1 %% 12:57 AM Thursday, July 6, 2023 2 %% Yukio Yoshida. 3 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 4 %% If you want to change of color, then do see! in "define-grobs.scm"(lilypond's system file) 5 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 6 %% About rest-note (r or s) 7 %% Use; sheet -----> `s' and midi -----> `r' 8 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 9 %% About "\Staff \RemoveEmptyStaves and \repeat percent or \repeat volta #" 10 %% See==>Soprano bar5-8; At End, using "R or r" is end 11 %% So, Only Tenor(song-part) Sol is OK!! Out-Put(Sheet) 12 %% { That part don't use \repeat percent 3 or \repeat volta 3 .....and so on.) 13 %% But, writing of like " b | A | A | A| \break" then OK. 14 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 15 \version "2.24.0" 16 %% This is system-files and for midi's effect 17 \include "articulate.ly" %% But here isn't use. See----> midi block 18 %% for sheet-music 19 #(set-default-paper-size "letter") 20 #(set-global-staff-size 18) 21 mf = #(make-dynamic-script "mf") 22 TenorSol = { 23 \override Voice.NoteHead.color = #blue 24 \override Voice.Rest.color = #blue 25 \override Voice.Stem.color = #blue 26 \override Voice.Flag.color = #blue 27 \override Voice.Beam.color = #blue 28 \override Voice.Slur.color = #blue 29 \override Voice.PhrasingSlur.color = #blue 30 \override Voice.Tie.color = #blue 31 \override Voice.Dots.color = #blue 32 \override Voice.Script.color = #blue 33 \override Voice.Accidental.color = #blue 34 \override Voice.DynamicLineSpanner.color = #blue 35 \override Voice.DynamicText.color = #blue 36 \override Voice.DynamicTextSpanner.color = #blue 37 \override Voice.TupletNumber.color = #blue 38 \override Voice.TupletBracket.color = #blue 39 \override Voice.BreathingSign.color = #blue 40 \override Voice.PercentRepeat.color = #blue 41 \override Voice.RepeatSlash.color = #blue 42 } 43 44 VoiceColorBlue = { 45 \override Staff.StaffSymbol.color = #blue 46 \override Staff.LedgerLineSpanner.color = #blue 47 \override Staff.Clef.color = #blue 48 \override Staff.TimeSignature.color = #blue 49 \override Staff.KeySignature.color = #blue 50 \override Staff.BarLine.color = #blue 51 \override Voice.NoteHead.color = #blue 52 \override Voice.Rest.color = #blue 53 \override Voice.Stem.color = #blue 54 \override Voice.Flag.color = #blue 55 \override Voice.Beam.color = #blue 56 \override Voice.Slur.color = #blue 57 \override Voice.PhrasingSlur.color = #blue 58 \override Voice.Tie.color = #blue 59 \override Voice.Dots.color = #blue 60 \override Voice.Script.color = #blue 61 \override Voice.Accidental.color = #blue 62 \override Voice.DynamicLineSpanner.color = #blue 63 \override Voice.DynamicText.color = #blue 64 \override Voice.DynamicTextSpanner.color = #blue 65 \override Voice.TupletNumber.color = #blue 66 \override Voice.TupletBracket.color = #blue 67 \override Voice.BreathingSign.color = #blue 68 \override Voice.PercentRepeat.color = #blue 69 \override Voice.RepeatSlash.color = #blue 70 } 71 VoiceColorBlueRevert = { 72 \revert Voice.NoteHead.color 73 \revert Voice.Rest.color 74 \revert Voice.Stem.color 75 \revert Voice.Flag.color 76 \revert Voice.Beam.color 77 \revert Voice.Slur.color 78 \revert Voice.PhrasingSlur.color 79 \revert Voice.Tie.color 80 \revert Voice.Dots.color 81 \revert Voice.Script.color 82 \revert Voice.Accidental.color 83 \revert Voice.DynamicLineSpanner.color 84 \revert Voice.DynamicTextSpanner.color 85 \revert Voice.DynamicText.color 86 \revert Voice.TupletNumber.color 87 \revert Voice.TupletBracket.color 88 \revert Voice.BreathingSign.color 89 \revert Voice.BreathingSign.color 90 \revert Voice.PercentRepeat.color 91 \revert Voice.RepeatSlash.color 92 } 93 94 BlueRest = { \override Voice.Rest.color = #blue 95 \override Voice.Dots.color = #blue } 96 BlueOff = { \revert Voice.Rest.color 97 \revert Voice.Dots.color } 98 99 AddChorus = { 100 \override Staff.StaffSymbol.color = #red 101 \override Staff.LedgerLineSpanner.color = #red 102 \override Staff.Clef.color = #red 103 \override Staff.TimeSignature.color = #red 104 \override Staff.KeySignature.color = #red 105 \override Staff.BarLine.color = #red 106 \override Voice.NoteHead.color = #red 107 \override Voice.Rest.color = #red 108 \override Voice.Stem.color = #red 109 \override Voice.Flag.color = #red 110 \override Voice.Beam.color = #red 111 \override Voice.Slur.color = #red 112 \override Voice.PhrasingSlur.color = #red 113 \override Voice.Tie.color = #red 114 \override Voice.Dots.color = #red 115 \override Voice.Script.color = #red 116 \override Voice.Accidental.color = #red 117 \override Voice.TupletNumber.color = #red 118 \override Voice.TupletBracket.color = #red 119 \override Voice.BreathingSign.color = #red 120 } 121 122 \paper { 123 %% ragged-last-bottom = ##f 124 } 125 126 \header { 127 dedication = \markup { \center-column { " " " " " " \italic "The Story of A Lady" } } 128 title = \markup{ \line { \italic \huge "Kill is the motto!"} } 129 subtitle = \markup{ \center-column {\italic "aes major; c des ees f g aes bes" } } 130 %% subsubtitle = #(string-append "LilyPond version " (lilypond-version)) 131 subsubtitle = \markup{\center-column { 132 \italic "mezzosoprano; C clef on 2nd line," 133 %% "soprano; C clef on 1st line, alto; C clef on 3rd line." 134 %% " bass; F clef on 4th line, tenor; C clef on 4th line."}} 135 \line { soprano; C clef on 1st line,\hspace #4 alto; C clef on 3rd line.} 136 \line { \hspace #2 bass; F clef on 4th line,\hspace #4 %% 137 tenor; C clef on 4th\with-color #blue "(& Solo; singer)" } } } 138 composer = \markup { \line {\italic "Yukio Yoshida"} } 139 arranger = \markup { \line {Op.85\hspace #1 March 28, 2015} } 140 %% opus = "Op.85" 141 %% poet = " " 142 copyright = "public Domain" 143 meter = \markup { \hspace #6 \teeny \italic \column { 144 " " 145 \bold "Tenor Sol; Vocal Words" 146 "Come on! Exterminate!" 147 "One person even alive and escape!" 