1 %% 11:08 PM Tuesday, July 4, 2023 2 %% Yukio Yoshida. 3 %% If you want to change of color, then do see! in "define-grobs.scm"(lilypond's system file) 4 \version "2.24.0" 5 %% This is system-files and for midi`s effect 6 \include "articulate.ly" %% But here isn't use. 7 %%%%% See----> midi block 8 %% for sheet-music 9 #(set-default-paper-size "letter") 10 #(set-global-staff-size 18) 11 12 %% 45-49 refer 13 %% warning: this Voice needs a \voiceXx or \shiftXx setting 14 %% in [Collision resolution], page 205).natation.pdf(ver2.24.0) 15 voiceFive = #(context-spec-music (make-voice-props-set 4) 'Voice) 16 17 mf = #(make-dynamic-script "mf") 18 VoiceColorBlue = { 19 \override Staff.StaffSymbol.color = #blue 20 \override Staff.LedgerLineSpanner.color = #blue 21 \override Staff.Clef.color = #blue 22 \override Staff.TimeSignature.color = #blue 23 \override Staff.KeySignature.color = #blue 24 \override Staff.BarLine.color = #blue 25 \override Voice.NoteHead.color = #blue 26 \override Voice.Rest.color = #blue 27 \override Voice.Stem.color = #blue 28 \override Voice.Flag.color = #blue 29 \override Voice.Beam.color = #blue 30 \override Voice.Slur.color = #blue 31 \override Voice.PhrasingSlur.color = #blue 32 \override Voice.Tie.color = #blue 33 \override Voice.Dots.color = #blue 34 \override Voice.Script.color = #blue 35 \override Voice.Accidental.color = #blue 36 \override Voice.DynamicLineSpanner.color = #blue 37 \override Voice.DynamicText.color = #blue 38 \override Voice.DynamicTextSpanner.color = #blue 39 \override Voice.TupletNumber.color = #blue 40 \override Voice.TupletBracket.color = #blue 41 \override Voice.BreathingSign.color = #blue 42 } 43 VoiceColorBlueRevert = { 44 \revert Voice.NoteHead.color 45 \revert Voice.Rest.color 46 \revert Voice.Stem.color 47 \revert Voice.Flag.color 48 \revert Voice.Beam.color 49 \revert Voice.Slur.color 50 \revert Voice.PhrasingSlur.color 51 \revert Voice.Tie.color 52 \revert Voice.Dots.color 53 \revert Voice.Script.color 54 \revert Voice.Accidental.color 55 \revert Voice.DynamicLineSpanner.color 56 \revert Voice.DynamicTextSpanner.color 57 \revert Voice.DynamicText.color 58 \revert Voice.TupletNumber.color 59 \revert Voice.TupletBracket.color 60 \revert Voice.BreathingSign.color 61 } 62 63 BlueRest = { \override Voice.Rest.color = #blue 64 \override Voice.Dots.color = #blue } 65 BlueOff = { \revert Voice.Rest.color 66 \revert Voice.Dots.color } 67 68 AddChorus = { 69 \override Staff.StaffSymbol.color = #red 70 \override Staff.LedgerLineSpanner.color = #red 71 \override Staff.Clef.color = #red 72 \override Staff.TimeSignature.color = #red 73 \override Staff.KeySignature.color = #red 74 \override Staff.BarLine.color = #red 75 \override Voice.NoteHead.color = #red 76 \override Voice.Rest.color = #red 77 \override Voice.Stem.color = #red 78 \override Voice.Flag.color = #red 79 \override Voice.Beam.color = #red 80 \override Voice.Slur.color = #red 81 \override Voice.PhrasingSlur.color = #red 82 \override Voice.Tie.color = #red 83 \override Voice.Dots.color = #red 84 \override Voice.Script.color = #red 85 \override Voice.Accidental.color = #red 86 \override Voice.TupletNumber.color = #red 87 \override Voice.TupletBracket.color = #red 88 \override Voice.BreathingSign.color = #red 89 } 90 91 \paper { 92 %% ragged-last-bottom = ##f 93 } 94 95 \header { 96 dedication = \markup { \center-column { " " " " " " "The Story of A Lady" } } 97 title = \markup{ \line { \italic \huge "My son?! Oh, God! I belive you!"} } 98 subtitle = \markup{ \center-column {\italic "g major; c d e fis g a b" } } 99 %% subsubtitle = #(string-append "LilyPond version " (lilypond-version)) 100 subsubtitle = \markup{\center-column { 101 \italic "mezzosoprano; C clef on 2nd line," 102 %% "soprano; C clef on 1st line, alto; C clef on 3rd line." 103 %% " bass; F clef on 4th line, tenor; C clef on 4th line."}} 104 \line { soprano; C clef on 1st line,\hspace #4 alto; C clef on 3rd line.} 105 \line { \hspace #2 bass; F clef on 4th line,\hspace #4 %% 106 tenor; C clef on 4th\with-color #blue "(& Solo;Vocal)" } } } 107 composer = \markup{ \line {\italic "Yukio Yoshida"}} 108 arranger = "April 30, 2014" 109 poet = "" 110 opus = "Op.80" 111 meter = " Vocal Message " 112 copyright = "public Domain" 113 %% tagline = " " 114 } 115 116 %%%%%%%%% ! Revert mezzosoprano part %%%%%%%%%%%%%%%%%%%%% 117 mezzosoprano = { 118 \autoBeamOff 119 \partial 2 r2 | 120 %% 1-4 121 122 }%% end mezzospprano sheet 123 124 mezzosopranoL = \lyricmode { 125 \override Lyrics.LyricText.color = #blue 126 \override Lyrics.LyricHyphen.color = #blue 127 \override Lyrics.LyricExtender.color = #blue 128 \override Score.LyricText.font-shape = #'italic 129 \tiny 130 131 } 132 133 mezzosopranoM = { 134 \autoBeamOff 135 \partial 2 r2 | 136 %% 1-4 137 138 }%% end mezzosoprano-midi 139 %%%%%%% End Revert Part %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 140 141 %%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%% 142 sopranoVoice = { 143 \autoBeamOff 144 \partial 2 r2 | 145 %% 1-4(repeat;1-7) 146 \repeat volta 2 { g'2^\markup { \hspace #-5 \with-color #red \italic 147 "Start is from Repeat Part" } 148 r4. a'2 g'8 | g'2 r2 f'2 | a'2 \tweak Accidental.color #red bis' c'' | } 149 \alternative { { r1. | \break } 150 %% 5-9 151 { a'4. \tweak Accidental.color #red bis'8 c''2. r4 } } | 152 c''1.^\dim\melisma | b'1. | \noBreak e''1. | e''2 * 2/3 s2 * 1/3\!