1 %% 1:45 AM Friday, July 7, 2023
  2 %% Yukio Yoshida.
  3 \version "2.24.0"
  4 #(set-default-paper-size "letter")
  5 #(set-global-staff-size 16)
  6 VoiceColorBlue = {
  7                    \override Staff.StaffSymbol.color = #blue
  8                    \override Staff.LedgerLineSpanner.color = #blue
  9                    \override Staff.Clef.color = #blue
 10                    \override Staff.TimeSignature.color = #blue
 11                    \override Staff.KeySignature.color = #blue
 12                    \override Staff.BarLine.color = #blue
 13                    \override Voice.NoteHead.color = #blue
 14                    \override Voice.Accidental.color = #blue
 15                    \override Voice.Rest.color = #blue
 16                    \override Voice.Stem.color = #blue
 17                    \override Voice.Flag.color = #blue
 18                    \override Voice.Beam.color = #blue
 19                    \override Voice.Slur.color = #blue
 20                    \override Voice.PhrasingSlur.color = #blue
 21                    \override Voice.Tie.color = #blue
 22                    \override Voice.Dots.color = #blue
 23                    \override Voice.Script.color = #blue
 24                    \override Voice.TupletNumber.color = #blue
 25                    \override Voice.TupletBracket.color = #blue
 26                    \override Voice.BreathingSign.color = #blue
 27 }
 28 VoiceColorBlueRevert = {
 29                    \revert Voice.NoteHead.color
 30                    \revert Voice.Rest.color
 31                    \revert Voice.Stem.color
 32                    \revert Voice.Flag.color
 33                    \revert Voice.Beam.color
 34                    \revert Voice.Slur.color
 35                    \revert Voice.PhrasingSlur.color
 36                    \revert Voice.Tie.color
 37                    \revert Voice.Dots.color
 38                    \revert Voice.Script.color
 39                    \revert Voice.TupletNumber.color
 40                    \revert Voice.TupletBracket.color
 41                    \revert Voice.BreathingSign.color
 42 }
 43 
 44 BlueRest = { \override Voice.Rest.color = #blue
 45              \override Voice.Dots.color = #blue }
 46 BlueOff = { \revert Voice.Rest.color
 47             \revert Voice.Dots.color }
 48 
 49 AddChorus = {
 50                    \override Staff.StaffSymbol.color = #red
 51                    \override Staff.LedgerLineSpanner.color = #red
 52                    \override Staff.Clef.color = #red
 53                    \override Staff.TimeSignature.color = #red
 54                    \override Staff.KeySignature.color = #red
 55                    \override Staff.BarLine.color = #red
 56                    \override Voice.NoteHead.color = #blue
 57                    \override Voice.Rest.color = #blue
 58                    \override Voice.Stem.color = #blue
 59                    \override Voice.Flag.color = #blue
 60                    \override Voice.Beam.color = #blue
 61                    \override Voice.Slur.color = #blue
 62                    \override Voice.PhrasingSlur.color = #blue
 63                    \override Voice.Tie.color = #blue
 64                    \override Voice.Dots.color = #blue
 65                    \override Voice.Script.color = #blue
 66                    \override Voice.TupletNumber.color = #red
 67                    \override Voice.TupletBracket.color = #red
 68                    \override Voice.BreathingSign.color = #red
 69 }
 70 
 71 \paper {
 72         %% ragged-last-bottom = ##f
 73 }
 74 
 75 \header {
 76  dedication = \markup { \center-column { "   " "   " "   " "The Story of A Lady" } }
 77  title = \markup{ \line { \huge "All of things have finished!"} }
 78  subtitle = \markup{ \center-column {
 79                            \with-color #blue \italic "c major; c d e f g a b"
 80                            \raise #4 \italic "( Instruments, d major; cis d e fis g a b )" } }
 81 %% subsubtitle = #(string-append "LilyPond version " (lilypond-version))
 82  subsubtitle = \markup{\center-column { " "
 83                    \with-color #blue \italic "mezzosoprano; C clef on 2nd line,"
 84                    "soprano; C clef on 1st line,       alto; C clef on 3rd line."