148 " " 149 "So I can become the King of Kingdom!" 150 "Become the King of the Kings of this realm!" 151 " " 152 "In my family's prosperity is my top King" 153 "It's guaranteed!" 154 " " 155 "Come on! Alive and escape!" 156 "Kill is the motto!" 157 " " 158 }\hspace #12 159 \teeny \italic \column { 160 " " 161 \bold "Chours; Vocal Words" 162 "Before long, you who climb to the King of kings!" 163 "Know fear! Know fear!" 164 "Carved into the earth, and its ruthless actions" 165 "Don't disappear even when the passing flow!" 166 " " 167 "Space-Time is then engraved and ruthlessness" 168 "Eventually make it into your life." 169 " " 170 "To make it disappear when the flows, but" 171 "The ruthless engraved case of Space-Time" 172 "So, and gives to the life of the person, and go away" 173 "Person who climb to the King. Know fear! Know fear!" 174 " " 175 }}} 176 %% tagline = " " 177 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 178 %%%%%%%%% ! Revert mezzosoprano part %%%%%%%%%%%%%%%%%%%%% 179 mezzosoprano = { 180 \autoBeamOff 181 \partial 2 r2 | 182 %% 1-4 183 184 }%% end mezzospprano sheet 185 186 mezzosopranoL = \lyricmode { 187 \override Lyrics.LyricText.color = #blue 188 \override Lyrics.LyricHyphen.color = #blue 189 \override Lyrics.LyricExtender.color = #blue 190 \override Score.LyricText.font-shape = #'italic 191 \tiny 192 193 } 194 195 mezzosopranoM = { 196 \autoBeamOff 197 \partial 2 r2 | 198 %% 1-4 199 200 }%% end mezzosoprano-midi 201 %%%%%%% End Revert Part %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 202 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 203 204 %%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%% 205 sopranoVoice = { 206 \autoBeamOff 207 \partial 2 r4.^\fermata bes'8\( | 208 %% 1-4 209 \repeat percent 4 { 210 bes'2\)^\pp^\dim\melisma \tuplet 3/2 { c''4 des'' ees'' ~ } 211 \tuplet 3/2 { ees''4 des'' c''\!^\ppp } } | \break 212 %% 5-8 213 bes'1\melismaEnd r2 | r1. | r1. | r1. | \break 214 %% 9-12 215 r1. | r1. | r1. | r1. | \break 216 %% 13-16 217 r1. | r1. | r1. | r1. | \break 218 %% 17-19 219 g'8^\markup { \hspace #-4 \large {\with-color #blue \italic "Do not!!" \small { 220 Frome here(17bar) to 32bar On All Instruments!} } } 221 g'4 g' aes'4. g'8 aes'4 bes'8 | c''4 bes'8 c''4. r4 222 g'2^\markup { \with-color #blue { \teeny \musicglyph #"f" \italic "and" \small \italic "stacc." } } | 223 c''4.^\markup { \with-color #blue { \teeny \musicglyph #"f" \italic "and" \small \italic "tenuto." } } 224 r2 225 g'4.(^\markup { \with-color #blue { \teeny \musicglyph #"f" \italic "and" \small \italic "stacc." } } 226 c''4) | \break 227 %% 20-22 228 r1. | r1. | r1. | \break 229 %% 23-24 230 c''8( bes') aes' bes'16 c''4 r8 c''16 des''8 des'' c'' des''4 | 231 bes'8 g'8\( f' ees'\) c' des' ees'16 f'8(\( g') aes'8.\) bes'4 | \break 232 %% 25-26 233 r1. | c''8\( des''8\) des''16 g'8 g'16\(( aes'8) bes'\) r8 234 bes'16 bes'16( aes' g') f'8( ees') des'16( c'^~ | \break 235 %% 27-28 236 c'16) r8. c''16\( c'' c''8\) des''8 des'' des''16( ees'') c''8( des'' ees'') ees''16( f'' g''8) | 237 r1. | \break 238 %% 29-30 239 r8. c'16 c''8. bes'16 c''8\( des'' ees''8.\) ees''8 f''16 g''8. des''16 aes'8 | 240 g'8\( f'8.\) f'8\( ees'8.\) des'8. c'16 c'8. r16 des'8 ees'16 f'8. | \break 241 %% 31-32 242 c''8 des''8. c''8 des''8. bes'8 bes'16 aes'8 g'8. aes'8 bes' c''| f'4 r8 c''4. f''2. | \break 243 } 244 245 sopranoVoiceL = \lyricmode { 246 \override Lyrics.LyricText.color = #blue 247 \override Lyrics.LyricHyphen.color = #blue 248 \override Lyrics.LyricExtender.color = #blue 249 \override Score.LyricText.font-shape = #'italic 250 \teeny 251 " " m __ 252 Be -- fore long, you who climb "to the" King of kings! 253 Know fear! "Know fear!" 254 Carved into the earth, and its ruth -- less actions 255 %% Alto;----------------------------------> ac -- tion 256 Don't dis -- ap -- pear even when the pass -- ing flow! 257 258 Space- -- Time is then en -- graved and ruth -- less -- ness 259 Even -- tu -- ally make it into your life. 260 261 To make it dis -- ap -- pear when the flows, but 262 The ruth -- less en -- graved case of Space-Time 263 So, and gives "to the" life "of the" person, and go away 264 Person who climb "to the" King. Know fear! Know fear! 265 } 266 267 sopranoVoiceM = { 268 \autoBeamOff 269 \partial 2 r4.^\fermata bes'8\( | 270 %% 1-4 271 \repeat percent 4 { 272 bes'2\)^\pp\melisma \tuplet 3/2 { c''4^\ppp des'' ees'' ~ } 273 \tuplet 3/2 { ees''4^\pppp des'' c'' } } | \break 274 %% 5-8 275 bes'1\melismaEnd r2 | r1. | r1. | r1. | \break 276 %% bes'1\melismaEnd r2 | \repeat percent 3 { 277 %% \tuplet 3/2 { f'4 g' aes' ~ } \tuplet 3/2 { aes'4 g' f' ~ } \tuplet 3/2 { f'4 g' aes' } } \break 278 %% 9-12 279 r1. | r1. | r1. | r1. | \break 280 %% 13-16 281 r1. | r1. | r1. | r1. | \break 282 %% 17-19 283 g'8 g'4 g' aes'4. g'8 aes'4 bes'8 | c''4 bes'8 c''4. r4 g'2^\f | 284 c''4.^\f r2 g'4.(^\f c''4)^\f | \break 285 %% 20-22 286 r1. | r1. | r1. | \break 287 %% 23-24 288 c''8( bes') aes' bes'16 c''4 r8 c''16 des''8 des'' c'' des''4 | 289 bes'8 g'8\( f' ees'\) c' des' ees'16 f'8(\( g') aes'8.\) bes'4 | \break 290 %% 25-26 291 r1. | c''8\( des''8\) des''16 g'8 g'16\(( aes'8) bes'\) r8 292 bes'16 bes'16( aes' g') f'8( ees') des'16( c'^~ | \break 293 %% 27-28 294 c'16) r8. c''16\( c'' c''8\) des''8 des'' des''16( ees'') c''8( des'' ees'') ees''16( f'' g''8) | 295 r1. | \break 296 %% 29-31 297 r8. c'16 c''8. bes'16 c''8\( des'' ees''8.\) ees''8 f''16 g''8. des''16 aes'8 | 298 g'8\( f'8.\) f'8\( ees'8.