1 %% 10:08 AM Friday, July 7, 2023 2 %% Yukio Yoshida. 3 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 4 %% If you want to change of color, then do see! in "define-grobs.scm"(lilypond's system file) 5 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 6 \version "2.24.0" 7 %% This is system-files and for midi's effect 8 \include "articulate.ly" %% But here isn't use. See----> midi block 9 %% for sheet-music 10 #(set-default-paper-size "letter") 11 #(set-global-staff-size 18) 12 mf = #(make-dynamic-script "mf") 13 TenorSol = { 14 \override Voice.NoteHead.color = #blue 15 \override Voice.Rest.color = #blue 16 \override Voice.Stem.color = #blue 17 \override Voice.Flag.color = #blue 18 \override Voice.Beam.color = #blue 19 \override Voice.Slur.color = #blue 20 \override Voice.PhrasingSlur.color = #blue 21 \override Voice.Tie.color = #blue 22 \override Voice.Dots.color = #blue 23 \override Voice.Script.color = #blue 24 \override Voice.Accidental.color = #blue 25 \override Voice.DynamicLineSpanner.color = #blue 26 \override Voice.DynamicText.color = #blue 27 \override Voice.DynamicTextSpanner.color = #blue 28 \override Voice.TupletNumber.color = #blue 29 \override Voice.TupletBracket.color = #blue 30 \override Voice.BreathingSign.color = #blue 31 \override Voice.PercentRepeat.color = #blue 32 \override Voice.RepeatSlash.color = #blue 33 } 34 35 VoiceColorBlue = { 36 \override Staff.StaffSymbol.color = #blue 37 \override Staff.LedgerLineSpanner.color = #blue 38 \override Staff.Clef.color = #blue 39 \override Staff.TimeSignature.color = #blue 40 \override Staff.KeySignature.color = #blue 41 \override Staff.BarLine.color = #blue 42 \override Voice.NoteHead.color = #blue 43 \override Voice.Rest.color = #blue 44 \override Voice.Stem.color = #blue 45 \override Voice.Flag.color = #blue 46 \override Voice.Beam.color = #blue 47 \override Voice.Slur.color = #blue 48 \override Voice.PhrasingSlur.color = #blue 49 \override Voice.Tie.color = #blue 50 \override Voice.Dots.color = #blue 51 \override Voice.Script.color = #blue 52 \override Voice.Accidental.color = #blue 53 \override Voice.DynamicLineSpanner.color = #blue 54 \override Voice.DynamicText.color = #blue 55 \override Voice.DynamicTextSpanner.color = #blue 56 \override Voice.TupletNumber.color = #blue 57 \override Voice.TupletBracket.color = #blue 58 \override Voice.BreathingSign.color = #blue 59 \override Voice.PercentRepeat.color = #blue 60 \override Voice.RepeatSlash.color = #blue 61 } 62 VoiceColorBlueRevert = { 63 \revert Voice.NoteHead.color 64 \revert Voice.Rest.color 65 \revert Voice.Stem.color 66 \revert Voice.Flag.color 67 \revert Voice.Beam.color 68 \revert Voice.Slur.color 69 \revert Voice.PhrasingSlur.color 70 \revert Voice.Tie.color 71 \revert Voice.Dots.color 72 \revert Voice.Script.color 73 \revert Voice.Accidental.color 74 \revert Voice.DynamicLineSpanner.color 75 \revert Voice.DynamicTextSpanner.color 76 \revert Voice.DynamicText.color 77 \revert Voice.TupletNumber.color 78 \revert Voice.TupletBracket.color 79 \revert Voice.BreathingSign.color 80 \revert Voice.BreathingSign.color 81 \revert Voice.PercentRepeat.color 82 \revert Voice.RepeatSlash.color 83 } 84 85 BlueRest = { \override Voice.Rest.color = #blue 86 \override Voice.Dots.color = #blue } 87 BlueOff = { \revert Voice.Rest.color 88 \revert Voice.Dots.color } 89 90 AddChorus = { 91 \override Staff.StaffSymbol.color = #red 92 \override Staff.LedgerLineSpanner.color = #red 93 \override Staff.Clef.color = #red 94 \override Staff.TimeSignature.color = #red 95 \override Staff.KeySignature.color = #red 96 \override Staff.BarLine.color = #red 97 \override Voice.NoteHead.color = #red 98 \override Voice.Rest.color = #red 99 \override Voice.Stem.color = #red 100 \override Voice.Flag.color = #red 101 \override Voice.Beam.color = #red 102 \override Voice.Slur.color = #red 103 \override Voice.PhrasingSlur.color = #red 104 \override Voice.Tie.color = #red 105 \override Voice.Dots.color = #red 106 \override Voice.Script.color = #red 107 \override Voice.Accidental.color = #red 108 \override Voice.TupletNumber.color = #red 109 \override Voice.TupletBracket.color = #red 110 \override Voice.BreathingSign.color = #red 111 } 112 113 \paper { 114 %% ragged-last-bottom = ##f 115 } 116 117 \header { 118 dedication = \markup { \center-column { " " " " " " \italic "The Story of A Lady" } } 119 title = \markup{ \line { \italic \huge "My Desire!"