 85                    "       bass; F clef on 4th line,    tenor; C clef on 4th line."}}
 86  %% composer = \markup{ \line {\italic "Yukio Yoshida"}}
 87  arranger = "yukio yoshida"
 88  poet = \markup { \teeny \italic \column {
 89 \line { \bold "All of things have finished!" }
 90 "1)"
 91 \vspace #-0.4
 92 "It is finished."
 93 "I'll go where the crime of punishment,"
 94 "Its horror, this only wield!" }
 95 \hspace #4 \teeny \italic \column {
 96 " "
 97 "2)"
 98 \vspace #-0.4
 99 "Oh God!           Please forgive me,"
100 "By Four Horsemen,"
101 "This body will be guided to the underworld of eternal suffering!" }
102 \hspace #3 \teeny \italic \column {
103 " "
104 "3)"
105 \vspace #-0.4
106 "Oh God! this life of You's Love to Me that You have defeated"
107 "Oh God!           Please forgive me,"
108 "As a person, I kept murdering with a will." }
109 " "
110 " "
111 }
112  opus = "Op.88(Oct 30, 2015)"
113  meter = \markup { \bold \italic \vspace #3 "pray " }
114  copyright = "public Domain"
115 %% tagline = "  "
116 }
117 
118 %%%%%%%%% mezzosoprano part %%%%%%%%%%%%%%%%%%%%%
119 mezzosoprano = { \hide Staff.BarLine
120     \autoBeamOff
121    \partial 2 r2^\fermata |
122 %% 1-2
123    \time 4/1 c'1^\markup { \hspace #6 \italic \teeny \with-color #blue
124                     "Breathe; As feeling like 8 parts of the note rest." }\melisma \breathe
125    e'\breve \breathe c'1 ~ | \time 3/2 c'2\melismaEnd r1 | \break
126 %% 3-6
127    r4 a4( a8) c'4\( d'2\) r8 | a'4 c''2 b'8( a' g' f') e'4 | c'2 c'8 c'4\( b8 a2 ~ |
128    a2\) r4 c'4. d'4.\( | \break
129 %% 7-10
130    d'4.\) r8 a'4 b' c''2 | r2 c''4. a2 r8 | a'2 a'4\( c''2.\) | d''1. | \break
131 %% 11-14
132    c''4.^\markup { \teeny \with-color #blue 
133           \italic "Only; Mezzosoprano Sol-vocale" \tiny (Do not on Instruments! from 11bar to 15bar) }
134          e''2 c''8\(( a' f') d'4 ~ |
135    d'4\) r4 c'4 a2 b4 |
136    a8 b4. r8 c'8 e'4 a'4\( b' | d''2.\) c''8 r8 d''2\( | \break
137 %% 15-18
138    e''\) \tuplet 3/2 { f'' f'' f'' ~ } | f''2 r1 | r1. | r1. | \break
139 %% 19-21
140    \time 4/1 r\longa | \time 3/2 r1. | r2^\fermata d'4. d''2 r8 | \break
141 %% 22-25
142    c''2 d'16( f'4. a'2) r16 | g'4.. f'16 a'2 b' | b'4\( c''2.\) r2 | c''4. e''2.. r4 | \break
143 %% 26-29
144     a'2 a'4\( c''2.\) | d''1. |
145     \time 4/1 r\breve c'\breve\(^\markup {
146                  \italic \teeny \with-color #blue "Breathe; Similarly to(8rest)." } \melisma |
147              \breathe d'2\) \melismaEnd d'2 e'4 f'8\(_( e' d' c') d'2.\) r2 c'1 | \break
148 %% 30
149    d'4.^\markup { \teeny \with-color #blue \italic "Only(30bar); Mezzosoprano Sol-vocale" }