\) des'8. c'16 c'8. r16 des'8 ees'16 f'8. | \break 299 %% 31-32 300 c''8 des''8. c''8 des''8. bes'8 bes'16 aes'8 g'8. aes'8 bes' c'' | f'4 r8 c''4. f''2. | \break 301 } 302 303 %%% Instruments part 304 soprano = { 305 \autoBeamOff 306 \partial 2 r2^\fermata | 307 %% 1-4 308 <c' c''>1. ~ | <c' bes'> ~ | <c' c''> ~ | <c' bes'> ~ | \break 309 %% 5-8 310 %% Don't use "\repeat percent" write;2015/02/18 05:33 311 %% becuse; don't work Remove "Staff Out-Put" 312 %{ bes'2 r1 | \repeat percent 3 { 313 \tuplet 3/2 { f'4 g' aes' ~ } \tuplet 3/2 { aes'4 g' f' ~ } \tuplet 3/2 { f'4 g' aes' } } | \break 314 %} 315 %% This is OK! 316 bes'2 r1 | \repeat percent 2 { 317 \tuplet 3/2 { f'4 g' aes' ~ } \tuplet 3/2 { aes'4 g' f' ~ } \tuplet 3/2 { f'4 g' aes' } } 318 \tuplet 3/2 { f'4 g' aes' ~ } \tuplet 3/2 { aes'4 g' f' } r2 | \break 319 %% 9-12 320 r1. | r1. | r1. | r1. | \break 321 %% 13-16 322 r1. | r1. | r1. | r1. | \break 323 %% 17-19 324 r1. | r1. | r1. | \break 325 %% 20-22 326 r1. | r1. | r1. | \break 327 %% 23-24 328 r1. | r1. | \break 329 %% 25-26 330 r1. | r1. | \break 331 %% 27-28 332 r1. | r1. | \break 333 %% 29-30 334 r1. | r1. | \break 335 %% 31-32 336 r1. | r1. | \break 337 %% 33-37 338 r1. | r1. | r1. | r1. | \noBreak r1. | \break 339 %% 38-41 340 r1. | r1. | r1. | r1. | \break 341 %% 42-45 342 <g' bes' des''>8[^\markup { \hspace #-5 \italic "Only; on Instruments" } 343 <aes' c'' ees''> <bes' des'' f''>] g''2. <f'' des'' bes'>8[ <ees'' c'' aes'> <des'' bes' g'>] | 344 f'2 c'2. <des' f' aes'>8[ <ees' g' bes'> | 345 <f' aes' c''>] des''2 <g' bes' des''>8[ <aes' c'' ees''> <bes' des'' f''>] g''2 | 346 <ees'' g''>8 r4 <f'' aes''>8 r4 <g'' bes''>8 r4 c'''4. ~ | \break 347 %% 46-49 348 c'''4. r8 <aes'' f'' des''>8[ <g'' ees'' c''> <f'' des'' bes'>] r8 349 <ees'' c'' aes'>8[ <des'' bes' g'> <c'' aes' f'>] r8 | 350 <bes' g' ees'>8[ <aes' f' des'> <g' ees' c'>] ~ c'2 r8 <c' c''>2 ~ | 351 \time 2/1 <c' c''>\breve | <c' bes'>\breve | \break 352 %% 50 353 %% \time 4/1 <c' c''>\longa | \time 3/2 <c' bes'>4 <c' c''>2. \bar "|." 354 \time 4/1 <c' c''>\longa * 3/4 s\longa * 1/4^\pp^\dim | 355 \time 3/2 <c' bes'>4 <c' c''>2. * 2/3 s2. * 1/3^\pppp\! \bar "|." 356 }%% end soprano sheet 357 358 sopranoM = { 359 \autoBeamOff 360 \partial 2 r2^\fermata | 361 %% 1-4 362 <c' c''>1. ~ | <c' bes'> ~ | <c' c''> ~ | <c' bes'> ~ | \break 363 %% 5-8 364 bes'2 r1 | \repeat percent 2 { 365 \tuplet 3/2 { f'4 g' aes' ~ } \tuplet 3/2 { aes'4 g' f' ~ } \tuplet 3/2 { f'4 g' aes' } } 366 \tuplet 3/2 { f'4 g' aes' ~ } \tuplet 3/2 { aes'4 g' f' } r2 | \break 367 %% 9-12 368 r1. | r1. | r1. | r1. | \break 369 %% 13-16 370 r1. | r1. | r1. | r1. | \break 371 %% 17-19 372 r1. | r1. | r1. | \break 373 %% 20-22 374 r1. | r1. | r1. | \break 375 %% 23-24 376 r1. | r1. | \break 377 %% 25-26 378 r1. | r1. | \break 379 %% 27-28 380 r1. | r1. | \break 381 %% 29-30 382 r1. | r1. | \break 383 %% 31-32 384 r1. | r1. | \break 385 %% 33-37 386 r1. | r1. | r1. | r1. | \noBreak r1. | \break 387 %% 38-41 388 r1. | r1. | r1. | r1. | \break 389 %% 42-45 390 <g' bes' des''>8[ 391 <aes' c'' ees''> <bes' des'' f''>] g''2. <f'' des'' bes'>8[ <ees'' c'' aes'> <des'' bes' g'>] | 392 f'2 c'2. <des' f' aes'>8[ <ees' g' bes'> | 393 <f' aes' c''>] des''2 <g' bes' des''>8[ <aes' c'' ees''> <bes' des'' f''>] g''2 | 394 <ees'' g''>8 r4 <f'' aes''>8 r4 <g'' bes''>8 r4 c'''4. ~ | \break 395 %% 46-49 396 c'''4. r8 <aes'' f'' des''>8[ <g'' ees'' c''> <f'' des'' bes'>] r8 397 <ees'' c'' aes'>8[ <des'' bes' g'> <c'' aes' f'>] r8 | 398 <bes' g' ees'>8[ <aes' f' des'> <g' ees' c'>] ~ c'2 r8 <c' c''>2 | 399 \time 2/1 <c' c''>\breve | <c' bes'>\breve | \break 400 %% 50 401 %% \time 4/1 <c' c''>\longa | \time 3/2 <c' bes'>4 <c' c''>2. \bar "|." 402 \time 4/1 <c' c''>\breve ~ <c' c''>1 ~ <c' c''>\pp 403 \time 3/2 <c' bes'>4\pp <c' c''>4.\ppp <c' c''>\pppp 404 }%% end soprano-midi 405 406 %%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%%b 407 altoVoice = { 408 \autoBeamOff 409 \partial 2 r4.^\fermata ees'8\( | 410 %% 1-4 411 \repeat percent 4 { 412 ees'2\)^\pp^\dim\melisma \tuplet 3/2 { f'4 g' aes' ~ } 413 \tuplet 3/2 { aes'4 g' f'\!^\ppp } } | \break 414 %% 5-8 415 ees'1\melismaEnd r2 | r1. | r1. | r1. | \break 416 %% 9-12 417 r1. | r1. | r1. | r1. | \break 418 %% 13-16 419 r1. | r1. | r1. | r1. | \break 420 %% 17-19 421 c'8 c'4 c' des'4. c'8 des'4 ees'8 | f'4 ees'8 f'4. r4 422 c'2^\markup { \with-color #blue { \teeny \musicglyph #"f" \italic "and" \small \italic "stacc." } } | 423 f'4.^\markup { \with-color #blue { \teeny \musicglyph #"f" \italic "and" \small \italic "tenuto." } } 424 r2 425 c'4.(^\markup { \with-color #blue { \teeny \musicglyph #"f" \italic "and" \small \italic "stacc." } } 426 f'4) | \break 427 %% 20-22 428 r1. | r1. | r1. | \break 429 %% 23-24 430 f'16( ees' des') des'8 c'16 bes4 g16 g8 f16( g aes) bes4 c'8\( des'\) | 431 ees'16( des') ees'8\( f' g'\) aes'16( f' des') bes8 f8 f16(\( g aes) bes8.\) c' | \break 432 %% 25-26 433 r1. | c'16( des') ees' f' aes'\( f'( des' aes8)\) r16 g8 aes( bes c') des'( ees' f') | \break 434 %% 27-28 435 g'16( aes' bes'8) 436 f'16\( f' f'8\) g'8 g' g'16( aes') f'8( g' aes') aes'16( bes' c''8) | r1. | \break 437 %% 29-30 438 r8. aes16 aes8 aes16 c'8\( des' ees'8.\) des'8 des'16 ees'8. f'8 c' | 439 aes16\( aes8.\) g8\( f8.\) ees8 f16. g8( aes8..) bes8 c'16 des'8. | \break 440 %% 31-32 441 f'16 des' g'8 des'8 f'8.. des'16 c' bes8 ees'8.. des'8 ees'8. des'8 | ees'4 f'2 bes'2. | \break 442 } 443 444 altoVoiceL = \lyricmode { 445 \override Lyrics.LyricText.color = #blue 446 \override Lyrics.LyricHyphen.color = #blue 447 \override Lyrics.LyricExtender.color = #blue 448 \override Score.LyricText.font-shape = #'italic 449 \teeny 450 " " m __ 451 Be -- fore long, you who climb "to the" King of kings! 452 Know fear! "Know fear!" 453 Carved into the earth, and its ruth -- less ac -- tions 454 Don't dis -- ap -- pear even when the pass -- ing flow! 455 456 Space-Time is then en -- graved and ruth -- less -- ness 457 Even -- tu -- ally make it into your life. 458 459 To make it dis -- ap -- pear when the flows, but 460 The ruth -- less en -- graved case of Space-Time 461 So, and gives to the life "of the" person, and go away 462 Person who climb "to the" King. Know fear! Know fear! 463 } 464 465 altoVoiceM = { 466 \autoBeamOff 467 \partial 2 r4.