1 %% 2:48 PM Wednesday, December 29, 2021
   2 %% Yukio Yoshida.
   3 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
   4 %% If you want to change of color, then do see! in "define-grobs.scm"(lilypond's system file)
   5 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
   6 %% About rest-note (r or s)
   7 %% Use; sheet -----> `s' and midi -----> `r'
   8 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
   9 %% About "\RemoveEmptyStaffContext and \repeat percent or \repeat volta #"
  10 %% See==>Soprano bar5-8; At End, using "R or r" is end
  11 %% So, Only Tenor(song-part) Sol is OK!! Out-Put(Sheet)
  12 %% { That part don't use \repeat percent 3 or \repeat volta 3 .....and so on.)
  13 %% But, writing of like " b | A | A | A| \break" then OK.
  14 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
  15 \version "2.22.1"
  16 %% This is system-files and for midi's effect
  17 \include "articulate.ly" %% But here isn't use. See----> midi block
  18 %% for sheet-music
  19 #(set-default-paper-size "letter")
  20 #(set-global-staff-size 18)
  21 mf = #(make-dynamic-script "mf")
  22 TenorSol = {
  23                    \override Voice.NoteHead #'color = #blue
  24                    \override Voice.Rest #'color = #blue
  25                    \override Voice.Stem #'color = #blue
  26                    \override Voice.Flag #'color = #blue
  27                    \override Voice.Beam #'color = #blue
  28                    \override Voice.Slur #'color = #blue
  29                    \override Voice.PhrasingSlur #'color = #blue
  30                    \override Voice.Tie #'color = #blue
  31                    \override Voice.Dots #'color = #blue
  32                    \override Voice.Script #'color = #blue
  33                    \override Voice.Accidental #'color = #blue
  34                    \override Voice.DynamicLineSpanner #'color = #blue
  35                    \override Voice.DynamicText #'color = #blue
  36                    \override Voice.DynamicTextSpanner #'color = #blue
  37                    \override Voice.TupletNumber #'color = #blue
  38                    \override Voice.TupletBracket #'color = #blue
  39                    \override Voice.BreathingSign #'color = #blue
  40                    \override Voice.PercentRepeat #'color = #blue
  41                    \override Voice.RepeatSlash #'color = #blue
  42 }
  43 
  44 VoiceColorBlue = {
  45                    \override Staff.StaffSymbol #'color = #blue
  46                    \override Staff.LedgerLineSpanner #'color = #blue
  47                    \override Staff.Clef #'color = #blue
  48                    \override Staff.TimeSignature #'color = #blue
  49                    \override Staff.KeySignature #'color = #blue
  50                    \override Staff.BarLine #'color = #blue
  51                    \override Voice.NoteHead #'color = #blue
  52                    \override Voice.Rest #'color = #blue
  53                    \override Voice.Stem #'color = #blue
  54                    \override Voice.Flag #'color = #blue
  55                    \override Voice.Beam #'color = #blue
  56                    \override Voice.Slur #'color = #blue
  57                    \override Voice.PhrasingSlur #'color = #blue
  58                    \override Voice.Tie #'color = #blue
  59                    \override Voice.Dots #'color = #blue
  60                    \override Voice.Script #'color = #blue
  61                    \override Voice.Accidental #'color = #blue
  62                    \override Voice.DynamicLineSpanner #'color = #blue
  63                    \override Voice.DynamicText #'color = #blue
  64                    \override Voice.DynamicTextSpanner #'color = #blue
  65                    \override Voice.TupletNumber #'color = #blue
  66                    \override Voice.TupletBracket #'color = #blue
  67                    \override Voice.BreathingSign #'color = #blue
  68                    \override Voice.PercentRepeat #'color = #blue
  69                    \override Voice.RepeatSlash #'color = #blue
  70 }
  71 VoiceColorBlueRevert = {
  72                    \revert Voice.NoteHead #'color
  73                    \revert Voice.Rest #'color
  74                    \revert Voice.Stem #'color
  75                    \revert Voice.Flag #'color
  76                    \revert Voice.Beam #'color
  77                    \revert Voice.Slur #'color
  78                    \revert Voice.PhrasingSlur #'color
  79                    \revert Voice.Tie #'color
  80                    \revert Voice.Dots #'color
  81                    \revert Voice.Script #'color
  82                    \revert Voice.Accidental #'color
  83                    \revert Voice.DynamicLineSpanner #'color
  84                    \revert Voice.DynamicTextSpanner #'color
  85                    \revert Voice.DynamicText #'color
  86                    \revert Voice.TupletNumber #'color
  87                    \revert Voice.TupletBracket #'color
  88                    \revert Voice.BreathingSign #'color
  89                    \revert Voice.BreathingSign #'color
  90                    \revert Voice.PercentRepeat #'color
  91                    \revert Voice.RepeatSlash #'color
  92 }
  93 
  94 BlueRest = { \override Voice.Rest #'color = #blue
  95              \override Voice.Dots #'color = #blue }
  96 BlueOff = { \revert Voice.Rest #'color
  97             \revert Voice.Dots #'color }
  98 
  99 AddChorus = {
 100                    \override Staff.StaffSymbol #'color = #red
 101                    \override Staff.LedgerLineSpanner #'color = #red
 102                    \override Staff.Clef #'color = #red
 103                    \override Staff.TimeSignature #'color = #red
 104                    \override Staff.KeySignature #'color = #red
 105                    \override Staff.BarLine #'color = #red
 106                    \override Voice.NoteHead #'color = #red
 107                    \override Voice.Rest #'color = #red
 108                    \override Voice.Stem #'color = #red
 109                    \override Voice.Flag #'color = #red
 110                    \override Voice.Beam #'color = #red
 111                    \override Voice.Slur #'color = #red
 112                    \override Voice.PhrasingSlur #'color = #red
 113                    \override Voice.Tie #'color = #red
 114                    \override Voice.Dots #'color = #red
 115                    \override Voice.Script #'color = #red
 116                    \override Voice.Accidental #'color = #red
 117                    \override Voice.TupletNumber #'color = #red
 118                    \override Voice.TupletBracket #'color = #red
 119                    \override Voice.BreathingSign #'color = #red
 120 }
 121 
 122 \paper {
 123         %%  ragged-last-bottom = ##f
 124 }
 125 
 126 \header {
 127  dedication = \markup { \italic "The Story of A Lady" }
 128  title = \markup{ \line { \italic \huge "Kill is the motto!"} }
 129  subtitle = \markup{ \center-column {\italic "aes major; c des ees f g aes bes" } }
 130  %% subsubtitle = #(string-append "LilyPond version " (lilypond-version))
 131  subsubtitle = \markup{\center-column {
 132                    \italic "mezzosoprano; C clef on 2nd line,"
 133 %%                   "soprano; C clef on 1st line,       alto; C clef on 3rd line."
 134 %%                   "       bass; F clef on 4th line,    tenor; C clef on 4th line."}}
 135   \line { soprano; C clef on 1st line,\hspace #4 alto; C clef on 3rd line.}
 136   \line { \hspace #2 bass; F clef on 4th line,\hspace #4 %%
 137                           tenor; C clef on 4th\with-color #blue "(& Solo; singer)" } } }
 138  composer = \markup { \line {\italic "Yukio Yoshida"} }
 139  arranger = \markup { \line {Op.85\hspace #1 March 28, 2015} }
 140  %% opus = "Op.85"
 141  %% poet = " "
 142  copyright = "public Domain"
 143  meter = \markup { \hspace #6 \teeny \italic \column {
 144 " "
 145 \bold "Tenor Sol; Vocal Words"
 146 "Come on! Exterminate!"
 147 "One person even alive and escape!"
 148 " "
 149 "So I can become the King of Kingdom!"
 150 "Become the King of the Kings of this realm!"
 151 " "
 152 "In my family's prosperity is my top King"
 153 "It's guaranteed!"
 154 " "
 155 "Come on! Alive and escape!"
 156 "Kill is the motto!"
 157 " "
 158 }\hspace #12
 159    \teeny \italic \column {
 160 " "
 161 \bold "Chours; Vocal Words"
 162 "Before long, you who climb to the King of kings!"
 163 "Know fear! Know fear!"
 164 "Carved into the earth, and its ruthless actions"
 165 "Don't disappear even when the passing flow!"
 166 " "
 167 "Space-Time is then engraved and ruthlessness"
 168 "Eventually make it into your life."
 169 " "
 170 "To make it disappear when the flows, but"
 171 "The ruthless engraved case of Space-Time"
 172 "So, and gives to the life of the person, and go away"
 173 "Person who climb to the King. Know fear! Know fear!"
