1 %% 2:18 AM Wednesday, July 5, 2023
  2 %% Yukio Yoshida
  3 %% warning: cannot resolve rest collision: rest direction not set
  4 %%%%---line 121, 124 , 127 ===bar 1<---->bar 3
  5 \version "2.24.0"
  6 #(set-default-paper-size "letter")
  7 #(set-global-staff-size 18)
  8 
  9 VoiceColorBlue = {
 10                    \override Staff.StaffSymbol.color = #blue
 11                    \override Staff.LedgerLineSpanner.color = #blue
 12                    \override Staff.Clef.color = #blue
 13                    \override Staff.TimeSignature.color = #blue
 14                    \override Staff.KeySignature.color = #blue
 15                    \override Staff.Accidental.color = #blue
 16                    \override Staff.BarLine.color = #blue
 17                    \override Voice.NoteHead.color = #blue
 18                    \override Voice.Rest.color = #blue
 19                    \override Voice.Stem.color = #blue
 20                    \override Voice.Flag.color = #blue
 21                    \override Voice.Beam.color = #blue
 22                    \override Voice.Slur.color = #blue
 23                    \override Voice.PhrasingSlur.color = #blue
 24                    \override Voice.Tie.color = #blue
 25                    \override Voice.Dots.color = #blue
 26                    \override Voice.Script.color = #blue
 27                    \override Voice.TupletNumber.color = #blue
 28                    \override Voice.TupletBracket.color = #blue
 29                    \override Voice.BreathingSign.color = #blue
 30 }
 31 VoiceColorBlueRevert = {
 32                    \revert Voice.NoteHead.color
 33                    \revert Voice.Rest.color
 34                    \revert Voice.Stem.color
 35                    \revert Voice.Flag.color
 36                    \revert Voice.Beam.color
 37                    \revert Voice.Slur.color
 38                    \revert Voice.PhrasingSlur.color
 39                    \revert Voice.Tie.color
 40                    \revert Voice.Dots.color
 41                    \revert Voice.Script.color
 42                    \revert Voice.TupletNumber.color
 43                    \revert Voice.TupletBracket.color
 44                    \revert Voice.BreathingSign.color
 45 }
 46 
 47 BlueRest = { \override Voice.Rest.color = #blue
 48              \override Voice.Dots.color = #blue }
 49 BlueOff = { \revert Voice.Rest.color
 50             \revert Voice.Dots.color }
 51 
 52 VoiceColorRed = {
 53                    %% \override Staff.StaffSymbol.color = #red
 54                    %% \override Staff.LedgerLineSpanner.color = #red
 55                    %% \override Staff.Clef.color = #red
 56                    %% \override Staff.TimeSignature.color = #red
 57                    %% \override Staff.KeySignature.color = #red
 58                    %% \override Staff.Accidental.color = #red
 59                    %% \override Staff.BarLine.color = #red
 60                    \override Voice.NoteHead.color = #red
 61                    \override Voice.Rest.color = #red
 62                    \override Voice.Stem.color = #red
 63                    \override Voice.Flag.color = #red
 64                    \override Voice.Beam.color = #red
 65                    \override Voice.Slur.color = #red
 66                    \override Voice.PhrasingSlur.color = #red
 67                    \override Voice.Tie.color = #red
 68                    \override Voice.Dots.color = #red
 69                    \override Voice.Script.color = #red
 70                    \override Voice.TupletNumber.color = #red
 71                    \override Voice.TupletBracket.color = #red
 72                    \override Voice.BreathingSign.color = #red
 73 }
 74 
 75 \paper {
 76         %% ragged-last-bottom = ##f
 77 }
 78 
 79 \header {
 80  dedication = \markup { \center-column { "   " "    " "    " "The Story of A Lady" } }
 81  title = \markup{ \line { \huge "Oh! You Know? My Life?"} }
 82  subtitle = \markup{ \center-column {
 83                      \with-color #blue \italic "cis major; cis dis eis fis gis ais bis"
 84                        \raise #4
 85                      \with-color #blue \teeny \italic "mezzosoprano; C clef on 2nd line,"
 86 } }
 87 %% subsubtitle = #(string-append "LilyPond version " (lilypond-version))
 88  subsubtitle = \markup{\center-column { " "
 89                     "Instruments; ( g major; c d e fis g a b )"
 90                    "soprano; C clef on 1st line,       alto; C clef on 3rd line."