^\fermata ees'8\( | 468 %% 1-4 469 \repeat percent 4 { 470 ees'2\)^\pp\melisma \tuplet 3/2 { f'4^\ppp g' aes' ~ } 471 \tuplet 3/2 { aes'4\pppp g' f' } } | \break 472 %% 5-8 473 ees'1\melismaEnd r2 | r1. | r1. | r1. | \break 474 %% 9-12 475 r1. | r1. | r1. | r1. | \break 476 %% 13-16 477 r1. | r1. | r1. | r1. | \break 478 %% 17-19 479 c'8 c'4 c' des'4. c'8 des'4 ees'8 | f'4 ees'8 f'4. r4 c'2^\f | 480 f'4.^\f r2 c'4.(^\f f'4)^\f | \break 481 %% 20-22 482 r1. | r1. | r1. | \break 483 %% 23-24 484 f'16( ees' des') des'8 c'16 bes4 g16 g8 f16( g aes) bes4 c'8\( des'\) | 485 ees'16( des') ees'8\( f' g'\) aes'16( f' des') bes8 f8 f16(\( g aes) bes8.\) c' | \break 486 %% 25-26 487 r1. | c'16( des') ees' f' aes'\( f'( des' aes8)\) r16 g8 aes( bes c') des'( ees' f') | \break 488 %% 27-28 489 g'16( aes' bes'8) 490 f'16\( f' f'8\) g'8 g' g'16( aes') f'8( g' aes') aes'16( bes' c''8) | r1. | \break 491 %% 29- 492 r8. aes16 aes8 aes16 c'8\( des' ees'8.\) des'8 des'16 ees'8. f'8 c' | 493 aes16\( aes8.\) g8\( f8.\) ees8 f16. g8( aes8..) bes8 c'16 des'8. | \break 494 %% 31-32 495 f'16 des' g'8 des'8 f'8.. des'16 c' bes8 ees'8.. des'8 ees'8. des'8 | ees'4 f'2 bes'2. | \break 496 } 497 %%% Instruments 498 alto = { 499 \autoBeamOff 500 \partial 2 r2^\fermata | 501 %% 1-4 502 <f f'>1. ~ | <f ees'> ~ | <f f'> ~ | <f ees'> ~ | \break 503 %% 5-8 504 ees'2 r1 | \repeat percent 2 { 505 \tuplet 3/2 { bes4 c' des' ~ } \tuplet 3/2 { des'4 c' bes ~ } \tuplet 3/2 { bes4 c' des' } } 506 \tuplet 3/2 { bes4 c' des' ~ } \tuplet 3/2 { des'4 c' bes } r2 | \break 507 %% 9-12 508 r1. | r1. | r1. | r1. | \break 509 %% 13-16 510 r1. | r1. | r1. | r1. | \break 511 %% 17-19 512 r1. | r1. | r1. | \break 513 %% 20-22 514 r1. | r1. | r1. | \break 515 %% 23-24 516 r1. | r1. | \break 517 %% 25-26 518 r1. | r1. | \break 519 %% 27-28 520 r1. | r1. | \break 521 %% 29-30 522 r1. | r1. | \break 523 %% 31-32 524 r1. | r1. | \break 525 %% 33-37 526 r1. | r1. | r1. | r1. | \noBreak r1. | \break 527 %% 38-41 528 r1. | r1. | r1. | r1. | \break 529 %% 42-45 530 <c' ees' g'>8[ <des' f' aes'> <ees' g' bes'>] c''2. <bes' g' ees'>8[ <aes' f' des'> <g' ees' c'>] | 531 bes2 f2. <g bes des'>8[ <aes c' ees'> | 532 <bes des' f'>] g'2 <c' ees' g'>8[ <des' f' aes'> <ees' g' bes'>] c''2 | 533 <aes' c''>8 r4 <bes' des''>8 r4 <c'' ees''>8 r4 f''4. ~ | \break 534 %% 46-49 535 f''4. r8 <des'' bes' g'>8[ <c'' aes' f'> <bes' g' ees'>] r8 536 <aes' f' des'>8[ <g' ees' c'> <f' des' bes>] r8 | 537 <ees' c' aes>8[ <des' bes g> <c' aes f>] ~ f2 r8 <f f'>2 ~ | 538 \time 2/1 <f f'>\breve | <f ees'>\breve | \break 539 %% 50-52 540 %% \time 4/1 <f f'>\longa | \time 3/2 <f ees'>4 <f f'>2. \bar "|." 541 \time 4/1 <f f'>\longa * 3/4 s\longa * 1/4^\pp^\dim | 542 \time 3/2 <f ees'>4 <f f'>2. * 2/3 s2. * 1/3^\pppp\! \bar "|." 543 }%% end alto sheet 544 545 altoM = { 546 \autoBeamOff 547 \partial 2 r2^\fermata | 548 %% 1-4 549 <f f'>1. ~ | <f ees'> ~ | <f f'> ~ | <f ees'> ~ | \break 550 %% 5-8 551 ees'2 r1 | \repeat percent 2 { 552 \tuplet 3/2 { bes4 c' des' ~ } \tuplet 3/2 { des'4 c' bes ~ } \tuplet 3/2 { bes4 c' des' } } 553 \tuplet 3/2 { bes4 c' des' ~ } \tuplet 3/2 { des'4 c' bes } r2 | \break 554 %% 9-12 555 r1. | r1. | r1. | r1. | \break 556 %% 13-16 557 r1. | r1. | r1. | r1. | \break 558 %% 17-19 559 r1. | r1. | r1. | \break 560 %% 20-22 561 r1. | r1. | r1. | \break 562 %% 23-24 563 r1. | r1. | \break 564 %% 25-26 565 r1. | r1. | \break 566 %% 27-28 567 r1. | r1. | \break 568 %% 29-30 569 r1. | r1. | \break 570 %% 31-32 571 r1. | r1. | \break 572 %% 33-37 573 r1. | r1. | r1. | r1. | \noBreak r1. | \break 574 %% 38-41 575 r1. | r1. | r1. | r1. | \break 576 %% 42-45 577 <c' ees' g'>8[ 578 <des' f' aes'> <ees' g' bes'>] c''2. <bes' g' ees'>8[ <aes' f' des'> <g' ees' c'>] | 579 bes2 f2. <g bes des'>8 <aes c' ees'> | 580 <bes des' f'>] g'2 <c' ees' g'>8[ <des' f' aes'> <ees' g' bes'>] c''2 | 581 <aes' c''>8 r4 <bes' des''>8 r4 <c'' ees''>8 r4 f''4. ~ | \break 582 %% 46-49 583 f''4. r8 <des'' bes' g'>8[ <c'' aes' f'> <bes' g' ees'>] r8 584 <aes' f' des'>8[ <g' ees' c'> <f' des' bes>] r8 | 585 <ees' c' aes>8[ <des' bes g> <c' aes f>] ~ f2 r8 <f f'>2 ~ | 586 \time 2/1 <f f'>\breve | <f ees'>\breve | \break 587 %% 50-52 588 %% \time 4/1 <f f'>\longa | \time 3/2 <f ees'>4 <f f'>2. \bar "|." 589 \time 4/1 <f f'>\breve ~ <f f'>1 ~ <f f'>\pp 590 \time 3/2 <f ees'>4\pp <f f'>4.\ppp <f f'>\pppp 591 }%% end alto-midi 592 593 %%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%% 594 tenorVoice = { 595 \autoBeamOff 596 \partial 2 r4.^\fermata bes8\( | 597 %% 1-4 598 \repeat percent 4 { 599 \repeat percent 3 { \tuplet 3/2 { bes8\)\melisma c' des' } 600 \tuplet 3/2 { ees'8 f' g' } } } | \break 601 %% 5-8 602 c'1\melismaEnd r2 | r1. | r1. | r1. | \break 603 %% 9-12 604 r1. | r1. | r1. | r1. | \break 605 %% 13-16 606 r1. | r1. | r1. | r1. | \break 607 %% 17-19 608 g8 g4 g aes4. g8 aes4 bes8 | c'4 bes8 c'4. r4. g4.^\fermata ~ | 609 g4.^\fermata r8 c'2.^\fermata r4 | \break 610 %% 20-22 611 r1. | r1. | r1. | \break 612 %% 23-24 613 r1. | c'8( des') ees' aes16 des8( c8.) des ees16( f g) aes8. bes | \break 614 %% 25-26 615 g8-. g-. g16-. g8.-. ees8-. c-. c-. des16(\( ees f) g8.\) des'8( ees') | 616 c'16\( aes8\) aes16 g8 f16\( ees( des c)\) r8 des16 ees( f g8) aes16( bes c') des'8( ees') | \break 617 %% 27-28 618 r4 bes16\( bes bes8\) c'8 c' c'16( des') bes8( c' des') des'16( ees' f'8) | r1. | \break 619 %% 29-30 620 c'8 c' c' des'\( ees' f'\) ees' f'16 g'8. r8 c'8 c' | 621 bes8\( bes\) bes\( c'8.\) des'8 ees'16 bes4 f'8. f'16 g'4 | \break 622 %% 31-32 623 c'8 c'16 des'8. bes8 c'8. aes16 bes c'8 des'8. ees' f' | des'8 g'8. r16 aes8 g'4. aes4 g'4. | \break 624 } 625 626 tenorVoiceL = \lyricmode { 627 \override Lyrics.LyricText.color = #blue 628 \override Lyrics.LyricHyphen.color = #blue 629 \override Lyrics.LyricExtender.color = #blue 630 \override Score.LyricText.font-shape = #'italic 631 \teeny 632 " " ə __ 633 Before long, you who climb to the King of kings! 