \context Voice = "tenorVocal" { \clef tenor \key c \major \time 3/2
         \set Staff.fontSize = #-4
         \override Staff.StaffSymbol.staff-space = #(magstep -4)
         \override Staff.StaffSymbol.thickness = #(magstep -4)
         \set Staff.instrumentName = "Voice; tenor "
                             \VoiceColorBlue { \tenorVoice  } }
  \new Lyrics = "mainSL" \lyricsto "tenorVocal" { \tenorVoiceL }

  \context Voice = "baritone" { \clef baritone \key c \major \time 3/2
          \set Staff.instrumentName = \markup { \column {
          \with-color #blue "baritone  "
                        \tiny \with-color #blue "Solo; singer" } }
                                     \BaritoneSol { \baritone } }
  \new Lyrics = "mainTL" \lyricsto "baritone" { \baritoneL }

  \context Voice = "bass" { \clef bass \key c \major \time 3/2
          \set Staff.instrumentName = "bass   " \bass }
  \context Voice = "bassVocal" { \clef bass \key c \major \time 3/2
         \set Staff.fontSize = #-4
         \override Staff.StaffSymbol.staff-space = #(magstep -4)
         \override Staff.StaffSymbol.thickness = #(magstep -4)
         \set Staff.instrumentName = "Voice; bass "
                           \VoiceColorBlue { \bassVoice } }
  \new Lyrics = "mainBL" \lyricsto "bassVocal" { \bassVoiceL }
  >>
            >>

  \layout {
     \context { \Staff \RemoveEmptyStaves
                %% \override VerticalAxisGroup.remove-first = ##t
                      }
           }
}

%% get midi music --------------------------------------------------
\score {
  %% \unfoldRepeats \articulate 
  <<
 \context Staff { \clef soprano \key c\major \time 3/2 \tempo 4 = 46
                       \set Staff.midiInstrument = "pad 4 (choir)"
                                 \unfoldRepeats       \sopranoM }
 \context Staff { \clef soprano \key c\major \time 3/2 \tempo 4 = 46
                       \set Staff.midiInstrument = "pad 4 (choir)"
                            \unfoldRepeats       \sopranoVoiceM }

 \context Staff { \clef alto \key c\major \time 3/2 \tempo 4 = 46
                    \set Staff.midiInstrument = "pad 4 (choir)"
                              \unfoldRepeats          \altoM }
 \context Staff { \clef alto \key c\major \time 3/2 \tempo 4 = 46
                    \set Staff.midiInstrument = "pad 4 (choir)"
                         \unfoldRepeats          \altoVoiceM }

 \context Staff { \clef tenor \key c\major \time 3/2 \tempo 4 = 46
                     \set Staff.midiInstrument = "pad 4 (choir)"
                                  \unfoldRepeats       \tenor }
 \context Staff { \clef tenor \key c\major \time 3/2 \tempo 4 = 46
                     \set Staff.midiInstrument = "pad 4 (choir)"
                            \unfoldRepeats       \tenorVoiceM }

 \context Staff { \clef baritone \key c\major \time 3/2 \tempo 4 = 46
                        \set Staff.midiInstrument = "pad 4 (choir)"
                                 \unfoldRepeats       \baritoneM }

  \context Staff { \clef bass \key c\major \time 3/2 \tempo 4 = 46
                     \set Staff.midiInstrument = "pad 4 (choir)"
                               \unfoldRepeats          \bassM }
  \context Staff { \clef bass \key c\major \time 3/2 \tempo 4 = 46
                     \set Staff.midiInstrument = "pad 4 (choir)"
                          \unfoldRepeats          \bassVoiceM }
  >>

  \midi { tempoWholesPerMinute = #(ly:make-moment 46 4) }
}
%%%%%%%%%
%% \markup { " " }
%%\pageBreak %% since, Even-Page.
%% \markup { \null }
%%%%%%
%% \pageBreak
\markup { " " }
\markup { \vspace #4 " " }
\markup { " " }
%% \markup { \vspace #4 }
\markup { \column { \line {
About location \hspace #3 \musicglyph #"noteheads.uM2"(longa)
\hspace #2 and \hspace #3 \musicglyph #"noteheads.sM1"(breve) }
\line { \hspace #4 \italic
"Please, Breath of longa and breve do in the members alternating
(But, like Don't stand out). " } } }
\markup { \vspace #.5 }
\markup { " " }
\markup { \line {
At location \musicglyph #"scripts.ufermata", \hspace #1
\italic " Always, please look at the conductor(or baton). " } }
\markup { " " }
\markup { \hspace #3 \with-color #blue "ɑ , ɔ"(pronunciation symbol);
\hspace #1 To cearly distinguish pronunciation.}
\markup { \hspace #3 \with-color #blue "m"(pronunciation symbol);
\hspace #1 \italic "\"name, summer ....\" "}
\markup { \hspace #3 \with-color #blue "n"(pronunciation symbol);
\hspace #1 \italic "\"clean, eleven ....\" "}
%%%%%%%%
}%% end bookpart II
\bookpart{ %% III wrting of attention And out of source code
\markup { \vspace #4 }
\markup { \hspace #26 \huge "INSTRUMENT RANGES" }
\markup { \hspace #8 \italic "About;" \teeny\italic
"Some of Instruments; there is a difference between
writing-note and real-note."
\italic "for instance:" }
\markup { \hspace #8 \column { \line { \bold %%
           "WOODWINDS; Piccolo(in C)"--\tiny "like this"-- }
\line { \score { { \clef treble \key c\major \time 4/1
 d'1^\markup {\italic "written" } s1 g'''1 s1 \bar"||"
 s2 d''1_\markup { \hspace #-8 \italic "sounds one octave higher" }
 s1  g''''1 s2 | \break
                  }
\layout { \context { \Staff
        \override ClefSignature.transparent = ##t
        \override TimeSignature.transparent = ##t }
           indent = 20.00\mm line-width = 160.00\mm }
                 } }
         }}
\markup { " " }
\markup { \vspace #2 }
\markup { \hspace #8 \column {
\line { \hspace #18.4 \bold "Bass Flute"--\tiny "like this"-- }
\line { \score { {
\clef treble \key c\major \time 4/1
c'1^\markup {\italic "written" } s1 a'''1 s1 \bar"||"
\clef bass s2 c1_\markup {
\hspace #-8 \italic "sounds one octave lower" }
s1 \clef treble a''1 s2| \break
   }
\layout { \context { \Staff
  \override ClefSignature.transparent = ##t
  \override TimeSignature.transparent = ##t }
   indent = 20.00\mm line-width = 160.00\mm }
         } }
                  }}
\markup { " " }
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\markup { \vspace #6 }
\markup { \fill-with-pattern #2 #CENTER - \null \null }
\markup { " " }
\markup { \hspace #20 \magnify #2 {
 Stage Position;\tiny \italic "(This arrangement--with the instrument needles column below--)" } }
\markup { " " }
\markup { \hspace #26 \column { \line { About the Chorus; \teeny \italic "(For instsnce")}
\line { \hspace # 18 \rounded-box {Bass}\hspace #2 \rounded-box {Tenor}\hspace #2 \rounded-box {Alto}\hspace #2
\rounded-box{Soprano} } \teeny \italic " since, They must be reverse for Instrument's arrangement " } }
\markup { \vspace #2 }
\markup { \italic " About Position of Sololist is placed freely(on the stage) " }
\markup { \vspace #2 }
\markup { About Instrument arrangement;\teeny \italic "(must be reverse for Chours's position)" }
\markup { \hspace # 20 \rounded-box { \column { \huge " Instruments " "   Soprano " "   Group "} }\hspace #3
\rounded-box { \column { \huge " Instruments " "   Alto " "   Group "} }\hspace #3
\rounded-box { \column { \huge " Instruments " "   Tenor " "   Group "} }\hspace #3
\rounded-box { \column { \huge " Instruments " "   Bass " "   Group "} } }
\markup { \vspace #2 }
\markup { \hspace #56 \huge " Conductor " }
\markup { " " }
\markup { \vspace #1 }
\markup { \fill-with-pattern #2 #CENTER - \null \null }
\markup { \vspace #2 }
\markup { ........... Audience seats ........... }
\markup { \vspace #4 }
\markup { \teeny { \column { \bold \italic
"If you can do it, please running on;"
\line { \wordwrap {
As it is the lighting of the audience's Seats(Do not turn off even when the play began). \hspace #2 \italic "When play began, lighting the stage (rather than the audience's) more brightly."}}}}}
\markup { "   " }
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\pageBreak
%% \markup { " " } %% For adjustment of the page.
%% \markup { \vspace #30 }
%% \markup { " " }
%% \pageBreak
%% eps-part -------------------------------------------------------------------
%% C:\Program Files (x86)\LilyPond\usr\share\ghostscript\....\Resource\Init\
%% Fontmap.GS // Not!! [Windows--ghostscript]
#(let* ((port (open-output-file "Source-code.eps")))
  (display "%!PS-Adobe-3.0 EPSF-3.0
%%BoundingBox: 60 227 525 636
%%HiResBoundingBox: 60.20 227.30 524.50 635.60
%%Creator: GPL Ghostscript 922 (eps2write)
%%LanguageLevel: 2
%%CreationDate: D:20180608144500+09'00'
%%Pages: 1
%%EndComments
/Times-Italic findfont 200 scalefont setfont 120 500 moveto 1 0 0 setrgbcolor
(ALL) false charpath 4 setlinewidth stroke