} } 120 subtitle = \markup{ \center-column {\italic "ees major; c d ees f g aes bes" } } 121 %% subsubtitle = #(string-append "LilyPond version " (lilypond-version)) 122 subsubtitle = \markup{\center-column { 123 \italic "mezzosoprano; C clef on 2nd line," 124 %% "soprano; C clef on 1st line, alto; C clef on 3rd line." 125 %% " bass; F clef on 4th line, tenor; C clef on 4th line."}} 126 \line { soprano; C clef on 1st line,\hspace #4 alto; C clef on 3rd line.} 127 \line { \hspace #2 bass; F clef on 4th line,\hspace #4 %% 128 tenor; C clef on 4th\with-color #blue "(& Solo; singer)" } } } 129 composer = \markup { \line {\italic "Yukio Yoshida"} } 130 arranger = \markup { \line {Op.90\hspace #1 9/29/2015} } 131 %% opus = "Op.90" 132 %% poet = " " 133 copyright = "public Domain" 134 meter = \markup { \hspace #10 \teeny \italic \column { 135 \bold \tiny "Tenor Sol; Vocal Words" 136 "My desire? I know!" 137 "I really say this" 138 "Replacing King of this Kingdom!" 139 "King's stalwart, but not me." 140 "Become the King of the Kingdom!" 141 %% "It's what we together are all at the same time." 142 }\hspace #8 \teeny \italic \column { 143 " " 144 %% "On behalf of the reigning king." 145 %% "I becomes King of a Kingdom!" 146 "Waiting for my wish was voyage," 147 "To kill the reigning Wang clan," 148 "Not out of the Woods!" 149 "To become the King of a Kingdom" 150 "Price I pay is a kill!" 151 " " 152 }\hspace #8 \column { 153 \bold \tiny "Chorus Vocal; pronunciation" 154 \raise #1 \teeny \italic " Soprano, Alto; ' ə ' , ' m ' " 155 \raise #2 \teeny \italic " Tenor, Bass; ' ʊ ' , ' m ' " 156 %% \raise # \teeny " This is the basic format," 157 \raise #3.5 \teeny " But, other vocalizations are OK." 158 \raise #4.5 \teeny " ' ʌ ' , ' æ ' , ' ɑ ' , ' ʊ̈ ' , ' ɱ ' ... and so on. " 159 \raise #5 \bold \tiny \italic "Chorus Vocal; Words" 160 \raise #6 \teeny \italic "By boold who was grabbed," 161 \raise #7 \teeny \italic "By boold let whom be rewarded." 162 }} 163 } 164 %% tagline = " " 165 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 166 %%%%%%%%% ! Revert mezzosoprano part %%%%%%%%%%%%%%%%%%%%% 167 mezzosoprano = { 168 \autoBeamOff 169 \partial 2 r2^\fermata | 170 %% 1-4 171 }%% end mezzospprano sheet 172 173 mezzosopranoL = \lyricmode { 174 \override Lyrics.LyricText.color = #blue 175 \override Lyrics.LyricHyphen.color = #blue 176 \override Lyrics.LyricExtender.color = #blue 177 \override Score.LyricText.font-shape = #'italic 178 \tiny 179 } 180 181 mezzosopranoM = { 182 \autoBeamOff 183 \partial 2 r2^\fermata | 184 %% 1-4 185 }%% end mezzosoprano-midi 186 %%%%%%% End Revert Part %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 187 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 188 189 %%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%% 190 sopranoVoice = { 191 \autoBeamOff 192 \partial 2 r2^\fermata | 193 %% 1-4 194 a'1\melisma b'2 | c''1. | aes'2 bes'1 | ces''1 ces''8\melismaEnd r4. | \break 195 %% 5-8 196 r1. | ces''4.\melisma bes'4 aes'8 g'4 f'2 ~ | f'1. | c'1.\melismaEnd | \break 197 %% 9-12 198 r1. | r1. | r1. | r1. | \break 199 %% 13-16 200 r1. | r1. | r1. | r1. | \break 201 %% 17-20 202 r1. | r1. | r1. | r1. | \break 203 %% 21-24 204 r1. | r1. | r1. | r1. | \break 205 %% 25-28 206 r1. | r1. | r1. | r1. | \break 207 %% 29-32 208 r1. | r1. | r1. | r1. | \break 209 %% 33-36 210 r1. | r1. | r1. | r1. | \break 211 %% 37-41 212 r1. | r1. | r1. | r1. | r1. |\break 213 %% 42-45 214 r2^\markup { \column { \line { " " } 215 \line { \hspace #-8 \with-color #blue \tiny \italic " From here to 45bar, Only; Chorus Echo!!" } 216 \line { " " } } } 217 c'1\melisma | f'1\melismaEnd c''4 f''4 ~ | f''4 c''2 ees''4 aes'2 | r4 c''4 f''2 c''2 | \break 218 %% 46-50 219 ees''2 r8 ees''4 r8 aes'2 ~ | aes'1 f'2\melisma | c'1. | ees'1. | c'1.\melismaEnd \bar "|." \break 220 } 221 222 sopranoVoiceL = \lyricmode { 223 \override Lyrics.LyricText.color = #blue 224 \override Lyrics.LyricHyphen.color = #blue 225 \override Lyrics.LyricExtender.color = #blue 226 \override Score.LyricText.font-shape = #'italic 227 \teeny 228 ə __ ə __ 229 m __ 230 By boold who was grabbed, 231 By boold let whom be rewarded. 232 ə __ 233 } 234 235 sopranoVoiceM = { 236 \autoBeamOff 237 \partial 2 r2^\fermata | 238 %% 1-4 239 a'1\melisma b'2 | c''1. | aes'2 bes'1 | ces''1 ces''8\melismaEnd r4. | \break 240 %% 5-8 241 r1. | ces''4.