 91                    "       bass; F clef on 4th line,    tenor; C clef on 4th line."}}
 92  composer = \markup{ \line { \italic "Yukio Yoshida"}}
 93  arranger = "08/31 2014"
 94  poet = \markup { \hspace #10 \column { \teeny \italic {
 95 \bold "Oh! You Know? My Life?"
 96 \raise #1 " "
 97 \raise #2 "You! the king of kings!"
 98 \raise #3 "Do you know, My life?"
 99 \raise #4 "Do you know, My Life?"
100 \raise #5 " "
101 \raise #6 "I'm the dougther who ever you've killed the Lineage and the Family."
102 \raise #7 "Yes, so you must be remember, that Who am I."
103 \raise #8 " "
104 \raise #9 "The king of kings, you are Right."
105 \raise #10 "I'm really right the Doughter."
106 \raise #11 "You'll be understand Why? All sort of Things, and me."
107 }}}
108  opus = "Op.82"
109  meter = " "
110  copyright = "public Domain"
111 %% tagline = "  "
112 }
113 
114 %%%%%%%%% mezzosoprano part %%%%%%%%%%%%%%%%%%%%%
115 mezzosoprano = { \hide Staff.BarLine
116  \autoBeamOff
117 %%%%% Part << { } \\ { } >> from here(1bar) to(5bar) %%%%%%%
118 %%% Do! See! from "next line" VocalI=Lower and (repeat)VocalII=upper
119 %%%%% Upper=Lylics No2(red) Lower=Lylics No1(blue) %%%%%%%
120    << { \context Voice = "mezzosopranoII" { \VoiceColorRed \time 3/2 \autoBeamOff \stemUp
121             \partial 2 b'2\rest | %% warning: rest collision: rest direction not set
122 %% 1-
123    \time 4/1
124    cis''4.\melisma eis''1 cis''4. ais'4\melismaEnd c''4\rest %% warning: rest collision: rest direction not set
125    eis''1\melisma cis''2 ais'4\melismaEnd | \break
126 %% 2-3
127    cis''2 bis'4 dis''2 dis''4\rest cis''2 dis''4 eis''2. cis''1\rest | %% warning: rest collision: rest direction not set
128    cis''2\melisma bis' ais'1 gis'2 fis'4 eis'\melismaEnd
129    g'4\rest cis''2\melisma dis''4\melismaEnd | \break
130 %% 4-
131    cis''2 bis'4 g'8\rest cis''4 dis''8 eis''2. cis''2\melisma bis'4\melismaEnd g'4\rest %%%% But g'8\rest , g'4\rest -----OK ?
132    bis'4\melisma cis''2 dis''4\melismaEnd | \break
133 %% 5-
134    eis''4. g'8\rest bis'2^\( gis'2\) cis''2 dis''4 cis''2 bis'8 cis''2 dis''8 eis''2 * 2/3
135                                                                              s2 * 1/3^\markup {
136                       \hspace #2 \fontsize #2 \with-color #red \musicglyph #"scripts.coda" } } } \\
137   { \context Voice = "mezzosopranoI" { \VoiceColorBlue \time 3/2 \autoBeamOff \stemDown
138         \partial 2 b2\rest^\markup { \hspace #-6 \teeny \italic \with-color #blue
139    "If you can, please do play on Mezzo-part Instruments(but only one or two) with Sol-Vocal" } |
140 %% 1-
141    \time 4/1
142    cis'2\melisma eis'1 cis'2 r2\melismaEnd eis'4. dis'8 fis'4. fis'8 gis'2 | \break
143 %% 2-3
144    cis'4 ais2 ais2 r4 eis'4 fis'2 r2 cis'4 dis'2 eis'2 |
145    fis'2 gis'1 r\breve cis'2 | \break
146 %% 4-
147    cis'8 r4 ais2 eis'4 fis'4. dis'4 fis'4. eis'8 gis'4 ais'2 gis'4 ais'4 bis'2 | \break
148 %% 5-
149    eis'4 r4 ais4 cis'2 cis'4 eis'4 fis'4 gis'2 r4 cis'8 ais4. bis4 ais2 } } >> | \break
150 %%%%% Part << { } \\ { } >> End For "1bar~~~5bar" %%%%%%%
151 %%%% And D.C. Part End %%%%%%%%%%%%%%%%
152 %%%% From here, "Vocal Song" is nothing; This part is Only play Instruments. %%%%%%%%%%%%%%