 174 " "
 175 }}}
 176 %% copyright = "public Domain"
 177 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 178 %%%%%%%%% ! Revert mezzosoprano part %%%%%%%%%%%%%%%%%%%%%
 179 mezzosoprano = {
 180     \autoBeamOff
 181    \partial 2 r2 |
 182 %% 1-4
 183 
 184 }%% end mezzospprano sheet
 185 
 186 mezzosopranoL = \lyricmode {
 187     \override Lyrics . LyricText #'color = #blue
 188     \override Lyrics . LyricHyphen #'color = #blue
 189     \override Lyrics . LyricExtender #'color = #blue
 190     \override Score . LyricText #'font-shape = #'italic
 191     \tiny
 192 
 193 }
 194 
 195 mezzosopranoM = {
 196     \autoBeamOff
 197    \partial 2 r2 |
 198 %% 1-4
 199 
 200 }%% end mezzosoprano-midi
 201 %%%%%%% End Revert Part %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 202 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 203 
 204 %%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%%
 205 sopranoVoice = {
 206     \autoBeamOff
 207    \partial 2 r4.^\fermata bes'8\( |
 208 %% 1-4
 209    \repeat percent 4 {
 210     bes'2\)^\pp^\dim\melisma \tuplet 3/2 { c''4 des'' ees'' ~ }
 211                         \tuplet 3/2 { ees''4 des'' c''\!^\ppp } } | \break
 212 %% 5-8
 213    bes'1\melismaEnd r2 | r1. | r1. | r1. | \break
 214 %% 9-12
 215    s1. | s1. | s1. | s1. | \break
 216 %% 13-16
 217    s1. | s1. | s1. | s1. | \break
 218 %% 17-19
 219    g'8^\markup { \hspace #-4 \large {\with-color #blue \italic "Do not!!" \small {
 220                                                   Frome here(17bar) to 32bar On All Instruments!} } }
 221    g'4 g' aes'4. g'8 aes'4 bes'8 | c''4 bes'8 c''4. r4
 222    g'2^\markup { \with-color #blue { \teeny \musicglyph #"f" \italic "and" \small \italic "stacc." } } |
 223    c''4.^\markup { \with-color #blue { \teeny \musicglyph #"f" \italic "and" \small \italic "tenuto." } }
 224    r2
 225    g'4.(^\markup { \with-color #blue { \teeny \musicglyph #"f" \italic "and" \small \italic "stacc." } }
 226    c''4) | \break
 227 %% 20-22
 228    s1. | s1. | s1. | \break
 229 %% 23-24
 230    c''8( bes') aes' bes'16 c''4 r8 c''16 des''8 des'' c'' des''4 |
 231    bes'8 g'8\( f' ees'\) c' des' ees'16 f'8(\( g') aes'8.\) bes'4 | \break
 232 %% 25-26
 233    r1. | c''8\(  des''8\) des''16 g'8 g'16\(( aes'8) bes'\) r8
 234                               bes'16 bes'16( aes' g') f'8( ees') des'16( c'^~ | \break
 235 %% 27-28
 236    c'16) r8. c''16\( c'' c''8\) des''8 des'' des''16( ees'') c''8( des'' ees'') ees''16( f'' g''8) |
 237    r1. | \break
 238 %% 29-30
 239    r8. c'16 c''8. bes'16 c''8\( des'' ees''8.\) ees''8 f''16  g''8. des''16 aes'8 |
 240    g'8\( f'8.\) f'8\( ees'8.\) des'8. c'16 c'8. r16 des'8 ees'16 f'8. | \break
 241 %% 31-32
 242    c''8 des''8. c''8 des''8. bes'8  bes'16  aes'8 g'8. aes'8 bes' c''| f'4 r8 c''4. f''2. | \break
 243 }
 244 
 245 sopranoVoiceL = \lyricmode {
 246 \override Lyrics . LyricText #'color = #blue
 247     \override Lyrics . LyricHyphen #'color = #blue
 248     \override Lyrics . LyricExtender #'color = #blue
 249     \override Score . LyricText #'font-shape = #'italic
 250     \teeny
 251 " " m __
 252 Be -- fore long, you who climb "to the" King of kings!
 253 Know fear! "Know fear!"
 254 Carved into the earth, and its ruth -- less actions
 255 %% Alto;----------------------------------> ac -- tion
 256 Don't dis -- ap -- pear even when the pass -- ing flow!
 257 
 258 Space- -- Time is then en -- graved and ruth -- less -- ness
 259 Even -- tu -- ally make it into your life.
 260 
 261 To make it dis -- ap -- pear when the flows, but
 262 The ruth -- less en -- graved case of Space-Time
 263 So, and gives "to the" life "of the" person, and go away
 264 Person who climb "to the" King. Know fear! Know fear!
 265 }
 266 
 267 sopranoVoiceM = {
 268     \autoBeamOff
 269    \partial 2 r4.^\fermata bes'8\( |
 270 %% 1-4
 271    \repeat percent 4 {
 272     bes'2\)^\pp\melisma \tuplet 3/2 { c''4^\ppp des'' ees'' ~ }
 273                       \tuplet 3/2 { ees''4^\pppp des'' c'' } } | \break
 274 %% 5-8
 275    bes'1\melismaEnd r2 | r1. | r1. | r1. | \break
 276 %%   bes'1\melismaEnd r2 | \repeat percent 3 {
 277 %%   \tuplet 3/2 { f'4 g' aes' ~ } \tuplet 3/2 { aes'4 g' f' ~ } \tuplet 3/2 { f'4 g' aes' } } \break
 278 %% 9-12
 279    r1. | r1. | r1. | r1. | \break
 280 %% 13-16
 281    r1. | r1. | r1. | r1. | \break
 282 %% 17-19
 283    g'8 g'4 g' aes'4. g'8 aes'4 bes'8 | c''4 bes'8 c''4. r4 g'2^\f |
 284    c''4.^\f r2 g'4.(^\f c''4)^\f | \break
 285 %% 20-22
 286    r1. | r1. | r1. | \break
 287 %% 23-24
 288    c''8( bes') aes' bes'16 c''4 r8 c''16 des''8 des'' c'' des''4 |
 289    bes'8 g'8\( f' ees'\) c' des' ees'16 f'8(\( g') aes'8.\) bes'4 | \break
 290 %% 25-26
 291    r1. | c''8\(  des''8\) des''16 g'8 g'16\(( aes'8) bes'\) r8
 292                                     bes'16 bes'16( aes' g') f'8( ees') des'16( c'^~ | \break
 293 %% 27-28
 294    c'16) r8. c''16\( c'' c''8\) des''8 des'' des''16( ees'') c''8( des'' ees'') ees''16( f'' g''8) |
 295    r1. | \break
 296 %% 29-31
 297    r8. c'16 c''8. bes'16 c''8\( des'' ees''8.\) ees''8 f''16  g''8. des''16 aes'8 |
 298    g'8\( f'8.\) f'8\( ees'8.\) des'8. c'16 c'8. r16 des'8 ees'16 f'8. | \break
 299 %% 31-32
 300    c''8 des''8. c''8 des''8. bes'8  bes'16  aes'8 g'8. aes'8 bes' c'' | f'4 r8 c''4. f''2. | \break
 301 }
 302 
 303 %%% Instruments part
 304 soprano = {
 305     \autoBeamOff
 306    \partial 2 r2^\fermata |
 307 %% 1-4
 308    <c' c''>1. ~ | <c' bes'> ~ | <c' c''> ~ | <c' bes'> ~ | \break
 309 %% 5-8
 310 %% Don't use "\repeat percent" write;2015/02/18 05:33
 311 %%                             becuse; don't work Remove "Staff Out-Put"
 312 %{   bes'2 r1 | \repeat percent 3 {
 313    \tuplet 3/2 { f'4 g' aes' ~ } \tuplet 3/2 { aes'4 g' f' ~ } \tuplet 3/2 { f'4 g' aes' } } | \break
 314 %}
 315 %% This is OK! 
 316    bes'2 r1 | \repeat percent 2 {
 317    \tuplet 3/2 { f'4 g' aes' ~ } \tuplet 3/2 { aes'4 g' f' ~ } \tuplet 3/2 { f'4 g' aes' } }
 318    \tuplet 3/2 { f'4 g' aes' ~ } \tuplet 3/2 { aes'4 g' f' } r2 | \break
 319 %% 9-12
 320    s1. | s1. | s1. | s1. | \break
 321 %% 13-16
 322    s1. | s1. | s1. | s1. | \break
 323 %% 17-19
 324    s1. | s1. | s1. | \break
 325 %% 20-22
 326    s1. | s1. | s1. | \break
 327 %% 23-24
 328    s1. | s1. | \break
 329 %% 25-26
 330    s1. | s1. | \break
 331 %% 27-28
 332    s1. | s1. | \break
 333 %% 29-30
 334    s1. | s1. | \break
 335 %% 31-32
 336    s1. | s1. | \break
 337 %% 33-37
 338    s1. | s1. | s1. | s1. | \noBreak s1. | \break
 339 %% 38-41
 340    s1. | s1. | s1. | s1. | \break
 341 %% 42-45
 342    <g' bes' des''>8[^\markup { \hspace #-5 \italic "Only; on Instruments" }
 343    <aes' c'' ees''> <bes' des'' f''>] g''2. <f'' des'' bes'>8[ <ees'' c'' aes'> <des'' bes' g'>] |
 344    f'2 c'2. <des' f' aes'>8[ <ees' g' bes'> |
 345    <f' aes' c''>] des''2 <g' bes' des''>8[ <aes' c'' ees''> <bes' des'' f''>] g''2 |
 346    <ees'' g''>8 r4 <f'' aes''>8 r4 <g'' bes''>8 r4 c'''4. ~ | \break
 347 %% 46-49
 348    c'''4. r8 <aes'' f'' des''>8[ <g'' ees'' c''> <f'' des'' bes'>] r8
 349    <ees'' c'' aes'>8[ <des'' bes' g'> <c'' aes' f'>] r8 |
 350    <bes' g' ees'>8[ <aes' f' des'> <g' ees' c'>] ~ c'2 r8 <c' c''>2 ~ |
 351    \time 2/1 <c' c''>\breve | <c' bes'>\breve | \break
 352 %% 50
 353 %%   \time 4/1 <c' c''>\longa | \time 3/2 <c' bes'>4 <c' c''>2. \bar "|."