634 Know fear! %% Know fear! 635 Carved into the earth, "and its" ruth -- less actions 636 Don't dis -- ap -- pear even when the pass -- ing flow! 637 638 Space- -- Time is then en -- graved and ruth -- less -- ness 639 Even -- tu -- ally make it into your life. 640 641 To make it dis -- ap -- pear when the flows, but 642 The ruth -- less en -- graved case of Space-Time 643 So, and gives to the life "of the" person, and go away 644 Person who climb "to the" King. Know fear! Know fear! 645 } 646 647 tenorVoiceM = { 648 \autoBeamOff 649 \partial 2 r4.^\fermata bes8\( | 650 %% 1-4 651 \repeat percent 4 { 652 \repeat percent 3 { \tuplet 3/2 { bes8\)\melisma c' des' } 653 \tuplet 3/2 { ees'8 f' g' } } } | \break 654 %% 5-8 655 c'1\melismaEnd r2 | r1. | r1. | r1. | \break 656 %% 9-12 657 r1. | r1. | r1. | r1. | \break 658 %% 13-16 659 r1. | r1. | r1. | r1. | \break 660 %% 17-19 661 g8 g4 g aes4. g8 aes4 bes8 | c'4 bes8 c'4. r4. g4.^\f^\fermata ~ | 662 g4.^\f^\fermata r8 c'2.^\f^\fermata r4 | \break 663 %% 20-22 664 r1. | r1. | r1. | \break 665 %% 23-24 666 r1. | c'8( des') ees' aes16 des8( c8.) des ees16( f g) aes8. bes | \break 667 %% 25-26 668 g8-. g-. g16-. g8.-. ees8-. c-. c-. des16(\( ees f) g8.\) des'8( ees') | 669 c'16\( aes8\) aes16 g8 f16\( ees( des c)\) r8 des16 ees( f g8) aes16( bes c') des'8( ees') | \break 670 %% 27-28 671 r4 bes16\( bes bes8\) c'8 c' c'16( des') bes8( c' des') des'16( ees' f'8) | r1. | \break 672 %% 29-30 673 c'8 c' c' des'\( ees' f'\) ees' f'16 g'8. r8 c'8 c' | 674 bes8\( bes\) bes\( c'8.\) des'8 ees'16 bes4 f'8. f'16 g'4 | \break 675 %% 31-32 676 c'8 c'16 des'8. bes8 c'8. aes16 bes c'8 des'8. ees' f' | des'8 g'8. r16 aes8 g'4. aes4 g'4. | \break 677 } 678 679 %%% Instruments 680 tenor = { \hide Staff.BarLine 681 \autoBeamOff 682 \partial 2 r2^\fermata | 683 %% 1-4 684 <des c'>1. ~ | <des bes> ~ | <des c'> ~ | <des bes> ~ | \break 685 %% 5- 686 bes2 r1 | 687 %% Alone completely Tenor solo. 688 %% Uper; Tenor Solo, Lower; Instruments. 689 %% 6--8-9--12-13--16--17------41 690 << { \new Voice = "tenorSol" { \TenorSol 691 \autoBeamOff 692 \once \stemUp des'8^\markup { \with-color #blue \teeny \italic 693 "Sol; Singer" \teeny { (However, On with Only one or two Instruments OK, " " \italic 694 \with-color #red "But from this(6)bar to 16bar !!" )} } 695 c'2 c'8\rest c'8 ees'2 c'8\rest | 696 \once \stemUp des'8 c' des'4 \once \stemUp ees'4^( \once \stemUp f'2) c'4\rest| 697 \stemUp ees'8 f'4 c'8\rest aes'2. c'4\rest | \break 698 %% 9--12 699 \stemNeutral 700 c'4 ees'8 ees'4. r8 c4. f4 ~ | f4 g4 c'4 ees'2. | 701 des'8 c' des'4 ees'4( f'2) c'4\rest | c'4\rest c'1 c'4\rest | \break 702 %% 13--16 703 r4 c8 des2 ees8 c f4. | c'4 des'2 aes8 r8 ees'2 | f'2 r4 f'4 f'8 g' aes'4 ~ | aes'1 r2 | \break 704 %% 17-19 705 r1. | r1. | r1. | \break 706 %% 20-22 707 c'4.\rest^\markup { \teeny { \italic "Do not!!" On Instruments(See 6bar!) } } 708 f'4 aes'2 c'8\rest g4 | aes'2 f'8 aes'2. c'8\rest | 709 c'8\rest des'8 g4 c2. c'4\rest | \break 710 %% 23-24 711 r4 g2 ees4. ees8 f4 | g aes bes2. c'4 ~ | \break 712 %% 25-26 713 c' des'2. ees'2 | c2. r4 c'2 | \break 714 %% 27-28 715 r4 des'2 f'2. | g4 g\( ees c2.\) | 716 %% 29-30 717 r1. | r1. | \break 718 %% 31-32 719 r1. | r1. | \break 720 %% 33-37 721 r2.^\markup { \with-color #blue \teeny \italic 722 "Sol; Singer" \teeny { (However, On with Only one or two Instruments OK) } } 723 c'4 c' r4 | c2. c | f2 ees4 f4\( f2\) | c'2. c' | \noBreak f'2 ees'4 f'4\( f'2\) | \break 724 %% 38-41 725 \tuplet 3/2 { c'4( des' ees') } r4 \tuplet 3/2 { des'4( ees' f') } r4 | 726 f'2. c'8 g des\( c4.\) | r4 f'2. f'8 f' g'4~\( | g'4 aes'1\) r4 727 %%%%%%%%%%%%%%%%%%%%%%%%% Here "r4", 728 %%%%%%%%%%%%%%%%%%%%%%%%% I would if can do on as aes with instruments. 729 } } \\ 730 { 731 \repeat percent 2 { 732 \tuplet 3/2 { ees4 f g ~ } \tuplet 3/2 { g aes bes } \tuplet 3/2 { g aes bes } } | 733 \tuplet 3/2 { bes4\repeatTie g ees ~ } \tuplet 3/2 { ees4 des c } c'2 | \break 734 %% 9--12 735 r1. | r1. | r1. | r1. | \break 736 %% 13-16 737 r1. | r1. | r1. | r1. | \break 738 %% 17-19 739 r1. | r1. | r1. | \break 740 %% 20-22 741 r1. | r1. | r1. | \break 742 %% 23-24 743 r1. | r1. | \break 744 %% 25-26 745 r1. | r1. | \break 746 %% 27-28 747 r1. | r1. | \break 748 %% 29-30 749 r1. | r1. | \break 750 %% 31-32 751 r1. | r1. | \break 752 %% 33-37 753 r1. | r1. | r1. | r1. | \noBreak r1. | \break 754 %% 38- 755 r1. | r1. | r1. | r1. 756 } >> \undo \hide Staff.BarLine | \break 757 %% 42-45 758 <g bes des'>8[ 759 <aes c' ees'> <bes des' f'>] g'2. <f' des' bes>8[ <ees' c' aes> <des' bes g>] | 760 f2 c2. <des f aes>8[ <ees g bes> | 761 <f aes c'>] des'2 <g bes des'>8[ <aes c' ees'> <bes des' f'>] g'2 | 762 <ees' g'>8 r4 <f' aes'>8 r4 <g' bes'>8 r4 c''4. ~ | \break 763 %% 46-49 764 c''4. r8 <aes' f' des'>8[ <g' ees' c'> <f' des' bes>] r8 765 <ees' c' aes>8[ <des' bes g> <c' aes f>] r8 | 766 <bes g ees>8[ <aes f des> <g ees c>] ~ c2 r8 <c c'>2 ~ | 767 \time 2/1 <c c'>\breve | <c bes>\breve | \break 768 %% 50 769 %% \time 4/1 <c c'>\longa | \time 3/2 <c bes>4 <c c'>2. \bar "|." 770 \time 4/1 <c c'>\longa * 3/4 s\longa * 1/4^\pp^\dim | 771 \time 3/2 <c bes>4 <c c'>2. * 2/3 s2. * 1/3^\pppp\! \bar "|." 772 } %% end tenor sheet 773 774 SoltenorL = \lyricmode { 775 \override Lyrics.LyricText.color = #blue 776 \override Lyrics.LyricHyphen.color = #blue 777 \override Lyrics.LyricExtender.color = #blue 778 \override Score.LyricText.font-shape = #'italic 779 \teeny 780 Come on! Come on! Ex -- ter -- mi -- nate! Come on! Exterminate! 781 One per -- son even alive and es -- cape! 782 Ex -- ter -- mi -- nate! Exterminate! 783 784 So I can be -- come the King of King -- dom! I'll be the King! 785 Be -- come the King of "the Kings" of this realm! 786 787 In my fami -- ly's pros -- per -- ity is my top King 788 It's guar -- an -- teed! 789 790 Here, quick! Come on! Alive and es -- cape! 791 Come on! Alive and es -- cape! 792 Kill, Kill, Kill is the mot -- to! 793 Kill is the mot -- to! 794 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 795 %% Come on! Exterminate! 