/Times-Italic findfont 120 scalefont setfont 60 320 moveto 0 0 0 setrgbcolor
(SOURCE) false charpath 3 setlinewidth stroke

/Times-Italic findfont 120 scalefont setfont 100 230 moveto 0 0 0 setrgbcolor
(CODE) false charpath 1 setlinewidth stroke"
port)

  (close port))
%Trailer
%% end -----eps part-------------------------------------------------------------------
%%%% Needn't Surce code's Title-String for texi-document.
\markup { \vspace #10 }
\markup { \hspace #12 \epsfile #X #100 #"Source-code.eps" }
\markup { " " }
\markup { \vspace #1 }
\markup { \fill-line { \center-column {
\line { As all;\hspace #2 See! (HTML) @menu }
"https://www.sheet-poem.com/poem/html/2019/2.24.0/road-12/road-12.html" } } }
\pageBreak
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
}}%% end bokkpart III, End book
%%%%%%%%%%%%%%%%%%%% All End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%% exclude. %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% \markup { \column { "Name; road-12.y"                   %%%%
%%%%%            \verbatim-file #"road-12.ly" } }             %%%%
%%%%%  \markup { \column { "Name; road-12cv.ly"               %%%%
%%%%%            \verbatim-file #"road-12cv.ly" } }           %%%%
%%%%%  \markup { \column { "Name; run--lily.sh"      %%%%
%%%%%            \verbatim-file #"run--lily.sh" } }  %%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

Next: , Previous: , Up: Top  

road-12cv.ly

%% 9:58 AM Tuesday, March 21, 2023
%% Yukio $ convert-ly -e road-12cv.ly
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% If you want to change of color, then do see! in
%% "define-grobs.scm"(lilypond's system file) 
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% This is system-files and for midi's effect
\version "2.24.0"
\include "articulate.ly" %% But here isn't use. See----> midi block
%% for sheet-music
#(set-default-paper-size "letter")
#(set-global-staff-size 18)
BaritoneSol = {
              \override Staff.StaffSymbol.color = #blue
              \override Staff.LedgerLineSpanner.color = #blue
              \override Staff.Clef.color = #blue
              \override Staff.TimeSignature.color = #blue
              \override Staff.KeySignature.color = #blue
              \override Staff.BarLine.color = #blue
              \override Voice.NoteHead.color = #blue
              \override Voice.Rest.color = #blue
              \override Voice.Stem.color = #blue
              \override Voice.Flag.color = #blue
              \override Voice.Beam.color = #blue
              \override Voice.Slur.color = #blue
              \override Voice.PhrasingSlur.color = #blue
              \override Voice.Tie.color = #blue
              \override Voice.Dots.color = #blue
              \override Voice.Script.color = #blue
              \override Voice.Accidental.color = #blue
              \override Voice.DynamicLineSpanner.color = #blue
              \override Voice.DynamicText.color = #blue
              \override Voice.DynamicTextSpanner.color = #blue
              \override Voice.TupletNumber.color = #blue
              \override Voice.TupletBracket.color = #blue
              \override Voice.BreathingSign.color = #blue
              \override Voice.PercentRepeat.color = #blue
              \override Voice.RepeatSlash.color = #blue
}

VoiceColorBlue = {
              \override Staff.StaffSymbol.color = #blue
              \override Staff.LedgerLineSpanner.color = #blue
              \override Staff.Clef.color = #blue
              \override Staff.TimeSignature.color = #blue
              \override Staff.KeySignature.color = #blue
              \override Staff.BarLine.color = #blue
              \override Voice.NoteHead.color = #blue
              \override Voice.Rest.color = #blue
              \override Voice.Stem.color = #blue
              \override Voice.Flag.color = #blue
              \override Voice.Beam.color = #blue
              \override Voice.Slur.color = #blue
              \override Voice.PhrasingSlur.color = #blue
              \override Voice.Tie.color = #blue
              \override Voice.Dots.color = #blue
              \override Voice.Script.color = #blue
              \override Voice.Accidental.color = #blue
              \override Voice.DynamicLineSpanner.color = #blue
              \override Voice.DynamicText.color = #blue
              \override Voice.DynamicTextSpanner.color = #blue
              \override Voice.TupletNumber.color = #blue
              \override Voice.TupletBracket.color = #blue
              \override Voice.BreathingSign.color = #blue
              \override Voice.PercentRepeat.color = #blue
              \override Voice.RepeatSlash.color = #blue
}
VoiceColorBlueRevert = {
              \revert Voice.NoteHead.color
              \revert Voice.Rest.color
              \revert Voice.Stem.color
              \revert Voice.Flag.color
              \revert Voice.Beam.color
              \revert Voice.Slur.color
              \revert Voice.PhrasingSlur.color
              \revert Voice.Tie.color
              \revert Voice.Dots.color
              \revert Voice.Script.color
              \revert Voice.Accidental.color
              \revert Voice.DynamicLineSpanner.color
              \revert Voice.DynamicTextSpanner.color
              \revert Voice.DynamicText.color
              \revert Voice.TupletNumber.color
              \revert Voice.TupletBracket.color
              \revert Voice.BreathingSign.color
              \revert Voice.BreathingSign.color
              \revert Voice.PercentRepeat.color
              \revert Voice.RepeatSlash.color
}

\paper {
        %%  ragged-last-bottom = ##f
}

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%%
sopranoVoice = { \hide Staff.BarLine
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   r\longa | r\longa | \break
%% 3-4
   r\longa | \time 3/2 r1 b'2\melisma | \break
%% 5-8
   <e' b'>1 <f' c''>2 ~ | <f' c''>2 <e' b'>1 ~|
   b'4 e'2. ~ <e' b'>4.\melismaEnd r8 | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   r1. | r1. | r1. | r1. | \break
%% 29-32
   r1. | r1. | r1. | r1. | \break
%% 33-34
   \time 4/1
   c'1 r2 c'4..\melisma c'16\melismaEnd e'4 g' b'4. r8
   e'4 g' b'2^\fermata | r4 c''4. c'4\melisma c'8\melismaEnd
   e'4 g' b'2 c'1\melisma c''1\melismaEnd | \break
%% 35-38 %%%%%%%%%%%%%%%%%%%%%%%%
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39-42
   r1. | \break r1. | \break r1. | \break r1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   r1. | r1. | r1. | r1. | r1. | \break
%% 57-61
   b'2. r2 e'4\melisma | \noBreak g'2.\melismaEnd g'4 c''2 | \noBreak
   d''1 r2 | \noBreak g'4 d'2 c'2. ~ | \noBreak c'2. r2 f'4 | \break
%% 62-65
   f'4 \melisma a'8\melismaEnd a'8 c''4 e''2. ~ |
   e''2. r2.| r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   r4 e'2\melisma g'2. | e'1. | g'2.\melismaEnd r2. |
   e'1.\melisma | \break
%% 78-81
   g'1\melismaEnd r2 | r1. |
   f'1\melisma e'4\melismaEnd r4 | r1. | \break
%% 82-86
   r1. | r1. | e'1.\melisma | e'1. |
   e'1^\fermata \melismaEnd s2
   \undo \hide Staff.BarLine \bar "|." \break 
}
sopranoVoiceL = \lyricmode {
\override Lyrics.LyricText.color = #blue
    \override Lyrics.LyricHyphen.color = #blue
    \override Lyrics.LyricExtender.color = #blue
    \override Score.LyricText.font-shape = #'italic
    \teeny
ɑ __
You, ɑ __ let me die?
let me life?
In ɑ __ on this road!
ɑ __

You, ɑ __ let me die?
let me life?
In ɑ __ on this road!