 354    \time 4/1 <c' c''>\longa * 3/4 s\longa * 1/4^\pp^\dim |
 355    \time 3/2 <c' bes'>4 <c' c''>2. * 2/3 s2. * 1/3^\pppp\! \bar "|."
 356 }%% end soprano sheet
 357 
 358 sopranoM = {
 359     \autoBeamOff
 360    \partial 2 r2^\fermata |
 361 %% 1-4
 362    <c' c''>1. ~ | <c' bes'> ~ | <c' c''> ~ | <c' bes'> ~ | \break
 363 %% 5-8
 364    bes'2 r1 | \repeat percent 2 {
 365    \tuplet 3/2 { f'4 g' aes' ~ } \tuplet 3/2 { aes'4 g' f' ~ } \tuplet 3/2 { f'4 g' aes' } }
 366    \tuplet 3/2 { f'4 g' aes' ~ } \tuplet 3/2 { aes'4 g' f' } r2 | \break
 367 %% 9-12
 368    r1. | r1. | r1. | r1. | \break
 369 %% 13-16
 370    r1. | r1. | r1. | r1. | \break
 371 %% 17-19
 372    r1. | r1. | r1. | \break
 373 %% 20-22
 374    r1. | r1. | r1. | \break
 375 %% 23-24
 376    r1. | r1. | \break
 377 %% 25-26
 378    r1. | r1. | \break
 379 %% 27-28
 380    r1. | r1. | \break
 381 %% 29-30
 382    r1. | r1. | \break
 383 %% 31-32
 384    r1. | r1. | \break
 385 %% 33-37
 386    r1. | r1. | r1. | r1. | \noBreak r1. | \break
 387 %% 38-41
 388    r1. | r1. | r1. | r1. | \break
 389 %% 42-45
 390    <g' bes' des''>8[
 391    <aes' c'' ees''> <bes' des'' f''>] g''2. <f'' des'' bes'>8[ <ees'' c'' aes'> <des'' bes' g'>] |
 392    f'2 c'2. <des' f' aes'>8[ <ees' g' bes'> |
 393    <f' aes' c''>] des''2 <g' bes' des''>8[ <aes' c'' ees''> <bes' des'' f''>] g''2 |
 394    <ees'' g''>8 r4 <f'' aes''>8 r4 <g'' bes''>8 r4 c'''4. ~ | \break
 395 %% 46-49
 396    c'''4. r8 <aes'' f'' des''>8[ <g'' ees'' c''> <f'' des'' bes'>] r8
 397    <ees'' c'' aes'>8[ <des'' bes' g'> <c'' aes' f'>] r8 |
 398    <bes' g' ees'>8[ <aes' f' des'> <g' ees' c'>] ~ c'2 r8 <c' c''>2 |
 399    \time 2/1 <c' c''>\breve | <c' bes'>\breve | \break
 400 %% 50
 401 %%   \time 4/1 <c' c''>\longa | \time 3/2 <c' bes'>4 <c' c''>2. \bar "|."
 402    \time 4/1 <c' c''>\breve ~ <c' c''>1 ~ <c' c''>\pp
 403    \time 3/2 <c' bes'>4\pp <c' c''>4.\ppp <c' c''>\pppp
 404 }%% end soprano-midi
 405 
 406 %%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%%b
 407 altoVoice = {
 408     \autoBeamOff
 409    \partial 2 r4.^\fermata ees'8\( |
 410 %% 1-4
 411    \repeat percent 4 {
 412     ees'2\)^\pp^\dim\melisma \tuplet 3/2 { f'4 g' aes' ~ }
 413                            \tuplet 3/2 { aes'4 g' f'\!^\ppp } } | \break
 414 %% 5-8
 415    ees'1\melismaEnd r2 | r1. | r1. | r1. | \break
 416 %% 9-12
 417    r1. | r1. | r1. | r1. | \break
 418 %% 13-16
 419    r1. | r1. | r1. | r1. | \break
 420 %% 17-19
 421    c'8 c'4 c' des'4. c'8 des'4 ees'8 | f'4 ees'8 f'4. r4
 422    c'2^\markup { \with-color #blue { \teeny \musicglyph #"f" \italic "and" \small \italic "stacc." } } |
 423    f'4.^\markup { \with-color #blue { \teeny \musicglyph #"f" \italic "and" \small \italic "tenuto." } }
 424    r2
 425    c'4.(^\markup { \with-color #blue { \teeny \musicglyph #"f" \italic "and" \small \italic "stacc." } }
 426    f'4) | \break
 427 %% 20-22
 428    s1. | s1. | s1. | \break
 429 %% 23-24
 430    f'16( ees' des') des'8 c'16 bes4 g16 g8 f16( g aes) bes4 c'8\( des'\) |
 431    ees'16( des') ees'8\( f' g'\) aes'16( f' des') bes8 f8 f16(\( g aes) bes8.\) c' | \break
 432 %% 25-26
 433    r1. | c'16( des') ees' f' aes'\( f'( des' aes8)\) r16 g8 aes( bes c') des'( ees' f') | \break
 434 %% 27-28
 435    g'16( aes' bes'8)
 436    f'16\( f' f'8\) g'8 g' g'16( aes') f'8( g' aes') aes'16( bes' c''8) | r1. | \break
 437 %% 29-30
 438    r8. aes16 aes8 aes16 c'8\( des' ees'8.\) des'8 des'16 ees'8. f'8 c' |
 439    aes16\( aes8.\) g8\( f8.\) ees8 f16. g8( aes8..) bes8 c'16 des'8. | \break
 440 %% 31-32
 441    f'16 des' g'8 des'8 f'8.. des'16 c' bes8 ees'8.. des'8 ees'8. des'8 | ees'4 f'2 bes'2. | \break