150         c'8\(_( d' e') f'4( g'2.)\) b'4. c''8 d''1.. | \noBreak
151 %% 31-32
152    r4. d''2\melisma e''1\melismaEnd r8 r\breve | \time 3/2 r1
153    \undo \hide Staff.BarLine \bar "|." \break %%\bar "|." \break
154 }%% end mezzospprano sheet
155 
156 mezzosopranoL = \lyricmode {
157     \override Lyrics.LyricText.color = #blue
158     \override Lyrics.LyricHyphen.color = #blue
159     \override Lyrics.LyricExtender.color = #blue
160     \override Score.LyricText.font-shape = #'italic
161     \tiny
162 ə __
163 It's fin -- ished.
164 I'll go where the crime of pun -- ish -- ment,
165 It's hor -- ror, this only wield!
166 
167 Oh God! please for -- give me,
168 By Four Hors -- emen,
169 This body will be guided to the un -- der -- world of eter -- nal suf -- fer -- ing!
170 
171 Oh God! "this life" "of You's Love" "to Me" that You have de -- feated
172 Oh God! Please for -- give me,
173 ə __
174 As a per -- son, I kept mur -- dering with a will.
175 ə __
176 }
177 
178 mezzosopranoM = {
179     \autoBeamOff
180    \partial 2 r2^\fermata |
181 %% 1-2
182    \time 4/1 c'1\melisma \breathe e'\breve \breathe c'1 ~ | \time 3/2 c'2\melismaEnd r1 | \break
183 %% 3-6
184    r4 a4 a8) c'4\( d'2\) r8 | a'4 c''2 b'8( a' g' f') e'4 | c'2 c'8 c'4\( b8 a2 ~ |
185    a2\) r4 c'4. d'4. | \break
186 %% 7-
187    d'4.\) r8 a'4 b' c''2 | r2 c''4. a2 r8 | a'2 a'4\( c''2.\) | d''1. | \break
188 %% 11-14
189    c''4. e''2 c''8\(( a' f') d'4 ~ | d'4\) r4 c'4 a2 b4 |
190    a8 b4. r8 c'8 e'4 a'4\( b' | d''2.\) c''8 r8 d''2\( | \break
191 %% 15-18
192    e''\) \tuplet 3/2 { f'' f'' f'' ~ } | f''2 r1 | r1. | r1. | \break
193 %% 19-21
194    \time 4/1 r\longa | \time 3/2 r1. | r2^\fermata d'4. d''2 r8 | \break
195 %% 22-25
196    c''2 d'16( f'4. a'2) r16 | g'4.. f'16 a'2 b' | b'4 c''2. r2 | c''4. e''2.. r4 | \break
197 %% 26-29
198     a'2 a'4\( c''2.\) | d''1. |
199     \time 4/1 r\breve c'\breve\( \melisma |
200               \breathe d'2\)\melismaEnd d'2 e'4 f'8\(_( e' d' c') d'2.\) r2 c'1 | \break
201 %% 30
202    d'4. c'8\(_( d' e') f'4( g'2.)\) b'4. c''8 d''1.. | \noBreak
203 %% 31-32
204    r4. d''2\melisma e''1\melismaEnd r8 r\breve | \time 3/2 r1 \bar "|." \break
205 }%% end mezzosoprano-midi
206 
207 %%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%%
208 soprano = {
209     \autoBeamOff
210    \partial 2 r2^\fermata |
211 %% 1-2
212    \time 4/1 r\breve cis''\breve_\( | \time 3/2 fis'1.\) | \break
213 %% 3-6
214    cis'1. | d' |
215    \once \override Glissando.style = #'zigzag <cis' fis'>2\glissando <d' g'>2. r4 |
216    r4 <d' g'>2\glissando <cis' fis'>2. | \break
217 %% 7-10
218    fis''2. g'' | c''1 r2 | \repeat percent 3 { fis'8[ a'] fis'[ a'] } |
219    fis'8[ a'] fis'[ a'] ~ a'1 | \break
220 %% 11-14
221    r1. | r1. | r1. | r1. | \break
222 %% 15-18
223    r1. | a'1. | e'4 fis'1 r4 | e'1. | \break
224 %% 19-21
225    \time 4/1 a'\breve d' ~ | \time 3/2 d'1. | fis'1.^\fermata | \break
226 %% 22-25
227    \repeat percent 3 { e'8.-. fis'-. g'-. fis'-. e'2. } | r1. | \break
228 %% 26-29
229    fis'2 g' a' | g'4. fis' r2. | \time 4/1 cis'''2 cis'\breve r1. |
230    \repeat percent 16 { r8[ cis'8-.] } | \break
231 %% 30
232    s\longa | \noBreak
233 %% 31-32
234    a'\longa_( | \time 3/2 a'1) \bar "|." \break
235 }%% end soprano sheet
236 