m __ n __
m __ ɑ __
}
sopranoVoiceM = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   r\longa | r\longa | \break
%% 3-4
   r\longa | \time 3/2 r1 b'2\melisma | \break
%% 5-8
   <e' b'>1 <f' c''>2 ~ | <f' c''>2 <e' b'>1 ~|
   b'4 e'2. ~ <e' b'>4.\melismaEnd r8 | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   r1. | r1. | r1. | r1. | \break
%% 29-32
   r1. | r1. | r1. | r1. | \break
%% 33-34
   \time 4/1
   c'1 r2 c'4..\melisma c'16\melismaEnd e'4 g' b'4. r8
   e'4 g' b'2^\fermata | r4 c''4. c'4\melisma c'8\melismaEnd
   e'4 g' b'2 c'1\melisma c''1\melismaEnd | \break
%% 35-38 %%%%%%%%%%%%%%%%%%%%%%%%  
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39-42
   r1. | \break r1. | \break r1. | \break r1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   r1. | r1. | r1. | r1. | r1. | \break
%% 57-61
   b'2. r2 e'4\melisma | g'2.\melismaEnd g'4 c''2 |
   d''1 r2 | g'4 d'2 c'2. ~ | c'2. r2 f'4 | \break
%% 62-65
   f'4 \melisma a'8\melismaEnd a'8 c''4 e''2. ~ |
   e''2. r2.| r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   r4 e'2\melisma g'2. | e'1. | g'2.\melismaEnd r2. |
   e'1.\melisma | \break
%% 78-
   g'1\melismaEnd r2 | r1. |
   f'1\melisma e'4\melismaEnd r4 | r1. | \break
%% 82-86
   r1. | r1. | e'1.\melisma | e'1. |
   e'1^\fermata \melismaEnd s2 \bar "|." \break 
}
%%% Instruments part
soprano = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   e'2 a'2. \tuplet 3/2 { g'4 f' e' } c'\breve d'4 |
   e'\longa | \break
%% 3-4
   d'2 c'\breve d'2 e'1 ~ | \time 3/2 e'1\fermata r2 |
%% 5-8
   r1. | r1. | r1. | r1. | \break
%% 9-13
   r1. | r1. | r1. | r1. | \break
%% 13-16
   \tuplet 3/2 { f''16 e'' d'' c'' b' a' g' f' e' } r8
   \tuplet 3/2 { e''16 d'' c'' b' a' g' f' e' d' } r8
   \tuplet 3/2 { d''16 c'' b' a' g' f' e' d' c' } r8 |
   f'4.. e'2.. r8. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   \tuplet 3/2 { f'16-. g'-. a'-. g'-. a'-. b'-. } e'4.
   \tuplet 3/2 { e'16-. f'-. g'-. f'-. g'-. a'-. } d'4.
   \tuplet 3/2 { d'16-. e'-. f'-. e'-. f'-. g'-. } |
   c'4. \tuplet 3/2 { f'16-. g'-. a'-. g'-. a'-. b'-. }
   \tuplet 3/2 { e'16-. f'-. g'-. f'-. g'-. a'-. }
   \tuplet 3/2 { d'16-. e'-. f'-. e'-. f'-. g'-. } g'4._~ |
   <e' g'>1. | <c' b'> 1. | \break
%% 29-32
   r1. | r1. | r1. | r1. | \break
%% 33-34
   \time4/1
   r\longa | r\longa | \break
%% 35-38
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39
   \time 3/2
%%   \repeat percent 6 { \tuplet 3/2 8 { c'16 d' e' f' g' a' } } |
    \tupletUp \tuplet 3/2 8 {
     <c' e'>16 <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> }
    \tuplet 3/2 8 {
     <d' f'>16 <e' g'> <f' a'> <g' b'> <a' c''> <b' d''> }
    \tupletNeutral \tuplet 3/2 8 {
     <e' g'>16 <f' a'> <g' b'> <a' c''> <b' d''> <c'' e''> }
    \tuplet 3/2 8 {
     <f' a'>16 <g' b'> <a' c''> <b' d''> <c'' e''> <d'' f''> }
    \tuplet 3/2 8 {
     <g' b'>16 <a' c''> <b' d''> <c'' e''> <d'' f''> <e'' g''> }
    \tuplet 3/2 8 {
     <a' c''>16 <b' d''> <c'' e''> <d'' f''> <e'' g''> <f'' a''> } |
\break
%% 40
   \time 3/2
    \tuplet 3/2 8 {
     <a'' f''>16 <g'' e''> <f'' d''> <e'' c''> <d'' b'> <c'' a'> }
    \tuplet 3/2 8 {
     <g'' e''>16 <f'' d''> <e'' c''> <d'' b'> <c'' a'> <b' g'> }
    \tuplet 3/2 8 {
     <f'' d''>16 <e'' c''> <d'' b'> <c'' a'> <b' g'> <a' f'> }
    \tuplet 3/2 8 {
     <e'' c''> <d'' b'> <c'' a'> <b' g'> <a' f'> <g' e'> }
    \tuplet 3/2 8 {
     <d'' b'> <c'' a'> <b' g'> \tupletDown <a' f'> <g' e'> <f' d'> }
    \tupletNeutral \tuplet 3/2 8 {
     <c'' a'>16 <b' g'> <a' f'> <g' e'> <f' d'> <e' c'> } |
\break
%% 41
   \time 3/2
   <c' g'>1. | \break
%% 42
   \time 3/2
   e'1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   \repeat percent 5 { \repeat percent 6 {
      \tuplet 3/2 { f'16-. g'-. a'-. g'-. a'-. b'-. } } | } \break
%% 57-61
%% Oh! no! Why engerverd? I don't know and can't repear.
%% So, I'll write here hope.
   r1.^\markup { \column { " " 
       \line {\hspace #-6 \bold \italic \with-color #red
       "Between 57bar and 61bar; If possible, please do play with improvisation    "
        \hspace #8 (Each part Instruments.) } " " } } | \noBreak
   r1. | \noBreak r1. | \noBreak r1. \noBreak | r1. | \break
%% 62-65
   r1. | r1. | r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   e'2 <c' g'>1 | e'1. | <c' g'> 1. | <g' d''>2 b'1 | \break
%% 78-81
   <g' d''>1 b'2 | r1. | r1. | r1. | \break
%% 82-86
   r1. | r1. | r2 c'1 ~ | c'1. ~ |
   c'4 r2.^\fermata s2 \bar "|." \break  
}
%%% end Soprano sheet.
sopranoM = {
    \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   e'2 a'2. \tuplet 3/2 { g'4 f' e' } c'\breve d'4 |
   e'\longa | \break
%% 3-4
   d'2 c'\breve d'2 e'1 ~ | \time 3/2 e'1\fermata r2 |
%% 5-8
   r1. | r1. | r1. | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   \tuplet 3/2 { f''16 e'' d'' c'' b' a' g' f' e' } r8
   \tuplet 3/2 { e''16 d'' c'' b' a' g' f' e' d' } r8
   \tuplet 3/2 { d''16 c'' b' a' g' f' e' d' c' } r8 |
   f'4.. e'2.. r8. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   \tuplet 3/2 { f'16-. g'-. a'-. g'-. a'-. b'-. } e'4.
   \tuplet 3/2 { e'16-. f'-. g'-. f'-. g'-. a'-. } d'4.
   \tuplet 3/2 { d'16-. e'-. f'-. e'-. f'-. g'-. } |
   c'4. \tuplet 3/2 { f'16-. g'-. a'-. g'-. a'-. b'-. }
   \tuplet 3/2 { e'16-. f'-. g'-. f'-. g'-. a'-. }
   \tuplet 3/2 { d'16-. e'-. f'-. e'-. f'-. g'-. } g'4._~ |
   <e' g'>1. | <c' b'> 1. | \break
%% 29-32
   r1. | r1. | r1. | r1. | \break
%% 33-34
   \time4/1
   r\longa | r\longa | \break
%% 35-38
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39
   \time 3/2
    \tuplet 3/2 8 {
     <c' e'>16 <d' f'> <e' g'> \tupletUp <f' a'> <g' b'> <a' c''> }
    \tupletNeutral \tuplet 3/2 8 {
     <d' f'>16 <e' g'> <f' a'> <g' b'> <a' c''> <b' d''> }
    \tuplet 3/2 8 {
     <e' g'>16 <f' a'> <g' b'> <a' c''> <b' d''> <c'' e''> }
    \tuplet 3/2 8 {
     <f' a'>16 <g' b'> <a' c''> <b' d''> <c'' e''> <d'' f''> }
    \tuplet 3/2 8 {
     <g' b'>16 <a' c''> <b' d''> <c'' e''> <d'' f''> <e'' g''> }
    \tuplet 3/2 8 {
     <a' c''>16 <b' d''> <c'' e''> <d'' f''> <e'' g''> <f'' a''> } |
\break
%% 40
   \time 3/2
    \tuplet 3/2 8 {
     <a'' f''>16 <g'' e''> <f'' d''> <e'' c''> <d'' b'> <c'' a'> }
    \tuplet 3/2 8 {
     <g'' e''>16 <f'' d''> <e'' c''> <d'' b'> <c'' a'> <b' g'> }
    \tuplet 3/2 8 {
     <f'' d''>16 <e'' c''> <d'' b'> <c'' a'> <b' g'> <a' f'> }
    \tuplet 3/2 8 {
     <e'' c''> <d'' b'> <c'' a'> <b' g'> <a' f'> <g' e'> }
    \tuplet 3/2 8 {
     <d'' b'> <c'' a'> <b' g'> \tupletDown <a' f'> <g' e'> <f' d'> }
    \tupletNeutral \tuplet 3/2 8 {
     <c'' a'>16 <b' g'> <a' f'> <g' e'> <f' d'> <e' c'> } |
\break
%% 41
   \time 3/2
   <c' g'>1. | \break
%% 42
   \time 3/2
   e'1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   \repeat percent 5 { \repeat percent 6 {
      \tuplet 3/2 { f'16-. g'-. a'-. g'-. a'-. b'-. } } | } \break
%% 57-61
   r1. | r1. | r1. | r1. | r1. | \break
%% 62-65
   r1. | r1. | r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   e'2 <c' g'>1 | e'1. | <c' g'> 1. | <g' d''>2 b'1 | \break
%% 78-81
   <g' d''>1 b'2 | r1. | r1. | r1. | \break
%% 82-86
   r1. | r1. | r2 c'1 ~ | c'1. ~ |
   c'4 r2.^\fermata s2 \bar "|." \break  
}
%%% end soprano-midi.
%%%
%%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%%
altoVoice = { \hide Staff.BarLine
    \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   r\longa | r\longa | \break
%% 3-4
   r\longa | \time 3/2 r1 e'2\melisma | \break
%% 5-8
   <a e'>1 <b f'>2 ~ | <b f'>2 <e' a>1 ~|
   e'4 a2. ~ <a e'>4.\melismaEnd r8 | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   r1. | r1. | r1. | r1. | \break
%% 29-32
   r1. | r1. | r1. | r1. | \break
%% 33-34
   \time 4/1
   c'1 r4 c'4..\melisma c'16\melismaEnd e'4 g' b'4. r8
   e'4 g' b'2 r4^\fermata | r4 c''4. c'4\melisma c'8\melismaEnd
   e'4 g' b'2 c'1\melisma c''1\melismaEnd | \break
%%35-38 %%%%%%%%%%%%%%%%%%%%%%%%%%
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39-42
   r1. | \break r1. | \break r1. | \break r1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   r1. | r1. | r1. | r1. | r1. | \break
%% 57-61
   r4 e'2. r2 | \noBreak a4\melisma c'2.\melismaEnd c'4 f'4 ~ | \noBreak
   f'4 g'1 r4 | \noBreak r4 c'4 g2 f2 ~ | \noBreak f1 r2 | \break
%% 62-65
   b4 b4\melisma d'8\melismaEnd d'8 f'4 a'2 ~ |
   a'1 r2 | r1. | \noBreak r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   a2.\melisma c'2. | a1. | c'2\melismaEnd r1 |
   a1.\melisma | \break
%% 78-81
   c'1\melismaEnd r2 | r1. |
   r8 b1\melisma a4\melismaEnd r8 | r1. | \break
%% 82-86
   r1. | r1. | a1.\melisma | a1. |
   a1^\fermata \melismaEnd s2
   \undo \hide Staff.BarLine \bar "|." \break
}
altoVoiceL = \lyricmode {
    \override Lyrics.LyricText.color = #blue
    \override Lyrics.LyricHyphen.color = #blue
    \override Lyrics.LyricExtender.color = #blue
    \override Score.LyricText.font-shape = #'italic
    \teeny
ɑ __
You, ɑ __ let me die?
let me life?
In ɑ __ on this road!
ɑ __

