1 \include "override.ly"
   2 %%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
   3 %%% sheet
   4 %%% Solo part
   5 sopranoS = { \VoiceColorRed
   6     \autoBeamOff
   7     \partial 2 a'2^\markup {
   8     \with-color #blue \italic "Only; Solo(with two singers alternating)" }\melisma
   9 %% 1-3
  10     \time 4/1 a'\breve\melismaEnd  a'1. a'2 |
  11     a'\breve~\melisma a'1 ~ a'2.\melismaEnd r4 |
  12     a'2 a' a' a' a'2. a'4 a'2.. r8 | \break
  13 %% 4-
  14     a'2 a'2 a'2 a'1 r1. |
  15 %% 5-11
  16     \time 3/2
  17     R1. * 7 |
  18 %% 12-
  19     \repeat volta 2 { R1. } |
  20 %% 13-38
  21     R1. * 26 |
  22 %% 39-
  23 %%% With \clef trble; "S, A,"-sol
  24    \mark \markup { \hspace #14 \column {
  25            \small \italic \with-color #red "Sol; one Singer"
  26            \small \italic \with-color #red "Trebl; G clef on 2nd line."
  27             } }
  28    \clef treble
  29    \time 4/1  << { \VoiceColorRed {
  30                    r1.^\markup { \teeny \with-color #red \italic "Only; Soprano-Sol" }
  31                    e''2^\markup { \teeny \with-color #red \italic "sem" }
  32                    e''^\markup { \teeny \with-color #red \italic "pi" }
  33                    e''^\markup { \teeny \with-color #red \italic "ter" }
  34                    e''1^\markup { \teeny " " \with-color #red \italic
  35                                                        \raise #1.6 "nam." } } } \\
  36                  { \VoiceColorRed {
  37                    r1._\markup { \teeny \with-color #red \italic "Only; Alto-Sol" }
  38                    a'2_\markup { \teeny \with-color #red \italic "sem" }
  39                    a'_\markup { \teeny \with-color #red \italic "pi" }
  40                    a'_\markup { \teeny \with-color #red \italic "ter" }
  41                    a'1_\markup { \teeny " " \with-color #red \italic
  42                                                       \lower #1.6 "nam." } } } >> |
  43    \break
  44 \pageBreak
  45 %%%
  46 %% 40-42
  47     \time 3/2
  48      R1. * 3 | \break
  49 %% 43-46
  50      R1. * 4 | \break
  51 %% 47-50
  52     \clef treble
  53     \new Voice = "sopranoSII" { \VoiceColorRed
  54     \autoBeamOff
  55      R1. * 4 | \break
  56 %% 51-52
  57     \clef soprano
  58     \time 4/1
  59     r1^\markup {
  60             \with-color #blue \italic "Only; Solo(with two singers alternating)" }
  61     e''1 a''\breve ~ |
  62     \time 3/2 a''1\fermata \bar "|." \break
  63   }%% end "sopranoSII"
  64 }%% end "sopranos"
  65 sopranoSL = \lyricmode {
  66     \override Score . LyricText #'font-shape = #'italic
  67     \override Lyrics . LyricText #'color = #red
  68     \override Lyrics . LyricHyphen #'color = #red
  69     \override Lyrics . LyricExtender #'color = #red
  70     \override Score . LyricText #'font-shape = #'italic
  71     \teeny
  72 %% Latin;
  73 m __-- mine; m __ %% \skip \breve \skip \breve
  74 -- na é -- is ré -- qui -- em; sem -- pi -- tér -- nam.
  75 %%
  76 sem -- pi -- tér -- nam.
  77 }
  78 sopranoSLII = \lyricmode {
  79     \override Score . LyricText #'font-shape = #'italic
  80     \override Lyrics . LyricText #'color = #red
  81     \override Lyrics . LyricHyphen #'color = #red
  82     \override Lyrics . LyricExtender #'color = #red
  83     \override Score . LyricText #'font-shape = #'italic
  84     \teeny
  85 %% Latin;
  86 -- mine.