796 %% One person even alive and escape! 797 %% So I can become the King of Kingdom! 798 %% Become the King of the Kings of this realm! 799 %% In my family's prosperity is my top King 800 %% It's guaranteed! 801 %% Come on! Alive and escape! 802 %% Kill is the motto! 803 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 804 } 805 806 tenorM = { 807 \autoBeamOff 808 \partial 2 r2^\fermata | 809 %% 1-4 810 <des c'>1. ~ | <des bes> ~ | <des c'> ~ | <des bes> ~ | \break 811 %% 5- 812 bes2 r1 | 813 %% Alone completely Tenor solo. 814 %% Uper; Tenor Sol Lower; Instruments 815 %% 6--8-9--12-13--16--17------41 816 << { \new Voice = "tenorSol" { \TenorSol 817 \autoBeamOff 818 des'8 c'2 c'8\rest c'8 ees'2 c'8\rest | des'8 c' des'4 ees'4( f'2) c'4\rest | 819 ees'8 f'4 c'8\rest aes'2. c'4\rest | \break 820 %% 9--12 821 \stemNeutral 822 c'4 ees'8 ees'4. r8 c4. f4 ~ | f4 g4 c'4 ees'2. | 823 des'8 c' des'4 ees'4( f'2) c'4\rest | r4 c'1 r4 | \break 824 %% 13-16 825 r4 c8 des2 ees8 c f4. | c'4 des'2 aes8 r8 ees'2 | f'2 r4 f'4 f'8 g' aes'4 ~ | aes'1 r2 | \break 826 %% 17-19 827 r1. | r1. | r1. | \break 828 %% 20-22 829 c'4.\rest f'4 aes'2 c'8\rest g4 | aes'2 f'8 aes'2. c'8\rest | 830 c'8\rest des'8 g4 c2. c'4\rest | \break 831 %% 23-24 832 r4 g2 ees4. ees8( f4 | g aes) bes2. c'4 ~ | \break 833 %% 25-26 834 c' des'2. ees'2 | c2. r4 c'2 | \break 835 %% 27-28 836 r4 des'2 f'2. | g4 g\( ees c2.\) | 837 %% 29-30 838 r1. | r1. | \break 839 %% 31-32 840 r1. | r1. | \break 841 %% 33-37 842 r2. c'4 c' r4 | c2. c | f2 ees4 f4\( f2\) | c'2. c' | \noBreak f'2 ees'4 f'4\( f'2\) | \break 843 %% 38-41 844 \tuplet 3/2 { c'4( des' ees') } r4 \tuplet 3/2 { des'4( ees' f') } r4 | 845 f'2. c'8 g des\( c4.\) | r4 f'2. f'8 f' g'4~\( | g'4 aes'1\) r4 | \break 846 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Here "r4", 847 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% I would if can do on as aes with instruments. 848 } } \\ 849 { 850 \repeat percent 2 { 851 \tuplet 3/2 { ees4 f g ~ } \tuplet 3/2 { g aes bes } \tuplet 3/2 { g aes bes } } | 852 \tuplet 3/2 { bes4\repeatTie g ees ~ } \tuplet 3/2 { ees4 des c } c'2 | \break 853 %% 9--12 854 r1. | r1. | r1. | r1. | \break 855 %% 13--16 856 r1. | r1. | r1. | r1. | \break 857 %% 17-19 858 r1. | r1. | r1. | \break 859 %% 20-22 860 r1. | r1. | r1. | \break 861 %% 23-24 862 r1. | r1. | \break 863 %% 25-26 864 r1. | r1. | \break 865 %% 27-28 866 r1. | r1. | \break 867 %% 29-30 868 r1. | r1. | \break 869 %% 31-32 870 r1. | r1. | \break 871 %% 33-37 872 r1. | r1. | r1. | r1. | \noBreak r1. | \break 873 %% 38-41 874 r1. | r1. | r1. | r1. | \break 875 } >> 876 %% 42-45 877 <g bes des'>8[ 878 <aes c' ees'> <bes des' f'>] g'2. <f' des' bes>8[ <ees' c' aes> <des' bes g>] | 879 f2 c2. <des f aes>8[ <ees g bes> | 880 <f aes c'>] des'2 <g bes des'>8[ <aes c' ees'> <bes des' f'>] g'2 | 881 <ees' g'>8 r4 <f' aes'>8 r4 <g' bes'>8 r4 c''4. ~ | \break 882 %% 46-49 883 c''4. r8 <aes' f' des'>8[ <g' ees' c'> <f' des' bes>] r8 884 <ees' c' aes>8[ <des' bes g> <c' aes f>] r8 | 885 <bes g ees>8[ <aes f des> <g ees c>] ~ c2 r8 <c c'>2 ~ | 886 \time 2/1 <c c'>\breve | <c bes>\breve | \break 887 %% 50 888 %% \time 4/1 <c c'>\longa | \time 3/2 <c bes>4 <c c'>2. \bar "|." 889 \time 4/1 <c c'>\breve ~ <c c'>1 ~ <c c'>\pp 890 \time 3/2 <c bes>4\pp <c c'>4.\ppp <c c'>\pppp 891 } %% end tenor midi 892 893 %%%%%%% bass; part %%%%%%%%%%%%%%%% 894 bassVoice = { 895 \autoBeamOff 896 \partial 2 r4.^\fermata ees8\( | 897 %% 1-4 898 \repeat percent 4 { 899 \repeat percent 3 { \tuplet 3/2 { ees8\)\melisma f g } 900 \tuplet 3/2 { aes8 bes c' } } } | \break 901 %% 5-8 902 f1\melismaEnd r2 | r1. | r1. | r1. | \break 903 %% 9-12 904 r1. | r1. | r1. | r1. | \break 905 %% 13-16 906 r1. | r1. | r1. | r1. | \break 907 %% 17-19 908 c8 c4 c des4. c8 des4 ees8 | f4 ees8 f4. r4. c4.^\fermata ~ | 909 c4.^\fermata r8 f2.^\fermata r4 | \break 910 %% 20-22 911 r1. | r1. | r1. | \break 912 %% 23-24 913 r1. | f16( g aes) bes ees aes,8. aes, bes,16( c des ees) des4 ees16\( f4\) | \break 914 %% 25-26 915 des8. des16-.( c-. bes,-. aes,8-.) bes,8-. c-. c16-. des8(\(-. ees-.) f8.\)-. g8( aes) | 916 bes,8\(-. bes,8\)-. bes,16-. bes,8-. bes,16-.\( bes,-.( bes,-. bes,8-.)\) r8 c8 917 c'16\(( bes aes) g( f ees) des8\) | \break 918 %% 27-28 919 r4 ees16\( ees ees8\) f8 f f16( g) ees8( f g) g16( aes bes8) | r1. | \break 920 %% 29-30 921 c8 c c des\( ees f\) ees f16 g8. r8 c8 c | 922 bes,8\( bes,\) bes,\( c8.\) des8 ees16 bes,4 f8. f16 g4 | \break 923 %% 31-32 924 f16 f8 g8. aes16 aes8 bes8. c8 c c des8. des16 ees8 | 925 des16 c8 bes,8. r8 c8 c'4. c8 c'4. | \break 926 } 927 928 bassVoiceL = \lyricmode { 929 \override Lyrics.LyricText.color = #blue 930 \override Lyrics.LyricHyphen.color = #blue 931 \override Lyrics.LyricExtender.color = #blue 932 \override Score.LyricText.font-shape = #'italic 933 \teeny 934 " " ə __ 935 Before long, you who climb to the King of kings! 936 Know fear! %% Know fear! 937 Carved into the earth, "and its" ruth -- less ac -- tions 938 Don't "dis -- ap -- pear" even when the pass -- ing flow! 939 940 Space- -- Time is then en -- graved and ruth -- less -- ness 941 Even -- tu -- ally make it into your life. 942 943 To make it dis -- ap -- pear when the flows, but 944 The ruth -- less en -- graved case of Space-Time 945 So, and gives to the life of the person, and go away 946 Person who climb to the King. Know fear! Know fear! 947 } 948 949 bassVoiceM = { 950 \autoBeamOff 951 \partial 2 r4.^\fermata ees8\( | 952 %% 1-4 953 \repeat percent 4 { 954 \repeat percent 3 { \tuplet 3/2 { ees8\)\melisma f g } 955 \tuplet 3/2 { aes8 bes c' } } } | \break 956 %% 5-8 957 f1\melismaEnd r2 | r1. | r1. | r1. | \break 958 %% 9-12 959 r1. | r1. | r1. | r1. | \break 960 %% 13-16 961 r1. | r1. | r1. | r1. | \break 962 %% 17-19 963 c8 c4 c des4. c8 des4 ees8 | f4 ees8 f4. r4. c4.