You, ɑ __ let me die?
let me life?
In ɑ __ on this road!

n __ m __
m __
ɑ __
}
altoVoiceM = {
    \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   r\longa | r\longa | \break
%% 3-4
   r\longa | \time 3/2 r1 e'2\melisma | \break
%% 5-8
   <a e'>1 <b f'>2 ~ | <b f'>2 <e' a>1 ~|
   e'4 a2. ~ <a e'>4.\melismaEnd r8 | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   r1. | r1. | r1. | r1. | \break
%% 29-32
   r1. | r1. | r1. | r1. | \break
%% 33-34
   \time 4/1
   c'1 r4 c'4..\melisma c'16\melismaEnd e'4 g' b'4. r8
   e'4 g' b'2 r4^\fermata | r4 c''4. c'4\melisma c'8\melismaEnd
   e'4 g' b'2 c'1\melisma c''1\melismaEnd | \break
%% 35-38 %%%%%%%%%%%%%%%%%%%%%%%
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39-42
   r1. | \break r1. | \break r1. | \break r1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   r1. | r1. | r1. | r1. | r1. | \break
%% 57-61
   r4 e'2. r2 | a4\melisma c'2.\melismaEnd c'4 f'4 ~ |
   f'4 g'1 r4 | r4 c'4 g2 f2 ~ | f1 r2 | \break
%% 62-65
   b4 b4\melisma d'8\melismaEnd d'8 f'4 a'2 ~ |
   a'1 r2 | r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   a2.\melisma c'2. | a1. | c'2\melismaEnd r1 |
   a1.\melisma | \break
%% 78-81
   c'1\melismaEnd r2 | r1. |
   r8 b1\melisma a4\melismaEnd r8 | r1. | \break
%% 82-86
   r1. | r1. | a1.\melisma | a1. |
   a1^\fermata \melismaEnd s2 | \bar "|." \break
}
%%% Instruments 
alto = {
     \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   a2 d'2. \tuplet 3/2 { c'4 b a } c'\breve d'4 |
   e'\longa | \break
%% 3-4
   d'2 c'\breve d'2 e'1_~ | \time 3/2 e'1\fermata r2 | \break
%% 5-8
   r1. | r1. | r1. | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   \tuplet 3/2 { b'16 a' g' f' e' d' c' b a } r8
   \tuplet 3/2 { a'16 g' f' e' d' c' b a g } r8
   \tuplet 3/2 { g'16 f' e' d' c' b a g f } r8 |
   b4.. a2.. r8. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   r1. | r1. | r1. | r1. | \break
%% 29-32
   a2. ~ <a e'> | c'1. |
   \tuplet 3/2 { f16 g a b c' d' } g4. ~
   \tuplet 3/2 { g16 a b c' d' e' } a4. ~
   \tuplet 3/2 { a16 b c' d' e' f' } | \noBreak
   b4. ~ \tuplet 3/2 { b16 c' d' e' f' g' }
   \tuplet 3/2 { c'16 d' e' f' g' a' }
   \tuplet 3/2 { d'16 e' f' g' a' b' } c'4. | \break
%% 33-34
   \time 4/1
   r\longa | r\longa | \break
%% 35-38
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39
   \time 3/2
    \tuplet 3/2 {
     <d'' b'>16 <c'' a'> <b' g'> <a' f'> <g' e'> <f' d'> }
    \tuplet 3/2 {
     <c'' a'>16 <b' g'> <a' f'> <g' e'> <f' d'> <e' c'> }
    \tuplet 3/2 {
     <b' g'>16 <a' f'> <g' e'> <f' d'> <e' c'> <d' b> }
    \tuplet 3/2 {
     <a' f'>16 <g' e'> <f' d'> <e' c'> <d' b> <c' a> }
    \tuplet 3/2 {
     <g' e'>16 <f' d'> <e' c'> <d' b> <c' a> <b g> }
    \tupletDown \tuplet 3/2 {
     <f' d'>16 <e' c'> <d' b> <c' a> <b g> <a f> }
     \tupletNeutral | \break
%% 40
   \time 3/2
    \tuplet 3/2 {
     <f a>16 <g b> <a c'> <b d'> <c' e'> <d' f'> }
    \tuplet 3/2 {
     <g b> <a c'> <b d'> <c' e'> <d' f'> <e' g'> }
    \tuplet 3/2 {
     <a c'> <b d'> <c' e'> <d' f'> <e' g'> <f' a'> }
    \tuplet 3/2 {
     <b d'> <c' e'> <d' f'> <e' g'> <f' a'> <g' b'> }
    \tuplet 3/2 {
     <c' e'> <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> }
    \tuplet 3/2 {
     <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> <b' d''> } | \break
%% 41
   \time 3/2
   <f c'>1. | \break
%% 42
   \time 3/2
   a1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   \repeat percent 5 { \repeat percent 6 {
   \tuplet 3/2 { f16-. g-. a-. b-. c'-. d'-. } } | } \break
%% 57-61
   r1. | \noBreak r1. | \noBreak r1. | \noBreak r1. | \noBreak r1. | \break
%% 62-65
   r1. | r1. | r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   a2 <f c'>1 | a1. | <f c'>1. | <c' g'>2 e'1 | \break
%% 78-
   <c' g'>1 e'2 | r1. | r1. | r1. | \break
%% 82-86
   r1. | r1. | r2 f1 ~ | f1. ~ |
   f4 r2.^\fermata s2 | \bar "|." \break
}
%%% end alto sheet
altoM = {
     \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   a2 d'2. \tuplet 3/2 { c'4 b a } c'\breve d'4 |
   e'\longa | \break
%% 3-4
   d'2 c'\breve d'2 e'1_~ | \time 3/2 e'1\fermata r2 |
%% 5-8
   r1. | r1. | r1. | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   \tuplet 3/2 { b'16 a' g' f' e' d' c' b a } r8
   \tuplet 3/2 { a'16 g' f' e' d' c' b a g } r8
   \tuplet 3/2 { g'16 f' e' d' c' b a g f } r8 |
   b4.. a2.. r8. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   r1. | r1. | r1. | r1. | \break
%% 29-32
   a2. ~ <a e'> | c'1. |
   \tuplet 3/2 { f16 g a b c' d' } g4. ~
   \tuplet 3/2 { g16 a b c' d' e' } a4. ~
   \tuplet 3/2 { a16 b c' d' e' f' } | \noBreak
   b4. ~ \tuplet 3/2 { b16 c' d' e' f' g' }
   \tuplet 3/2 { c'16 d' e' f' g' a' }
   \tuplet 3/2 { d'16 e' f' g' a' b' } c'4. | \break
%% 33-34
   \time 4/1
   r\longa | r\longa | \break
%% 35-38
   r1. | r1. | r1. | r1. | \break
%% 39
   \time 3/2
    \tuplet 3/2 {
     <d'' b'>16 <c'' a'> <b' g'> <a' f'> <g' e'> <f' d'> }
    \tuplet 3/2 {
     <c'' a'>16 <b' g'> <a' f'> <g' e'> <f' d'> <e' c'> }
    \tuplet 3/2 {
     <b' g'>16 <a' f'> <g' e'> <f' d'> <e' c'> <d' b> }
    \tuplet 3/2 {
     <a' f'>16 <g' e'> <f' d'> <e' c'> <d' b> <c' a> }
    \tuplet 3/2 {
     <g' e'>16 <f' d'> <e' c'> <d' b> <c' a> <b g> }
    \tupletDown \tuplet 3/2 {
     <f' d'>16 <e' c'> <d' b> <c' a> <b g> <a f> } |
\break
%% 40
   \time 3/2
    \tuplet 3/2 {
     <f a>16 <g b> <a c'> <b d'> <c' e'> <d' f'> }
    \tuplet 3/2 {
     <g b>16 <a c'> <b d'> <c' e'> <d' f'> <e' g'> }
    \tuplet 3/2 {
     <a c'>16 <b d'> <c' e'> <d' f'> <e' g'> <f' a'> }
    \tuplet 3/2 {
     <b d'>16 <c' e'> <d' f'> <e' g'> <f' a'> <g' b'> }
    \tuplet 3/2 {
     <c' e'>16 <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> }
    \tuplet 3/2 {
     <d' f'>16 <e' g'> <f' a'> <g' b'> <a' c''> <b' d''> } |
\break
%% 41
   \time 3/2
   <f c'>1. | \break
%% 42
   \time 3/2
   a1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   \repeat percent 5 { \repeat percent 6 {
   \tuplet 3/2 { f16-. g-. a-. b-. c'-. d'-. } } | } \break
%% 57-61
   r1. | r1. | r1. | r1. | r1. | \break
%% 62-65
   r1. | r1. | r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   a2 <f c'>1 | a1. | <f c'>1. | <c' g'>2 e'1 | \break
%% 78-81
   <c' g'>1 e'2 | r1. | r1. | r1. | \break
%% 82-86
   r1. | r1. | r2 f1 ~ | f1. ~ |
   f4 r2.^\fermata s2 | \bar "|." \break
}
%%% end alto-midi
%%%
%%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%%
tenorVoice = { \hide Staff.BarLine
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   r\longa | r\longa | \break
%% 3-4
   r\longa | \time 3/2 r1 c'2\melisma | \break
%% 5-8
   <f c'>1 <g d'>2 ~ | <g d'>2 <f c'>1 ~|
   c'4 f2. ~ <f c'>4.\melismaEnd r8 | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   r1. | r1. | r1. | r1. | \break
%% 29-32
   r1. | r1. | r1. | r1. | \break
%% 33-34
   \time 4/1
   c1 r8 c4..\melisma c16\melismaEnd e4 g b4. r8
   e4 g b2 r4.^\fermata | r4 c'4. c4\melisma c8\melismaEnd
   e4 g b2 c1\melisma c'1\melismaEnd | \break
%%35-38 %%%%%%%%%%%%%%%%%%%%%%%%%
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39-42
   r1. | \break r1. | \break r1. | \break r1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   r1. | r1. | r1. | r1. | r1. | \break
%% 57-61
   r2 a2. r4 | \noBreak r4 d4\melisma f2.\melismaEnd f4 | \noBreak
   b2 c'1 | \noBreak r2 f4 c2 b,4_( ~ | \noBreak b,4  b,1) r4 | \break
%% 62-65
   r4 e4 e4\melisma g8\melismaEnd g8 c'4 d'4_\( ~ |
   d'4 d'1\) r4 | r1. | \noBreak r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   e2.\melisma g2. | e1. | g2\melismaEnd r1 |
   e1.\melisma | \break
%% 78-81
   g1\melismaEnd r2 | r1. |
   r4 g1\melisma f4\melismaEnd | r1. | \break
%% 82-86
   r1. | r1. | f1.\melisma | f1. |
   f1^\fermata \melismaEnd s2
   \undo \hide Staff.BarLine \bar "|." \break
}