\melismaEnd r1 | \break 153 %% 10-13 154 r1. | r1. | r1. | r1. | \break 155 %% \repeat percent 4 { r1. } \break 156 %% 14 157 \time 4/1 158 b'4 c''4 c''8 d''4. d''8 e''2.. r\breve | \break 159 %% 15-18 160 \time 3/2 161 r1. | r1. | r1. | r1. | \break 162 %% 19-22 163 r1. | r1. | r1. | r1. | \break 164 %% 23-26 165 g''1^\pp^\dim\melisma fis''2 | a''1. | g''1 fis''2 | a''1. | \break 166 %% 27-30 167 fis''1 a''2 | g''1. | fis''1. | e''1 * 3/4 s1 * 1/4 r2^\ppppp\!\melismaEnd | \break 168 %% 31-34 169 r1. | r1. | r1. | r1. | \break 170 %% 35-38 171 r1. | r1. | r1. | r1. | \break 172 %% 39-42 173 r1. | r1. | r1. | r1. | \break 174 %% 43-46 175 r1. | r1. | r1. | r1. | \break 176 %% 47-50 177 r2^\markup { \hspace #-6 \teeny \with-color #blue \italic "Only; Voice group song" 178 \teeny "(for 47bar ~ 50bar)" } 179 b'4 b'8 c''4 r8 fis'4 | fis'8 g'4 r8 b'8 c''4. g'8 b'4. | 180 r8 fis'8 g'4. d'8 fis'2 r8 a'8 | g'8 d''2..^\fermata r2^\fermata | \break 181 %% End. 182 } 183 184 sopranoVoiceL = \lyricmode { 185 \override Lyrics.LyricText.color = #blue 186 \override Lyrics.LyricHyphen.color = #blue 187 \override Lyrics.LyricExtender.color = #blue 188 \override Score.LyricText.font-shape = #'italic 189 \teeny 190 King! King of Kings. 191 "Right now," "your child" was born. 192 "Your baby" is "a boy!" 193 m __ 194 Is it the voice of happiness? 195 %% Is it the voice of fear? 196 ə __ 197 Let's and listen! Let's and listen! 198 The words "of the" king, the words "of the" king in the kingdom. 199 } 200 201 sopranoVoiceM = { 202 \autoBeamOff 203 \partial 2 r2 | 204 %% 1-4(repeat;1-7) 205 r1. | r1. | r1. | r1 r2 | g'2 r4. a'2 g'8 | g'2 r2 f'2 | a'2 bis' c'' | \break 206 %% 5-9 207 a'4. bis'8 c''2. r4 | c''1.^\pp\melisma | b'1.^\ppp | \noBreak e''1.^\pppp | 208 e''2^\ppppp\melismaEnd r1 | \break 209 %% 10-13 210 r1. | r1. | r1. | r1. | \break 211 %% 14 212 \time 4/1 213 b'4^\mf c''4 c''8 d''4. d''8 e''2.. r\breve | \break 214 %% 15-18 215 \time 3/2 216 r1. | r1. | r1. | r1. | \break 217 %% 19-22 218 r1. | r1. | r1. | r1. | \break 219 %% 23-26 220 g''1^\pp fis''2 | a''1. | g''1^\ppp fis''2 | a''1. | \break 221 %% 27-30 222 fis''1 a''2^\pppp | g''1. | fis''1. | e''1^\ppppp r2 | \break 223 %% 31-34 224 r1. | r1. | r1. | r1. | \break 225 %% 35-38 226 r1. | r1. | r1. | r1. | \break 227 %% 39-42 228 r1. | r1. | r1. | r1. | \break 229 %% 43-46 230 r1. | r1. | r1. | r1. | \break 231 %% 47-50 232 r2 b'4 b'8 c''4 r8 fis'4 | fis'8 g'4 r8 b'8 c''4. g'8 b'4. | 233 r8 fis'8 g'4. d'8 fis'2 r8 a'8 | g'8 d''2..^\fermata r2^\fermata | \break 234 %% End. 235 } 236 237 %%% Instruments part 238 soprano = { 239 \autoBeamOff 240 \partial 2 r2^\markup { \hspace #-6 \column { \tiny \bold \italic "Only; Instruments" " " } } | 241 %% 1-4 242 \repeat volta 2 { e''1.^\< | d'' | c'' | } 243 \alternative { { d''1 * 3/4 s1 * 1/4\! r2 | \break } 244 %% 5-9 245 { d''1^\> c''2 ~ } } | c''1. | b'1. | \noBreak e''1. * 3/4 r1. * 1/4\! | r1. | \break 246 %% 10-13 247 fis'2^\markup { \musicglyph #"p" } g'8[ a'] b'2. | c''2. b'8[ a'] g'2 ~ | 248 g'2 a'8[ b'] c''2. | \pitchedTrill e''1 \startTrillSpan fis'' fis''2\stopTrillSpan ~ | \break 249 %% 14 250 \time 4/1 251 fis''\breve r\breve | \break 252 %% 15-18 253 \time 3/2 254 e''2 fis'' c'' | <b' g'>2.. <a' fis'>4 <b' e''>16[ <c'' fis''> <d'' a''>] ~ a''8. ~ | 255 a''8. ~ <a'' a'>8[ <g'' g'> <fis'' fis'> <e'' e'>8.] ~ e''4 <c'' c'>2 | 256 g'1 <e' b'>2 | \break 257 %% 19-22 258 r2.. \repeat percent 2 { <fis'' c''>8 <e'' b'> } r8 | 259 <c'' a'>1 ~ <c'' a'>8[ <b' g'> <a' fis'> <g' e'>16 <fis' d'> | 260 <e' c'>] r4.. c''8 d'' e''2. ~ | <b' e''>1. | \break 261 %% 23-26 262 r1. | r1. | r1. | r1. | \break 263 %% 27-30 264 r1. | r1. | r1. | r1. | \break 265 %% 31-34 266 r1. | r1. | r1. | r1. | \break 267 %% 35-38 268 r1. | r1. | r1. | r1. | \break 269 %% 39-42 270 << {c''2^\markup { \teeny 271 \italic "Only" \teeny "(Upper of Soprano part)"\teeny \italic " play; One instrument" } 272 e'' g'' ~ | g'' e'' c'' ~ | c'' r4 d''8[ e'' fis''] g''4. | 273 fis''8[ e'' d'' c''] b'2 a'8[ g' fis' e'] | } \\ 274 {c'16[ d' e' fis'] g'4. fis'8[ e' d' c'] ~ c'4. | e'8[ fis' g'8.] a'4.. r8 c''2 | 275 d'2 e' fis' ~ | fis'2 e'8.[ d' c'] r8. e'4 | } >> \break 276 %% 43-46 277 c'4 r4. c'2.. ~ | <c' fis'>1._~ | <fis' c''>1.\( | g'1.\)^\fermata | \break 278 %% 47-50 279 r1. | r1. | r1. | r1. | \break 280 %% 51-55 281 r1. | r1. | r1. | r1. | r1. | \break 282 %% 56-60 283 r2. e' ~ | \repeat percent 5 { <e' a'>8[ <fis' b'> <g' c''>] ~ c''4. } 284 r4 e''2 | fis''1. | \break 285 %% 61 286 \time 4/1 287 c''\breve fis''\breve | \break 288 %% 62-63 289 c''\longa | \time 3/2 <fis' a' c''>1\bar "|." \break 290 }%% end soprano sheet 291 292 sopranoM = { 293 \autoBeamOff 294 \partial 2 r2 | 295 %% 1-4 296 \repeat volta 2 { e''1.^\pppp | d''^\ppp | c''^\pp | } 297 \alternative { { d''1^\p r2 | \break } 298 %% 5-9 299 { d''1^\mf c''2^\pp ~ } } | c''1. | b'^\ppp | \noBreak e''1.\pppp | r1. | \break 300 %% 10-13 301 fis'2^\p g'8[ a'] b'2. | c''2. b'8[ a'] g'2 ~ | g'2 a'8[ b'] c''2. | 302 \pitchedTrill e''1 \startTrillSpan fis'' fis''2\stopTrillSpan ~ | \break 303 %% 14 304 \time 4/1 305 fis''\breve r\breve \break 306 %% 15-18 307 \time 3/2 308 e''2 fis'' c'' | <b' g'>2.. <a' fis'>4 <b' e''>16[ <c'' fis''> <d'' a''>] ~ a''8. | 309 a''8. ~ <a'' a'>8[ <g'' g'> <fis'' fis'> <e'' e'>8.] ~ e''4 <c'' c'>2 | 310 g'1 <e' b'>2 | \break 311 %% 19-22 312 r2.. \repeat percent 2 { <fis'' c''>8^\pp <e'' b'>^\pp } r8 | 313 <c'' a'>1^\pp ~ <c'' a'>8[ <b' g'> <a' fis'> <g' e'>16 <fis' d'>] | 314 <e' c'>]^\p^\< r4.. c''8d'' e''2.