^\fermata | 964 c4.^\fermata r8 f2.^\fermata r4 | \break 965 %% 20-22 966 r1. | r1. | r1. | \break 967 %% 23-24 968 r1. | f16( g aes) bes ees aes,8. aes, bes,16( c des ees) des4 ees16\( f4\) | \break 969 %% 25-26 970 des8. des16-.( c-. bes,-. aes,8-.) bes,8-. c-. c16-. des8(\(-. ees-.) f8.\)-. g8( aes) | 971 bes,8-.\( bes,8-.\) bes,16-. bes,8-. bes,16-.\( bes,-.( bes,-. bes,8-.)\) r8 c8 972 c'16\(( bes aes) g( f ees) des8\) | \break 973 %% 27-28 974 r4 ees16\( ees ees8\) f8 f f16( g) ees8( f g) g16( aes bes8) | r1. | \break 975 %% 29-30 976 c8 c c des\( ees f\) ees f16 g8. r8 c8 c | 977 bes,8\( bes,\) bes,\( c8.\) des8 ees16 b,4 f8. f16 g4 | \break 978 %% 31-32 979 f16 f8 g8. aes16 aes8 bes8. c8 c c des8. des16 ees8 | 980 des16 c8 bes,8. r8 c8 c'4. c8 c'4. | \break 981 } 982 983 %%% Instruments 984 bass = { 985 \autoBeamOff 986 \partial 2 r2^\fermata | 987 %% 1-4 988 <g, f>1. ~ | <g, ees> ~ | <g, f> ~ | <g, ees> ~ | \break 989 %% 5-8 990 ees2 r1 | \repeat percent 2 { 991 \tuplet 3/2 { aes,4 bes, c } \tuplet 3/2 { des ees f } \tuplet 3/2 { des ees f } } 992 \tuplet 3/2 { aes,4 bes, c } \tuplet 3/2 { des ees f } r2 | \break 993 %% 9-12 994 r1. | r1. | r1. | r1. | \break 995 %% 13-16 996 r1. | r1. | r1. | r1. | \break 997 %% 17-19 998 r1. | r1. | r1. | \break 999 %% 20-22 1000 r1. | r1. | r1. | \break 1001 %% 23-24 1002 r1. r1. | \break 1003 %% 25-26 1004 r1. | r1. | \break 1005 %% 27-28 1006 r1. | r1. | \break 1007 %% 29-30 1008 r1. | r1. | \break 1009 %% 31-32 1010 r1. | r1. | \break 1011 %% 33-37 1012 r1. | r1. | r1. | r1. | \noBreak r1. | \break 1013 %% 38-41 1014 r1. | r1. | r1. | r1. | \break 1015 %% 42-45 1016 <c ees g>8[ 1017 <des f aes> <ees g bes>] c'2. <bes g ees>8[ <aes f des> <g ees c>] | 1018 bes,2 f,2. <g, bes, des>8[ <aes, c ees> | 1019 <bes, des f>] g2 <c ees g>8[ <des f aes> <ees g bes>] c'2 | 1020 <aes c'>8 r4 <bes des'>8 r4 <c' ees'>8 r4 f'4. ~ | \break 1021 %% 46-49 1022 f'4. r8 <des' bes g>8[ <c' aes f> <bes g ees>] r8 1023 <aes f des>8[ <g ees c> <f des bes,>] r8 | 1024 <ees c aes,>8[ <des bes, g,> <c aes, f,>] ~ f,2 r8 <f, f>2 ~ | 1025 \time 2/1 <f, f>\breve | <f, ees>\breve | \break 1026 %% 50-52 1027 %% \time 4/1 <f, f>\longa | \time 3/2 <f, ees>4 <f, f>2. \bar "|." 1028 \time 4/1 <f, f>\longa * 3/4 s\longa * 1/4^\pp^\dim | 1029 \time 3/2 <f, ees>4 <f, f>2. * 2/3 s2. * 1/3^\pppp\! \bar "|." 1030 } %%end bass-sheet 1031 1032 bassM = { 1033 \autoBeamOff 1034 \partial 2 r2^\fermata | 1035 %% 1-4 1036 <g, f>1. ~ | <g, ees> ~ | <g, f> ~ | <g, ees> ~ | \break 1037 %% 5-8 1038 ees2 r1 | \repeat percent 2 { 1039 \tuplet 3/2 { aes,4 bes, c } \tuplet 3/2 { des ees f } \tuplet 3/2 { des ees f } } 1040 \tuplet 3/2 { aes,4 bes, c } \tuplet 3/2 { des ees f } r2 | \break 1041 %% 9-12 1042 r1. | r1. | r1. | r1. | \break 1043 %% 13-16 1044 r1. | r1. | r1. | r1. | \break 1045 %% 17-19 1046 r1. | r1. | r1. | \break 1047 %% 20-22 1048 r1. | r1. | r1. | \break 1049 %% 23-24 1050 r1. | r1. | \break 1051 %% 25-26 1052 r1. | r1. | \break 1053 %% 27-28 1054 r1. | r1. | \break 1055 %% 29-30 1056 r1. | r1. | \break 1057 %% 31-32 1058 r1. | r1. | \break 1059 %% 33-37 1060 r1. | r1. | r1. | r1. | \noBreak r1. | \break 1061 %% 38-41 1062 r1. | r1. | r1. | r1. | \break 1063 %% 42-45 1064 <c ees g>8[ 1065 <des f aes> <ees g bes>] c'2. <bes g ees>8[ <aes f des> <g ees c>] | 1066 bes,2 f,2. <g, bes, des>8[ <aes, c ees> | 1067 <bes, des f>] g2 <c ees g>8[ <des f aes> <ees g bes>] c'2 | 1068 <aes c'>8 r4 <bes des'>8 r4 <c' ees'>8 r4 f'4. ~ | \break 1069 %% 46-49 1070 f'4. r8 <des' bes g>8[ <c' aes f> <bes g ees>] r8 1071 <aes f des>8[ <g ees c> <f des bes,>] r8 | 1072 <ees c aes,>8[ <des bes, g,> <c aes, f,>] ~ f,2 r8 <f, f>2 ~ | 1073 \time 2/1 <f, f>\breve | <f, ees>\breve | \break 1074 %% 50-52 1075 %% \time 4/1 <f, f>\longa | \time 3/2 <f, ees>4 <f, f>2. \bar "|." 1076 \time 4/1 <f, f>\breve ~ <f, f>1 ~ <f, f>\pp 1077 \time 3/2 <f, ees>4\pp <f, f>4.\ppp <f, f>\pppp 1078 }%% end bass-midi 1079 1080 %% get sheet music ------------------------------------------------- 1081 \score { 1082 %% \new Score \with { \override VerticalAlignment.max-stretch = #4 } 1083 << 1084 %% \new Voice = "mezzosoprano" { 1085 %% \clef mezzosoprano \key aes\major \time 3/2 1086 %% \set Staff.instrumentName = \markup { \tiny "mezzosoprano" } 1087 %% \VoiceColorBlue {\mezzosoprano} } 1088 %% \new Lyrics = "mainSL" \lyricsto "mezzosopranoL" { \mezzosopranoL } 1089 1090 %% \context ChoirStaff = "FourPartStaffaddchorus" << 1091 \context StaffGroup << 1092 \context Voice = "soprano" { \clef soprano \key aes\major \time 3/2 1093 \set Staff.instrumentName = "soprano" \soprano } 1094 \context Voice = "sopranoVocal" { \clef soprano \key aes\major \time 3/2 1095 \set Staff.fontSize = #-4 1096 \override Staff.StaffSymbol.staff-space = #(magstep -4) 1097 \override Staff.StaffSymbol.thickness = #(magstep -4) 1098 \set Staff.instrumentName = "Voice; sop " 1099 \VoiceColorBlue \sopranoVoice } 1100 \context Lyrics = "mainSL" \lyricsto "sopranoVocal" { \sopranoVoiceL } 1101 1102 \new Voice = "alto" { \clef alto \key aes\major \time 3/2 1103 \set Staff.instrumentName = "alto " \alto } 1104 \new Voice = "altoVocal" { \clef alto \key aes\major \time 3/2 1105 \set Staff.fontSize = #-4 1106 \override Staff.StaffSymbol.staff-space = #(magstep -4) 1107 \override Staff.StaffSymbol.thickness = #(magstep -4) 1108 \set Staff.instrumentName = "Voice; alt " 1109 \VoiceColorBlue { \altoVoice } } 1110 \new Lyrics = "mainSL" \lyricsto "altoVocal" { \altoVoiceL } 1111 1112 \new Voice = "tenor" { \clef tenor \key aes\major \time 3/2 1113 \set Staff.instrumentName = "tenor " \tenor } 1114 \new Lyrics = "mainTL" \lyricsto "tenorSol" { \SoltenorL } 1115 \new Voice = "tenorVocal" { \clef tenor \key aes\major \time 3/2 1116 \set Staff.fontSize = #-4 1117 \override Staff.StaffSymbol.staff-space = #(magstep -4) 1118 \override Staff.StaffSymbol.thickness = #(magstep -4) 1119 \set Staff.instrumentName = "Voice; tenor " 1120 \VoiceColorBlue { \tenorVoice } } 1121 \new Lyrics = "mainSL" \lyricsto "tenorVocal" { \tenorVoiceL } 1122 1123 \new Voice = "bass" { \clef bass \key aes\major \time 3/2 1124 \set Staff.instrumentName = "bass " \bass } 1125 \new Voice = "bassVocal" { \clef bass \key aes\major \time 3/2 1126 \set Staff.fontSize = #-4 1127 \override Staff.StaffSymbol.staff-space = #(magstep -4) 1128 \override Staff.StaffSymbol.thickness = #(magstep -4) 1129 \set Staff.instrumentName = "Voice; bass " 1130 \VoiceColorBlue { \bassVoice } } 1131 \new Lyrics = "mainBL" \lyricsto "bassVocal" { \bassVoiceL } 1132 1133 >> 1134 >> 1135 1136 \layout { 1137 \context { \Staff \RemoveEmptyStaves 1138 %% \override VerticalAxisGroup.remove-first = ##t 1139 %% It can get effect by using for instance "R1." 