237 sopranoM = {
238     \autoBeamOff
239    \partial 2 r2^\fermata |
240 %% 1-2
241    \time 4/1 r\breve cis''\breve_\( | \time 3/2 fis'1.\) | \break
242 %% 3-6
243    cis'1. | d'1. |
244    \once \override Glissando.style = #'zigzag <cis' fis'>2\glissando <d' g'>2. r4 |
245    r4 <d' g'>2\glissando <cis' fis'>2. | \break
246 %% 7-10
247    fis''2. g'' | c''1 r2 | \repeat percent 3 { fis'8[ a'] fis'[ a'] } |
248    fis'8[ a'] fis'[ a'] ~ a'1 | \break
249 %% 11-14
250    r1. | r1. | r1. | r1. | \break
251 %% 15-18
252    r1. | a'1. | e'4 fis'1 r4 | e'1. | \break
253 %% 19-21
254    \time 4/1 a'\breve d' ~ | \time 3/2 d'1. | fis'1.^\fermata | \break
255 %% 22-25
256    \repeat percent 3 { e'8.-. fis'-. g'-. fis'-. e'2. } | r1. | \break
257 %% 26-29
258    fis'2 g' a' | g'4. fis' r2. | \time4/1 cis'''2 cis'\breve r1. |
259    \repeat percent 16 { r8[ cis'8-.] } | \break
260 %% 30
261    r\longa | \noBreak
262 %% 31-32
263    a'\longa_( | \time 3/2 a'1) \bar "|." \break
264 }%% end soprano-midi
265 
266 %%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%%%
267 alto = {
268      \autoBeamOff
269    \partial 2 r2^\fermata |
270 %% 1-2
271    \time 4/1 r\breve fis'\breve_\( | \time 3/2 b1.\) | \break
272 %% 3-6
273    fis1. | g1. |
274    \once \override Glissando.style = #'zigzag <fis b>2\glissando <g cis'>2. r4 |
275    r4 <g cis'>2\glissando <fis b>2. | \break
276 %% 7-10
277    \repeat percent 3 { fis'2. fis } | d'1. | \break
278 %% 11-14
279    r1. | r1. | r1. | r1. | \break
280 %% 15-18
281    r1. | d'1. | a4 b1 r4 | a1. | \break
282 %% 19-21
283    \time 4/1 d'\breve g_~ | \time 3/2 g1. | b1.^\fermata | \break
284 %% 22-25
285    \repeat percent 3 { a2. fis } | r1. | \break
286 %% 26-29
287    fis4. g a b | cis'2 r1 | \time 4/1 fis''2 fis\breve r1. |
288    \repeat percent 16 { fis8-.[ r8] } | \break
289 %% 30
290    s\longa | \noBreak
291 %% 31-32
292    d'\longa_( | \time 3/2 d'1) \bar "|." \break
293 }%% end alto sheet
294 
295 altoM = {
296      \autoBeamOff
297    \partial 2 r2^\fermata |
298 %% 1-2
299    \time 4/1 r\breve fis'\breve_\( | \time 3/2 b1.\) | \break
300 %% 3-6
301    fis1. | g1. |
302    \once \override Glissando.style = #'zigzag <fis b>2\glissando <g cis'>2. r4 |
303    r4 <g cis'>2\glissando <fis b>2. | \break
304 %% 7-10
305    \repeat percent 3 { fis'2. fis } | d'1. | \break
306 %% 11-14
307    r1. | r1. | r1. | r1. | \break
308 %% 15-18
309    r1. | d'1. | a4 b1 r4 | a1. | \break
310 %% 19-21
311    \time 4/1 d'\breve g_~ | \time 3/2 g1. | b1.^\fermata | \break
312 %% 22-25
313    \repeat percent 3 { a2. fis } | r1. | \break
314 %% 26-29
315    fis4. g a b | cis'2 r1 | \time 4/1 fis''2 fis\breve r1. |
316    \repeat percent 16 { fis8-.[ r8] } | \break
317 %% 30
318    r\longa | \noBreak
319 %% 31-32
320    d'\longa_( | \time 3/2 d'1) \bar "|." \break
321 }%% end alto-midi
322 
323 %%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%%
324 tenor = {
325      \autoBeamOff
326    \partial 2 r2^\fermata |
327 %% 1-2
328    \time 4/1 r\longa | \time 3/2 <cis e>4. <d fis> <e g> <d fis>\( | \break
329 %% 3-6
330    d1.\) | e | fis | e | \break
331 %% 7-10
332    \repeat percent 3 { fis2. fis' } | e1. | \break
333 %% 11-14
334    r1. | r1. | r1. | r1. | \break
335 %% 15-18