 442 }
 443 
 444 altoVoiceL = \lyricmode {
 445     \override Lyrics . LyricText #'color = #blue
 446     \override Lyrics . LyricHyphen #'color = #blue
 447     \override Lyrics . LyricExtender #'color = #blue
 448     \override Score . LyricText #'font-shape = #'italic
 449     \teeny
 450 " " m __
 451 Be -- fore long, you who climb "to the" King of kings!
 452 Know fear! "Know fear!"
 453 Carved into the earth, and its ruth -- less ac -- tions
 454 Don't dis -- ap -- pear even when the pass -- ing flow!
 455 
 456 Space-Time is then en -- graved and ruth -- less -- ness
 457 Even -- tu -- ally make it into your life.
 458 
 459 To make it dis -- ap -- pear when the flows, but
 460 The ruth -- less en -- graved case of Space-Time
 461 So, and gives to the life "of the" person, and go away
 462 Person who climb "to the" King. Know fear! Know fear!
 463 }
 464 
 465 altoVoiceM = {
 466     \autoBeamOff
 467    \partial 2 r4.^\fermata ees'8\( |
 468 %% 1-4
 469    \repeat percent 4 {
 470     ees'2\)^\pp\melisma \tuplet 3/2 { f'4^\ppp g' aes' ~ }
 471                       \tuplet 3/2 { aes'4\pppp g' f' } } | \break
 472 %% 5-8
 473    ees'1\melismaEnd r2 | r1. | r1. | r1. | \break
 474 %% 9-12
 475    r1. | r1. | r1. | r1. | \break
 476 %% 13-16
 477    r1. | r1. | r1. | r1. | \break
 478 %% 17-19
 479    c'8 c'4 c' des'4. c'8 des'4 ees'8 | f'4 ees'8 f'4. r4 c'2^\f |
 480    f'4.^\f r2 c'4.(^\f f'4)^\f | \break
 481 %% 20-22
 482    s1. | s1. | s1. | \break
 483 %% 23-24
 484    f'16( ees' des') des'8 c'16 bes4 g16 g8 f16( g aes) bes4 c'8\( des'\) |
 485    ees'16( des') ees'8\( f' g'\) aes'16( f' des') bes8 f8 f16(\( g aes) bes8.\) c' | \break
 486 %% 25-26
 487    r1. | c'16( des') ees' f' aes'\( f'( des' aes8)\) r16 g8 aes( bes c') des'( ees' f') | \break
 488 %% 27-28
 489    g'16( aes' bes'8)
 490    f'16\( f' f'8\) g'8 g' g'16( aes') f'8( g' aes') aes'16( bes' c''8) | r1. | \break
 491 %% 29-
 492    r8. aes16 aes8 aes16 c'8\( des' ees'8.\) des'8 des'16 ees'8. f'8 c' |
 493    aes16\( aes8.\) g8\( f8.\) ees8 f16. g8( aes8..) bes8 c'16 des'8. | \break
 494 %% 31-32
 495    f'16 des' g'8 des'8 f'8.. des'16 c' bes8 ees'8.. des'8 ees'8. des'8 | ees'4 f'2 bes'2. | \break
 496 }
 497 %%% Instruments 
 498 alto = {
 499      \autoBeamOff
 500    \partial 2 r2^\fermata |
 501 %% 1-4
 502    <f f'>1. ~ | <f ees'> ~ | <f f'> ~ | <f ees'> ~ | \break
 503 %% 5-8
 504    ees'2 r1 | \repeat percent 2 {
 505    \tuplet 3/2 { bes4 c' des' ~ } \tuplet 3/2 { des'4 c' bes ~ } \tuplet 3/2 { bes4 c' des' } }
 506    \tuplet 3/2 { bes4 c' des' ~ } \tuplet 3/2 { des'4 c' bes } r2 | \break
 507 %% 9-12
 508    s1. | s1. | s1. | s1. | \break
 509 %% 13-16
 510    s1. | s1. | s1. | s1. | \break
 511 %% 17-19
 512    s1. | s1. | s1. | \break
 513 %% 20-22
 514    s1. | s1. | s1. | \break
 515 %% 23-24
 516    s1. | s1. | \break
 517 %% 25-26
 518    s1. | s1. | \break
 519 %% 27-28
 520    s1. | s1. | \break
 521 %% 29-30
 522    s1. | s1. | \break
 523 %% 31-32
 524    s1. | s1. | \break
 525 %% 33-37
 526    s1. | s1. | s1. | s1. | \noBreak s1. | \break
 527 %% 38-41
 528    s1. | s1. | s1. | s1. | \break
 529 %% 42-45
 530    <c' ees' g'>8[ <des' f' aes'> <ees' g' bes'>] c''2. <bes' g' ees'>8[ <aes' f' des'> <g' ees' c'>] |
 531    bes2 f2. <g bes des'>8[ <aes c' ees'> |
 532    <bes des' f'>] g'2 <c' ees' g'>8[ <des' f' aes'> <ees' g' bes'>] c''2 |
 533    <aes' c''>8 r4 <bes' des''>8 r4 <c'' ees''>8 r4 f''4. ~ | \break
 534 %% 46-49
 535    f''4. r8 <des'' bes' g'>8[ <c'' aes' f'> <bes' g' ees'>] r8
 536    <aes' f' des'>8[ <g' ees' c'> <f' des' bes>] r8 |
 537    <ees' c' aes>8[ <des' bes g> <c' aes f>] ~ f2 r8 <f f'>2 ~ |
 538    \time 2/1 <f f'>\breve | <f ees'>\breve | \break
 539 %% 50-52
 540 %%   \time 4/1 <f f'>\longa | \time 3/2 <f ees'>4 <f f'>2. \bar "|."
 541    \time 4/1 <f f'>\longa * 3/4 s\longa * 1/4^\pp^\dim |
 542    \time 3/2 <f ees'>4 <f f'>2. * 2/3 s2. * 1/3^\pppp\! \bar "|."
 543 }%% end alto sheet
 544 
 545 altoM = {
 546      \autoBeamOff
 547    \partial 2 r2^\fermata |
 548 %% 1-4
 549    <f f'>1. ~ | <f ees'> ~ | <f f'> ~ | <f ees'> ~ | \break
 550 %% 5-8
 551    ees'2 r1 | \repeat percent 2 {
 552    \tuplet 3/2 { bes4 c' des' ~ } \tuplet 3/2 { des'4 c' bes ~ } \tuplet 3/2 { bes4 c' des' } }
 553    \tuplet 3/2 { bes4 c' des' ~ } \tuplet 3/2 { des'4 c' bes } r2 | \break
 554 %% 9-12
 555    r1. | r1. | r1. | r1. | \break
 556 %% 13-16
 557    r1. | r1. | r1. | r1. | \break
 558 %% 17-19
 559    r1. | r1. | r1. | \break
 560 %% 20-22
 561    r1. | r1. | r1. | \break
 562 %% 23-24
 563    r1. | r1. | \break
 564 %% 25-26
 565    r1. | r1. | \break
 566 %% 27-28
 567    r1. | r1. | \break
 568 %% 29-30
 569    r1. | r1. | \break
 570 %% 31-32
 571    r1. | r1. | \break
 572 %% 33-37
 573    r1. | r1. | r1. | r1. | \noBreak r1. | \break
 574 %% 38-41
 575    r1. | r1. | r1. | r1. | \break
 576 %% 42-45
 577    <c' ees' g'>8[
 578    <des' f' aes'> <ees' g' bes'>] c''2. <bes' g' ees'>8[ <aes' f' des'> <g' ees' c'>] |
 579    bes2 f2. <g bes des'>8 <aes c' ees'> |
 580    <bes des' f'>] g'2 <c' ees' g'>8[ <des' f' aes'> <ees' g' bes'>] c''2 |
 581    <aes' c''>8 r4 <bes' des''>8 r4 <c'' ees''>8 r4 f''4. ~ | \break
 582 %% 46-49
 583    f''4. r8 <des'' bes' g'>8[ <c'' aes' f'> <bes' g' ees'>] r8
 584    <aes' f' des'>8[ <g' ees' c'> <f' des' bes>] r8 |
 585    <ees' c' aes>8[ <des' bes g> <c' aes f>] ~ f2 r8 <f f'>2 ~ |
 586    \time 2/1 <f f'>\breve | <f ees'>\breve | \break
 587 %% 50-52
 588 %%   \time 4/1 <f f'>\longa | \time 3/2 <f ees'>4 <f f'>2. \bar "|."
 589    \time 4/1 <f f'>\breve ~ <f f'>1 ~ <f f'>\pp
 590    \time 3/2 <f ees'>4\pp <f f'>4.\ppp <f f'>\pppp
 591 }%% end alto-midi
 592 
 593 %%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%%
 594 tenorVoice = {
 595     \autoBeamOff
 596    \partial 2 r4.^\fermata bes8\( |
 597 %% 1-4
 598    \repeat percent 4 {
 599     \repeat percent 3 { \tuplet 3/2 { bes8\)\melisma c' des' }
 600                         \tuplet 3/2 { ees'8 f' g' } } } | \break
 601 %% 5-8
 602    c'1\melismaEnd r2 | r1. | r1. | r1. | \break
 603 %% 9-12
 604    s1. | s1. | s1. | s1. | \break
 605 %% 13-16
 606    s1. | s1. | s1. | s1. | \break
 607 %% 17-19
 608    g8 g4 g aes4. g8 aes4 bes8 | c'4 bes8 c'4. r4. g4.^\fermata ~ |
 609    g4.^\fermata r8 c'2.^\fermata r4 | \break
 610 %% 20-22
 611    s1. | s1. | s1. | \break
 612 %% 23-24
 613    r1. | c'8( des') ees' aes16 des8( c8.) des ees16( f g) aes8. bes | \break
 614 %% 25-26
 615    g8-. g-. g16-. g8.-. ees8-. c-. c-. des16(\( ees f) g8.\) des'8( ees') |
 616    c'16\( aes8\) aes16 g8 f16\( ees( des c)\) r8 des16 ees( f g8) aes16( bes c') des'8( ees') | \break
 617 %% 27-28
 618    r4 bes16\( bes bes8\) c'8 c' c'16( des') bes8( c' des') des'16( ees' f'8) | r1. | \break
 619 %% 29-30
 620    c'8 c' c' des'\( ees' f'\) ees' f'16 g'8. r8 c'8 c' |
 621    bes8\( bes\) bes\( c'8.\) des'8 ees'16 bes4 f'8. f'16 g'4 | \break
 622 %% 31-32
 623    c'8 c'16 des'8. bes8 c'8. aes16 bes c'8 des'8. ees' f' | des'8 g'8. r16 aes8 g'4. aes4 g'4. | \break