1140 %% Don't using "r1." 1141 } 1142 %% \context { \Score 1143 %% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/32) 1144 %% } 1145 } 1146 %%%%%% Don't output Score-sheet %%%%%%%%%%%%%%%%%%%%%%%% 1147 %% \layout { \context { \Score skipTypesetting = ##t } } 1148 } 1149 1150 %% get midi music -------------------------------------------------- 1151 \score { 1152 %% \unfoldRepeats \articulate 1153 << 1154 %% \new Staff { \clef mezzosoprano \key aes\major \time 3/2 \tempo 4 = 58 1155 %% \set Staff.midiInstrument = "pad 2 (warm)" 1156 %% \unfoldRepeats \mezzosopranoM } 1157 1158 \new Staff { \clef soprano \key aes\major \time 3/2 \tempo 4 = 58 1159 \set Staff.midiInstrument = "pad 2 (warm)" 1160 \unfoldRepeats \sopranoM } 1161 \new Staff { \clef soprano \key aes\major \time 3/2 \tempo 4 = 58 1162 \set Staff.midiInstrument = "pad 2 (warm)" 1163 \unfoldRepeats \sopranoVoiceM } 1164 1165 \new Staff { \clef alto \key aes\major \time 3/2 \tempo 4 = 58 1166 \set Staff.midiInstrument = "pad 2 (warm)" 1167 \unfoldRepeats \altoM } 1168 \new Staff { \clef alto \key aes\major \time 3/2 \tempo 4 = 58 1169 \set Staff.midiInstrument = "pad 2 (warm)" 1170 \unfoldRepeats \altoVoiceM } 1171 1172 \new Staff { \clef tenor \key aes\major \time 3/2 \tempo 4 = 58 1173 \set Staff.midiInstrument = "pad 2 (warm)" 1174 \unfoldRepeats \tenorM } 1175 \new Staff { \clef tenor \key aes\major \time 3/2 \tempo 4 = 58 1176 \set Staff.midiInstrument = "pad 2 (warm)" 1177 \unfoldRepeats \tenorVoiceM } 1178 1179 \new Staff { \clef bass \key aes\major \time 3/2 \tempo 4 = 58 1180 \set Staff.midiInstrument = "pad 2 (warm)" 1181 \unfoldRepeats \bassM } 1182 \new Staff { \clef bass \key aes\major \time 3/2 \tempo 4 = 58 1183 \set Staff.midiInstrument = "pad 2 (warm)" 1184 \unfoldRepeats \bassVoiceM } 1185 1186 %%\new Staff { \clef treble \key aes\major \time 3/2 \tempo 4 = 58 1187 %% \set Staff.midiInstrument = "acoustic grand" 1188 %% \unfoldRepeats \pianoUPm } 1189 %%\new Staff { \clef bass \key aes\major \time 3/2 \tempo 4 = 58 1190 %% \set Staff.instrumentName = "acoustic grand" 1191 %% \unfoldRepeats \pianoDownm } 1192 >> 1193 1194 \midi { tempoWholesPerMinute = #(ly:make-moment 58 4) } 1195 } 1196 \markup { " " } 1197 \pageBreak 1198 \markup { " " } 1199 \markup { \column { \line { 1200 About location \hspace #3 \musicglyph #"noteheads.uM2"(longa) \hspace #2 and \hspace #3 \musicglyph #"noteheads.sM1"(breve) } 1201 \line { \italic " Please, Breath of longa and breve do in the members alternating(But, like Don't stand out). " } } } 1202 \markup { \vspace #2 } 1203 \markup { \hspace #20 \huge "INSTRUMENT RANGES" } 1204 \markup { \italic "About;" \teeny\italic 1205 "Some of Instruments; there is a difference between writing-note and real-note." 1206 \italic "for instance:" } 1207 \markup { \column { \line { \bold "WOODWINDS; Piccolo(in C)"--\tiny "like this"-- } 1208 \line { \score { { 1209 \clef treble \key c\major \time 4/1 1210 d'1^\markup {\italic "written" } s1 g'''1 s1 \bar"||" 1211 s2 d''1_\markup { \hspace #-8 \italic "sounds one octave higher" } 1212 s1 g''''1 s2 | \break 1213 } 1214 \layout { \context { \Staff 1215 \override ClefSignature.transparent = ##t 1216 \override TimeSignature.transparent = ##t } 1217 indent = 20.00\mm line-width = 160.00\mm } 1218 } } 1219 }} 1220 \markup { " " } 1221 \markup { \vspace #2 } 1222 \markup { \column { 1223 \line { \hspace #18.4 Bass Flute--\tiny "like this"-- } 1224 \line { \score { { 1225 \clef treble \key c\major \time 4/1 1226 c'1^\markup {\italic "written" } s1 a'''1 s1 \bar"||" 1227 \clef bass s2 c1_\markup { \hspace #-8 \italic "sounds one octave lower" } 1228 s1 \clef treble a''1 s2| \break 1229 } 1230 \layout { \context { \Staff 1231 \override ClefSignature.transparent = ##t 1232 \override TimeSignature.transparent = ##t } 1233 indent = 20.00\mm line-width = 160.00\mm } 1234 } } 1235 }} 1236 \markup { " " } 1237 %%%%%%%%%%%% To Top-Page %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 1238 %{ 1239 \markup { " " } 1240 \markup { \vspace #2 } 1241 \markup { \line {\hspace #8 \bold "Kill is the motto!"} } 1242 \markup { " " } 1243 \markup { \hspace #8 \tiny \italic \column { 1244 \bold "Tenor; Vocal Words" 1245 " " 1246 "Come on! Exterminate!" 1247 "One person even alive and escape!" 1248 " " 1249 "So I can become the King of Kingdom!" 1250 "Become the King of the Kings of this realm!" 1251 " " 1252 "In my family's prosperity is my top King" 1253 "It's guaranteed!" 1254 " " 1255 "Come on! Alive and escape!" 1256 "Kill is the motto!" 1257 " " 1258 }\hspace #12 1259 \teeny \italic \column { 1260 \bold "Chours; Vocal Words" 1261 " " 1262 " " 1263 "The harvest season is coming," 1264 "Her dream that prayerful thoughts" 1265 "Has been growing!" 1266 "Now! She can reap those." 1267 " " 1268 "That resentment was erased from this earth clan" 1269 "When dispel is coming near." 1270 "She is without a doubt," 1271 "To take over their blood clan" 1272 "Erased from this earth." 1273 }} 1274 %} 1275 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 1276 %%%%%%%%%%%%%%%%%%%% End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%