tenorVoiceL = \lyricmode {
    \override Lyrics.LyricText.color = #blue
    \override Lyrics.LyricHyphen.color = #blue
    \override Lyrics.LyricExtender.color = #blue
    \override Score.LyricText.font-shape = #'italic
    \teeny
ɔ __
You, ɔ __ let me die?
let me life?
In ɔ __ on this road!
ɔ __

You, ɔ __ let me die?
let me life?
In ɔ __ on this road!

n __ m __ n __ %% Why?? "First n __" need? don't run it isn't "n __".
m __
ɔ __
}
tenorVoiceM = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   r\longa | r\longa | \break
%% 3-4
   r\longa | \time 3/2 r1 c'2\melisma | \break
%% 5-8
   <f c'>1 <g d'>2 ~ | <g d'>2 <f c'>1 ~|
   c'4 f2. ~ <f c'>4.\melismaEnd r8 | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   r1. | r1. | r1. | r1. | \break
%% 29-32
   r1. | r1. | r1. | r1. | \break
%% 33-34
   \time 4/1
   c1 r8 c4..\melisma c16\melismaEnd e4 g b4. r8
   e4 g b2 r4.^\fermata | r4 c'4. c4\melisma c8\melismaEnd
   e4 g b2 c1\melisma c'1\melismaEnd | \break
%%35-38 %%%%%%%%%%%%%%%%%%%%%%%%%
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39-42
   r1. | \break r1. | \break r1. | \break r1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   r1. | r1. | r1. | r1. | r1. | \break
%% 57-61
   r2 a2. r4 | \noBreak r4 d4\melisma f2.\melismaEnd f4 | \noBreak
   b2 c'1 | \noBreak r2 f4 c2 b,4_( ~ | \noBreak b,4  b,1) r4 | \break
%% 62-65
   r4 e4 e4\melisma g8\melismaEnd g8 c'4 d'4_\( ~ |
   d'4 d'1\) r4 | r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   e2.\melisma g2. | e1. | g2\melismaEnd r1 |
   e1.\melisma | \break
%% 78-
   g1\melismaEnd r2 | r1. |
   r4 g1\melisma f4\melismaEnd | r1. | \break
%% 82-86
   r1. | r1. | f1.\melisma | f1. |
   f1^\fermata \melismaEnd s2 \bar "|." \break
}
%%% Instruments 
tenor = {
     \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   d2 g2. \tuplet 3/2 { f4 e d } f\breve g4 |
   a\longa | \break
%% 3-4
   g2 f\breve g2 a1_~ | \time 3/2 a1\fermata r2 | \break
%% 5-8
   r1. | r1. | r1. | r1. | \break
%% 9-12
   <f a>8 ~ <f b> ~ <f c'>_~ <f d'> r8
   <g b>8 <a c'> <b d'> <c' e'> r8
   \tuplet 3/2 { e'16 d' c' b a g ~ } |
   g4.. f2.. r8. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   a2._~ <a e'> | <b d'>1. | <g f'>1. | c'1. | \break
%% 29-32
   a2._~ <a e'> | c'1. | <g f'>1. | <b d'>1. | \break
%% 33-34
   \time 4/1
   r\longa | r\longa | \break
%% 35-38
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39
   \time 3/2
   e1. | \break
%% 40
   \time 3/2
   <g c>1. | \break
%% 41
   \time 3/2
    \tuplet 3/2 8 {
     <c e>16 <d f> <e g> <f a> <g b> <a c'> }
    \tuplet 3/2 8 {
     <d f>16 <e g> <f a> <g b> <a c'> <b d'> }
    \tuplet 3/2 8 {
     <e g>16 <f a> <g b> <a c'> <b d'> <c' e'> }
    \tuplet 3/2 8 {
     <f a>16 <g b> <a c'> <b d'> <c' e'> <d' f'> }
    \tuplet 3/2 8 {
     <g b>16 <a c'> <b d'> <c' e'> <d' f'> <e' g'> }
    \tuplet 3/2 8 {
     <a c'>16 <b d'> <c' e'> <d' f'> <e' g'> <f' a'> } |
\break
%% 42
   \time 3/2
    \tuplet 3/2 8 {
     <a' f'>16 <g' e'> <f' d'> <e' c'> <d' b> <c' a> }
    \tuplet 3/2 8 {
     <g' e'>16 <f' d'> <e' c'> <d' b> <c' a> <b g> }
    \tuplet 3/2 8 {
     <f' d'>16 <e' c'> <d' b> <c' a> <b g> <a f> }
    \tuplet 3/2 8 {
     <e' c'> <d' b> <c' a> <b g> <a f> <g e> }
    \tuplet 3/2 8 {
     <d' b> <c' a> <b g> <a f> <g e> <f d> }
    \tuplet 3/2 8 {
     <c' a>16 <b g> <a f> <g e> <f d> <e c> } |
\break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
    \repeat percent 5 { \repeat percent 6 {
    \tuplet 3/2 8 {
     <c' a>16 <b g> <a f> <g e> <f d> <e c> } } | } \break
%% 57-61
   r1. \noBreak | r1. \noBreak | r1. \noBreak | r1. \noBreak | r1. | \break
%% 62-65
   r1. | r1. | r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   e2 <c g>1 | e1. | <c g>1. | <g  d'>2 b1 | \break
%% 78-81
   <g d'>1 b2 | r1. | r1. | r1. | \break
%% 82-86
   r1. | r1. | r2 d1 ~ | d1. ~ |
   d4 r2.^\fermata s2 \bar "|." \break
}
%%% end tenor sheet.
tenorM = {
     \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   d2 g2. \tuplet 3/2 { f4 e d } f\breve g4 |
   a\longa | \break
%% 3-4
   g2 f\breve g2 a1_~ | \time 3/2 a1\fermata r2 | \break
%% 5-8
   r1. | r1. | r1. | r1. | \break
%% 9-12
   <f a>8 ~ <f b> ~ <f c'>_~ <f d'> r8
   <g b>8 <a c'> <b d'> <c' e'> r8
   \tuplet 3/2 { e'16 d' c' b a g ~ } |
   g4.. f2.. r8. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   a2._~ <a e'> | <b d'>1. | <g f'>1. | c'1. | \break
%% 29-32
   a2._~ <a e'> | c'1. | <g f'>1. | <b d'>1. | \break
%% 33-34
   \time 4/1
   r\longa | r\longa | \break
%% 35-38
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39
   \time 3/2
   e1. | \break
%% 40
   \time 3/2
   <g c>1. | \break
%% 41
   \time 3/2
    \tuplet 3/2 8 {
     <c e>16 <d f> <e g> <f a> <g b> <a c'> }
    \tuplet 3/2 8 {
     <d f>16 <e g> <f a> <g b> <a c'> <b d'> }
    \tuplet 3/2 8 {
     <e g>16 <f a> <g b> <a c'> <b d'> <c' e'> }
    \tuplet 3/2 8 {
     <f a>16 <g b> <a c'> <b d'> <c' e'> <d' f'> }
    \tuplet 3/2 8 {
     <g b>16 <a c'> <b d'> <c' e'> <d' f'> <e' g'> }
    \tuplet 3/2 8 {
     <a c'>16 <b d'> <c' e'> <d' f'> <e' g'> <f' a'> } |
\break
%% 42
   \time 3/2
    \tuplet 3/2 8 {
     <a' f'>16 <g' e'> <f' d'> <e' c'> <d' b> <c' a> }
    \tuplet 3/2 8 {
     <g' e'>16 <f' d'> <e' c'> <d' b> <c' a> <b g> }
    \tuplet 3/2 8 {
     <f' d'>16 <e' c'> <d' b> <c' a> <b g> <a f> }
    \tuplet 3/2 8 {
     <e' c'> <d' b> <c' a> <b g> <a f> <g e> }
    \tuplet 3/2 8 {
     <d' b> <c' a> <b g> <a f> <g e> <f d> }
    \tuplet 3/2 8 {
     <c' a>16 <b g> <a f> <g e> <f d> <e c> } |
\break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
    \repeat percent 5 { \repeat percent 6 {
    \tuplet 3/2 8 {
     <c' a>16 <b g> <a f> <g e> <f d> <e c> } } | } \break
%% 57-61
   r1. | r1. | r1. | r1. | r1. | \break
%% 62-65
   r1. | r1. | r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   e2 <c g>1 | e1. | <c g>1. | <g  d'>2 b1 | \break
%% 78-81
   <g d'>1 b2 | r1. | r1. | r1. | \break
%% 82-86
   r1. | r1. | r2 d1 ~ | d1. ~ |
   d4 r2.^\fermata s2 \bar "|." \break
}
%%% end tenor-midi
%%%
%%%%%%%% baritone part %%%%%%%%%%%%%%%%%%%%%%%
baritone = { \hide Staff.BarLine
     \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   r\longa | r\longa | \break
%% 3-4
   r\breve f1 c'2..\melisma f8\melismaEnd |
   \time 3/2 r1. | \break
%% 5-8
   r1. | r1. | r1 f2 | d4 c8 f1 r8 | \break
%% 9-12
   r1. | r1. |
   f1 g2_\( ~\melisma | g2 a2. b8\melismaEnd r8\) | \break
%% 13-16
   r1. | r1. | c'2. d'4 a2 ~ | a2 g4 b2. | \break
%% \pageBreak
%% \break
%% 17-20
%%   r16 e8 f4. d8. b,2. | \noBreak a2. d'4 c'2 ~ | \noBreak
%%   c'2 g4 b2. | \noBreak r16 e8 f4. d8. b,2. | \break-
%% 17-20
   r16 e8 f4. d8. b,2. | a2. d'4 c'2 ~ |
   c'2 g4 b2. | r16 e8 f4. d8. b,2. | \break
%% 21-24
   b2 c'4 d'2 r16 c'8. | b4.\( g4 e2\) d8 b,4\( ~ |
   b,4( a,4.)\) r4. b4. a8_\( ~ | a8 b4.\) f4. c8 g,2 | \break
%% 25-28
   a,8 g,2.. r8 b4. | a4_\( g b4.\) f c4 ~ |
   c4 r2 c'2. | d'4. e'2.. r4 | \break
%% 29-32
   c'4.\( g2\) d4.( a,4 | g,2) r4 c4 e2\( |
   d8 e2.\) r8 c4 f4 ~ | f4 f8 a4. c'2. | \break
%% 33-34
   \time 4/1
   r\longa | r\longa | \break
%% 35-38
   \time 3/2
   c'4.\melisma  c'8\melismaEnd c'4.\melisma c'8\melismaEnd r2 |
   c'2 d'4 b8 e'2 c'8 ~ | c'8 g2.. c2 ~ | c2 r1 | \break
%% 39-42
   r1. | \break r1. | \break r1. | \break r1. | \break
%% 43-46
   c4.\melisma  c8\melismaEnd d4.\melisma d8\melismaEnd r2 |
   f4. d4 e f4. g4 ~ | g4 f8 a2 r4. f4 ~ |
   f4 d8 e f4 g a2 | \break
%% 47-51
   f4 g8 f4 r8. e4. f8. g8\( | f2\) e8 d8 c2. |
   d4._\( c4 b,2.. ~ | b,4.\) r8 c1\melisma |
   d1 r2\melismaEnd | \break
%% 52-56
   r1. | r1. | r1. | r1. | r1. | \break
%% 57-61
   r1. | \noBreak r1. | \noBreak r1. | \noBreak r1. | \noBreak r1. | \break
%% 62-65
   r1. | r1. |
   r4 b1\melisma  c'4 |
   d'1 c'4\melismaEnd r4 | \break
%% 66-69
   c'4. b4 a4. c'2 | d'4 e'2_\( f'4\) r2 | c'4. b4( a4.) c'2 |
   f'4 c4.\( g,2..\) | \break
%% 70-73
   r8 c'2 r8 b4 a2 | c'4._\( d' e'2._( | f'2.)\) r2. | r1. | \break
%% 74-77
   e2 c2.. r8 | d4 b,4. d c8 r8 e4 ~ | e4. r2. a4. |
   c'2.. r8 b8 e'4. ~ | \break
%% 78-81 
   e'4. d'8 r8 e'2.. | r2 c1\melisma |
   b,4\melismaEnd r2 c'2 d'4 ~ | d'4. r8 c'4 e'2. |
%% 82-86 
   a4. r8 f2_\( c2 ~ | c2.\)^\fermata r2. | r1. | r1. |
   r1 s2 \undo \hide Staff.BarLine \bar "|." \break
}
%%%  end baritone sheet
baritoneL = \lyricmode {
    \override Lyrics.LyricText.color = #blue
    \override Lyrics.LyricHyphen.color = #blue
    \override Lyrics.LyricExtender.color = #blue
    \override Score.LyricText.font-shape = #'italic
    \teeny
m -- n __
Where is the "end of this Road?"
m -- n __
On the path of life of joy and anger
On the road of life of relief and sorrow
Peace of mind and lone -- li -- ness in life

Many sor -- rows pass by
On the Road
Many suf -- fer -- ings pass by

Born and born
Every -- thing dies and dis -- ap -- pears
The pain of this life

m -- n __
Where is the end of this Road!

m -- n __
Even it is shed by the wind
Even it is ex -- tin -- guished by the wind
At any mo -- ment to the eyes to -- mor -- row
ɔ __

m __
Why do not stop with pleas -- ure?
Why can't stop with re -- lief?
Why con -- stantly to -- mor -- row?