 624 }
 625 
 626 tenorVoiceL = \lyricmode {
 627     \override Lyrics . LyricText #'color = #blue
 628     \override Lyrics . LyricHyphen #'color = #blue
 629     \override Lyrics . LyricExtender #'color = #blue
 630     \override Score . LyricText #'font-shape = #'italic
 631     \teeny
 632 " " ə __
 633 Before long, you who climb to the King of kings!
 634 Know fear! %% Know fear!
 635 Carved into the earth, "and its" ruth -- less actions
 636 Don't dis -- ap -- pear even when the pass -- ing flow!
 637 
 638 Space- -- Time is then en -- graved and ruth -- less -- ness
 639 Even -- tu -- ally make it into your life.
 640 
 641 To make it dis -- ap -- pear when the flows, but
 642 The ruth -- less en -- graved case of Space-Time
 643 So, and gives to the life "of the" person, and go away
 644 Person who climb "to the" King. Know fear! Know fear!
 645 }
 646 
 647 tenorVoiceM = {
 648     \autoBeamOff
 649    \partial 2 r4.^\fermata bes8\( |
 650 %% 1-4
 651    \repeat percent 4 {
 652     \repeat percent 3 { \tuplet 3/2 { bes8\)\melisma c' des' }
 653                         \tuplet 3/2 { ees'8 f' g' } } } | \break
 654 %% 5-8
 655    c'1\melismaEnd r2 | r1. | r1. | r1. | \break
 656 %% 9-12
 657    r1. | r1. | r1. | r1. | \break
 658 %% 13-16
 659    r1. | r1. | r1. | r1. | \break
 660 %% 17-19
 661    g8 g4 g aes4. g8 aes4 bes8 | c'4 bes8 c'4. r4. g4.^\f^\fermata ~ |
 662    g4.^\f^\fermata r8 c'2.^\f^\fermata r4 | \break
 663 %% 20-22
 664    r1. | r1. | r1. | \break
 665 %% 23-24
 666    r1. | c'8( des') ees' aes16 des8( c8.) des ees16( f g) aes8. bes | \break
 667 %% 25-26
 668    g8-. g-. g16-. g8.-. ees8-. c-. c-. des16(\( ees f) g8.\) des'8( ees') |
 669    c'16\( aes8\) aes16 g8 f16\( ees( des c)\) r8 des16 ees( f g8) aes16( bes c') des'8( ees') | \break
 670 %% 27-28
 671    r4 bes16\( bes bes8\) c'8 c' c'16( des') bes8( c' des') des'16( ees' f'8) | r1. | \break
 672 %% 29-30
 673    c'8 c' c' des'\( ees' f'\) ees' f'16 g'8. r8 c'8 c' |
 674    bes8\( bes\) bes\( c'8.\) des'8 ees'16 bes4 f'8. f'16 g'4 | \break
 675 %% 31-32
 676    c'8 c'16 des'8. bes8 c'8. aes16 bes c'8 des'8. ees' f' | des'8 g'8. r16 aes8 g'4. aes4 g'4. | \break
 677 }
 678 
 679 %%% Instruments 
 680 tenor = {
 681      \autoBeamOff
 682    \partial 2 r2^\fermata |
 683 %% 1-4
 684    <des c'>1. ~ | <des bes> ~ | <des c'> ~ | <des bes> ~ | \break
 685 %% 5-
 686    bes2 r1 |
 687 %% Alone completely Tenor solo.
 688 %% Uper; Tenor Solo, Lower; Instruments.
 689 %% 6--8-9--12-13--16--17------41
 690    << {  \new Voice = "tenorSol"  { \TenorSol
 691         \autoBeamOff
 692         \once \stemUp des'8^\markup { \with-color #blue \teeny \italic
 693              "Sol; Singer" \teeny { (However, On with Only one or two Instruments OK, " " \italic
 694                                       \with-color #red "But from this(6)bar to 16bar !!" )} }
 695                             c'2 c'8\rest c'8 ees'2 c'8\rest |
 696         \once \stemUp des'8 c' des'4 \once \stemUp ees'4^( \once \stemUp f'2) c'4\rest|
 697          \stemUp ees'8 f'4 c'8\rest aes'2. c'4\rest | \break
 698          %% 9--12
 699          \stemNeutral
 700          c'4 ees'8 ees'4. r8 c4. f4 ~ | f4 g4 c'4 ees'2. |
 701          des'8 c' des'4 ees'4( f'2) c'4\rest | c'4\rest c'1 c'4\rest | \break
 702          %% 13--16
 703          r4 c8 des2 ees8 c f4. | c'4 des'2 aes8 r8 ees'2 | f'2 r4 f'4 f'8 g' aes'4 ~ | aes'1 r2 | \break
 704          %% 17-19
 705          s1. | s1. | s1. | \break
 706          %% 20-22
 707          c'4.\rest^\markup { \teeny { \italic "Do not!!" On Instruments(See 6bar!) } }
 708          f'4 aes'2 c'8\rest g4 | aes'2 f'8 aes'2. c'8\rest |
 709          c'8\rest des'8 g4 c2. c'4\rest | \break
 710          %% 23-24
 711          r4 g2 ees4. ees8( f4 | g aes) bes2. c'4 ~ | \break
 712          %% 25-26
 713          c' des'2. ees'2 |  c2. r4 c'2 | \break
 714          %% 27-28
 715          r4 des'2 f'2. | g4 g\( ees c2.\) |
 716          %% 29-30
 717          s1. | s1. | \break
 718          %% 31-32
 719          s1. | s1. | \break
 720          %% 33-37
 721          r2.^\markup { \with-color #blue \teeny \italic
 722              "Sol; Singer" \teeny { (However, On with Only one or two Instruments OK) } }
 723          c'4 c' r4 |  c2. c | f2 ees4 f4\( f2\) | c'2. c' | \noBreak f'2 ees'4 f'4\( f'2\) | \break
 724          %% 38-41
 725          \tuplet 3/2 { c'4( des' ees') } r4 \tuplet 3/2 { des'4( ees' f') } r4 |
 726          f'2. c'8 g des\( c4.\) | r4 f'2. f'8 f' g'4~\( | g'4 aes'1\) r4 | \break
 727 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Here "r4",
 728 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% I would if can do on as aes with instruments.
 729          } } \\
 730       {
 731         \repeat percent 2 {
 732         \tuplet 3/2 { ees4 f g ~ } \tuplet 3/2 { g aes bes } \tuplet 3/2 { g aes bes } } |
 733         \tuplet 3/2 { bes4\repeatTie g ees ~ } \tuplet 3/2 { ees4 des c } c'2 | \break
 734         %% 9--12
 735         s1. | s1. | s1. | s1. | \break
 736         %% 13-16
 737         s1. | s1. | s1. | s1. | \break
 738         %% 17-19
 739         s1. | s1. | s1. | \break
 740         %% 20-22
 741         s1. | s1. | s1. | \break
 742         %% 23-24
 743         s1. | s1. | \break
 744         %% 25-26
 745         s1. | s1. | \break
 746         %% 27-28 
 747         s1. | s1. | \break
 748         %% 29-30
 749         s1. | s1. | \break
 750         %% 31-32
 751         s1. | s1. | \break
 752         %% 33-37
 753         s1. | s1. | s1. | s1. | \noBreak s1. | \break
 754         %% 38-
 755         s1. | s1. | s1. | s1. | \break
 756             } >>
 757 %% 42-45
 758    <g bes des'>8[
 759    <aes c' ees'> <bes des' f'>] g'2. <f' des' bes>8[ <ees' c' aes> <des' bes g>] |
 760    f2 c2. <des f aes>8[ <ees g bes> |
 761    <f aes c'>] des'2 <g bes des'>8[ <aes c' ees'> <bes des' f'>] g'2 |
 762    <ees' g'>8 r4 <f' aes'>8 r4 <g' bes'>8 r4 c''4. ~ | \break
 763 %% 46-49
 764    c''4. r8 <aes' f' des'>8[ <g' ees' c'> <f' des' bes>] r8
 765    <ees' c' aes>8[ <des' bes g> <c' aes f>] r8 |
 766    <bes g ees>8[ <aes f des> <g ees c>] ~ c2 r8 <c c'>2 ~ |
 767    \time 2/1 <c c'>\breve | <c bes>\breve | \break
 768 %% 50
 769 %%   \time 4/1 <c c'>\longa | \time 3/2 <c bes>4 <c c'>2. \bar "|."
 770    \time 4/1 <c c'>\longa * 3/4 s\longa * 1/4^\pp^\dim |
 771    \time 3/2 <c bes>4 <c c'>2. * 2/3 s2. * 1/3^\pppp\! \bar "|."
 772 } %% end tenor sheet
 773 
 774 SoltenorL = \lyricmode {
 775     \override Lyrics . LyricText #'color = #blue
 776     \override Lyrics . LyricHyphen #'color = #blue
 777     \override Lyrics . LyricExtender #'color = #blue
 778     \override Score . LyricText #'font-shape = #'italic
 779     \teeny
 780 Come on! Come on! Ex -- ter -- mi -- nate! Come on! Exterminate!
 781 One per -- son even alive and es -- cape!
 782 Ex -- ter -- mi -- nate! Exterminate!
 783 
 784 So I can be -- come the King of King -- dom! I'll be the King!
 785 Be -- come the King of "the Kings" of this realm!
 786 
 787 In my fami -- ly's pros -- per -- ity is my top King
 788 It's guar -- an -- teed!
 789 
 790 Here, quick! Come on! Alive and es -- cape!
 791 Come on! Alive and es -- cape!
 792 Kill, Kill, Kill is the mot -- to!
 793 Kill is the mot -- to!
 794 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 795 %% Come on! Exterminate!