336    r1. | e1 a8.-. cis'-. e'8 ~ | \repeat percent 2 { e'4. d'8.-. cis'-. b4.-. a8.-. g-. } | \break
337 %% 19-21
338    \time 4/1 e\breve cis ~ | \time 3/2 cis1. | fis1.^\fermata | \break
339 %% 22-25
340    \repeat percent 2 { d2 e fis | fis e d2 } | \break
341 %% 26-29
342    r1. | d1. | \time 4/1 cis''2 d\breve e1. | \repeat percent 2 { cis1 e } | \break
343 %% 30
344    s\longa | \noBreak
345 %% 31-32
346    e\longa( | \time 3/2 e1) \bar "|." \break
347 } %% end tenor sheet
348 
349 tenorM = {
350      \autoBeamOff
351    \partial 2 r2^\fermata |
352 %% 1-2
353    \time 4/1 r\longa | \time 3/2 <cis e>4. <d fis> <e g> <d fis>\( | \break
354 %% 3-6
355    d1.\) | e | fis | e | \break
356 %% 7-10
357    \repeat percent 3 { fis2. fis' } | e1. | \break
358 %% 11-14
359    r1. | r1. | r1. | r1. | \break
360 %% 15-18
361    r1. | e1 a8.-. cis'-. e'8 ~ | \repeat percent 2 { e'4. d'8.-. cis'-. b4.-. a8.-. g-. } | \break
362 %% 19-21
363    \time 4/1 e\breve cis ~ | \time 3/2 cis'1. | fis1.^\fermata | \break
364 %% 22-25
365    \repeat percent 2 { d2 e fis | fis e d2 } | \break
366 %% 26-29
367    r1. | d1. | \time 4/1 cis''2 d\breve e1. | \repeat percent 2 { cis1 e } | \break
368 %% 30
369    r\longa | \noBreak
370 %% 31-32
371    e\longa( | \time 3/2 e1) \bar "|." \break
372 } %% end tenor midi
373 
374 %%%%%%% bass; part %%%%%%%%%%%%%%%%
375 bass = {
376    \autoBeamOff
377    \partial 2 r2^\fermata |
378 %% 1-2
379    \time 4/1 r\longa |
380    \time 3/2 <fis, cis>4 <g, d> <a, e> <b, fis> <e a,> <d g,>\( | \break
381 %% 3-6
382    g,1.\) | a, | cis | a, | \break
383 %% 7-10
384    g,4. b2. r8 cis'4 | a,4. cis'2. r8 d'4 ~ | d'4 a8-. g-. fis-. e-. d-. cis-. g,2 | a,1. | \break
385 %% 11-14
386    r1. | r1. | r1. | r1. | \break
387 %% 15-18
388    r1. | a,1 d8.-. fis-. a8 ~ | \repeat percent 2 { a8 g-. fis-. e-. d-. cis-. g,2. } | \break
389 %% 19-21
390    \time 4/1 a,\breve cis ~ | \time 3/2 cis1. | g,1.^\fermata | \break
391 %% 22-25
392    \repeat percent 2 { d4 cis b, a, g, fis, | g,4. a, b, cis } | \break
393 %% 26-29
394    r1. | d1. | \time 4/1 fis'2 g,\breve a,1. | \repeat percent 2 { fis,1 a, } | \break
395 %% 30
396    s\longa | \noBreak
397 %% 31-32
398    a,\longa( | \time 3/2 a,1) \bar "|." \break
399 } %%end bass-sheet
400 
401 bassM = {
402    \autoBeamOff
403    \partial 2 r2^\fermata |
404 %% 1-2
405    \time 4/1 r\longa |
406    \time 3/2 <fis, cis>4 <g, d> <a, e> <b, fis> <e a,> <d g,>\( | \break
407 %% 3-6
408    g,1.\) | a, | cis | a, | \break
409 %% 7-10
410    g,4. b2. r8 cis'4 | a,4. cis'2. r8 d'4 ~ | d'4 a8-. g-. fis-. e-. d-. cis-. g,2 | a,1. | \break
411 %% 11-14
412    r1. | r1. | r1. | r1. | \break
413 %% 15-18
414    r1. | a,1 d8.-. fis-. a8 ~ | \repeat percent 2 { a8 g-. fis-. e-. d-. cis-. g,2. } | \break
415 %% 19-21
416    \time 4/1 a,\breve cis ~ | \time 3/2 cis1. | g,1.^\fermata | \break
417 %% 22-25
418    \repeat percent 2 { d4 cis b, a, g, fis, | g,4. a, b, cis } | \break
419 %% 26-
420    r1. | d1. | \time 4/1 fis'2 g,\breve a,1. | \repeat percent 2 { fis,1 a, } | \break
421 %% 30
422    r\longa | \noBreak
423 %% 31-32
424    a,( | \time 3/2 a,1) \bar "|." \break
425 }%% end bass-midi
426 
427 %%%%%%%%%% sheet and midi music code part %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
428 %% get sheet music -------------------------------------------------