Tell me the beau -- ty of anger
Tell me the truth of anger
ɔ __
Tell me the tears of an -- ger
}
baritoneM = {
     \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   r\longa | r\longa | \break
%% 3-4
   r\breve f1 c'2..\melisma f8\melismaEnd |
   \time 3/2 r1. | \break
%% 5-8
   r1. | r1. | r1 f2 | d4 c8 f1 r8 | \break
%% 9-12
   r1. | r1. |
   f1 g2_\( ~\melisma | g2 a2. b8\melismaEnd r8\) | \break
%% 13-16
   r1. | r1. | c'2. d'4 a2 ~ | a2 g4 b2. | \break
%% 17-20
   r16 e8 f4. d8. b,2. | a2. d'4 c'2 ~ |
   c'2 g4 b2. | r16 e8 f4. d8. b,2. | \break
%% 21-24
   b2 c'4 d'2 r16 c'8. | b4.\( g4 e2\) d8 b,4\( ~ |
   b,4( a,4.)\) r4. b4. a8_\( ~ | a8 b4.\) f4. c8 g,2 | \break
%% 25-28
   a,8 g,2.. r8 b4. | a4_\( g b4.\) f c4 ~ |
   c4 r2 c'2. | d'4. e'2.. r4 | \break
%% 29-32
   c'4.\( g2\) d4.( a,4 | g,2) r4 c4 e2\( |
   d8 e2.\) r8 c4 f4 ~ | f4 f8 a4. c'2. | \break
%% 33-34 
   \time 4/1
   r\longa | r\longa | \break
%% 35-38
   \time 3/2
   c'4.\melisma  c'8\melismaEnd c'4.\melisma c'8\melismaEnd r2 |
   c'2 d'4 b8 e'2 c'8 ~ | c'8 g2.. c2 ~ | c2 r1 | \break
%% 39-42
   r1. | \break r1. | \break r1. | \break r1. | \break
%% 43-46
   c4.\melisma  c8\melismaEnd d4.\melisma d8\melismaEnd r2 |
   f4. d4 e f4. g4 ~ | g4 f8 a2 r4. f4 ~ |
   f4 d8 e f4 g a2 | \break
%% 47-51
   f4 g8 f4 r8. e4. f8. g8\( | f2\) e8 d8 c2. |
   d4._\( c4 b,2.. ~ | b,4.\) r8 c1\melisma |
   d1\melismaEnd r2 | \break
%% 52-56
   r1. | r1. | r1. | r1. | r1. | \break
%% 57-61
   r1. | r1. | r1. | r1. | r1. | \break
%% 62-65
   r1. | r1. |
   r4 b1\melisma  c'4 |
   d'1 c'4\melismaEnd r4 | \break
%% 66-69
   c'4. b4 a4. c'2 | d'4 e'2_\( f'4\) r2 | c'4. b4( a4.) c'2 |
   f'4 c4.\( g,2..\) | \break
%% 70-73
   r8 c'2 r8 b4 a2 | c'4._\( d' e'2._( | f'2.)\) r2. | r1. | \break
%% 74-77
   e2 c2.. r8 | d4 b,4. d c8 r8 e4 ~ | e4. r2. a4. |
   c'2.. r8 b8 e'4. | \break
%% 78-81 
   e'4. d'8 r8 e'2.. | r2 c1\melisma |
   b,4\melismaEnd r2 c'2 d'4 ~ | d'4. r8 c'4 e'2. | 
 %% 82-86
   a4. r8 f2_\( c2 ~ | c2.\)^\fermata r2. |  r1. | r1. |
   r1 s2 \bar "|." \break
}
%%% end baritone midi
%%%
%%%%%%% bass; part %%%%%%%%%%%%%%%%
bassVoice = { \hide Staff.BarLine
   \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   r\longa | r\longa | \break
%% 3-4
   r\longa | \time 3/2 r1 f2\melisma | \break
%% 5-8
   <b, f>1 <c g>2 ~ | <c g>2 <b, f>1 ~ |
   f4 b,2. ~ <b, f>4.\melismaEnd r8 | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   r1. | r1. | r1. | r1. | \break
%% 29-32
   r1. | r1. | r1. | r1. | \break
%% 33-34
   \time 4/1
   c1 c4..\melisma c16\melismaEnd e4 g b4. r8
   e4 g b2 r2^\fermata | r4 c'4. c4\melisma c8\melismaEnd
   e4 g b2 c1\melisma c'1\melismaEnd | \break
%% 35-38
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39-42
   r1. | r1. | r1. | r1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   r1. | r1. | r1. | r1. | r1. | \break
%% 57-61
   r2. d'2. | \noBreak r2 g4\melisma b2.\melismaEnd | \noBreak
   b4 e2 f2. ~ | \noBreak f2. r2 c4 | \noBreak g,2 g,1 | \break
%% 62-65
   r2 a,4 a,4\melisma c8\melismaEnd c8 f4 |
   g1. | r1. | r1. | \break 
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   r4 a,2\melisma c2. | a,1. | c2.\melismaEnd r2. |
   a,1.\melisma | \break
%% 78-81
   c1\melismaEnd r2 | r1. | r4. c1\melisma b,8_~ |
   b,8\melismaEnd r4. r1 | \break
%% 82-86
   r1. | r1. | b,1.\melisma | b,1. |
   b,1^\fermata \melismaEnd s2
   \undo \hide Staff.BarLine \bar "|." \break
}

bassVoiceL = \lyricmode {
    \override Lyrics.LyricText.color = #blue
    \override Lyrics.LyricHyphen.color = #blue
    \override Lyrics.LyricExtender.color = #blue
    \override Score.LyricText.font-shape = #'italic
    \teeny
ɔ __
You, ɔ __ let me die?
let me life?
In ɔ __ on this road!
ɔ __

You, ɔ __ let me die?
let me life?
In ɔ __ on this road!

n __ m __
m __
ɔ __
}

bassVoiceM = {
    \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   r\longa | r\longa | \break
%% 3-4
   r\longa | \time 3/2 r1 f2\melisma | \break
%% 5-8
   <b, f>1 <c g>2 ~ | <c g>2 <b, f>1 ~|
   f4 b,2. ~ <b, f>4.\melismaEnd r8 | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   r1. | r1. | r1. | r1. | \break
%% 29-32
   r1. | r1. | r1. | r1. | \break
%% 33-34
   \time 4/1
   c1 c4..\melisma c16\melismaEnd e4 g b4. r8
   e4 g b2 r2^\fermata | r4 c'4. c4\melisma c8\melismaEnd
   e4 g b2 c1\melisma c'1\melismaEnd | \break
%% 35-38
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39-42
   r1. | r1. | r1. | r1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   r1. | r1. | r1. | r1. | r1. | \break
%% 57-61
   r2. d'2. | r2 g4\melisma b2.\melismaEnd |
   b4 e2 f2. ~ | f2. r2 c4 | g,2 g,1 |
%% 62-65
   r2 a,4 a,4\melisma c8\melismaEnd c8 f4 |