\melisma bes'4 aes'8 g'4 f'2 ~ | f'1. | c'1.\melismaEnd | \break 242 %% 9-12 243 r1. | r1. | r1. | r1. | \break 244 %% 13-16 245 r1. | r1. | r1. | r1. | \break 246 %% 17-20 247 r1. | r1. | r1. | r1. | \break 248 %% 21-24 249 r1. | r1. | r1. | r1. | \break 250 %% 25-28 251 r1. | r1. | r1. | r1. | \break 252 %% 29-32 253 r1. | r1. | r1. | r1. | \break 254 %% 33-36 255 r1. | r1. | r1. | r1. | \break 256 %% 37-41 257 r1. | r1. | r1. | r1. | r1. |\break 258 %% 42-45 259 r2 c'1\melisma | f'1\melismaEnd c''4 f''4 ~ | f''4 c''2 ees''4 aes'2 | r4 c''4 f''2 c''2 | \break 260 %% 46-50 261 ees''2 r8 ees''4 r8 aes'2 ~ | aes'1 f'2\melisma | c'1. | ees'1. | c'1.\melismaEnd \bar "|." \break 262 } 263 264 %%% Instruments part 265 soprano = { 266 \autoBeamOff 267 \partial 2 r2^\fermata | 268 %% 1-4 269 r1. | r1. | r1. | r1 c''2 ~ | \break 270 %% 5-8 271 c''1. | e''2 d'' c'' | aes'1. | r1. | \break 272 %% 9-12 273 c'1. | <c' ees'>2. <c' g'> ~ | 274 <c' g'> <d' f'>8[ <ees' g'> <f' aes'> <g' bes'>] <aes' c''>4 ~ | <aes' c''>1. | \break 275 %% 13-16 276 r1. | r1. | r1. | r1. | \break 277 %% 17-20 278 r1. | r1. | r1. | r1. | \break 279 %% 21-24 280 r1. | r1. | r1. | r1. | \break 281 %% 25-28 282 r1. | r1. | r1. | r1. | \break 283 %% 29-32 284 r1. | r1. | r1. | r1. | \break 285 %% 33-36 286 <aes' c''>1. | 287 \repeat percent 6 { <ees'' c'' aes'>16[ <d'' bes' g'> <c'' aes' f'> <bes' g' ees'>] } | 288 \repeat percent 6 { <c'' aes' f'>16[ <bes' g' ees'> <aes' f' d'> <g' ees' c'>] } | 289 <d' f'>1. | \break 290 %% 37-40 291 r1. | r1. | r1. | r1. | r1. | \break 292 %% 42-45 293 r1. | r1. | r1. | r1. | \break 294 %% 46-50 295 r1. | r1 <ees' g'>2 | c''1. | <ees' g'>1. | <c' ees'>1. \bar "|." \break 296 }%% end soprano sheet 297 298 sopranoM = { 299 \autoBeamOff 300 \partial 2 r2^\fermata | 301 %% 1-4 302 r1. | r1. | r1. | r1 c''2 ~ | \break 303 %% 5-8 304 c''1. | e''2 d'' c'' | aes'1. | r1. | \break 305 %% 9-12 306 c'1. | <c' ees'>2. <c' g'> ~ | 307 <c' g'> <d' f'>8[ <ees' g'> <f' aes'> <g' bes'>] <aes' c''>4 ~ | <aes' c''>1. | \break 308 %% 13-16 309 r1. | r1. | r1. | r1. | \break 310 %% 17-20 311 r1. | r1. | r1. | r1. | \break 312 %% 21-24 313 r1. | r1. | r1. | r1. | \break 314 %% 25-28 315 r1. | r1. | r1. | r1. | \break 316 %% 29-32 317 r1. | r1. | r1. | r1. | \break 318 %% 33-36 319 <aes' c''>1. | 320 \repeat percent 6 { <ees'' c'' aes'>16[ <d'' bes' g'> <c'' aes' f'> <bes' g' ees'>] } | 321 \repeat percent 6 { <c'' aes' f'>16[ <bes' g' ees'> <aes' f' d'> <g' ees' c'>] } | 322 <d' f'>1. | \break 323 %% 37-41 324 r1. | r1. | r1. | r1. | r1. | \break 325 %% 42-45 326 r1. | r1. | r1. | r1. | \break 327 %% 46-50 328 r1. | r1 <ees' g'>2 | c''1. | <ees' g'>1. | <c' ees'>1. \bar "|." \break 329 }%% end soprano-midi 330 331 %%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%%b 332 altoVoice = { 333 \autoBeamOff 334 \partial 2 r2^\fermata | 335 %% 1-4 336 d'1\melisma e'2 | f'1. | d'2 ees'1 | fes'1 fes'8\melismaEnd r4. | \break 337 %% 5-8 338 r1. | fes'4.\melisma ees'4 d'8 c'4 bes2 ~ | bes1. | f1.\melismaEnd | \break 339 %% 9-12 340 r1. | r1. | r1. | r1. | \break 341 %% 13-16 342 r1. | r1. | r1. | r1. | \break 343 %% 17-20 344 r1. | r1. | r1. | r1. | \break 345 %% 21-24 346 r1. | r1. | r1. | r1. | \break 347 %% 25-28 348 r1. | r1. | r1. | r1. | \break 349 %% 29-32 350 r1. | r1. | r1. | r1. | \break 351 %% 33-36 352 r1. | r1. | r1. | r1. | \break 353 %% 37-41 354 r1. | r1. | r1. | r1. | r1. |\break 355 %% 42-45 356 r2 f1\melisma | bes1\melismaEnd f'4 bes'4 ~ | bes'4 f'2 aes'4 d'2 | r4 f'4 bes'2 f'2 | \break 357 %% 46-50 358 aes'2 r8 aes'4 r8 d'2 ~ | d'1 bes2\melisma | f1. | aes1. | f1.\melismaEnd \bar "|." \break 359 } 360 361 altoVoiceL = \lyricmode { 362 \override Lyrics.LyricText.color = #blue 363 \override Lyrics.LyricHyphen.color = #blue 364 \override Lyrics.LyricExtender.color = #blue 365 \override Score.LyricText.font-shape = #'italic 366 \teeny 367 m __ m __ 368 ə __ 369 By boold who was grabbed, 370 By boold let whom be rewarded. 371 m __ 372 } 373 374 altoVoiceM = { 375 \autoBeamOff 376 \partial 2 r2^\fermata | 377 %% 1-4 378 d'1\melisma e'2 | f'1. | d'2 ees'1 | fes'1 fes'8\melismaEnd r4. | \break 379 %% 5-8 380 r1. | fes'4.\melisma ees'4 d'8 c'4 bes2 ~ | bes1. | f1.