153 %% 6-
154    r\longa | \break
155 %% 7-10
156    \time 3/2 r1. | r1. | r1. | r1. |  \break
157 %% 11-14
158    \time 3/2 r1. | r1. | r1. | r1. |  \break
159 %%%%% Coda Sheet Part. But Here is on Instrument(Meezzosoprano)
160 %% Coda 1-
161    \set Score.currentBarNumber = #1
162    \time4/1 \autoBeamOff \VoiceColorBlueRevert
163    <eis'' bis'>4^\markup { \hspace #-14 \column { \line { "   " } \line { "    " }
164                      \line { \lower #8 { \huge
165                             { \with-color #red \musicglyph #"scripts.varcoda" } \hspace #2
166                               \italic "Coda-sheet is only on instruments". } } } }
167    <cis'' fis'> <ais' eis'> ~ eis'2. r2
168    fis'2 bis' eis''1 | \break
169 %% Coda 2-
170    <bis' gis'>\breve <cis'' eis''> | \time 3/2 cis''1 \undo \hide Staff.BarLine \bar "|." \break
171 }%% end mezzospprano sheet
172 
173 mezzosopranoLI = \lyricmode {
174     \set stanza = #"1.   "
175     \override Lyrics.LyricText.color = #blue
176     \override Lyrics.LyricHyphen.color = #blue
177     \override Lyrics.LyricExtender.color = #blue
178     \override Score.LyricText.font-shape = #'italic
179     \tiny
180 m __
181 You! the king of kings!
182 Do you know, My life?
183 Do you know, My Life?
184 
185 I'm the dougther who ever you've killed the Lin -- eage "and the" Fami -- ly.
186 Yes, so you "must be" re -- mem -- ber, that Who am I
187 }
188 mezzosopranoLII = \lyricmode {
189     \set stanza = #"2.   "
190     \override Lyrics.LyricText.color = #red
191     \override Lyrics.LyricHyphen.color = #red
192     \override Lyrics.LyricExtender.color = #red
193     \override Score.LyricText.font-shape = #'italic
194     \tiny
195 m __ ə __
196 "The king" of kings, you are Right.
197 ə __ m __
198 I'm really right the Doughter.
199 m __ ə __
200 "You'll be" under -- stand Why? All sort of things, and me.
201 }
202 
203 mezzosopranoM = {
204     \autoBeamOff
205    \partial 2 r2 |
206 %% 1-
207    \time 4/1
208    cis'2\melisma eis'1 cis'2 r2\melismaEnd eis'4. dis'8 fis'4. fis'8 gis'2 | \break
209 %% 2-3
210    cis'4 ais2 ais2 r4 eis'4 fis'2 r2 cis'4 dis'2 eis'2 |
211    fis'2 gis'1 r\breve cis'2 | \break
212 %% 4-
213    cis'8 r4 ais2 eis'4 fis'4. dis'4 fis'4. eis'8 gis'4 ais'2 gis'4 ais'4 bis'2 |
214 %% 5-
215    eis'4 r4 ais4 cis'2 cis'4 eis'4 fis'4 gis'2 r4 cis'8 ais4. bis4 ais2 | \break
216 %% 6-
217    r\longa | \break
218 %% 7-10
219    \time 3/2 r1. | r1. | r1. | r1. |  \break
220 %% 11-14
221    \time 3/2 r1. | r1. | r1. | r1. |  \break
222 %%%% D.C. part start( The actual is doing on Repeat 1-5)
223 %% 15-
224    r2 |
225 %% 1-
226    \time 4/1
227    cis''4.\melisma eis''1 cis''4. ais'4\melismaEnd r4
228    eis''1\melisma cis''2 ais'4\melismaEnd | \break
229 %% 2-3
230    cis''2 bis'4 dis''2 r4 cis''2 dis''4 eis''2. r1 |
231    cis''2\melisma bis' ais'1 gis'2 fis'4 eis'\melismaEnd
232    g'4\rest cis''2\melisma dis''4\melismaEnd | \break
233 %% 4-
234    cis''2 bis'4 r8 cis''4 dis''8 eis''2. cis''2\melisma bis'4\melismaEnd r4
235    bis'4\melisma cis''2 dis''4\melismaEnd | \break
236 %% 5-
237    eis''4. g'8\rest bis'2\( gis'2\) cis''2 dis''4 cis''2 bis'8 cis''2 dis''8 eis''2 | \break
238 %%%% D.C. Part End %%%%%%%%%%%%%%%%