429 \score {
430      %% \new Score \with { \override VerticalAlignment.max-stretch = #2 }
431 %%         <<
432        \context StaffGroup <<
433        \new Voice = "mezzosoprano" {
434                               \clef mezzosoprano \key c\major \time 3/2
435                  \set Staff.instrumentName = \markup { \with-color #blue \italic \column {
436                                                       " " "mezzo   " \raise #1 " soprano" } }
437                                       \VoiceColorBlue {\mezzosoprano} }
438        %% \new Lyrics = "mainSL" \lyricsto "mezzosopranoV" { \mezzosopranoL }
439        \new Lyrics = "mainSL" \lyricsto "mezzosoprano" { \mezzosopranoL }
440 
441 %%           \context ChoirStaff = "FourPartStaffaddchorus" <<
442            \new Voice = "soprano" { \clef soprano \key d\major \time 3/2
443                    \set Staff.fontSize = #-4
444                    \override Staff.StaffSymbol.staff-space = #(magstep -4)
445                    \override Staff.StaffSymbol.thickness = #(magstep -4)
446                              \set Staff.instrumentName = "soprano" \soprano }
447            %% \new Lyrics = "mainSL" \lyricsto "SopranoChours" { \sopranoL }
448 
449            \new Voice = "alto" { \clef alto \key d\major \time 3/2
450                    \set Staff.fontSize = #-4
451                    \override Staff.StaffSymbol.staff-space = #(magstep -4)
452                    \override Staff.StaffSymbol.thickness = #(magstep -4)
453                         \set Staff.instrumentName = "alto   " \alto }
454            %% \new Lyrics = "mainSL" \lyricsto "AltoChours" { \altoL }
455 
456            \new Voice = "tenor" { \clef tenor \key d\major \time 3/2
457                    \set Staff.fontSize = #-4
458                    \override Staff.StaffSymbol.staff-space = #(magstep -4)
459                    \override Staff.StaffSymbol.thickness = #(magstep -4)
460                         \set Staff.instrumentName = "tenor  " \tenor }
461            %% \new Lyrics = "mainTL" \lyricsto "TenorChours" { \tenorL }
462 
463            \new Voice = "bass" { \clef bass \key d\major \time 3/2
464                    \set Staff.fontSize = #-4
465                    \override Staff.StaffSymbol.staff-space = #(magstep -4)
466                    \override Staff.StaffSymbol.thickness = #(magstep -4)
467                         \set Staff.instrumentName = "bass   " \bass }
468            %% \new Lyrics = "mainBL" \lyricsto "BassChours" { \bassL }
469 %%                                           >>
470 
471            %% \context PianoStaff = "PianoStaff" <<
472            %% \new Voice = "piano" { \clef treble \key d\major \time 3/2
473            %%              \set Staff.instrumentName = "piano  " \pianoUP }
474            %% \new Voice = "piano" { \clef bass \key d\major \time 3/2
475            %%              \set Staff.instrumentName = "piano  " \pianoDown }
476            %%                                   >>
477 
478          >>
479 
480   \layout {
481             \context { \Staff \RemoveEmptyStaves
482                        %% \override VerticalAxisGroup.remove-first = ##t
483                        %% It can get effect by using for instance "R1."
484                        %% Don't using "r1."