\melismaEnd | \break 381 %% 9-12 382 r1. | r1. | r1. | r1. | \break 383 %% 13-16 384 r1. | r1. | r1. | r1. | \break 385 %% 17-20 386 r1. | r1. | r1. | r1. | \break 387 %% 21-24 388 r1. | r1. | r1. | r1. | \break 389 %% 25-28 390 r1. | r1. | r1. | r1. | \break 391 %% 29-32 392 r1. | r1. | r1. | r1. | \break 393 %% 33-36 394 r1. | r1. | r1. | r1. | \break 395 %% 37-41 396 r1. | r1. | r1. | r1. | r1. |\break 397 %% 42-45 398 r2 f1\melisma | bes1\melismaEnd f'4 bes'4 ~ | bes'4 f'2 aes'4 d'2 | r4 f'4 bes'2 f'2 | \break 399 %% 46-50 400 aes'2 r8 aes'4 r8 d'2 ~ | d'1 bes2\melisma | f1. | aes1. | f1.\melismaEnd \bar "|." \break 401 } 402 %%% Instruments 403 alto = { 404 \autoBeamOff 405 \partial 2 r2^\fermata | 406 %% 1-4 407 r1. | r1. | r1. | r1 f'2 ~ | \break 408 %% 5-8 409 f'1. | a'2 g' f' | d'1. | r1. | \break 410 %% 9-12 411 f1. | <f aes>2. <f c'> ~ | 412 <f c'> <g bes>8[ <aes c'> <bes d'> <c' ees'>] <d' f'>4 ~ | <d' f'>1. | \break 413 %% 13-16 414 r1. | r1. | r1. | r1. | \break 415 %% 17-20 416 r1. | r1. | r1. | r1. | \break 417 %% 21-24 418 r1. | r1. | r1. | r1. | \break 419 %% 25-28 420 r1. | r1. | r1. | r1. | \break 421 %% 29-32 422 r1. | r1. | r1. | r1. | \break 423 %% 33-36 424 <d' f'>1. | 425 \repeat percent 6 { <aes' f' d'>16[ <g' ees' c'> <f' d' bes> <ees' c' aes>] } | 426 \repeat percent 6 { <f' d' bes>16[ <ees' c' aes> <d' bes g> <c' aes f>] } | 427 <g bes>1. | \break 428 %% 37-41 429 r1. | r1. | r1. | r1. | r1. | \break 430 %% 42-45 431 r1. | r1. | r1. | r1. | \break 432 %% 46-50 433 r1. | r1 <aes c'>2 | f'1. | <aes c'>1. | <f aes>1. \bar "|." \break 434 }%% end alto sheet 435 436 altoM = { 437 \autoBeamOff 438 \partial 2 r2^\fermata | 439 %% 1-4 440 r1. | r1. | r1. | r1 f'2 ~ | \break 441 %% 5-8 442 f'1. | a'2 g' f' | d'1. | r1. | \break 443 %% 9-12 444 f1. | <f aes>2. <f c'> ~ | 445 <f c'> <g bes>8[ <aes c'> <bes d'> <c' ees'>] <d' f'>4 ~ | <d' f'>1. | \break 446 %% 13-16 447 r1. | r1. | r1. | r1. | \break 448 %% 17-20 449 r1. | r1. | r1. | r1. | \break 450 %% 21-24 451 r1. | r1. | r1. | r1. | \break 452 %% 25-28 453 r1. | r1. | r1. | r1. | \break 454 %% 29-32 455 r1. | r1. | r1. | r1. | \break 456 %% 33-36 457 <d' f'>1. | 458 \repeat percent 6 { <aes' f' d'>16[ <g' ees' c'> <f' d' bes> <ees' c' aes>] } | 459 \repeat percent 6 { <f' d' bes>16[ <ees' c' aes> <d' bes g> <c' aes f>] } | 460 <g bes>1. | \break 461 %% 37-41 462 r1. | r1. | r1. | r1. | r1. | \break 463 %% 42-45 464 r1. | r1. | r1. | r1. | \break 465 %% 46-50 466 r1. | r1 <aes c'>2 | f'1. | <aes c'>1. | <f aes>1. \bar "|." \break 467 s}%% end alto-midi 468 469 %%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%% 470 tenorVoice = { 471 \autoBeamOff 472 \partial 2 r2^\fermata | 473 %% 1-4 474 %% d'1 e'2 | f'1. | d'2 ees'1 | fes'1 fes'8 r4. | \break 475 %% f'1 g'2 | aes'1. | f'2 g'1 | a'1 a'8 r4. | \break 476 a1\melisma b2 | c'1. | aes2 bes1 | ces'1 ces'8\melismaEnd r4. | \break 477 %% 5-8 478 r1. | ces'4.\melisma bes4 aes8 g4 f2_( | aes1.)_( | c'1.)\melismaEnd | \break 479 %% 9-12 480 r1. | r1. | r1. | r1. | \break 481 %% 13-16 482 r1. | r1. | r1. | r1. | \break 483 %% 17-20 484 r1. | r1. | r1. | r1. | \break 485 %% 21-24 486 r1. | r1. | r1. | r1. | \break 487 %% 25-28 488 r1. | r1. | r1. | r1. | \break 489 %% 29-32 490 r1. | r1. | r1. | r1. | \break 491 %% 33-36 492 r1. | r1. | r1. | r1. | \break 493 %% 37-41 494 r1. | r1. | r1. | r1. | r1. |\break 495 %% 42-45 496 r2 d1\melisma | g1\melismaEnd d'4 g'4 ~ | g'4 d'2 ees'4 bes2 | r4 d'4 g'2 d'2 | \break 497 %% 46-50 498 f'2 r8 f'4 r8 bes2 ~ | bes1 g2\melisma | d1. | f1. | d1.\melismaEnd \bar "|." \break 499 } 500 501 tenorVoiceL = \lyricmode { 502 \override Lyrics.LyricText.color = #blue 503 \override Lyrics.LyricHyphen.color = #blue 504 \override Lyrics.LyricExtender.color = #blue 505 \override Score.LyricText.font-shape = #'italic 506 \teeny 507 ʊ __ ʊ __ 508 m __ 509 By boold who was grabbed, 510 By boold let whom be rewarded. 511 ʊ __ 512 } 513 514 tenorVoiceM = { 515 \autoBeamOff 516 \partial 2 r2^\fermata | 517 %% 1-4 518 %% d'1 e'2 | f'1. | d'2 ees'1 | fes'1 fes'8 r4. | \break 519 %% f'1 g'2 | aes'1. | f'2 g'1 | a'1 a'8 r4. | \break 520 a1\melisma b2 | c'1. | aes2 bes1 | ces'1 ces'8\melismaEnd r4. | \break 521 %% 5-8 522 r1. | ces'4.\melisma bes4 aes8 g4 f2_( | aes1.)_( | c'1.)