   g1. | r1. | r1. | \break 
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   r4 a,2\melisma c2. | a,1. | c2.\melismaEnd r2. |
   a,1.\melisma | \break
%% 78-81
   c1\melismaEnd r2 | r1. | r4. c1\melisma b,8_~ |
   b,8\melismaEnd r4. r1 | \break
%% 82-86
   r1. | r1. | b,1.\melisma | b,1. |
   b,1^\fermata \melismaEnd s2 \bar "|." \break
}
bass = {
     \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   g,2 c2. \tuplet 3/2 { b,4 a, g, } b,\breve c4 |
   a\longa | \break
%% 3-4
   c2 b,\breve a,2 d1_~ | \time 3/2 d1\fermata r2 | \break
%% 5-8
   r1. | r1. | r1. | r1. | \break
%% 9-12
   <b, d>8 ~ <b, e> ~ <b, f>_~ <b, g> r8
   <c e>8 <d f> <e g> <f a> r8 \tuplet 3/2 { a16 g f e d c ~ } |
   c4.. b,2.. r8. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   a,2. ~ <a, e> | <b, d>1. | <g, f>1. | c1. | \break
%% 29-32
   a,2. ~ <a, e> | c1. | <g, f>1. | <b, d>1. | \break
%% 33-34
   \time 4/1
   r\longa | r\longa | \break
%% 35-38
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39
   \time 3/2
   a,1. | \break
%% 40
   \time 3/2
   <f, c>1. | \break
%% 41
   \time 3/2
    \tuplet 3/2 {
     <d' b>16 <c' a> <b g> <a f> <g e> <f d> }
    \tuplet 3/2 {
     <c' a>16 <b g> <a f> <g e> <f d> <e c> }
    \tuplet 3/2 {
     <b g>16 <a f> <g e> <f d> <e c> <d b,> }
    \tuplet 3/2 {
     <a f>16 <g e> <f d> <e c> <d b,> <c a,> }
    \tuplet 3/2 {
     <g e>16 <f d> <e c> <d b,> <c a,> <b, g,> }
    \tuplet 3/2 {
     <f d>16 <e c> <d b,> <c a,> <b, g,> <a, f,> }
\break
%% 42
   \time 3/2
    \tuplet 3/2 {
     <f, a,>16 <g, b,> <a, c> <b, d> <c e> <d f> }
    \tuplet 3/2 {
     <g, b,> <a, c> <b, d> <c e> <d f> <e g> }
    \tuplet 3/2 {
     <a, c> <b, d> <c e> <d f> <e g> <f a> }
    \tuplet 3/2 {
     <b, d> <c e> <d f> <e g> <f a> <g b> }
    \tuplet 3/2 {
     <c e> <d f> <e g> <f a> <g b> <a c'> }
    \tuplet 3/2 {
     <d f> <e g> <f a> <g b> <a c'> <b d'> } 
\break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
    \repeat percent 5 { \repeat percent 6 {
    \tuplet 3/2 8 {
     <f d>16 <e c> <d b,> <c a,> <b, g,> <a, f,> } } | } \break
%% 57-61
   r1. | r1. | r1. | r1. | r1. | \break
%% 62-65
   r1. | r1. | r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   a,2 <f, c>1 | a,1. | <f, c>1. | <c  g>2 e1 | \break
%% 78-81
   <c g>1 e2 | r1. | r1. | r1. | \break
%% 82-86
   r1. | r1. | r2 g,1 ~ | g,1. ~ |
   g,4 r2.^\fermata s2 \bar "|." \break
}
%%% end bass-sheet
bassM = {
   \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   g,2 c2. \tuplet 3/2 { b,4 a, g, } b,\breve c4 |
   a\longa | \break
%% 3-4
   c2 b,\breve a,2 d1_~ | \time 3/2 d1\fermata r2 | \break
%% 5-8
   r1. | r1. | r1. | r1. | \break
%% 9-12
   <b, d>8 ~ <b, e> ~ <b, f>_~ <b, g> r8
   <c e>8 <d f> <e g> <f a> r8 \tuplet 3/2 { a16 g f e d c ~ } |
   c4.. b,2.. r8. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   a,2. ~ <a, e> | <b, d>1. | <g, f>1. | c1. | \break
%% 29-32
   a,2. ~ <a, e> | c1. | <g, f>1. | <b, d>1. | \break
%% 33-34
   \time 4/1
   r\longa | r\longa | \break
%% 35-38
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39
   \time 3/2
   a,1. | \break
%% 40
   \time 3/2
   <f, c>1. | \break
%% 41
   \time 3/2
    \tuplet 3/2 {
     <d' b>16 <c' a> <b g> <a f> <g e> <f d> }
    \tuplet 3/2 {
     <c' a>16 <b g> <a f> <g e> <f d> <e c> }
    \tuplet 3/2 {
     <b g>16 <a f> <g e> <f d> <e c> <d b,> }
    \tuplet 3/2 {
     <a f>16 <g e> <f d> <e c> <d b,> <c a,> }
    \tuplet 3/2 {
     <g e>16 <f d> <e c> <d b,> <c a,> <b, g,> }
    \tuplet 3/2 {
     <f d>16 <e c> <d b,> <c a,> <b, g,> <a, f,> }
\break
%% 42
   \time 3/2
    \tuplet 3/2 {
     <f, a,>16 <g, b,> <a, c> <b, d> <c e> <d f> }
    \tuplet 3/2 {
     <g, b,> <a, c> <b, d> <c e> <d f> <e g> }
    \tuplet 3/2 {
     <a, c> <b, d> <c e> <d f> <e g> <f a> }
    \tuplet 3/2 {
     <b, d> <c e> <d f> <e g> <f a> <g b> }
    \tuplet 3/2 {
     <c e> <d f> <e g> <f a> <g b> <a c'> }
    \tuplet 3/2 {
     <d f> <e g> <f a> <g b> <a c'> <b d'> } 
\break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
    \repeat percent 5 { \repeat percent 6 {
    \tuplet 3/2 8 {
     <f d>16 <e c> <d b,> <c a,> <b, g,> <a, f,> } } | } \break
%% 57-61
   r1. | r1. | r1. | r1. | r1. | \break
%% 62-65
   r1. | r1. | r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   a,2 <f, c>1 | a,1. | <f, c>1. | <c  g>2 e1 | \break
%% 78-
   <c g>1 e2 | r1. | r1. | r1. | \break
%% 82-86
   r1. | r1. | r2 g,1 ~ | g,1. ~ |
   g,4 r2.^\fermata s2 \bar "|." \break
}
%%% end bass-midi
%%%
%%%%%%%%%%%%%%%%%%%% End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%% Thank you. %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