239 %%%%% Coda Sheet Part. But Here is on Instrument(Meezzosoprano)
240 %% Coda 1-
241    \time 4/1
242    <eis'' bis'>4 <cis'' fis'> <ais' eis'> ~ eis'2. r2
243    fis'2 bis' eis''1 | \break
244 %% Coda 2-
245    <bis' gis'>\breve <cis'' eis''> | \time 3/2 cis''1 \bar "|." \break
246 }%% end mezzosoprano-midi
247 
248 %%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%%
249 soprano = {
250     \autoBeamOff
251    \partial 2 c'2 ~ |
252 %% 1-
253    \time 4/1 c'\longa \break
254 %% 2-3
255    e'\breve fis'\breve | d'\breve c'\breve |
256 %% 4-
257    g'\longa | \break
258 %% 5-
259    d'\breve c'\breve * 5/6 s\breve * 1/6_\markup
260             { \hspace #10 \fontsize #2 \with-color #red \musicglyph #"scripts.coda" } | \break
261 %%% See! ===> sopranoM(midi) writting. Return(from D.C.) is to here.
262 %% 6-
263    c'4 <c' e'> <c' fis'> <c' g'>2. <a' fis'>4 <g' e'> <fis' d'> <e' c'>2.
264    d'4 fis' a' c'' ~ | \break
265 %% 7-10
266    \time 3/2 c''2.  r2. |
267    <c' g'>16[ <d' a'> <e' b'> <fis' c''>8.] d''2. <c'' fis'>16[ <b' e'> <a' d'> <g' c'>8.] |
268    b2 c' d' | d''1. | \break
269 %% 11-14
270    R1. | fis''1. | a'' | b'2 r1^\fermata
271                                ^\markup { \hspace #9.5 \with-color #red
272                                             \fontsize #2 "D.C." } \bar "||" \break
273 %%%%% Return First start and to Coda "mark"(5bar)
274 %%%%% Coda Sheet Part. %%%%%%%%%%%%%%%%%
275 %% coda 1-
276    <g'' a'>\breve <e'' fis'>\breve |
277 %% coda 2-
278    <c'' d'>\longa | \time3/2 c'1 \bar "|." \break
279 }%% end soprano sheet
280 
281 sopranoM = {
282     \autoBeamOff
283    \partial 2 c'2 ~ |
284 %% 1-
285    \time 4/1 c'\longa \break
286 %% 2-3
287    e'\breve fis'\breve | d'\breve c'\breve | \break
288 %% 4-
289    g'\longa | \break
290 %% 5-
291    d'\breve c'\breve | \break
292 %%6-
293    c'4 <c' e'> <c' fis'> <c' g'>2. <a' fis'>4 <g' e'> <fis' d'> <e' c'>2.
294    d'4 fis' a' c'' ~ | \break
295 %% 7-10
296    \time 3/2 c''2.  r2. |
297    <c' g'>16[ <d' a'> <e' b'> <fis' c''>8.] d''2. <c'' fis'>16[ <b' e'> <a' d'> <g' c'>8.] |
298    b2 c' d' | d''1. | \break
299 %% 11-14
300    R1. | fis''1. | a'' | b'2 r1^\fermata | \break
301 %%%%%%%%%%
302 %% DC-part; from here// and same as bar1~~~~bar5//
303 %% 15-20 **** s1 is, because for \partial 2 is start on play.
304    \partial 2 c'2 ~ |
305 %% 1-
306    \time 4/1 c'\longa \break
307 %% 2-3
308    e'\breve fis'\breve | d'\breve c'\breve | \break
309 %% 4-
310    g'\longa | \break
311 %% 5-
312    d'\breve c'\breve | \break
313 %%%%%%%%%%
314 %%%% And Coda part %%%%%
315 %% coda 1-
316    <g'' a'>\breve <e'' fis'>\breve |
317 %% coda 2-
318    <c'' d'>\longa | \time3/2 c'1 \bar "|." \break
319 }%% end soprano-midi
320 
321 %%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%%%
322 alto = {
323      \autoBeamOff
324    \partial 2 g2 ~ |
325 %% 1-
326    \time 4/1 g\longa \break
327 %% 2-3
328    b\breve c'\breve | a\breve g\breve | \break
329 %% 4-
330    d'\longa | \break
331 %% 5-
332    a\breve g\breve * 5/6 s\breve * 1/6_\markup
333             { \hspace #10 \fontsize #2 \with-color #red \musicglyph #"scripts.coda" } | \break
334 %%% See! ===> altoM(midi) writting. Return(from D.C.) is to here.