\melismaEnd | \break 523 %% 9-12 524 r1. | r1. | r1. | r1. | \break 525 %% 13-16 526 r1. | r1. | r1. | r1. | \break 527 %% 17-20 528 r1. | r1. | r1. | r1. | \break 529 %% 21-24 530 r1. | r1. | r1. | r1. | \break 531 %% 25-28 532 r1. | r1. | r1. | r1. | \break 533 %% 29-32 534 r1. | r1. | r1. | r1. | \break 535 %% 33-36 536 r1. | r1. | r1. | r1. | \break 537 %% 37-41 538 r1. | r1. | r1. | r1. | r1. |\break 539 %% 42-45 540 r2 d1\melisma | g1\melismaEnd d'4 g'4 ~ | g'4 d'2 ees'4 bes2 | r4 d'4 g'2 d'2 | \break 541 %% 46-50 542 f'2 r8 f'4 r8 bes2 ~ | bes1 g2\melisma | d1. | f1. | d1.\melismaEnd \bar "|." \break 543 } 544 545 %%% Instruments 546 tenor = { 547 \autoBeamOff 548 \partial 2 r2^\fermata | 549 %% 1-4 550 r1. | r1. | r1. | r1 c'2 ~ | \break 551 %% 5-8 552 c'1. | e'2 d' c' | \once \override Voice.Accidental.color = #red a1. | r1. | \break 553 %% 9-12 554 aes1. | <g bes>2. <f c'> ~ | <f c'> <g bes> | aes1 r2 | \break 555 %% 13-41 556 %%%%%% Upper; Tenor Sol Singer Song code 557 %% 13-16-17-20-21-24-25-28-29-32-33-36-37-41 558 << { \new Voice = "tenorSol" { \TenorSol 559 %% \hide Staff.BarLine ====>Do next bar ! 560 \autoBeamOff \stemUp 561 aes4.^\markup { \column { \line { " " } 562 \lower #1 \line { \hspace #-10 \bold \italic "Only; Tenor part with Tenor Sol" } 563 \line { \with-color #blue \tiny \italic "Sol; Singer" 564 \with-color #blue \tiny 565 { ( On with Only one Instrument OK however, " " 566 \italic \with-color #red "But from this(13)bar to 31bar !!" )}} 567 \raise #1 \line { \tiny \italic "Black nots are for Instruments-play" } } 568 } 569 %% My desire? I know! I really say this 570 bes2. r8 c'4 ~ | \hide Staff.BarLine 571 c'4 r8 d'2.( c'4.) | r2 f'1 | f4 ees4. c2 r4. | \break 572 %% 17-20 573 %% Re -- placing King of this Kingdom! 574 c4_\(_( ees8 g) bes4\) c'4. bes8 c'4 ~ | c'4 c'4.^( g'2) c'4.\rest | 575 %% King's stal -- wart, but not me. 576 c'4. g\( c2\) ees4 | f4.. r16 c'2. c'4\rest | 577 %% 21-24 578 %% Be -- come the King of the Kingdom! 579 aes4\( c'4.\) c'8 ees'2 ees'8 g'8 ~ | g'8 g'4.( g4 ees2) r4 | r1. | d'1.\rest | \break 580 %% 25-28 581 %% Waiting 582 r1. | r1. | r1. | r1 bes2 | \break 583 %% 29-32 584 %% for my wish was voyage, To kill the reigning Wang clan, 585 c'4. ees'4 g'4( aes'4.) r8 aes8 ~ | aes f2 aes4. c'2 | r8 c'8 ees'2 bes4 f2 | 586 %% Not out of the Woods! 587 g4.^\markup { \with-color #red \tiny \italic "here is no Intrument with sol" } 588 ees4. d8 d c2 | \break 589 %% 33-36 590 %% m __ m __ 591 r1 ees2\melisma | aes1\melismaEnd r2 | r2 ees1\melisma | aes2\melismaEnd r1 | \break 592 %% 37-41 593 %% To become the King of a King -- dom, m __ Price I pay is a kill! 594 g'4^\markup { \hspace #-8 \with-color #red \tiny 595 \italic "From here to 41bar, Only sol; Singer's Echo!!" } 596 bes'2 r4 ees'8 ees'4. ~ | ees'4. c'8 aes f2 c4. ~ | 597 c4. r4 ees4.\(\melisma ees'2 | d'8\)\melismaEnd r4 c'4. f'2. | 598 bes8 g4. r8 ees8 c2. \undo \hide Staff.BarLine \break 599 } } \\ 600 %%%%%% Lower; Instruments's Play code 601 %% 13-16 602 { \stemDown 603 r1. | r1. | <d f>1 \once \stemUp c2 | r1. | \break 604 %% 17-20 605 \autoBeamOff 606 g1 c'2 | c8^\staccato ees^\staccato g^\staccato bes^\staccato d'2_( g'2) ~ | 607 g'1. | c1. ~ | \break 608 %% 21-24 609 c1. | r1 c2 | \repeat percent 4 { < c ees g>8[ <c f bes> <c g d'>] g'4. } | \break 610 %% 25-28 611 g'2^\repeatTie <ees' c'>2 <c' aes> | 612 \repeat percent 6 { <ees' c' aes>16[ <d' bes g> <c' aes f> <bes g ees>] } | 613 \repeat percent 6 { <c' aes f>16[ <bes g ees> <aes f d> <g ees c>] } | 614 <f d bes,>1. | \break 615 %% 29-32 616 <c ees g>1. | d1. | <c ees g>1. | r1 c'2 ~ | \break 617 %% 33-36 618 c'2 r4. <c f bes>8[ <d g c'> <ees aes d'>] <ees ees'>4 ~ | 619 <ees ees'>4 r8 <d g c'>8[ <ees aes d'> <f bes ees'>] 620 <ees aes d'>8[ <f bes ees'> <g c' f'>] <f bes ees'>8[ <g c' f'> <aes d' g'>] ~ | 621 <aes d' g'>8 r8 <f' d' bes>8[ <ees' c' aes> <d' bes g> <c' aes f>] <bes ees>4 g2^\(_\( | 622 <bes ees>1\)\) r2 | \break 623 %% 37-41 624 s1. | s1. | s1. | s1. | s1. | \break } >> 625 %% 42-45 626 r1. | r1. | r1. | r1. | \break 627 %% 46-50 628 r1. | r1 <f aes>2 | d'1. | <f aes>1. | <d f>1. \bar "|." \break 629 } %% end tenor sheet 630 631 SoltenorL = \lyricmode { 632 \override Lyrics.LyricText.color = #blue 633 \override Lyrics.LyricHyphen.color = #blue 634 \override Lyrics.LyricExtender.color = #blue 635 \override Score.LyricText.font-shape = #'italic 636 \teeny 637 My desire? I know! 638 I really say this 639 Re -- placing King of this Kingdom! 640 King's stal -- wart, but not me. 641 Be -- come the King of the Kingdom! 642 %% It's what we together are all at the same time. 643 644 %% On behalf of the reigning king. 645 %% I becomes King of a Kingdom! 