^\mf\! ~ | <b' e''>1. | \break 315 %% 23-26 316 r1. | r1. | r1. | r1. | \break 317 %% 27-30 318 r1. | r1. | r1. | r1. | \break 319 %% 31-34 320 r1. | r1. | r1. | r1. | \break 321 %% 35-38 322 r1. | r1. | r1. | r1. | \break 323 %% 39-42 324 << {c''2 e'' g'' ~ | g'' e'' c'' ~ | c'' r4 d''8[ e'' fis''] g''4. | 325 fis''8[ e'' d'' c''] b'2 a'8[ g' fis' e'] | } \\ 326 {c'16[ d' e' fis'] g'4. fis'8[ e' d' c'] ~ c'4. | e'8[ fis' g'8.] a'4.. r8 c''2 | 327 d'2 e' fis' ~ | fis'2 e'8.[ d' c'] r8. e'4 | } >> \break 328 %% 43-46 329 c'4 r4. c'2.. ~ | <c' fis'>1._~ | <fis' c''>1.\( | g'1.\)^\fermata | \break 330 %% 47-50 331 r1. | r1. | r1. | r1. | \break 332 %% 51-55 333 r1. * 5 | \break 334 %% 56-60 335 r2. e' ~ | \repeat percent 5 { <e' a'>8[ <fis' b'> <g' c''>] ~ c''4. } 336 r4 e''2 | fis''1. | \break 337 %% 61 338 \time 4/1 339 c''\breve fis''\breve | \break 340 %% 62-63 341 c''\longa | \time 3/2 <fis' a' c''>1 \bar "|." \break 342 }%% end soprano-midi 343 344 %%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%%b 345 altoVoice = { 346 \autoBeamOff 347 \partial 2 r2 | 348 %% 1-4(repeat;1-7) 349 \repeat volta 2 { a2^\markup { \hspace #-5 \with-color #red \italic 350 "Start is from Repeat Part" } 351 r4. b2 a8 | a2 r2 ges2 | b2 \tweak Accidental.color #red cis' d' | } 352 \alternative { { r1. | \break } 353 %% 5-9 354 { b4. \tweak Accidental.color #red cis'8 d'2. r4 } } | 355 d'1.^\dim\melisma | c'1. | \noBreak fis'1. | fis'2 * 2/3 s2 * 1/3\!\melismaEnd r1 | \break 356 %% 10-13 357 r1. | r1. | r1. | r1. | \break 358 %% 14 359 \time 4/1 360 b4 c'4 c'8 d'4. d'8 e'2.. r\breve | 361 %% 15-18 362 \time 3/2 363 r1. | r1. | r1. | r1. | \break 364 %% 19-22 365 r1. | r1. | r1. | r1. | \break 366 %% 23-26 367 g'1^\pp^\dim\melisma fis'2 | a'1. | g'1 fis'2 | a'1. | \break 368 %% 27-30 369 fis'1 a'2 | g'1. | fis'1. | e'1 * 3/4 s1 * 1/4 r2^\ppppp\!\melismaEnd | \break 370 %% 31-34 371 r1. | r1. | r1. | r1. | \break 372 %% 35-38 373 r1. | r1. | r1. | r1. | \break 374 %% 39-42 375 r1. | r1. | r1. | r1. | \break 376 %% 43-46 377 r1. | r1. | r1. | r1. | \break 378 %% 47-50 379 r2 %%^\markup { \hspace #-6 \teeny \with-color #blue \italic "Only; Voice group song" 380 %% \teeny "(for 47bar ~ 50bar)" } 381 e'4 e'8 fis'4 r8 b4 | b8 c'4 r8 e'8 fis'4. c'8 e'4. | 382 r8 b8 c'4. g8 b2 r8 d'8 | c'8 g'2..^\fermata r2^\fermata | \break 383 %% End. 384 } 385 386 altoVoiceL = \lyricmode { 387 \override Lyrics.LyricText.color = #blue 388 \override Lyrics.LyricHyphen.color = #blue 389 \override Lyrics.LyricExtender.color = #blue 390 \override Score.LyricText.font-shape = #'italic 391 \teeny 392 King! King of Kings. 393 "Right now," "your child" was born. 394 "Your baby" is "a boy!" 395 m __ 396 Is it the voice of happiness? 397 %% Is it the voice of fear? 398 ə __ 399 Let's and listen! Let's and listen! 400 The words "of the" king, the words "of the" king in the kingdom. 401 } 402 403 altoVoiceM = { 404 \autoBeamOff 405 \partial 2 r2 | 406 %% 1-4(repeat;1-7) 407 r1. | r1. | r1. | r1 r2 | a2 r4. b2 a8 | a2 r2 ges2 | b2 cis' d' | \break 408 %% 5-9 409 b4. cis'8 d'2. r4 | d'1.^\pp\melisma | c'1.^\ppp | \noBreak fis'1.^\pppp | 410 fis'2^\ppppp\melismaEnd r1 | \break 411 %% 10-13 412 r1. | r1. | r1. | r1. | \break 413 %% 14 414 \time 4/1 415 b4^\mf c'4 c'8 d'4. d'8 e'2.. r\breve | 416 %% 15-18 417 \time 3/2 418 r1. | r1. | r1. | r1. | \break 419 %% 19-22 420 r1. | r1. | r1. | r1. | \break 421 %% 23-26 422 g'1^\pp fis'2 | a'1. | g'1^\ppp fis'2 | a'1. | \break 423 %% 27-30 424 fis'1 a'2^\pppp | g'1. | fis'1. | e'1^\ppppp r2 | \break 425 %% 31-34 426 r1. | r1. | r1. | r1. | \break 427 %% 35-38 428 r1. | r1. | r1. | r1. | \break 429 %% 39-42 430 r1. | r1. | r1. | r1. | \break 431 %% 43-46 432 r1. | r1. | r1. | r1. | \break 433 r2 e'4 e'8 fis'4 r8 b4 | b8 c'4 r8 e'8 fis'4. c'8 e'4. | 434 r8 b8 c'4. g8 b2 r8 d'8 | c'8 g'2..^\fermata r2^\fermata | \break 435 %% End. 436 } 437 438 %%% Instruments 439 alto = { 440 \autoBeamOff 441 \partial 2 r2 | 442 %% 1-4 443 \repeat volta 2 { fis'1.^\< | g' | fis' | } 444 \alternative { { g'1 * 3/4 s1 * 1/4\! r2 | \break } 445 %% 5-9 446 { g'1^\> fis'2 ~ } } | fis'1. | e'1. | fis'1. * 3/4 r1. * 1/4\! | r1. | \break 447 %% 10-13 448 fis'2^\markup { \musicglyph #"p" } e'8[ d'] c'2. | b1 r2 | e'2 d'8[ c'] b2. | 449 \pitchedTrill d'1 \startTrillSpan e' e'2\stopTrillSpan ~ | \break 450 %% 14 451 \time 4/1 452 e'\breve r\breve | \break 453 %% 15-18 454 \time 3/2 455 <g c'>8.[ <a d'> <b e'>] ~ e'4.. r8 <d' b>8[ <c' a> <b g>] | 456 <a fis>8[ <a c'> r] e'4. r8 a'2 ~ <a' a>8 | 457 <g' b>16[ <fis' c'> <e' d'> r] a2 <fis' fis>2. | c'1 <a e'>2 | \break 458 %% 19-22 459 r2. \repeat percent 2 { <c' g>8.[ <b fis>] } | <a g>1 r4.. <fis a>16_~ | 460 <fis a>^~ <g a>1 r16 a8.[ b]^~ | <b fis>1. | \break 461 %% 23-26 462 r1. | r1. | r1. | r1. | \break 463 %% 27-30 464 r1. | r1. | r1. | r1. | \break 465 %% 31-34 466 r1. | r1. | r1. | r1. | \break 467 %% 35-38 468 r1. | r1. | r1. | r1. | \break 469 %% 39-42 470 <ces' f'>8[ <b e'> <a d'>] r8. g8. f2. ~ | f2. <g b>8.[ <a ces'> <b d'>] e'8. ~ | 471 e'8. <ces' f'>_~ <ces' g'>_~ <ces' a'> f'2. | r4 <f a>8[ <g b> <a ces'>] ces'2.. | \break 472 %% 43-46 473 c'4 r4. c'2.._~ | <c' fis'>1._~ | fis'1.\( | c'1.