485                       }
486            }
487      %%%%%% Don't output Score-sheet %%%%%%%%%%%%%%%%%%%%%%%%
488      %% \layout { \context { \Score skipTypesetting = ##t } }
489 }
490 
491 %% get midi music --------------------------------------------------
492 \score {
493          <<
494            \new Staff { \clef mezzosoprano \key c\major \time 3/2 \tempo 4 = 48
495                          \set Staff.midiInstrument = "pad 2 (warm)"
496                                          \unfoldRepeats       \mezzosopranoM }
497 
498            \new Staff { \clef soprano \key d\major \time 3/2 \tempo 4 = 48
499                          \set Staff.midiInstrument = "pad 2 (warm)"
500                                          \unfoldRepeats       \sopranoM }
501 
502            \new Staff { \clef alto \key d\major \time 3/2 \tempo 4 = 48
503                          \set Staff.midiInstrument = "pad 2 (warm)"
504                                          \unfoldRepeats          \altoM }
505 
506            \new Staff { \clef tenor \key d\major \time 3/2 \tempo 4 = 48
507                          \set Staff.midiInstrument = "pad 2 (warm)"
508                                          \unfoldRepeats       \tenorM }
509 
510            \new Staff { \clef bass \key d\major \time 3/2 \tempo 4 = 48
511                         \set Staff.midiInstrument = "pad 2 (warm)"
512                                          \unfoldRepeats          \bassM }
513 
514            %%\new Staff { \clef treble \key d\major \time 3/2 \tempo 4 = 48
515            %%             \set Staff.midiInstrument = "acoustic grand"
516            %%                                \unfoldRepeats       \pianoUPm }
517            %%\new Staff { \clef bass \key d\major \time 3/2 \tempo 4 = 48
518            %%             \set Staff.instrumentName = "acoustic grand"
519            %%                                \unfoldRepeats     \pianoDownm }
520          >>
521 
522    \midi { tempoWholesPerMinute = #(ly:make-moment 48 4) }
523 }
524 \markup { " " }
525 \markup { \column { \line {
526 About location \hspace #3 \musicglyph #"noteheads.uM2"(longa) \hspace #2 and \hspace #3 \musicglyph #"noteheads.sM1"(breve) }
527 \line { \italic " Please, Breath of longa and breve do in the members alternating(But, like Don't stand out). " } } }
528 \markup { \italic "and" At location \musicglyph #"scripts.ufermata", \hspace #1
529 \italic " Always, please look at the conductor(or baton). " }
530 \markup { \vspace #4 }
531 \markup { \hspace #20 \huge "INSTRUMENT RANGES" }
532 \markup { \italic "About;" \teeny\italic
533  "Some of Instruments; there is a difference between writing-note and real-note."
534 \italic "for instance:" }
535 \markup { \column { \line { \bold "WOODWINDS;" \hspace #2 \bold "Piccolo(in C)"--\tiny "like this"-- }
536  \line { \score { {
537  \clef treble \key c\major \time 4/1
538  d'1^\markup {\italic "written" } s1 g'''1 s1 \bar"||"
539  s2 d''1_\markup { \hspace #-8 \italic "sounds one octave higher" }
540  s1  g''''1 s2 | \break
541                    }
542                       \layout { \context { \Staff
543                                  \override ClefSignature.transparent = ##t
544                                  \override TimeSignature.transparent = ##t }
545                                  indent = 20.00\mm line-width = 160.00\mm }
546                   } }
547          }}
548 \markup { " " }
549 \markup { \vspace #2 }
550 \markup { \column {
551             \line { \hspace #20  \bold "Bass Flute"--\tiny "like this"-- }
552             \line { \score { {
553                     \clef treble \key c\major \time 4/1
554                     c'1^\markup {\italic "written" } s1 a'''1 s1 \bar"||"
555                     \clef bass s2 c1_\markup { \hspace #-8 \italic "sounds one octave lower" }
556                     s1 \clef treble a''1 s2| \break
557                              }
558                       \layout { \context { \Staff
559                                  \override ClefSignature.transparent = ##t
560                                  \override TimeSignature.transparent = ##t }
561                                  indent = 20.00\mm line-width = 160.00\mm }
562                   } }
563          }}
564 \markup { " " }
565 %%%%%%%%%%%%%%%%%%%% End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%