646 Waiting for my wish was voyage, 647 To kill the reigning Wang clan, 648 Not out of the Woods! 649 m __ m __ 650 To become the King of a King -- dom, 651 m __ 652 Price I pay is a kill! 653 } 654 655 tenorM = { 656 \autoBeamOff 657 \partial 2 r2^\fermata | 658 %% 1-4 659 r1. | r1. | r1. | r1 c'2 ~ | \break 660 %% 5-8 661 c'1. | e'2 d' c' | a1. | r1. | \break 662 %% 9-12 663 aes1. | <g bes>2. <f c'> ~ | <f c'> <g bes> | aes1 r2 | \break 664 %% 13-41 665 << { \autoBeamOff 666 aes4. bes2. r8 c'4 ~ | c'4 r8 d'2.( c'4.) | r2 f'1 | f4 ees4. c2 r4. | \break 667 %% 17-20 668 c4_\(_( ees8 g) bes4\) c'4. bes8 c'4 ~ | c'4 c'4.^( g'2) r4. | 669 c'4. g\( c2\) ees4 | f4.. r16 c'2. r4 | \break 670 %% 21-24 671 aes4\( c'4.\) c'8 ees'2 ees'8 g'8 ~ | g'8 g'4.( g4 ees2) r4 | r1. | r1. | \break 672 %% 25-28 673 r1. | r1. | r1. | r1 bes2 | \break 674 %% 29-32 675 c'4. ees'4 g'4( aes'4.) r8 aes8 ~ | aes f2 aes4. c'2 | r8 c'8 ees'2 bes4 f2 | 676 g4. ees4. d8 d c2 | \break 677 %% 33-36 678 r1 ees2\melisma | aes1\melismaEnd r2 | r2 ees1\melisma | aes2\melismaEnd r1 | \break 679 %% 37-41 680 g'4 bes'2 r4 ees'8 ees'4. ~ | ees'4. c'8 aes f2 c4. ~ | 681 c4. r4 ees4.\(\melisma ees'2 | d'8\)\melismaEnd r4 c'4. f'2. | 682 bes8 g4. r8 ees8 c2. \break 683 } \\ 684 { 685 r1. | r1. | <d f>1 c2 | r1. | \break 686 %% 17-20 687 g1 c'2 | c8\staccato ees\staccato g\staccato bes\staccato d'2_( g'2) ~ | 688 g'1. | c1. ~ | \break 689 %% 21-24 690 c1. | r1 c2 | \repeat percent 4 { < c ees g>8[ <c f bes> <c g d'>] g'4. } | \break 691 %% 25-28 692 g'2^\repeatTie <ees' c'>2 <c' aes> | 693 \repeat percent 6 { <ees' c' aes>16[ <d' bes g> <c' aes f> <bes g ees>] } 694 \repeat percent 6 { <c' aes f>16[ <bes g ees> <aes f d> <g ees c>] } | 695 <f d bes,>1. | \break 696 %% 29-32 697 <c ees g>1. | d1. | <c ees g>1. | r1 c'2 ~ | \break 698 %% 33-36 699 c'2 r4. <c f bes>8[ <d g c'> <ees aes d'>] <ees ees'>4 ~ | 700 <ees ees'>4 r8 <d g c'>8[ <ees aes d'> <f bes ees'>] 701 <ees aes d'>8[ <f bes ees'> <g c' f'>] <f bes ees'>8[ <g c' f'> <aes d' g'>] ~ | 702 <aes d' g'>8 r8 <f' d' bes>8[ <ees' c' aes> <d' bes g> <c' aes f>] <bes ees>4 g2^\(_\( | 703 <bes ees>1\)\) r2 | \break 704 %% 37-41 705 r1. | r1. | r1. | r1. | r1. | \break } >> 706 %% 42-45 707 r1. | r1. | r1. | r1. | \break 708 %% 46-50 709 r1. | r1 <f aes>2 | d'1. | <f aes>1. | <d f>1. \bar "|." \break 710 } %% end tenor midi 711 712 %%%%%%% bass; part %%%%%%%%%%%%%%%% 713 bassVoice = { 714 \autoBeamOff 715 \partial 2 r2^\fermata | 716 %% 1-4 717 d1\melisma e2 | f1. | d2 ees1 | fes1 fes8\melismaEnd r4. | \break 718 %% 5-8 719 r1. | fes4.\melisma ees4 d8 c4 bes,2_( | d1.)_( | f1.)\melismaEnd | \break 720 %% 9-12 721 r1. | r1. | r1. | r1. | \break 722 %% 13-16 723 r1. | r1. | r1. | r1. | \break 724 %% 17-20 725 r1. | r1. | r1. | r1. | \break 726 %% 21-24 727 r1. | r1. | r1. | r1. | \break 728 %% 25-28 729 r1. | r1. | r1. | r1. | \break 730 %% 29-32 731 r1. | r1. | r1. | r1. | \break 732 %% 33-36 733 r1. | r1. | r1. | r1. | \break 734 %% 37-41 735 r1. | r1. | r1. | r1. | r1. |\break 736 %% 42-45 737 r2 g,1\melisma | c1\melismaEnd g4 c'4 ~ | c'4 g2 aes4 ees2 | r4 g4 c'2 g2 | \break 738 %% 46-50 739 bes2 r8 bes4 r8 ees2 ~ | ees1 c2\melisma | g,1. | bes,1. | g,1.\melismaEnd \bar "|." \break 740 } 741 742 bassVoiceL = \lyricmode { 743 \override Lyrics.LyricText.color = #blue 744 \override Lyrics.LyricHyphen.color = #blue 745 \override Lyrics.LyricExtender.color = #blue 746 \override Score.LyricText.font-shape = #'italic 747 \teeny 748 m __ m __ 749 ʊ __ 750 By boold who was grabbed, 751 By boold let whom be rewarded. 752 m __ 753 } 754 755 bassVoiceM = { 756 \autoBeamOff 757 \partial 2 r2^\fermata | 758 %% 1-4 759 d1\melisma e2 | f1. | d2 ees1 | fes1 fes8\melismaEnd r4. | \break 760 %% 5-8 761 r1. | fes4.\melisma ees4 d8 c4 bes,2( | d,1.)_( | f1.)\melismaEnd | \break 762 %% 9-12 763 r1. | r1. | r1. | r1. | \break 764 %% 13-16 765 r1. | r1. | r1. | r1. | \break 766 %% 17-20 767 r1. | r1. | r1. | r1. | \break 768 %% 21-24 769 r1. | r1. | r1. | r1. | \break 770 %% 25-28 771 r1. | r1. | r1. | r1. | \break 772 %% 29-32 773 r1. | r1. | r1. | r1. | \break 774 %% 33-36 775 r1. | r1. | r1. | r1. | \break 776 %% 37-41 777 r1. | r1. | r1. | r1. | r1. |\break 778 %% 42-45 779 r2 g,1\melisma | c1\melismaEnd g4 c'4 ~ | c'4 g2 aes4 ees2 | r4 g4 c'2 g2 | \break 780 %% 46-50 781 bes2 r8 bes4 r8 ees2 ~ | ees1 c2\melisma | g,1. | bes,1. | g,1.