335 %% 6-
336    g4 <g b> <g c'> <g d'>2. <e' c'>4 <d' b> <c' a> <b g>2. fis4 a c' e' ~ | \break
337 %% 7-10
338    \time 3/2 e'2. r2. |
339    <b' e'>8.[ <a' d'>16 <g' c'> <fis' b>] a2. <b fis'>8.[ <c' g'>16 <d' a'> <e' b'>] |
340    c''2 b' a' | a1. | \break
341 %% 11-14
342    R1. | c'1. | e' | b2 r1^\fermata
343                           ^\markup { \hspace #9.5 \with-color #red
344                                             \fontsize #2 "D.C." } \bar "||" \break
345 %%%%% Return First start and to Coda "mark"(5bar)
346 %%%%% Coda Sheet Part. %%%%%%%%%%%%%%%%%
347 %% coda 1-
348    <c'' d'>\breve <a' b>\breve
349 %% coda 2-
350    <fis' g>\longa | \time3/2 fis1 \bar "|." \break
351 }%% end alto sheet
352 
353 altoM = {
354      \autoBeamOff
355    \partial 2 g2 ~ |
356 %% 1-
357    \time 4/1 g\longa \break
358 %% 2-3
359    b\breve c'\breve | a\breve g\breve | \break
360 %% 4-
361    d'\longa | \break
362 %% 5-
363    a\breve g\breve | \break
364 %% 6-
365    g4 <g b> <g c'> <g d'>2. <e' c'>4 <d' b> <c' a> <b g>2. fis4 a c' e' | \break
366 %% 7-10
367    \time 3/2 e'2. r2. |
368    <b' e'>8.[ <a' d'>16 <g' c'> <fis' b>] a2. <b fis'>8.[ <c' g'>16 <d' a'> <e' b'>] |
369    c''2 b' a' | a1. | \break
370 %% 11-14
371    R1. | c'1. | e' | b2 r1^\fermata | \break
372 %%%%%%%%%%
373 %% DC-part; from here// and same as bar1~~~~bar5//
374 %% 15-20 **** s1 is, because for \partial 2 is start on play.
375    \partial 2 g2 ~ |
376 %% 1-
377    \time 4/1 g\longa \break
378 %% 2-3
379    b\breve c'\breve | a\breve g\breve | \break
380 %% 4-
381    d'\longa | \break
382 %% 5-
383    a\breve g\breve | \break
384 %%%%%%%%%%
385 %%%% And Coda part %%%%%
386 %% coda 1-
387    <c'' d'>\breve <a' b>\breve
388 %% coda 2-
389    <fis' g>\longa | \time3/2 fis1 \bar "|." \break
390 }%% end alto-midi
391 
392 %%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%%
393 tenor = {
394      \autoBeamOff
395    \partial 2 d2 ~ |
396 %% 1
397    \time 4/1 d\longa \break
398 %% 2-3
399    fis\breve g\breve | e\breve d\breve | \break
400 %% 4-
401    a\longa | \break
402 %% 5-
403    e\breve d\breve * 5/6 s\breve * 1/6_\markup
404             { \hspace #10 \fontsize #2 \with-color #red \musicglyph #"scripts.coda" } | \break
405 %%% See! ===> tenorM(midi) writting. Return(from D.C.) is to here.