\)^\fermata | \break 474 %% 47-50 475 r1. | r1. | r1. | r1. | \break 476 %% 51-55 477 r1. | r1. | r1. | r1. | r1. | \break 478 %% 56-60 479 r2 c'1_~ | \repeat percent 2 { <c' fis'>2._~ <c' e'> } | <c' fis'>2. r4 e'2 | 480 fis'1. | \break 481 %% 61 482 \time 4/1 483 c'\breve fis'\breve | \break 484 %% 62-63 485 c'\longa | \time 3/2 <fis a c'>1 \bar "|." \break 486 }%% end alto sheet 487 488 altoM = { 489 \autoBeamOff 490 \partial 2 r2 491 %% 1-4 492 \repeat volta 2 { fis'1.^\pppp | g'^\ppp | fis'^\pp | } 493 \alternative { { g'1^\p r2 | \break } 494 %% 5-9 495 { g'1^mf fis'2^\pp ~ } } | fis'1. | e'1.^\ppp | fis'1.^\pppp | r1. | \break 496 %% 10-13 497 fis'2^\p e'8[ d'] c'2. | b1 r2 | e'2 d'8[ c'] b2. | 498 \pitchedTrill d'1 \startTrillSpan e' e'2\stopTrillSpan ~ | \break 499 %% 14 500 \time 4/1 501 e'\breve r\breve | \break 502 %% 15- 503 \time 3/2 504 <g c'>8.[ <a d'> <b e'>] ~ e'4.. r8 <d' b>8[ <c' a> <b g>] | 505 <a fis>8[ <a c'> r] e'4. r8 a'2 ~ <a' a>8 | 506 <g' b>16[ <fis' c'> <e' d'> r] a2 <fis' fis>2. | c'1 <a e'>2 | \break 507 %% 19-22 508 r2. \repeat percent 2 { <c' g>8.[ <b fis>] } | <a g>1 r4.. <fis a>16_~ | 509 <fis a>^~ <g a>1 r16 a8.[ b]^~ | <b fis>1. | \break 510 %% 23-26 511 r1. | r1. | r1. | r1. | \break 512 %% 27-30 513 r1. | r1. | r1. | r1. | \break 514 %% 31-34 515 r1. | r1. | r1. | r1. | \break 516 %% 35-38 517 r1. | r1. | r1. | r1. | \break 518 %% 39-42 519 <ces' f'>8[ <b e'> <a d'>] r8. g8. f2. ~ | f2. <g b>8.[ <a ces'> <b d'>] e'8. ~ | 520 e'8. <ces' f'>_~ <ces' g'>_~ <ces' a'> f'2. | r4 <f a>8[ <g b> <a ces'>] ces'2.. | \break 521 %% 43-46 522 c'4 r4. c'2.._~ | <c' fis'>1._~ | fis'1.\( | c'1.\)^\fermata | \break 523 %% 47-50 524 r1. | r1. | r1. | r1. | \break 525 %% 51-55 526 r1. * 5 | \break 527 %% 56-60 528 r2 c'1_~ | \repeat percent 2 { <c' fis'>2._~ <c' e'> } | <c' fis'>2. r4 e'2 | 529 fis'1. | \break 530 %% 61 531 \time 4/1 532 c'\breve fis'\breve | \break 533 %% 62-63 534 c'\longa | \time 3/2 <fis a c'>1 \bar "|." \break 535 }%% end alto-midi 536 537 %%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%% 538 tenorVoice = { 539 \autoBeamOff 540 \partial 2 r2 | 541 %% 1-4(repeat;1-7) 542 \repeat volta 2 { d'1.^\markup { \hspace #-5 \with-color #red \italic 543 "Start is from Repeat Part" }^\dim\melisma 544 | e' | d'1.* 3/4 r1. * 1/4\!\melismaEnd | } 545 \alternative { { r1. | \break } 546 %% 5-9 547 { r2 e4^\cresc r4 e4 r8 d8 | } } c2 d4 d'2\mf r4 | c4.-. r4. c4^\cresc c2 | 548 g8 c'4 d'2.\mf d'4. ~ | d'2 r1 | \break 549 %% 10-13 550 r1. | r1. | r1. | r1. | \break 551 %% 14 552 \time 4/1 553 r\breve b4 c'4 d'8 e'4. e'8 fis'2.. | 554 %% 15-18 555 \time 3/2 556 r1. | r1. | r1. | r1. | \break 557 %% 19-22 558 r1. | r1. | r1. | r1. | \break 559 %% 23-26 560 g'1^\pp^\dim\melisma fis'2 | a'1. | g'1 fis'2 | a'1. | \break 561 %% 27-30 562 fis'1 a'2 | g'1. | fis'1. | e'1 * 3/4 s1 * 1/4 r2^\ppppp\!\melismaEnd | \break 563 %% 31-34 564 r1. | r1. | r1. | r1. | \break 565 %% 35-38 566 r1. | r1. | r1. | r1. | \break 567 %% 39-42 568 r1. | r1. | r1. | r1. | \break 569 %% 43-46 570 r1. | r1. | r1. | r1. | \break 571 %% 47-50 572 r2 %%^\markup { \hspace #-6 \teeny \with-color #blue \italic "Only; Voice group song" 573 %% \teeny "(for 47bar ~ 50bar)" } 574 a4 a8 b4 r8 e4 | e8 fis4 r8 a8 b4. fis8 a4. | 575 r8 e8 fis4. c8 e2 r8 g8 | fis8 c'2..^\fermata r2^\fermata | \break 576 %% End. 577 } 578 579 tenorVoiceL = \lyricmode { 580 \override Lyrics.LyricText.color = #blue 581 \override Lyrics.LyricHyphen.color = #blue 582 \override Lyrics.LyricExtender.color = #blue 583 \override Score.LyricText.font-shape = #'italic 584 \teeny 585 m __ 586 Now, listen! 587 The words "of the" king. Listen! 588 The words of the king "of kings." 589 %% Is it the voice of happiness? 590 Is it the voice of fear? 591 ou __ 592 Let's and listen! Let's and listen! 593 The words "of the" king, the words "of the" king in the kingdom. 594 } 595 tenorVoiceM = { 596 \autoBeamOff 597 \partial 2 r2 | 598 %% 1-4(repeat;1-7) 599 r1. | r1. | r1. | r1 r2 | d'1.^\pp\melisma | e'^\ppp | d'^\pppp\melismaEnd | \break 600 %% 5-9 601 r2 e4^\pppp r4 e4^\ppp r8 d8^\pp | c2 d4^\p d'2\mf r4 | c4.-.^\f r4. c4^\pppp c2^\ppp | 602 g8^\pp c'4^\p d'2.\mf d'4. ~ | d'2 r1 | \break 603 %% 10-13 604 r1. | r1. | r1. | r1. | \break 605 %% 14 606 \time 4/1 607 r\breve b4 c'4 d'8 e'4. e'8 fis'2.. | 608 %% 15-18 609 \time 3/2 610 r1. | r1. | r1. | r1. | \break 611 %% 19-22 612 r1. | r1. | r1. | r1. | \break 613 %% 23-26 614 g'1^\pp fis'2 | a'1. | g'1^\ppp fis'2 | a'1. | \break 615 %% 27-30 616 fis'1 a'2^\pppp | g'1. | fis'1. | e'1^\ppppp r2 | \break 617 %% 31-34 618 r1. | r1. | r1. | r1. | \break 619 %% 35-38 620 r1. | r1. | r1. | r1. | \break 621 %% 39-42 622 r1. | r1. | r1. | r1. | \break 623 %% 43-46 624 r1. | r1. | r1. | r1. | \break 625 %% 47-50 626 r2 a4 a8 b4 r8 e4 | e8 fis4 r8 a8 b4. fis8 a4. | 627 r8 e8 fis4. c8 e2 r8 g8 | fis8 c'2..^\fermata r2^\fermata | \break 628 %% End. 629 } 630 631 %%% Instruments 632 tenor = { 633 \autoBeamOff 634 \partial 2 r2 | 635 %% 1-4 636 \repeat volta 2 { d'1.^\< | e' | d' | } 637 \alternative { { e'1 * 3/4 s1 * 1/4\! r2 | \break } 638 %% 5-9 639 { e'1^\> d'2 ~ } } | d'1. | c'1. | d' | e'1 * 3/4 s1 * 1/4\! r2 | \break 640 %% 10-13 641 r2. <g b>8[^\markup { \dynamic mf } <a c'>] 642 \once \override Glissando.style = #'zigzag b2\glissando | 643 e'2 <b d'>8[ <a c'> <g b>] ~ <g b>8[ <a c'> <b d'>] <c' e'>4 ~ | 644 <c' e'>4 <d' b>8[ <c' a> <b g> <a fis>] 645 \once \override Glissando.style = #'zigzag e2.