 796 %% One person even alive and escape!
 797 %% So I can become the King of Kingdom!
 798 %% Become the King of the Kings of this realm!
 799 %% In my family's prosperity is my top King
 800 %% It's guaranteed!
 801 %% Come on! Alive and escape!
 802 %% Kill is the motto!
 803 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 804 }
 805 
 806 tenorM = {
 807      \autoBeamOff
 808    \partial 2 r2^\fermata |
 809 %% 1-4
 810    <des c'>1. ~ | <des bes> ~ | <des c'> ~ | <des bes> ~ | \break
 811 %% 5-
 812    bes2 r1 |
 813 %% Alone completely Tenor solo.
 814 %% Uper; Tenor Sol Lower; Instruments
 815 %% 6--8-9--12-13--16--17------41
 816    << {  \new Voice = "tenorSol"  { \TenorSol
 817         \autoBeamOff
 818          des'8 c'2 c'8\rest c'8 ees'2 c'8\rest | des'8 c' des'4 ees'4( f'2) c'4\rest |
 819          ees'8 f'4 c'8\rest aes'2. c'4\rest | \break
 820          %% 9--12
 821          \stemNeutral
 822          c'4 ees'8 ees'4. r8 c4. f4 ~ | f4 g4 c'4 ees'2. |
 823          des'8 c' des'4 ees'4( f'2) c'4\rest | r4 c'1 r4 | \break
 824          %% 13-16
 825          r4 c8 des2 ees8 c f4. | c'4 des'2 aes8 r8 ees'2 | f'2 r4 f'4 f'8 g' aes'4 ~ | aes'1 r2 | \break
 826          %% 17-19
 827          r1. | r1. | r1. | \break
 828          %% 20-22
 829          c'4.\rest f'4 aes'2 c'8\rest g4 | aes'2 f'8 aes'2. c'8\rest |
 830          c'8\rest des'8 g4 c2. c'4\rest | \break
 831          %% 23-24
 832          r4 g2 ees4. ees8( f4 | g aes) bes2. c'4 ~ | \break
 833          %% 25-26
 834          c' des'2. ees'2 | c2. r4 c'2 | \break
 835          %% 27-28
 836          r4 des'2 f'2. | g4 g\( ees c2.\) |
 837          %% 29-30
 838          r1. | r1. | \break
 839          %% 31-32
 840          r1. | r1. | \break
 841          %% 33-37
 842          r2. c'4 c' r4 | c2. c | f2 ees4 f4\( f2\) | c'2. c' | \noBreak f'2 ees'4 f'4\( f'2\) | \break
 843          %% 38-41
 844          \tuplet 3/2 { c'4( des' ees') } r4 \tuplet 3/2 { des'4( ees' f') } r4 |
 845          f'2. c'8 g des\( c4.\) | r4 f'2. f'8 f' g'4~\( | g'4 aes'1\) r4 | \break
 846 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Here "r4",
 847 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% I would if can do on as aes with instruments.
 848          } } \\
 849       {
 850         \repeat percent 2 {
 851         \tuplet 3/2 { ees4 f g ~ } \tuplet 3/2 { g aes bes } \tuplet 3/2 { g aes bes } } |
 852         \tuplet 3/2 { bes4\repeatTie g ees ~ } \tuplet 3/2 { ees4 des c } c'2 | \break
 853         %% 9--12
 854         r1. | r1. | r1. | r1. | \break
 855         %% 13--16
 856         r1. | r1. | r1. | r1. | \break
 857         %% 17-19
 858         r1. | r1. | r1. | \break
 859         %% 20-22
 860         r1. | r1. | r1. | \break
 861         %% 23-24
 862         r1. | r1. | \break
 863         %% 25-26
 864         r1. | r1. | \break
 865         %% 27-28
 866         r1. | r1. | \break
 867         %% 29-30
 868         r1. | r1. | \break
 869         %% 31-32
 870         r1. | r1. | \break
 871         %% 33-37
 872         r1. | r1. | r1. | r1. | \noBreak r1. | \break
 873         %% 38-41
 874         r1. | r1. | r1. | r1. | \break
 875             } >>
 876 %% 42-45
 877    <g bes des'>8[
 878    <aes c' ees'> <bes des' f'>] g'2. <f' des' bes>8[ <ees' c' aes> <des' bes g>] |
 879    f2 c2. <des f aes>8[ <ees g bes> |
 880    <f aes c'>] des'2 <g bes des'>8[ <aes c' ees'> <bes des' f'>] g'2 |
 881    <ees' g'>8 r4 <f' aes'>8 r4 <g' bes'>8 r4 c''4. ~ | \break
 882 %% 46-49
 883    c''4. r8 <aes' f' des'>8[ <g' ees' c'> <f' des' bes>] r8
 884    <ees' c' aes>8[ <des' bes g> <c' aes f>] r8 |
 885    <bes g ees>8[ <aes f des> <g ees c>] ~ c2 r8 <c c'>2 ~ |
 886    \time 2/1 <c c'>\breve | <c bes>\breve | \break
 887 %% 50
 888 %%   \time 4/1 <c c'>\longa | \time 3/2 <c bes>4 <c c'>2. \bar "|."
 889    \time 4/1 <c c'>\breve ~ <c c'>1 ~ <c c'>\pp
 890    \time 3/2 <c bes>4\pp <c c'>4.\ppp <c c'>\pppp
 891 } %% end tenor midi
 892 
 893 %%%%%%% bass; part %%%%%%%%%%%%%%%%
 894 bassVoice = {
 895     \autoBeamOff
 896    \partial 2 r4.^\fermata ees8\( |
 897 %% 1-4
 898    \repeat percent 4 {
 899     \repeat percent 3 { \tuplet 3/2 { ees8\)\melisma f g }
 900                         \tuplet 3/2 { aes8 bes c' } } } | \break
 901 %% 5-8
 902    f1\melismaEnd r2 | r1. | r1. | r1. | \break
 903 %% 9-12
 904    s1. | s1. | s1. | s1. | \break
 905 %% 13-16
 906    s1. | s1. | s1. | s1. | \break
 907 %% 17-19
 908    c8 c4 c des4. c8 des4 ees8 | f4 ees8 f4. r4. c4.^\fermata ~ |
 909    c4.^\fermata r8 f2.^\fermata r4 | \break
 910 %% 20-22
 911    s1. | s1. | s1. | \break
 912 %% 23-24
 913    r1. | f16( g aes) bes ees aes,8. aes, bes,16( c des ees) des4 ees16\( f4\) | \break
 914 %% 25-26
 915    des8. des16-.( c-. bes,-. aes,8-.) bes,8-. c-. c16-. des8(\(-.  ees-.) f8.\)-. g8( aes) |
 916    bes,8\(-. bes,8\)-. bes,16-. bes,8-. bes,16-.\( bes,-.( bes,-. bes,8-.)\) r8 c8
 917    c'16\(( bes aes) g( f ees) des8\) | \break
 918 %% 27-28
 919    r4 ees16\( ees ees8\) f8 f f16( g) ees8( f g) g16( aes bes8) | r1. | \break