406 %%6-
407    c4 <c e> <c fis> <c g>2. <a fis>4 <g e> <fis d> <e c>2. d4 fis a c' ~ | \break
408 %% 7-10
409    \time 3/2 c'2. r2. | fis1. | g | a2 r1 | \break
410 %% 11-14
411    <e' a>8[ <fis' b> <g' c''>] <a' fis'>8[ <g' e'> <fis' d'>] <e' c'>2. |
412    <d' a>16[ <c' g> <b fis> <a e> <g d>8] r4. <c e>16[ <d fis> <e g> <fis a> <g b>8] r4. |
413    r8 <e' b>16[ <d' a> <c' g>] <d' a>16[ <c' g> <b fis>] r4 <a d'>8[ <b e'> <c' fis'>] ~ fis'4. |
414    fis1 r2^\fermata
415           ^\markup { \hspace #4 \with-color #red
416                                             \fontsize #2 "D.C." } \bar "||" \break
417 %%%%% Return First start and to Coda "mark"(5bar)
418 %%%%% Coda Sheet Part. %%%%%%%%%%%%%%%%%
419 %% coda 1-
420    <a' b>\breve <fis' g>\breve
421 %% coda 2-
422    <d' e>\longa | \time3/2 d1 \bar "|." \break
423 } %% end tenor sheet
424 
425 tenorM = {
426      \autoBeamOff
427    \partial 2 d2 ~ |
428 %% 1-
429    \time 4/1 d\longa \break
430 %% 2-3
431    fis\breve g\breve | e\breve d\breve | \break
432 %% 4-
433    a\longa | \break
434 %% 5-
435    e\breve d\breve | \break
436 %%6-
437    c4 <c e> <c fis> <c g>2. <a fis>4 <g e> <fis d> <e c>2. d4 fis a c' ~ | \break
438 %% 7-10
439    \time 3/2 c'2. r2. | fis1. | g | a2 r1 | \break
440 %% 11-14
441    <e' a>8[ <fis' b> <g' c''>] <a' fis'>8[ <g' e'> <fis' d'>] <e' c'>2. |
442    <d' a>16[ <c' g> <b fis> <a e> <g d>8] r4. <c e>16[ <d fis> <e g> <fis a> <g b>8] r4. |
443    r8 <e' b>16[ <d' a> <c' g>] <d' a>16[ <c' g> <b fis>] r4 <a d'>8[ <b e'> <c' fis'>] ~ fis'4. |
444    fis1 r2^\fermata | \break
445 %%%%%%%%%%
446 %% DC-part; from here// and same as bar1~~~~bar5//
447 %% 15-20 **** s1 is, because for \partial 2 is start on play.
448    \partial 2 d2 ~ |
449 %% 1
450    \time 4/1 d\longa \break
451 %% 2-3
452    fis\breve g\breve | e\breve d\breve | \break
453 %% 4-
454    a\longa | \break
455 %% 5-
456    e\breve d\breve | \break
457 %%%%%%%%%%
458 %%%% And Coda part %%%%%
459 %% coda 1-
460    <a' b>\breve <fis' g>\breve
461 %% coda 2-
462    <d' e>\longa | \time3/2 d1 \bar "|." \break
463 } %% end tenor midi
464 
465 %%%%%%% bass; part %%%%%%%%%%%%%%%%
466 bass = {
467    \autoBeamOff
468    \partial 2 a,2 ~ |
469 %% 1-
470    \time 4/1 a,\longa \break
471 %% 2-3
472    c\breve d\breve | b,\breve a,\breve | \break
473 %% 4-
474    e\longa | \break
475 %% 5-
476    b,\breve a,\breve * 5/6 s\breve *1/6_\markup
477             { \hspace #10 \fontsize #2 \with-color #red \musicglyph #"scripts.coda" } | \break
478 %%% See! ===> bassM(midi) writting. Return(from D.C.) is to here.