\glissando | g1 r2 | \break 646 %% 14 647 \time 4/1 648 r\breve e'\breve | \break 649 %% 15-18-23-27-31-34 650 \time 3/2 651 r4^\markup { \column { \line { " " } 652 \line { \tiny \italic \with-color #blue "Bule-Notes are notes of" 653 \large \italic \with-color #blue "\"Tenor Sol(Vocal)\"" } } } 654 c'4. e' << { c'2 ~ } \\ { s2 } >> | 655 << { c'4. ~ <c' a fis>16[ <b g e> <a fis d> <g e c>] ~ c2 ~ <c e g>8[ <d fis a > <e g b>] | 656 <fis a c'>16[ <g b d'> <a c' e'> <b d' fis'>8.] ~ <c' fis'>4. ~ fis'16[ e' d' c'] b8[ a g fis] | 657 <e c>2. ~ c2. | \break 658 %% 19-22 659 c'1\rest <e b>2 ~ | <e b>2 <fis c'>2.. r8 | 660 <d d'>16[ <e e'> <fis fis'> <g g'>8.] r16 <fis' fis>8[ <e' e> <d' d> <c' c>8.] r8 661 <d d'>16[ <e e'> <fis fis'> <g g'>8.] ~ | g'1. | \break 662 %% 23-26 663 r1. | r1. | r1. | r1. | \break 664 %% 27-30 665 r1. | r1. | r1. | r1. | \break 666 %% 31-34 667 r1. | r1. | r1. | r1. | \break 668 %% 35-38 669 r1. * 2 | <e c>1.^\markup { \teeny \italic "(Only play; Instruments of tenor parts)" }_~ | 670 c1. | \break 671 } \\ 672 %%%%% Sol tenor part #1 %%%%% 673 { \new Voice = "Soltenor" \voiceFive { \VoiceColorBlue \revert Staff.BarLine.color 674 \revert Staff.Clef.color 675 \revert Staff.KeySignature.color 676 c8\rest a4. r8 g4( c'2) r8 | fis'4. fis4. c2. | r1. | \break 677 %%% 19-22 678 f8\rest g4. a2. r4 | g8 g4 a4 r8 b2. | r8 g8 g4. a8 b2. ~ | b2 r1 | \break 679 %%% 23-26 680 \override Staff.Clef.color = #blue 681 \override Staff.KeySignature.color = #blue 682 \override Staff.BarLine.color = #blue 683 e'4.^\markup { \hspace #-4 \with-color #blue \italic "Tenor Sol; No play instruments" } 684 r8 g'2.. r8 | 685 fis'4 a'2 r8 d' b2 | g8 e2.. r2 | a4. a2 r8 g4 g'4 ~ | \break 686 %%% 27-30 687 g'4 e'2 r4. c'4. | c'2 r8 b4. a'2 | fis'4 fis'4. e'8 g'2. | r1.^\fermata | \break 688 %% 31-34 689 b4.^\markup { \hspace #-4 \with-color #blue \italic "Only; Tenor Sol" } 690 r8 c'2 b4 g4 ~ | g4 r4 a8 b4. c'4. r8 | d'2. r2. | d'4. e'2. c'4 r8 | \break 691 %% 35-38 692 c'2 r8 b4 r8 b4\( a | g4.\) fis4. e2. | b1.\rest | b1.\rest | \break 693 \revert Staff.Clef.color 694 \revert Staff.KeySignature.color 695 \revert Staff.BarLine.color 696 } } >> %%%%% End Sol tenor part #1 %%%%% 697 %% 39-42 698 c'4. ~ <c' g>8.[ <b fis>] <a e>8[ <g d> <fis c>] r8 <g c'>8[ <a d'>] | 699 <b e'>8[ <c' fis'> <d' g'>8.] r16 a'1 | 700 \repeat percent 3 { <g' e'>16[ <ges' ees'> <fis' d'>8 <ees' c'>8 <d' b>] } | 701 \repeat percent 3 { <c' a>16[ <ces' aes> <b g>8 <a fis> <g e>] } | \break 702 %% 43-46 703 c4 r4. c2.. ~ | <c fis>1. ~ | <fis c'>1.\( | g1.\)^\fermata | \break 704 %% 47-50 705 r1. | r1. | r1. | r1. | \break 706 %% 51-55 707 %%%%% Sol tenor part #2 %%%%% 708 \new Voice = "SoltenorII" { 709 \override Staff.Clef.color = #blue 710 \override Staff.KeySignature.color = #blue 711 \override Staff.BarLine.color = #blue 712 \override Voice.NoteHead.color = #blue 713 \override Voice.Rest.color = #blue 714 \override Voice.Stem.color = #blue 715 \override Voice.Flag.color = #blue 716 \override Voice.Beam.color = #blue 717 \override Voice.Slur.color = #blue 718 \override Voice.PhrasingSlur.color = #blue 719 \override Voice.Tie.color = #blue 720 \override Voice.Dots.color = #blue 721 \override Voice.Script.color = #blue 722 \override Voice.Accidental.color = #blue 723 %% r2_\fermata^\markup { \hspace #-4 \with-color #blue \italic "Only; Tenor Sol" } 724 r4.^\markup { \column { 725 \line { \hspace #-4 \with-color #blue \italic "Only; Tenor Sol" } 726 \line { \with-color #blue \fermata } } } 727 a4 c'2 d'8 e'4 ~ | e'2 r4 a4 g2 | r8 a4 e'2.. r4 | 728 a4 c'2.. r8 d'4 | e'2 a1^\fermata | } \break 729 %% 56- 730 \revert Staff.TimeSignature.color %%This is need! 731 \revert Staff.Clef.color 732 \revert Staff.KeySignature.color 733 \revert Staff.BarLine.color 734 a1. ~ | \repeat percent 3 { <fis a c'>8.[ <g b d'> <a c' e'>] d'4 r4 e'4.. } | 735 fis'1. | \break 736 %% 61 737 \time 4/1 738 fis\breve c'\breve | \break 739 %% 62-63 740 fis'\longa | \time 3/2 <fis d a>1 \bar "|." \break 741 } %% end tenor sheet 742 743 SoltenorL = \lyricmode { 744 \override Lyrics.LyricText.color = #blue 745 \override Lyrics.LyricHyphen.color = #blue 746 \override Lyrics.LyricExtender.color = #blue 747 \override Score.LyricText.font-shape = #'italic 748 \teeny 749 Oh! God! I pray you. 750 My "baby....," that has my blood, 751 that inherit the kingdom! 752 753 Oh! God! I beleve and pray to you. 754 My son will grow well. 755 My son will grow "as the" king of Kings. 756 757 "It's" been my dream to get my son! 758 My son was born and in -- her -- it my blood! 759 } 760 SoltenorLII = \lyricmode { 761 \override Lyrics.LyricText.color = #blue 762 \override Lyrics.LyricHyphen.color = #blue 763 \override Lyrics.LyricExtender.color = #blue 764 \override Score.LyricText.font-shape = #'italic 765 \teeny 766 I'll build the "Ca -- thedral!" For thanks to God! 767 Oh, God! I pray you. 768 } 769 770 tenorM = { 771 \autoBeamOff 772 \partial 2 r2 773 %% 1-4 774 \repeat volta 2 { d'1.^\pppp | e'^\ppp | d'^\pp | } 775 \alternative { { e'1^\p r2 | \break } 776 %% 5-9 777 { e'1^mf d'2^\pp ~ } } | d'1. | c'1.^\ppp | d' | e'1^\pppp r2 | \break 778 %% 10-13 779 r2. <g b>8[^\mf <a c'>] \once \override Glissando.style = #'zigzag b2\glissando | 780 e'2 <b d'>8[ <a c'> <g b>] ~ <g b>8[ <a c'> <b d'>] <c' e'>4 | 781 <c' e'>4 <d' b>8[ <c' a> <b g> <a fis>] 782 \once \override Glissando.style = #'zigzag e2.