Next: , Previous: , Up: Top  

road-12.texi

%% 4:32 AM Tuesday, January 30, 2024
%% Yukio Yoshida.
\input colordvi.tex
\input texinfo 
@c %**start of header
@setfilename road-12.info
@c @settitle Road 12
@documentlanguage en
@documentencoding utf-8
@setchapternewpage odd
@c %**end of header

@c *********** Body start ******************
@ifnottex
@node       Top,         Music Sheet,    ("dir"),    ("dirTop")
@comment  node-name,        next,        previous,       up
@end ifnottex
@c @node Top
@ifhtml
@html
<p align = "center">
<span  style="font-size: 40px;"><b>Road 12</b></spam>
</p>
<code>
[file-code; "ly,texi,sh are UTF-8"]<br />
<span style="font-size: 16px;">
<b>Normally; Windows & Linux</b> "[Prompt] <tt>lilypond --pdf --png name.ly</tt>[Enter]"<br />
<b>And---- Only; 
 <i>Linux(Prompt)<kbd> <span style="color: red;">$ ./run--lily.sh name</span></kbd>[Enter]</i>(need makeinfo) ----</b><br />
</span>
</code><br />
@end html
@end ifhtml
@c @top
@c @ignore ------------------------------------------------------------------------
@ifhtml
@menu
* road-12::                     --- Music Sheet:                       Music Sheet.
* road-12.ly::                 --- Source code framework:     road-12.ly.
* road-12cv.ly::             --- Source code notes:              road-12cv.ly.
* road-12.texi::              --- Source code document:       road-12.texi.
* run--makeinfo::           --- Source code run-file:           run--makeinfo.
@end menu
@end ifhtml
@c @ignore ------------------------------------------------------------------------
@html
<p align = "center">
<a href="road-12.midi">road-12.midi</a>(//The one below is mp3//)&#160;&#160;&#160;&#160;&#160;
&#160;&#160;&#160;&#160;&#160;<a href="road-12.pdf">road-12.pdf</a>
&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
&#149;&#160;<a href="road-12.tar.gz">road-12.tar.gz</a>&#160;(All-files;&lt;13,500bytes)<br />
<audio src="road-12.mp3" controls>
Download <a href="road-12.mp3">episode 42 Learnung to love HTML5</a>
</audio><br />
The Jacket of a sheet is "png" and Sheets are "svg"</p>
@end html


@ifnottex
@node        Music Sheet,   road-12.ly,       Top,      Top
@comment      node-name,     next,          previous,    up
@c @top
@end ifnottex
@unnumbered Music Sheet
@html
<div align="center">
<a href="road-12.pdf">
@end html
@ifhtml
@html
<img src="road-12-page1.png" alt="[picture of music]" /><!--  -->
<hr style="width:68%; height:4px;" />
<img src="road-12-2.svg" alt="[picture of music]" /><!--  -->
<hr style="width:68%; height:4px;" />
<img src="road-12-3.svg" alt="[picture of music]" /><!--  -->
<hr style="width:68%; height:4px;" />
<img src="road-12-4.svg" alt="[picture of music]" /><!--  -->
<hr style="width:68%; height:4px;" />
<img src="road-12-5.svg" alt="[picture of music]" /><!--  -->
<hr style="width:68%; height:4px;" />
<img src="road-12-6.svg" alt="[picture of music]" /><!--  -->
<hr style="width:68%; height:4px;" />
<img src="road-12-7.svg" alt="[picture of music]" /><!--  -->
<hr style="width:68%; height:4px;" />
<img src="road-12-8.svg" alt="[picture of music]" /><!--  -->
<hr style="width:68%; height:4px;" />
<img src="road-12-9.svg" alt="[picture of music]" /><!--  -->
<hr style="width:68%; height:4px;" />
<img src="road-12-10.svg" alt="[picture of music]" /><!--  -->
<hr style="width:68%; height:4px;" />
</a>
@end html
@end ifhtml
@html
</div>
@end html


@ifnottex
@node             road-12.ly,    road-12cv.ly,      Music Sheet,     Top
@comment    node-name,      next,                previous,          up
@end ifnottex
@unnumbered road-12.ly
@html
<blockquote><blockquote>
@end html
@verbatiminclude road-12.ly
@html
</blockquote></blockquote>
@end html


@ifnottex
@node          road-12cv.ly,     road-12.texi,            road-12.ly,     Top
@comment    ode-name,            next,                 previous,       up
@end ifnottex
@unnumbered road-12cv.ly
@html
<blockquote><blockquote>
@end html
@verbatiminclude road-12cv.ly
@html
</blockquote></blockquote>
@end html


@ifnottex
@node           road-12.texi,         run--makeinfo,      road-12cv.ly,     Top
@comment     node-name,              next,                  previous,          up
@end ifnottex
@unnumbered road-12.texi
@html
<blockquote><blockquote>
@end html
@verbatiminclude road-12.texi
@html
</blockquote></blockquote>
@end html


@ifnottex
@node          run--makeinfo,                ,       road-12.texi,      Top
@comment      node-name,         next,            previous,        up
@end ifnottex
@unnumbered run--makeinfo
@html
<blockquote><blockquote>
<b><i>Only; running is on Linux(on WSL).</i></b><br />
@end html
@ifhtml
@html
<span style="font: 16px;">
<table>
<td>
&#160;&#160;&#160;<b><i>run--lily.sh</i></b><br />
<span style="color: red;">
@verbatiminclude run--lily.sh
</span>
</td>
</table>
@end html
@end ifhtml
@ @ @ @ This is under the following environment.@*
@ @ @ @ Linux[on WSL(windows11)]@  ---(GNU/Linux 4.4.0-19041-Microsoft x86_64) or 
(GNU/Linux 5.10.16.3-microsoft-standard-WSL2 x86_64)---@*
@html
</blockquote></blockquote>
<br />
<br />
@end html
@c *********** End Body *********************
@bye

Previous: , Up: Top  

run–makeinfo

Only; running is on Linux(on WSL).
   run--lily.sh
#!/usr/bin/bash
rm -r html
lilypond --pdf --png $1.ly
lilypond --svg $1.ly
makeinfo --no-split --force --html $1.texi
mkdir html
mv *.svg html/
mv *.pdf html/
mv $1-page1.png html/
mv *.midi html/
mv *.html html/
cd html
xdg-open $1.pdf | xdg-open $1.midi | explorer.exe $1.html
cd ../
rm *.eps *.png
ls -lX

    This is under the following environment.
    Linux[on WSL(windows11)]  —(GNU/Linux 4.4.0-19041-Microsoft x86_64) or (GNU/Linux 5.10.16.3-microsoft-standard-WSL2 x86_64)—