\melismaEnd \bar "|." \break 782 } 783 784 %%% Instruments 785 bass = { 786 \autoBeamOff 787 \partial 2 r2^\fermata | 788 %% 1-4 789 r1. | r1. | r1. | r1 f2 ~ | \break 790 %% 5-8 791 f1. | a2 g f | \once \override Voice.Accidental.color = #red des1. | r1. | \break 792 %% 9-12 793 <g, d>1. | <aes, c> | <g, d>2. <f, ees> | <aes, d>1. | \break 794 %% 13-16 795 r1. | r1. | r1. | r1. | \break 796 %% 17-20 797 r1. | r1. | r1. | r1. | \break 798 %% 21-24 799 r1. | r1. | r1. | r1. | \break 800 %% 25-28 801 r1. | r1. | r1. | r1. | \break 802 %% 29-32 803 r1. | r1. | r1. | r1. | \break 804 %% 33-36 805 <aes, d>1. | 806 \repeat percent 6 { <f, aes, c>16[ <g, bes, d> <aes, c ees> <bes, d f>] } | 807 \repeat percent 6 { <aes, c ees>16[ <bes, d f> <c ees g> <d f aes>] } | 808 <ees g>1. | \break 809 %% 37-41 810 r1. | r1. | r1. | r1. | r1. | \break 811 %% 42-45 812 r1. | r1. | r1. | r1. | \break 813 %% 46-50 814 r1. | r1 <bes, d>2 | g1. | <bes, d>1. | <g, bes,>1. \bar "|." \break 815 } %%end bass-sheet 816 817 bassM = { 818 \autoBeamOff 819 \partial 2 r2^\fermata | 820 %% 1-4 821 r1. | r1. | r1. | r1 f2 ~ | \break 822 %% 5-8 823 f1. | a2 g f | des1. | r1. | \break 824 %% 9-12 825 <g, d>1. | <aes, c> | <g, d>2. <f, ees> | <aes, d>1. | \break 826 %% 13-16 827 r1. | r1. | r1. | r1. | \break 828 %% 17-20 829 r1. | r1. | r1. | r1. | \break 830 %% 21-24 831 r1. | r1. | r1. | r1. | \break 832 %% 25-28 833 r1. | r1. | r1. | r1. | \break 834 %% 29-32 835 r1. | r1. | r1. | r1. | \break 836 %% 33-36 837 <aes, d>1. | 838 \repeat percent 6 { <f, aes, c>16[ <g, bes, d> <aes, c ees> <bes, d f>] } | 839 \repeat percent 6 { <aes, c ees>16[ <bes, d f> <c ees g> <d f aes>] } | 840 <ees g>1. | \break 841 %% 37-41 842 r1. | r1. | r1. | r1. | r1. | \break 843 %% 42-45 844 r1. | r1. | r1. | r1. | \break 845 %% 46-50 846 r1. | r1 <bes, d>2 | g1. | <bes, d>1. | <g, bes,>1. \bar "|." \break 847 }%% end bass-midi 848 849 %% get sheet music ------------------------------------------------- 850 \score { 851 %% \context Score \with { \override VerticalAlignment.max-stretch = #4 } 852 << 853 %% \context Voice = "mezzosoprano" { 854 %% \clef mezzosoprano \key ees\major \time 3/2 855 %% \set Staff.instrumentName = \markup { \tiny "mezzosoprano" } 856 %% \VoiceColorBlue {\mezzosoprano} } 857 %% \context Lyrics = "mainSL" \lyricsto "mezzosopranoL" { \mezzosopranoL } 858 859 %% \context ChoirStaff = "FourPartStaffaddchorus" << 860 \context StaffGroup << 861 \context Voice = "soprano" { \clef soprano \key ees\major \time 3/2 862 \set Staff.instrumentName = "soprano" \soprano } 863 \context Voice = "sopranoVocal" { \clef soprano \key ees\major \time 3/2 864 \set Staff.fontSize = #-4 865 \override Staff.StaffSymbol.staff-space = #(magstep -4) 866 \override Staff.StaffSymbol.thickness = #(magstep -4) 867 \set Staff.instrumentName = "Voice; sop " 868 \VoiceColorBlue \sopranoVoice } 869 \new Lyrics = "mainSL" \lyricsto "sopranoVocal" { \sopranoVoiceL } 870 871 \context Voice = "alto" { \clef alto \key ees\major \time 3/2 872 \set Staff.instrumentName = "alto " \alto } 873 \context Voice = "altoVocal" { \clef alto \key ees\major \time 3/2 874 \set Staff.fontSize = #-4 875 \override Staff.StaffSymbol.staff-space = #(magstep -4) 876 \override Staff.StaffSymbol.thickness = #(magstep -4) 877 \set Staff.instrumentName = "Voice; alt " 878 \VoiceColorBlue { \altoVoice } } 879 \new Lyrics = "mainSL" \lyricsto "altoVocal" { \altoVoiceL } 880 881 \context Voice = "tenor" { \clef tenor \key ees\major \time 3/2 882 \set Staff.instrumentName = "tenor " \tenor } 883 \new Lyrics = "mainTL" \lyricsto "tenorSol" { \SoltenorL } 884 \context Voice = "tenorVocal" { \clef tenor \key ees\major \time 3/2 885 \set Staff.fontSize = #-4 886 \override Staff.StaffSymbol.staff-space = #(magstep -4) 887 \override Staff.StaffSymbol.thickness = #(magstep -4) 888 \set Staff.instrumentName = "Voice; tenor " 889 \VoiceColorBlue { \tenorVoice } } 890 \new Lyrics = "mainSL" \lyricsto "tenorVocal" { \tenorVoiceL } 891 892 \context Voice = "bass" { \clef bass \key ees\major \time 3/2 893 \set Staff.instrumentName = "bass " \bass } 894 \context Voice = "bassVocal" { \clef bass \key ees\major \time 3/2 895 \set Staff.fontSize = #-4 896 \override Staff.StaffSymbol.staff-space = #(magstep -4) 897 \override Staff.StaffSymbol.thickness = #(magstep -4) 898 \set Staff.instrumentName = "Voice; bass " 899 \VoiceColorBlue { \bassVoice } } 900 \new Lyrics = "mainBL" \lyricsto "bassVocal" { \bassVoiceL } 901 902 >> 903 >> 904 905 \layout { 906 \context { \Staff \RemoveEmptyStaves 907 %% \override VerticalAxisGroup.remove-first = ##t 908 %% It can get effect by using for instance "R1." 