\glissando | g1 r2 | \break 783 %% 14 784 \time 4/1 785 r\breve e'\breve | \break 786 %% 15-18-23- 787 \time 3/2 788 r4 c'4. e' << { c'2 ~ } \\ { s2 } >> | 789 << { c'4. ~ <c' a fis>16[ <b g e> <a fis d> <g e c>] ~ c2 ~ <c e g>8[ <d fis a > <e g b>] | 790 <fis a c'>16[ <g b d'> <a c' e'> <b d' fis'>8.] ~ <c' fis'>4. ~ fis'16[ e' d' c'] 791 b8[ a g fis] | 792 <e c>2. ~ c2. | \break 793 %% 19-22 794 r1 <e b>2 ~ | <e b>2 <fis c'>2.. r8 | 795 <d d'>16[ <e e'> <fis fis'> <g g'>8.] r16 <fis' fis>8[ <e' e> <d' d> <c' c>8.] r8 796 <d d'>16[ <e e'> <fis fis'> <g g'>8.] ~ | g'1. | \break 797 %% 23-26 798 r1. | r1. | r1. | r1. | \break 799 %% 27-30 800 r1. | r1. | r1. | r1. | \break 801 %% 31-34 802 r1. | r1. | r1. | r1. | \break 803 %% 35-38 804 r1. * 2 | <e c>1. ~ | c1. | \break 805 } \\ 806 { r8 a4. r8 g4( c'2) r8 | fis'4. fis4. c2. | r1. | \break 807 %%% 19-22 808 r8 g4. a2. r4 | g8 g4 a4 r8 b2. | r8 g8 g4. a8 b2. ~ | b2 r1 | \break 809 %%% 23-26 810 e'4. r8 g'2.. r8 | fis'4 a'2 r8 d' b2 | g8 e2.. r2 | a4. a2 r8 g4 g'4 ~ | \break 811 %%% 27-30 812 g'4 e'2 r4. c'4. | c'2 r8 b4. a'2 | fis'4 fis'4. e'8 g'2. | r1.^\fermata | \break 813 %%% 31-34 814 b4. r8 c'2 b4 g4 ~ | g4 r4 a8 b4. c'4. r8 | d'2. r2. | d'4. e'2. c'4 r8 | \break 815 %% 35-38 816 c'2 r8 b4 r8 b4\( a | g4.\) fis4. e2. | r1. | r1. | \break 817 } >> 818 %% 39-42 819 c'4. ~ <c' g>8.[ <b fis>] <a e>8[ <g d> <fis c>] r8 <g c'>8[ <a d'>] | 820 <b e'>8[ <c' fis'> <d' g'>8.] r16 a'1 | 821 \repeat percent 3 { <g' e'>16[ <ges' ees'> <fis' d'>8 <ees' c'>8 <d' b>] } | 822 \repeat percent 3 { <c' a>16[ <ces' aes> <b g>8 <a fis> <g e>] } | \break 823 %% 43-46 824 c4 r4. c2.. ~ | <c fis>1. ~ | <fis c'>1.\( | g1.\)^\fermata | \break 825 %% 47-50 826 r1. | r1. | r1. | r1. | \break 827 %% 51-55 828 r4._\fermata a4 c'2 d'8 e'4 ~ | e'2 r4 a4 g2 | r8 a4 e'2.. r4 | 829 a4 c'2.. r8 d'4 | e'2 a1^\fermata | \break 830 %% 56-60 831 a1. ~ | \repeat percent 3 { <fis a c'>8.[ <g b d'> <a c' e'>] d'4 r4 e'4.. } | 832 fis'1. | \break 833 %% 61 834 \time 4/1 835 fis\breve c'\breve | \break 836 %% 62-63 837 fis'\longa | \time 3/2 <fis d a>1 \bar "|." \break 838 } %% end tenor midi 839 840 %%%%%%% bass; part %%%%%%%%%%%%%%%% 841 bassVoice = { 842 \autoBeamOff 843 \partial 2 r2 | 844 %% 1-4(repeat;1-7) 845 \repeat volta 2 { d1.^\markup { \hspace #-5 \with-color #red \italic 846 "Start is from Repeat Part" }^\dim\melisma 847 | e | d1.* 3/4 r1. * 1/4\!\melismaEnd | } 848 \alternative { { r1. | \break } 849 %% 5-9 850 { r2 b,4^\cresc r4 b,4 r8 c8 | } } d2 e4 e2\mf r4 | b,4.-. r4. c4^\cresc c2 | 851 d8 e4 fis2.\mf e4. ~ | e2 r1 | \break 852 %% 10-13 853 r1. | r1. | r1. | r1. | \break 854 %% 14 855 \time 4/1 856 r\breve b,4 c4 d8 e4. e8 fis2.. | 857 %% 15-18 858 \time 3/2 859 r1. | r1. | r1. | r1. | \break 860 %% 19-22 861 r1. | r1. | r1. | r1. | \break 862 %% 23-26 863 g1^\pp^\dim\melisma fis2 | a1. | g1 fis2 | a1. | \break 864 %% 27-30 865 fis1 a2 | g1. | fis1. | e1 * 3/4 s1 * 1/4 r2^\ppppp\!\melismaEnd | \break 866 %% 31-34 867 r1. | r1. | r1. | r1. | \break 868 %% 35-38 869 r1. | r1. | r1. | r1. | \break 870 %% 39-42 871 r1. | r1. | r1. | r1. | \break 872 %% 43-46 873 r1. | r1. | r1. | r1. | \break 874 %% 47-50 875 r2 %%^\markup { \hspace #-6 \teeny \with-color #blue \italic "Only; Voice group song" 876 %% \teeny "(for 47bar ~ 50bar)" } 877 d4 d8 e4 r8 a,4 | a,8 b,4 r8 d8 e4. b,8 d4. | 878 r8 a,8 b,4. fis,8 a,2 r8 c8 | b,8 fis2..^\fermata r2^\fermata | \break 879 %% End. 880 } 881 882 bassVoiceL = \lyricmode { 883 \override Lyrics.LyricText.color = #blue 884 \override Lyrics.LyricHyphen.color = #blue 885 \override Lyrics.LyricExtender.color = #blue 886 \override Score.LyricText.font-shape = #'italic 887 \teeny 888 m __ 889 Now, listen! 890 The words "of the" king. Listen! 891 The words of the king "of kings." 892 %% Is it the voice of happiness? 893 Is it the voice of fear? 894 ou __ 895 Let's and listen! Let's and listen! 896 The words "of the" king, the words "of the" king in the kingdom. 897 } 898 899 bassVoiceM = { 900 \autoBeamOff 901 \partial 2 r2 | 902 %% 1-4(repeat;1-7) 903 r1. | r1. | r1. | r1 r2 | d1.^\pp\melisma | e^\ppp | d^\pppp\melismaEnd | \break 904 %% 5-9 905 r2 b,4^\pppp r4 b,4^\ppp r8 c8^\pp | d2 e4^\p e2\mf r4 | b,4.-.\f r4. c4^\pppp c2^\ppp | 906 d8^\pp e4^\p fis2.\mf e4. ~ | e2 r1 | \break 907 %% 10-13 908 r1. | r1. | r1. | r1. | \break 909 %% 14 910 \time 4/1 911 r\breve b,4 c4 d8 e4. e8 fis2.. | 912 %% 15-18 913 \time 3/2 914 r1. | r1. | r1. | r1. | \break 915 %% 19-22 916 r1. | r1. | r1. | r1. | \break 917 %% 23-26 918 g1^\pp fis2 | a1. | g1^\ppp fis2 | a1. | \break 919 %% 27-30 920 fis1 a2^\pppp | g1. | fis1. | e1^\ppppp r2 | \break 921 %% 31-34 922 r1. | r1. | r1. | r1. | \break 923 %% 35-38 924 r1. | r1. | r1. | r1. | \break 925 %% 39-42 926 r1. | r1. | r1. | r1. | \break 927 %% 43-46 928 r1. | r1. | r1. | r1. | \break 929 %% 47-50 930 r2 %%^\markup { \hspace #-6 \teeny \with-color #blue \italic "Only; Voice group song" 931 %% \teeny "(for 47bar ~ 50bar)" } 932 d4 d8 e4 r8 a,4 | a,8 b,4 r8 d8 e4. b,8 d4. | 933 r8 a,8 b,4. fis,8 a,2 r8 c8 | b,8 fis2..^\fermata r2^\fermata | \break 934 %% End. 935 } 936 937 %%% Instruments 938 bass = { 939 \autoBeamOff 940 \partial 2 r2 | 941 %% 1-4 942 \repeat volta 2 { b1.^\< | a | g | } 943 \alternative { { a1 * 3/4 s1 * 1/4\! r2 | \break } 944 %% 5-9 945 { a1^\> g2 ~ } } | g1. | fis1. | b | c'1 * 3/4 s1 * 1/4\! r2 | \break 946 %% 10-13 947 r2 <b fis>4^\markup { \dynamic mf } <a e>8[ <g d> <fis c>8] 948 \once \override Glissando.style = #'zigzag b,4.