 920 %% 29-30
 921    c8 c c des\( ees f\) ees f16 g8. r8 c8 c |
 922    bes,8\( bes,\) bes,\( c8.\) des8 ees16 bes,4 f8. f16 g4 | \break
 923 %% 31-32
 924    f16 f8 g8. aes16 aes8 bes8. c8 c c des8. des16 ees8 |
 925    des16 c8 bes,8. r8 c8 c'4. c8 c'4. | \break
 926 }
 927 
 928 bassVoiceL = \lyricmode {
 929     \override Lyrics . LyricText #'color = #blue
 930     \override Lyrics . LyricHyphen #'color = #blue
 931     \override Lyrics . LyricExtender #'color = #blue
 932     \override Score . LyricText #'font-shape = #'italic
 933     \teeny
 934 " " ə __
 935 Before long, you who climb to the King of kings!
 936 Know fear! %% Know fear!
 937 Carved into the earth, "and its" ruth -- less ac -- tions
 938 Don't "dis -- ap -- pear" even when the pass -- ing flow!
 939 
 940 Space- -- Time is then en -- graved and ruth -- less -- ness
 941 Even -- tu -- ally make it into your life.
 942 
 943 To make it dis -- ap -- pear when the flows, but
 944 The ruth -- less en -- graved case of Space-Time
 945 So, and gives to the life of the person, and go away
 946 Person who climb to the King. Know fear! Know fear!
 947 }
 948 
 949 bassVoiceM = {
 950     \autoBeamOff
 951    \partial 2 r4.^\fermata ees8\( |
 952 %% 1-4
 953    \repeat percent 4 {
 954     \repeat percent 3 { \tuplet 3/2 { ees8\)\melisma f g }
 955                         \tuplet 3/2 { aes8 bes c' } } } | \break
 956 %% 5-8
 957    f1\melismaEnd r2 | r1. | r1. | r1. | \break
 958 %% 9-12
 959    r1. | r1. | r1. | r1. | \break
 960 %% 13-16
 961    r1. | r1. | r1. | r1. | \break
 962 %% 17-19
 963    c8 c4 c des4. c8 des4 ees8 | f4 ees8 f4. r4. c4.^\fermata |
 964    c4.^\fermata r8 f2.^\fermata r4 | \break
 965 %% 20-22
 966    r1. | r1. | r1. | \break
 967 %% 23-24
 968    r1. | f16( g aes) bes ees aes,8. aes, bes,16( c des ees) des4 ees16\( f4\) | \break
 969 %% 25-26
 970    des8. des16-.( c-. bes,-. aes,8-.) bes,8-. c-. c16-. des8(\(-.  ees-.) f8.\)-. g8( aes) |
 971    bes,8-.\( bes,8-.\) bes,16-. bes,8-. bes,16-.\( bes,-.( bes,-. bes,8-.)\) r8 c8
 972    c'16\(( bes aes) g( f ees) des8\) | \break
 973 %% 27-28
 974    r4 ees16\( ees ees8\) f8 f f16( g) ees8( f g) g16( aes bes8) | r1. | \break
 975 %% 29-30
 976    c8 c c des\( ees f\) ees f16 g8. r8 c8 c |
 977    bes,8\( bes,\) bes,\( c8.\) des8 ees16 b,4 f8. f16 g4 | \break
 978 %% 31-32
 979    f16 f8 g8. aes16 aes8 bes8. c8 c c des8. des16 ees8 |
 980    des16 c8 bes,8. r8 c8 c'4. c8 c'4. | \break
 981 }
 982 
 983 %%% Instruments 
 984 bass = {
 985    \autoBeamOff
 986    \partial 2 r2^\fermata |
 987 %% 1-4
 988    <g, f>1. ~ | <g, ees> ~ | <g, f> ~ | <g, ees> ~ | \break
 989 %% 5-8
 990    ees2 r1 | \repeat percent 2 {
 991    \tuplet 3/2 { aes,4 bes, c } \tuplet 3/2 { des ees f } \tuplet 3/2 { des ees f } }
 992    \tuplet 3/2 { aes,4 bes, c } \tuplet 3/2 { des ees f } r2 | \break
 993 %% 9-12
 994    s1. | s1. | s1. | s1. | \break
 995 %% 13-16
 996    s1. | s1. | s1. | s1. | \break
 997 %% 17-19
 998    s1. | s1. | s1. | \break
 999 %% 20-22
1000    s1. | s1. | s1. | \break
1001 %% 23-24
1002    s1. s1. | \break
1003 %% 25-26
1004    s1. | s1. | \break
1005 %% 27-28
1006    s1. | s1. | \break
1007 %% 29-30
1008    s1. | s1. | \break
1009 %% 31-32
1010    s1. | s1. | \break
1011 %% 33-37
1012    s1. | s1. | s1. | s1. | \noBreak s1. | \break
1013 %% 38-41
1014    s1. | s1. | s1. | s1. | \break
1015 %% 42-45
1016    <c ees g>8[
1017    <des f aes> <ees g bes>] c'2. <bes g ees>8[ <aes f des> <g ees c>] |
1018    bes,2 f,2. <g, bes, des>8[ <aes, c ees> |
1019    <bes, des f>] g2 <c ees g>8[ <des f aes> <ees g bes>] c'2 |
1020    <aes c'>8 r4 <bes des'>8 r4 <c' ees'>8 r4 f'4. ~ | \break
1021 %% 46-49
1022    f'4. r8 <des' bes g>8[ <c' aes f> <bes g ees>] r8
1023    <aes f des>8[ <g ees c> <f des bes,>] r8 |
1024    <ees c aes,>8[ <des bes, g,> <c aes, f,>] ~ f,2 r8 <f, f>2 ~ |
1025    \time 2/1 <f, f>\breve | <f, ees>\breve | \break
1026 %% 50-52
1027 %%   \time 4/1 <f, f>\longa | \time 3/2 <f, ees>4 <f, f>2. \bar "|."
1028    \time 4/1 <f, f>\longa * 3/4 s\longa * 1/4^\pp^\dim |
1029    \time 3/2 <f, ees>4 <f, f>2. * 2/3 s2. * 1/3^\pppp\! \bar "|."
1030 } %%end bass-sheet
1031 
1032 bassM = {
1033    \autoBeamOff
1034    \partial 2 r2^\fermata |
1035 %% 1-4
1036    <g, f>1. ~ | <g, ees> ~ | <g, f> ~ | <g, ees> ~ | \break
1037 %% 5-8
1038    ees2 r1 | \repeat percent 2 {
1039    \tuplet 3/2 { aes,4 bes, c } \tuplet 3/2 { des ees f } \tuplet 3/2 { des ees f } }
1040    \tuplet 3/2 { aes,4 bes, c } \tuplet 3/2 { des ees f } r2 | \break
1041 %% 9-12
1042    r1. | r1. | r1. | r1. | \break
1043 %% 13-16
1044    r1. | r1. | r1. | r1. | \break
1045 %% 17-19
1046    r1. | r1. | r1. | \break
1047 %% 20-22
1048    r1. | r1. | r1. | \break
1049 %% 23-24
1050    r1. | r1. | \break
1051 %% 25-26
1052    r1. | r1. | \break
1053 %% 27-28
1054    r1. | r1. | \break
1055 %% 29-30
1056    r1. | r1. | \break
1057 %% 31-32
1058    r1. | r1. | \break
1059 %% 33-37
1060    r1. | r1. | r1. | r1. | \noBreak r1. | \break
1061 %% 38-41
1062    r1. | r1. | r1. | r1. | \break
1063 %% 42-45
1064    <c ees g>8[
1065    <des f aes> <ees g bes>] c'2. <bes g ees>8[ <aes f des> <g ees c>] |
1066    bes,2 f,2. <g, bes, des>8[ <aes, c ees> |
1067    <bes, des f>] g2 <c ees g>8[ <des f aes> <ees g bes>] c'2 |
1068    <aes c'>8 r4 <bes des'>8 r4 <c' ees'>8 r4 f'4. ~ | \break
1069 %% 46-49
1070    f'4. r8 <des' bes g>8[ <c' aes f> <bes g ees>] r8
1071    <aes f des>8[ <g ees c> <f des bes,>] r8 |
1072    <ees c aes,>8[ <des bes, g,> <c aes, f,>] ~ f,2 r8 <f, f>2 ~ |
1073    \time 2/1 <f, f>\breve | <f, ees>\breve | \break
1074 %% 50-52
1075 %%   \time 4/1 <f, f>\longa | \time 3/2 <f, ees>4 <f, f>2. \bar "|."