479 %% 6-
480    g,4 <g, b,> <g, c> <g, d>2. <e c>4 <d b,> <c a,> <b, g,>2. fis,4 a, c e ~ | \break
481 %% 7-10
482    \time 3/2 e2. r2. | a,1. | g, | fis,2 r1 | \break
483 %% 11-14
484    <c a,>2. <c fis,>8[ <d g,> <e a,>] <fis d>8[ <e c> <d b,>] |
485    r4. <g, c>16[ <a, d> <b, e> <c fis> <d g>8] r4. <g e>16[ <fis d> <e c> <d b,> <c a,>8] |
486    <fis, a,>16[ <g, b,> <a, c>] <g, b,>16[ <a, c> <b, d>] r8
487    <d a,>8[ <c g,> <b, fis,>] ~ fis,4. r4 |
488    fis1 r2^\fermata
489           ^\markup { \hspace #4 \with-color #red
490                                             \fontsize #2 "D.C." } \bar "||" \break
491 %%%%% Return First start and to Coda "mark"(5bar)
492 %%%%% Coda Sheet Part. %%%%%%%%%%%%%%%%%
493 %% coda 1-
494    <d' e>\breve <b c>\breve
495 %% coda 2-
496    <g a,>\longa | \time3/2 g,1 \bar "|." \break
497 } %%end bass-sheet
498 
499 bassM = {
500    \autoBeamOff
501    \partial 2 a,2 ~ |
502 %% 1-
503    \time 4/1 a,\longa \break
504 %% 2-3
505    c\breve d\breve | b,\breve a,\breve | \break
506 %% 4-
507    e\longa | \break
508 %% 5-
509    b,\breve a,\breve | \break
510 %% 6-
511    g,4 <g, b,> <g, c> <g, d>2. <e c>4 <d b,> <c a,> <b, g,>2. fis,4 a, c e ~ | \break
512 %% 7-10
513    \time 3/2 e2. r2. | a,1. | g, | fis,2 r1 | \break
514 %% 11-14
515    <c a,>2. <c fis,>8[ <d g,> <e a,>] <fis d>8[ <e c> <d b,>] |
516    r4. <g, c>16[ <a, d> <b, e> <c fis> <d g>8] r4. <g e>16[ <fis d> <e c> <d b,> <c a,>8] |
517    <fis, a,>16[ <g, b,> <a, c>] <g, b,>16[ <a, c> <b, d>] r8
518    <d a,>8[ <c g,> <b, fis,>] ~ fis,4. r4 | fis1 r2^\fermata | \break
519 %%%%%%%%%%
520 %% DC-part; from here// and same as bar1~~~~bar5//
521 %% 15-20 **** s1 is, because for \partial 2 is start on play.
522    \partial 2 a,2 ~ |
523 %% 1-
524    \time 4/1 a,\longa \break
525 %% 2-3
526    c\breve d\breve | b,\breve a,\breve | \break
527 %% 4-
528    e\longa | \break
529 %% 5-
530    b,\breve a,\breve | \break
531 %%%%%%%%%%
532 %%%% And Coda part %%%%%
533 %% coda 1-
534    <d' e>\breve <b c>\breve
535 %% coda 2-
536    <g a,>\longa | \time3/2 g,1 \bar "|." \break
537 }%% end bass-midi
538 
539 %%%%%%%%%% sheet and midi music code part %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
540 %% get sheet music -------------------------------------------------
541 \score {
542      %% \new Score \with { \override VerticalAlignment.max-stretch = #2 }
543          <<
544     \context StaffGroup <<
545        \new Voice = "mezzosoprano" {
546                               \clef mezzosoprano \key cis\major \time 3/2
547                  \set Staff.instrumentName = \markup { \with-color #blue \italic \column {
548                                               "Voice; " "mezzo   " \raise #1 " soprano" } }
549                                       \VoiceColorBlue {\mezzosoprano} }
550        \new Lyrics = "mainSL" \lyricsto "mezzosopranoI" { \mezzosopranoLI }
551        \new Lyrics = "mainSL" \lyricsto "mezzosopranoII" { \mezzosopranoLII }
552 
553            \context ChoirStaff = "FourPartStaffaddchorus" <<
554            \new Voice = "soprano" { \clef soprano \key g\major \time 3/2
555                    \set Staff.fontSize = #-4
556                    \override Staff.StaffSymbol.staff-space = #(magstep -4)
557                    \override Staff.StaffSymbol.thickness = #(magstep -4)
558                              \set Staff.instrumentName = "soprano" \soprano }
559            %% \new Lyrics = "mainSL" \lyricsto "SopranoChours" { \sopranoL }
560 
561            \new Voice = "alto" { \clef alto \key g\major \time 3/2
562                    \set Staff.fontSize = #-4
563                    \override Staff.StaffSymbol.staff-space = #(magstep -4)
564                    \override Staff.StaffSymbol.thickness = #(magstep -4)
565                         \set Staff.instrumentName = "alto   " \alto }
566            %% \new Lyrics = "mainSL" \lyricsto "AltoChours" { \altoL }
567 
568            \new Voice = "tenor" { \clef tenor \key g\major \time 3/2
569                    \set Staff.fontSize = #-4
570                    \override Staff.StaffSymbol.staff-space = #(magstep -4)
571                    \override Staff.StaffSymbol.thickness = #(magstep -4)
572                         \set Staff.instrumentName = "tenor  " \tenor }