\glissando | 949 c'2 <b e>8[ <a d> <g c>] <b, fis>[ <c g> <d a>] <e b>4_~ | 950 <c' e>4. <b d>8[ <a c> <g b,>] \once \override Glissando.style = #'zigzag c2.\glissando | 951 c'1 r2 | \break 952 %% 14 953 \time 4/1 954 r\breve e\breve | \break 955 %% 15-18 956 \time 3/2 957 \repeat percent 4 { <g, c>8.-.[ <a, d>-.] } | 958 \repeat percent 4 { r8.[ <fis, a, c>16-. <g, b, d>-. <a, c e>-.] } | 959 \repeat percent 4 { <e c a,>-.[ <d b, g,>16-. <c a, fis,>-. r8.] } | 960 \repeat percent 4 { <d a,>8.-.[ <c g,>8.-.] } | 961 %% 19-22 962 \once \override Glissando.style = #'zigzag e,1_\markup { \hspace #-8 \column { " " " " 963 \with-color #blue \bold \italic 964 "Only; Voice Group and Tenor Solo" \teeny "(For 23bar ~ 36bar No play Instruments!)" } }\glissando c2 ~ | 965 <g, c>1. ~ | \repeat percent 6 { <g, c>16[ <a, d> r8] } | <e, g,>1. | \break 966 %% 23-26 967 r1. | r1. | r1. | r1. | \break 968 %% 27-30 969 r1. | r1. | r1. | r1. | \break 970 %% 31-34 971 r1. | r1. | r1. | r1. | \break 972 %% 35-38 973 r1. | r1. | r1. | r1. | \break 974 %% 39-42 975 \repeat percent 4 { <a, c>16_\markup { 976 \tiny \musicglyph #"m"\hspace #-1 \musicglyph #"f" }[ 977 <b, d> c8. r16] } | 978 \repeat percent 4 { r16[ <g, b,>16 <a, c> b,8.] } | 979 \repeat percent 4 { <g, c>16[ <a, d> cis8.] r16 } | 980 \repeat percent 4 { <a, d>16[ <b, e> dis8.] r16 } | \break 981 %% 43-46 982 c4 r4. c2.. ~ | <c fis>1._~ | c1.^\( | g,1.\)^\fermata | \break 983 %% 47-50 984 r1. | r1. | r1. | r1. | \break 985 %% 51-55 986 r1. | r1. | r1. | r1. | r1. | \break 987 %% 56-60 988 r4 fis2 ~ <fis d>2. ~ | <fis c>8[ <e b,> <d a,>] r8 g,2 ~ <g, d>2 ~ | 989 d2. <c e>2. | d2. r4 e2 | fis1. | \break 990 %% 61 991 \time 4/1 992 c\breve fis\breve | \break 993 %% 62-63 994 c\longa | \time 3/2 <fis, a, c>1 \bar "|." \break 995 } %%end bass-sheet 996 997 bassM = { 998 \autoBeamOff 999 \partial 2 r2 1000 %% 1-4 1001 \repeat volta 2 { b1.^\pppp | a^\ppp | g^\pp | } 1002 \alternative { { a1^\p r2 | \break } 1003 %% 5-9 1004 { a1^\mf g2^\pp ~ } } | g1. | fis^\ppp | b | c'1\pppp r2 | \break 1005 %% 10- 1006 r2 <b fis>4^mf <a e>8[ <g d> <fis c>8] 1007 \once \override Glissando.style = #'zigzag b,4.\glissando | 1008 c'2 <b e>8[ <a d> <g c>] <b, fis>[ <c g> <d a>] <e b>4 ~ | 1009 <c' e>4. <b d>8[ <a c> <g b,>] \once \override Glissando.style = #'zigzag c2.\glissando | 1010 c'1 r2 | \break 1011 %% 14 1012 \time 4/1 1013 r\breve e\breve | \break 1014 %% 15-18 1015 \time 3/2 1016 \repeat percent 4 { <g, c>8.-.[ <a, d>-.] } | 1017 \repeat percent 4 { r8.[ <fis, a, c>16-. <g, b, d>-. <a, c e>-.] } | 1018 \repeat percent 4 { <e c a,>-.[ <d b, g,>16-. <c a, fis,>-. r8.] } | 1019 \repeat percent 4 { <d a,>8.-.[ <c g,>8.-.] } | 1020 %% 19-22 1021 \once \override Glissando.style = #'zigzag e,1\glissando c2 | 1022 <g, c>1. ~ | \repeat percent 6 { <g, c>16[ <a, d> r8] } | <e, g,>1. | \break 1023 %% 23-26 1024 r1. | r1. | r1. | r1. | \break 1025 %% 27-30 1026 r1. | r1. | r1. | r1. | \break 1027 %% 31-34 1028 r1. | r1. | r1. | r1. | \break 1029 %% 35-38 1030 r1. | r1. | r1. | r1. | \break 1031 %% 39-42 1032 \repeat percent 4 { <a, c>16^\mf[ <b, d> c8.] r16 } | 1033 \repeat percent 4 { r16 <g, b,>16[ <a, c> b,8.] } | 1034 \repeat percent 4 { <g, c>16[ <a, d> cis8.] r16 } | 1035 \repeat percent 4 { <a, d>16[ <b, e> dis8.] r16 } | \break 1036 %% 43-46 1037 c4 r4. c2.. ~ | <c fis>1._~ | c1.^\( | g,1.\)^\fermata | \break 1038 %% 47-50 1039 r1. | r1. | r1. | r1. | \break 1040 %% 51-55 1041 r1. * 5 | \break 1042 %% 56-60 1043 r4 fis2 ~ <fis d>2. ~ | <fis c>8[ <e b,> <d a,>] r8 g,2 ~ <g, d>2 | 1044 d2. <c e>2. | d2. r4 e2 | fis1. | \break 1045 %% 61 1046 \time 4/1 1047 c\breve fis\breve | \break 1048 %% 62-63 1049 c\longa | \time 3/2 <fis, a, c>1 \bar "|." \break 1050 }%% end bass-midi 1051 1052 %% get sheet music ------------------------------------------------- 1053 \score { 1054 %% \new Score \with { \override VerticalAlignment.max-stretch = #4 } 1055 << 1056 %% \new Voice = "mezzosoprano" { 1057 %% \clef mezzosoprano \key g\major \time 3/2 1058 %% \set Staff.instrumentName = \markup { \tiny "mezzosoprano" } 1059 %% \VoiceColorBlue {\mezzosoprano} } 1060 %% \new Lyrics = "mainSL" \lyricsto "mezzosopranoL" { \mezzosopranoL } 1061 1062 \context ChoirStaff = "FourPartStaffaddchorus" << 1063 \new Voice = "soprano" { \clef soprano \key g\major \time 3/2 1064 \set Staff.instrumentName = "soprano" \soprano } 1065 \new Voice = "sopranoVocal" { \clef soprano \key g\major \time 3/2 1066 \set Staff.fontSize = #-4 1067 \override Staff.StaffSymbol.staff-space = #(magstep -4) 1068 \override Staff.StaffSymbol.thickness = #(magstep -4) 1069 \set Staff.instrumentName = "Voice; sop " 1070 \VoiceColorBlue { \sopranoVoice } } 1071 \new Lyrics = "mainSL" \lyricsto "sopranoVocal" { \sopranoVoiceL } 1072 1073 \new Voice = "alto" { \clef alto \key g\major \time 3/2 1074 \set Staff.instrumentName = "alto " \alto } 1075 \new Voice = "altoVocal" { \clef alto \key g\major \time 3/2 1076 \set Staff.fontSize = #-4 1077 \override Staff.StaffSymbol.staff-space = #(magstep -4) 1078 \override Staff.StaffSymbol.thickness = #(magstep -4) 1079 \set Staff.instrumentName = "Voice; alt " 1080 \VoiceColorBlue { \altoVoice } } 1081 \new Lyrics = "mainSL" \lyricsto "altoVocal" { \altoVoiceL } 1082 1083 \new Voice = "tenor" { \clef tenor \key g\major \time 3/2 1084 \set Staff.instrumentName = "tenor " \tenor } 1085 %% \new Lyrics = "mainTL" \lyricsto "Soltenor" { \SoltenorL } 1086 \new Lyrics = "mainTL" \lyricsto "SoltenorII" { \SoltenorLII } 1087 \new Voice = "tenorVocal" { \clef tenor \key g\major \time 3/2 1088 \set Staff.fontSize = #-4 1089 \override Staff.StaffSymbol.staff-space = #(magstep -4) 1090 \override Staff.StaffSymbol.thickness = #(magstep -4) 1091 \set Staff.instrumentName = "Voice; tenor " 1092 \VoiceColorBlue { \tenorVoice } } 1093 \new Lyrics = "mainTL" \lyricsto "tenorVocal" { \tenorVoiceL } 1094 1095 \new Voice = "bass" { \clef bass \key g\major \time 3/2 1096 \set Staff.instrumentName = "bass " \bass } 1097 \new Voice = "bassVocal" { \clef bass \key g\major \time 3/2 1098 \set Staff.fontSize = #-4 1099 \override Staff.StaffSymbol.staff-space = #(magstep -4) 1100 \override Staff.StaffSymbol.thickness = #(magstep -4) 1101 \set Staff.instrumentName = "Voice; bass " 1102 \VoiceColorBlue { \bassVoice } } 1103 \new Lyrics = "mainBL" \lyricsto "bassVocal" { \bassVoiceL } 1104 >> 1105 >> 1106 1107 \layout { \context { \Staff \RemoveEmptyStaves } 1108 %% \context { 1109 %% Supports up to lilypond ver 2.22.2-1: Removed support(don't run) from lilypond ver 2.24.0 1110 %% lilypond ver 2.22.2-1 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 1111 %% Rests(bars) are typeset (indicated) exactly with rest notes. 1112 %% \Staff \RemoveEmptyStaves 1113 %% \override VerticalAxisGroup.remove-fisst = ##t 1114 %% It can get effect by using for instance "r1." or "s1." 1115 %% Don't using "r1." 1116 %% } 1117 } 1118 %%%%%% Don't output Score-sheet %%%%%%%%%%%%%%%%%%%%%%%% 1119 %% \layout { \context { \Score skipTypesetting = ##t } } 1120 } 1121 1122 %% get midi music -------------------------------------------------- 1123 \score { 1124 %% \unfoldRepeats \articulate 1125 << 1126 %% \new Staff { \clef mezzosoprano \key g\major \time 3/2 \tempo 4 = 58 1127 %% \set Staff.midiInstrument = "pad 2 (warm)" 1128 %% \unfoldRepeats \mezzosopranoM } 1129 1130 \new Staff { \clef soprano \key g\major \time 3/2 \tempo 4 = 58 1131 \set Staff.midiInstrument = "pad 2 (warm)" 1132 \unfoldRepeats \sopranoM } 1133 \new Staff { \clef soprano \key g\major \time 3/2 \tempo 4 = 58 1134 \set Staff.midiInstrument = "pad 2 (warm)" 1135 \unfoldRepeats \sopranoVoiceM } 1136 1137 \new Staff { \clef alto \key g\major \time 3/2 \tempo 4 = 58 1138 \set Staff.midiInstrument = "pad 2 (warm)" 1139 \unfoldRepeats \altoM } 1140 \new Staff { \clef alto \key g\major \time 3/2 \tempo 4 = 58 1141 \set Staff.midiInstrument = "pad 2 (warm)" 1142 \unfoldRepeats \altoVoiceM } 1143 1144 \new Staff { \clef tenor \key g\major \time 3/2 \tempo 4 = 58 1145 \set Staff.midiInstrument = "pad 2 (warm)" 1146 \unfoldRepeats \tenorM } 1147 \new Staff { \clef tenor \key g\major \time 3/2 \tempo 4 = 58 1148 \set Staff.midiInstrument = "pad 2 (warm)" 1149 \unfoldRepeats \tenorVoiceM } 1150 1151 \new Staff { \clef bass \key g\major \time 3/2 \tempo 4 = 58 1152 \set Staff.midiInstrument = "pad 2 (warm)" 1153 \unfoldRepeats \bassM } 1154 \new Staff { \clef bass \key g\major \time 3/2 \tempo 4 = 58 1155 \set Staff.midiInstrument = "pad 2 (warm)" 1156 \unfoldRepeats \bassVoiceM } 1157 1158 %%\new Staff { \clef treble \key g\major \time 3/2 \tempo 4 = 58 1159 %% \set Staff.midiInstrument = "acoustic grand" 1160 %% \unfoldRepeats \pianoUPm } 1161 %%\new Staff { \clef bass \key g\major \time 3/2 \tempo 4 = 58 1162 %% \set Staff.instrumentName = "acoustic grand" 1163 %% \unfoldRepeats \pianoDownm } 1164 >> 1165 1166 \midi { tempoWholesPerMinute = #(ly:make-moment 58 4) } 1167 } 1168 \markup { " " } 1169 \markup { \column { \line { 1170 About location \hspace #3 \musicglyph #"noteheads.uM2"(longa) \hspace #2 and \hspace #3 \musicglyph #"noteheads.sM1"(breve) } 1171 \line { \italic " Please, Breath of longa and breve do in the members alternating(But, like Don't stand out). " } } } 1172 \markup { " " } 1173 \markup { \vspace #2 } 1174 \markup { \line {\hspace #8 \bold "My son?! Oh, God! I belive you!"} } 1175 \markup { " " } 1176 \markup { \hspace #8 \tiny \italic \column { 1177 \bold "Tenor; Vocal Words" 1178 " " 1179 "Oh! God! I pray you." 1180 "My baby...., that has my blood," 1181 "That inherit the kingdom!" 1182 %% " " 1183 %% "It's building a church! As thanks to God." 1184 %% "All things of the kingdom's Conforming to my child!" 1185 %% "All things that I have built." 1186 %% " " 1187 " " 1188 "Oh! God! I beleve and pray you." 1189 "My son will grow well." 1190 "My son will grow as the king of Kings." 1191 " " 1192 "It's been my dream to get my son!" 1193 "My son was born and inherited my blood!" 1194 " " 1195 "I'll build the Cathedral! For thanks to God!" 1196 "Oh, God! I pray you." 1197 }\hspace #12 1198 \teeny \italic \column { 1199 \bold "Chours; Vocal Words" 1200 "King! King of Kings!" 1201 "Right now, your child was born." 1202 "Your baby is a boy." 1203 " " 1204 "Now, listen!" 1205 "The words of the king. Listen!" 1206 "The words of the king of Kings." 1207 "Is it the voice of happiness?" 1208 "Is it the voice of fear?" 1209 %% "Ruler of the underworld are not showing true purpose." 1210 %% "Because hiding in darkness." 1211 " " 1212 "Let's and listen! (Let's and listen!)" 1213 "The words of the king(,the words of the king) in the kingdom." 1214 }} 1215 \markup { \vspace #12 } 1216 %%%%%%%%%%%%%%%%%%%% All End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%