1076    \time 4/1 <f, f>\breve ~ <f, f>1 ~ <f, f>\pp
1077    \time 3/2 <f, ees>4\pp <f, f>4.\ppp <f, f>\pppp
1078 }%% end bass-midi
1079 
1080 %% get sheet music -------------------------------------------------
1081 \score {
1082   %% \new Score \with { \override VerticalAlignment #'max-stretch = #4 }
1083         <<
1084           %% \new Voice = "mezzosoprano" {
1085           %%                    \clef mezzosoprano \key aes\major \time 3/2
1086           %%       \set Staff.instrumentName = \markup { \tiny "mezzosoprano" }
1087           %%                            \VoiceColorBlue {\mezzosoprano} }
1088           %% \new Lyrics = "mainSL" \lyricsto "mezzosopranoL" { \mezzosopranoL }
1089 
1090            \context ChoirStaff = "FourPartStaffaddchorus" <<
1091            \context Voice = "soprano" { \clef soprano \key aes\major \time 3/2
1092                              \set Staff.instrumentName = "soprano" \soprano }
1093            \context Voice = "sopranoVocal" { \clef soprano \key aes\major \time 3/2
1094                    \set Staff.fontSize = #-4
1095                    \override Staff.StaffSymbol #'staff-space = #(magstep -4)
1096                    \override Staff.StaffSymbol #'thickness = #(magstep -4)
1097                              \set Staff.instrumentName = "Voice; sop "
1098                                                           \VoiceColorBlue \sopranoVoice }
1099            \context Lyrics = "mainSL" \lyricsto "sopranoVocal" { \sopranoVoiceL }
1100 
1101            \new Voice = "alto" { \clef alto \key aes\major \time 3/2
1102                         \set Staff.instrumentName = "alto   " \alto }
1103            \new Voice = "altoVocal" { \clef alto \key aes\major \time 3/2
1104                    \set Staff.fontSize = #-4
1105                    \override Staff.StaffSymbol #'staff-space = #(magstep -4)
1106                    \override Staff.StaffSymbol #'thickness = #(magstep -4)
1107                         \set Staff.instrumentName = "Voice; alt "
1108                                                      \VoiceColorBlue { \altoVoice } }
1109            \new Lyrics = "mainSL" \lyricsto "altoVocal" { \altoVoiceL }
1110 
1111            \new Voice = "tenor" { \clef tenor \key aes\major \time 3/2
1112                         \set Staff.instrumentName = "tenor  " \tenor }
1113            \new Lyrics = "mainTL" \lyricsto "tenorSol" { \SoltenorL }
1114            \new Voice = "tenorVocal" { \clef tenor \key aes\major \time 3/2
1115                    \set Staff.fontSize = #-4
1116                    \override Staff.StaffSymbol #'staff-space = #(magstep -4)
1117                    \override Staff.StaffSymbol #'thickness = #(magstep -4)
1118                         \set Staff.instrumentName = "Voice; tenor "
1119                                                        \VoiceColorBlue { \tenorVoice  } }
1120            \new Lyrics = "mainSL" \lyricsto "tenorVocal" { \tenorVoiceL }
1121 
1122            \new Voice = "bass" { \clef bass \key aes\major \time 3/2
1123                         \set Staff.instrumentName = "bass   " \bass }
1124            \new Voice = "bassVocal" { \clef bass \key aes\major \time 3/2
1125                    \set Staff.fontSize = #-4
1126                    \override Staff.StaffSymbol #'staff-space = #(magstep -4)
1127                    \override Staff.StaffSymbol #'thickness = #(magstep -4)
1128                         \set Staff.instrumentName = "Voice; bass "
1129                                                      \VoiceColorBlue { \bassVoice } }
1130            \new Lyrics = "mainBL" \lyricsto "bassVocal" { \bassVoiceL }
1131 
1132                 >>
1133             >>
1134 
1135   \layout {
1136             \context { \RemoveEmptyStaffContext
1137                        %% \override VerticalAxisGroup #'remove-first = ##t
1138                        %% It can get effect by using for instance "R1."
1139                        %% Don't using "r1."
1140                       }
1141            %% \context { \Score
1142            %%           \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/32)
1143            %%         }
1144            }
1145      %%%%%% Don't output Score-sheet %%%%%%%%%%%%%%%%%%%%%%%%
1146      %% \layout { \context { \Score skipTypesetting = ##t } }
1147 }
1148 
1149 %% get midi music --------------------------------------------------
1150 \score {
1151          %% \unfoldRepeats \articulate 
1152          <<
1153            %% \new Staff { \clef mezzosoprano \key aes\major \time 3/2 \tempo 4 = 58
1154            %%              \set Staff.midiInstrument = "pad 2 (warm)"
1155            %%                              \unfoldRepeats       \mezzosopranoM }
1156 
1157            \new Staff { \clef soprano \key aes\major \time 3/2 \tempo 4 = 58
1158                          \set Staff.midiInstrument = "pad 2 (warm)"
1159                                          \unfoldRepeats       \sopranoM }
1160            \new Staff { \clef soprano \key aes\major \time 3/2 \tempo 4 = 58
1161                          \set Staff.midiInstrument = "pad 2 (warm)"
1162                                          \unfoldRepeats       \sopranoVoiceM }
1163 
1164            \new Staff { \clef alto \key aes\major \time 3/2 \tempo 4 = 58
1165                          \set Staff.midiInstrument = "pad 2 (warm)"
1166                                          \unfoldRepeats          \altoM }
1167            \new Staff { \clef alto \key aes\major \time 3/2 \tempo 4 = 58
1168                          \set Staff.midiInstrument = "pad 2 (warm)"
1169                                          \unfoldRepeats          \altoVoiceM }
1170 
1171            \new Staff { \clef tenor \key aes\major \time 3/2 \tempo 4 = 58
1172                          \set Staff.midiInstrument = "pad 2 (warm)"
1173                                          \unfoldRepeats       \tenorM }
1174            \new Staff { \clef tenor \key aes\major \time 3/2 \tempo 4 = 58
1175                          \set Staff.midiInstrument = "pad 2 (warm)"
1176                                          \unfoldRepeats       \tenorVoiceM }
1177 
1178            \new Staff { \clef bass \key aes\major \time 3/2 \tempo 4 = 58
1179                         \set Staff.midiInstrument = "pad 2 (warm)"
1180                                          \unfoldRepeats          \bassM }
1181            \new Staff { \clef bass \key aes\major \time 3/2 \tempo 4 = 58
1182                          \set Staff.midiInstrument = "pad 2 (warm)"
1183                                          \unfoldRepeats          \bassVoiceM }
1184 
1185            %%\new Staff { \clef treble \key aes\major \time 3/2 \tempo 4 = 58
1186            %%             \set Staff.midiInstrument = "acoustic grand"
1187            %%                                \unfoldRepeats       \pianoUPm }
1188            %%\new Staff { \clef bass \key aes\major \time 3/2 \tempo 4 = 58
1189            %%             \set Staff.instrumentName = "acoustic grand"
1190            %%                                \unfoldRepeats     \pianoDownm }
1191          >>
1192 
1193    \midi { tempoWholesPerMinute = #(ly:make-moment 58 4) }
1194 }
1195 \markup { " " }
1196 \markup { \column { \line {
1197 About location \hspace #3 \musicglyph #"noteheads.uM2"(longa) \hspace #2 and \hspace #3 \musicglyph #"noteheads.sM1"(breve) }
1198 \line { \italic " Please, Breath of longa and breve do in the members alternating(But, like Don't stand out). " } } }
1199 \markup { \vspace #2 }
1200 \markup { \hspace #20 \huge "INSTRUMENT RANGES" }
1201 \markup { \italic "About;" \teeny\italic
1202  "Some of Instruments; there is a difference between writing-note and real-note."
1203 \italic "for instance:" }
1204 \markup { \column { \line { \bold "WOODWINDS; Piccolo(in C)"--\tiny "like this"-- }
1205  \line { \score { {
1206  \clef treble \key c\major \time 4/1
1207  d'1^\markup {\italic "written" } s1 g'''1 s1 \bar"||"
1208  s2 d''1_\markup { \hspace #-8 \italic "sounds one octave higher" }
1209  s1  g''''1 s2 | \break
1210                    }
1211                       \layout { \context { \Staff
1212                                  \override ClefSignature #'transparent = ##t
1213                                  \override TimeSignature #'transparent = ##t }
1214                                  indent = 20.00\mm line-width = 160.00\mm }
1215                   } }
1216          }}
1217 \markup { " " }
1218 \markup { \vspace #2 }
1219 \markup { \column {
1220             \line { \hspace #18.4  Bass Flute--\tiny "like this"-- }
1221             \line { \score { {
1222                     \clef treble \key c\major \time 4/1
1223                     c'1^\markup {\italic "written" } s1 a'''1 s1 \bar"||"
1224                     \clef bass s2 c1_\markup { \hspace #-8 \italic "sounds one octave lower" }
1225                     s1 \clef treble a''1 s2| \break
1226                              }
1227                       \layout { \context { \Staff
1228                                  \override ClefSignature #'transparent = ##t
1229                                  \override TimeSignature #'transparent = ##t }
1230                                  indent = 20.00\mm line-width = 160.00\mm }
1231                   } }
1232          }}
1233 \markup { " " }
1234 %%%%%%%%%%%% To Top-Page %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
1235 %{
1236 \markup { " " }
1237 \markup { \vspace #2 }
1238 \markup { \line {\hspace #8 \bold "Kill is the motto!"} }
1239 \markup { " " }
1240 \markup { \hspace #8 \tiny \italic \column {
1241 \bold "Tenor; Vocal Words"
1242 " "
1243 "Come on! Exterminate!"
1244 "One person even alive and escape!"
1245 " "
1246 "So I can become the King of Kingdom!"
1247 "Become the King of the Kings of this realm!"
1248 " "
1249 "In my family's prosperity is my top King"
1250 "It's guaranteed!"
1251 " "
1252 "Come on! Alive and escape!"
1253 "Kill is the motto!"
1254 " "
1255 }\hspace #12
1256    \teeny \italic \column { 
1257 \bold "Chours; Vocal Words"
1258 " "
1259 " "
1260 "The harvest season is coming,"
1261 "Her dream that prayerful thoughts"
1262 "Has been growing!"
1263 "Now! She can reap those."
1264 " "
1265 "That resentment was erased from this earth clan"
1266 "When dispel is coming near."
1267 "She is without a doubt,"
1268 "To take over their blood clan"
1269 "Erased from this earth."
1270 }}
1271 %}
1272 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
1273 %%%%%%%%%%%%%%%%%%%% End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%