573            %% \new Lyrics = "mainTL" \lyricsto "TenorChours" { \tenorL }
574 
575            \new Voice = "bass" { \clef bass \key g\major \time 3/2
576                    \set Staff.fontSize = #-4
577                    \override Staff.StaffSymbol.staff-space = #(magstep -4)
578                    \override Staff.StaffSymbol.thickness = #(magstep -4)
579                         \set Staff.instrumentName = "bass   " \bass }
580            %% \new Lyrics = "mainBL" \lyricsto "BassChours" { \bassL }
581                                            >>
582 
583            %% \context PianoStaff = "PianoStaff" <<
584            %% \new Voice = "piano" { \clef treble \key g\major \time 3/2
585            %%              \set Staff.instrumentName = "piano  " \pianoUP }
586            %% \new Voice = "piano" { \clef bass \key g\major \time 3/2
587            %%              \set Staff.instrumentName = "piano  " \pianoDown }
588            %%                                   >>
589 
590                                        >>
591          >>
592 
593     \layout {  \context { \Staff \RemoveEmptyStaves
594                                              \override VerticalAxisGroup.remove-first = ##t }
595                    %% \context {
596                                          %% Supports up to lilypond ver 2.22.2-1: Removed support(don't run) from lilypond ver 2.24.0
597                               %% lilypond ver 2.22.2-1 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
598                               %% Rests(bars) are typeset (indicated) exactly with rest notes.
599                                           %% \Staff \RemoveEmptyStaves
600                               %%     \override VerticalAxisGroup.remove-first = ##t
601                              %% It can get effect by using for instance "r1." or "s1."
602                              %% Don't using "r1."
603                       %%           }
604                 }
605 
606      %%%%%% Don't output Score-sheet %%%%%%%%%%%%%%%%%%%%%%%%
607      %% \layout { \context { \Score skipTypesetting = ##t } }
608 }
609 
610 %% get midi music --------------------------------------------------
611 \score {
612          <<
613            \new Staff { \clef mezzosoprano \key cis\major \time 3/2 \tempo 4 = 48
614                          \set Staff.midiInstrument = "pad 2 (warm)"
615                                          \unfoldRepeats       \mezzosopranoM }
616 
617            \new Staff { \clef soprano \key g\major \time 3/2 \tempo 4 = 48
618                          \set Staff.midiInstrument = "pad 2 (warm)"
619                                          \unfoldRepeats       \sopranoM }
620 
621            \new Staff { \clef alto \key g\major \time 3/2 \tempo 4 = 48
622                          \set Staff.midiInstrument = "pad 2 (warm)"
623                                          \unfoldRepeats          \altoM }
624 
625            \new Staff { \clef tenor \key g\major \time 3/2 \tempo 4 = 48
626                          \set Staff.midiInstrument = "pad 2 (warm)"
627                                          \unfoldRepeats       \tenorM }
628 
629            \new Staff { \clef bass \key g\major \time 3/2 \tempo 4 = 48
630                         \set Staff.midiInstrument = "pad 2 (warm)"
631                                          \unfoldRepeats          \bassM }
632 
633            %%\new Staff { \clef treble \key g\major \time 3/2 \tempo 4 = 48
634            %%             \set Staff.midiInstrument = "acoustic grand"
635            %%                                \unfoldRepeats       \pianoUPm }
636            %%\new Staff { \clef bass \key g\major \time 3/2 \tempo 4 = 48
637            %%             \set Staff.instrumentName = "acoustic grand"
638            %%                                \unfoldRepeats     \pianoDownm }
639          >>
640 
641    \midi { tempoWholesPerMinute = #(ly:make-moment 48 4) }
642 }
643 \markup { " " }
644 \markup { \column { \line {
645 About location \hspace #3 \musicglyph #"noteheads.uM2"(longa) \hspace #2 and \hspace #3 \musicglyph #"noteheads.sM1"(breve) }
646 \line { \italic " Please, Breath of longa and breve do in the members alternating(But, like Don't stand out). " }
647  } }
648 %%%%%%%%%%%%%%%%%%%% All End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%