909 %% Don't using "r1." 910 } 911 %% \context { \Score 912 %% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/32) 913 %% } 914 } 915 %%%%%% Don't output Score-sheet %%%%%%%%%%%%%%%%%%%%%%%% 916 %% \layout { \context { \Score skipTypesetting = ##t } } 917 } 918 919 %% get midi music -------------------------------------------------- 920 \score { 921 %% \unfoldRepeats \articulate 922 << 923 %% \context Staff { \clef mezzosoprano \key ees\major \time 3/2 \tempo 4 = 58 924 %% \set Staff.midiInstrument = "pad 4 (choir)" 925 %% \unfoldRepeats \mezzosopranoM } 926 927 \context Staff { \clef soprano \key ees\major \time 3/2 \tempo 4 = 58 928 \set Staff.midiInstrument = "pad 4 (choir)" 929 \unfoldRepeats \sopranoM } 930 \context Staff { \clef soprano \key ees\major \time 3/2 \tempo 4 = 58 931 \set Staff.midiInstrument = "pad 4 (choir)" 932 \unfoldRepeats \sopranoVoiceM } 933 934 \context Staff { \clef alto \key ees\major \time 3/2 \tempo 4 = 58 935 \set Staff.midiInstrument = "pad 4 (choir)" 936 \unfoldRepeats \altoM } 937 \context Staff { \clef alto \key ees\major \time 3/2 \tempo 4 = 58 938 \set Staff.midiInstrument = "pad 4 (choir)" 939 \unfoldRepeats \altoVoiceM } 940 941 \context Staff { \clef tenor \key ees\major \time 3/2 \tempo 4 = 58 942 \set Staff.midiInstrument = "pad 4 (choir)" 943 \unfoldRepeats \tenorM } 944 \context Staff { \clef tenor \key ees\major \time 3/2 \tempo 4 = 58 945 \set Staff.midiInstrument = "pad 4 (choir)" 946 \unfoldRepeats \tenorVoiceM } 947 948 \context Staff { \clef bass \key ees\major \time 3/2 \tempo 4 = 58 949 \set Staff.midiInstrument = "pad 4 (choir)" 950 \unfoldRepeats \bassM } 951 \context Staff { \clef bass \key ees\major \time 3/2 \tempo 4 = 58 952 \set Staff.midiInstrument = "pad 4 (choir)" 953 \unfoldRepeats \bassVoiceM } 954 955 %%\context Staff { \clef treble \key ees\major \time 3/2 \tempo 4 = 58 956 %% \set Staff.midiInstrument = "acoustic grand" 957 %% \unfoldRepeats \pianoUPm } 958 %%\context Staff { \clef bass \key ees\major \time 3/2 \tempo 4 = 58 959 %% \set Staff.instrumentName = "acoustic grand" 960 %% \unfoldRepeats \pianoDownm } 961 >> 962 963 \midi { tempoWholesPerMinute = #(ly:make-moment 58 4) } 964 } 965 %%%%%%%%% 966 %{ 967 \markup { " " } 968 \markup { \column { \line { 969 About location \hspace #3 \musicglyph #"noteheads.uM2"(longa) \hspace #2 and \hspace #3 \musicglyph #"noteheads.sM1"(breve) } 970 \line { \italic " Please, Breath of longa and breve do in the members alternating(But, like Don't stand out). " } } } 971 %} 972 %{ 973 \pageBreak 974 \markup { " " } 975 \markup { \vspace #2 } 976 \markup { \hspace #20 \huge "INSTRUMENT RANGES" } 977 \markup { \italic "About;" \teeny\italic 978 "Some of Instruments; there is a difference between writing-note and real-note." 979 \italic "for instance:" } 980 \markup { \column { \line { \bold "WOODWINDS; Piccolo(in C)"--\tiny "like this"-- } 981 \line { \score { { 982 \clef treble \key c\major \time 4/1 983 d'1^\markup {\italic "written" } s1 g'''1 s1 \bar"||" 984 s2 d''1_\markup { \hspace #-8 \italic "sounds one octave higher" } 985 s1 g''''1 s2 | \break 986 } 987 \layout { \context { \Staff 988 \override ClefSignature.transparent = ##t 989 \override TimeSignature.transparent = ##t } 990 indent = 20.00\mm line-width = 160.00\mm } 991 } } 992 }} 993 \markup { " " } 994 \markup { \vspace #2 } 995 \markup { \column { 996 \line { \hspace #18.4 Bass Flute--\tiny "like this"-- } 997 \line { \score { { 998 \clef treble \key c\major \time 4/1 999 c'1^\markup {\italic "written" } s1 a'''1 s1 \bar"||" 1000 \clef bass s2 c1_\markup { \hspace #-8 \italic "sounds one octave lower" } 1001 s1 \clef treble a''1 s2| \break 1002 } 1003 \layout { \context { \Staff 1004 \override ClefSignature.transparent = ##t 1005 \override TimeSignature.transparent = ##t } 1006 indent = 20.00\mm line-width = 160.00\mm } 1007 } } 1008 }} 1009 \markup { " " } 1010 %} 1011 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 1012 %%%%%%%%%%%%%%%%%%%% End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%