  87  }
  88 %% SopranoS-midi
  89 %%% All connect(sopranoS + sopranoSII)
  90 sopranoSM = {
  91     \autoBeamOff
  92     \partial 2 a'2\melisma
  93 %% 1-3
  94     \time 4/1 a'\breve\melismaEnd  a'1. a'2 |
  95     a'\breve~\melisma a'1 ~ a'2.\melismaEnd r4 |
  96     a'2 a' a' a' a'2. a'4 a'2.. r8 | \break
  97 %% 4-
  98     a'2 a'2 a'2 a'1 r1. |
  99 %% 5-11
 100     \time 3/2
 101     R1. * 7 |
 102 %% 12-
 103     \repeat volta 2 { R1. } |
 104 %% 13-38
 105     R1. * 26 |
 106 %% 39-
 107 %%% With \clef trble; "S, A,"-sol
 108    \clef treble
 109    \time 4/1  << { r1. e''2 e'' e'' e''1 } \\ { r1. a'2 a'2 a'2 a'1 } >> | \break
 110 %%%
 111 %% 40-42
 112     \time 3/2
 113      R1. * 3 | \break
 114 %% 43-46
 115      R1. * 4 | \break
 116 %% 47-50
 117    \clef treble
 118     R1. * 4 | \break
 119 %% 52-52
 120    \clef soprano
 121    \time 4/1
 122     r1 e''1 a''\breve ~ |
 123    \time 3/2 a''1\fermata \bar "|." \break
 124 }
 125 %%% Soprano; Instruments and Tutti part
 126 soprano = { \hide Staff.BarLine
 127 \new Voice = "sopranoI-tutti-Syllable-m" { \autoBeamOff
 128     \partial 2 r2
 129 %% 1-3
 130     \time 4/1 dis'\breve\melisma  gis'\breve | a'\breve ~ a'1 gis'1 |
 131     fis'\breve e'\breve ~ | \break
 132 %% 4
 133     e'\longa_\markup { \column { \line {For Vocals and Instruments; \hspace #3
 134        about here location \teeny { \musicglyph #"noteheads.uM2"(longa)} }
 135        \line { \teeny { \italic {
 136               Melisma(sung to syllable) each persons is free to close.
 137               But, Playing musical instruments can continue to the end.} } } } }
 138     \melismaEnd | \break
 139 }
 140 \new Voice = "sopranoI-instruments" { \autoBeamOff
 141 %% 5-7
 142     \time 3/2 r2^\markup {
 143        \tiny \italic \with-color #blue {Only; instruments(5bar ~ 11bar) } }
 144     <dis' fis'>2 <dis' fis' a'>4 <e' gis' b'> |
 145     <fis' a' cis''> <gis' b' dis''> r8
 146     <cis'' a' fis'>8[ <b' gis' e'> <a' fis' dis'>] < gis' e' cis'>4. r8 |
 147     <dis'' b' gis'>16[ <cis'' a' fis'> <b' gis' e'> <a' fis' dis'>8.]
 148     <gis' e' cis'>4 <cis'' a' fis'>16[ <b' gis' e'> <a' fis' dis'>
 149     < gis' e' cis'>8.] <dis'' b' gis'>4 <cis'' a' fis'> | \break
 150 \pageBreak
 151 %% 8-11
 152     <b' fis'>8-.[ <a' e'>-. <gis' dis'>-.] fis'4. e' dis' |
 153     << { s1. } \\
 154        { g'16\rest <b' fis'>8.^\st[ <a' dis'>^\st <gis' cis'>^\st] ~ cis'2.. ~ } >> |
 155     \noBreak
 156     << { <e'' b'>16_\st[ <dis'' a'>_\st <cis'' gis'>_\st] b'8. a' gis'
 157          <b' fis'>16_\st[ <a' e'>_\st <gis' dis'>_\st] fis'8. e' dis' } \\
 158        { cis'1. ~ } >> | \noBreak
 159     << { s1. } \\ {cis'4.\( d''8\rest cis''1\) } >> | \break
 160 }%%end "sopranoI-instruments"
 161 \new Voice = "sopranoII-tutti-Lyrics" { \autoBeamOff
 162 %% 12-15
 163     \repeat volta 2 { gis'8^\markup { \teeny \italic "Andante" }->
 164     r16 gis'8-> r16 gis' b'4..-> b'16-> b'2 r16 } | r16 dis''2.. dis''4.. dis''8 |
 165     r1.^\markup { \teeny \italic "a tempo" } | fis''2 gis''1 | \break
 166 %% 16-21
 167     <e'' cis'' a' >2 <dis'' b' gis'> <cis'' a' fis'> |
 168     <b' gis' e'>4 <a' fis' dis'> \arpeggioArrowUp <e'' gis' e' cis'>1\arpeggio |
 169     a'2 a'4 fis'2. | e'4. dis'4 dis'8. dis' dis'2 ~ |
 170     dis'2
 171     << { %%\once \override Voice.NoteHead #'color = #blue
 172         \parenthesize e''1_\fermata^\pp^\markup {
 173                        \teeny \italic \with-color #blue {Only; instruments} } ~ } \\
 174        { r1 } >> | << { e''1_\fermata } \\ { s1 } >> r2 | \break
 175 %% 22-25,26-29
 176     << { e''1_\fermata } \\ { s1 } >>
 177     r2^\markup { \hspace #3
 178                 \tiny \italic \with-color #blue {
 179                           coll'8va - Only; All instruments(omit, one or two) } }
 180       _\markup { \hspace #3 \tiny \italic "Only; Vocal"
 181                 \tiny \italic \with-color #blue {and its' one or two instruments}} |
 182    %%23-25(Instruments)
 183     << \override Staff.NoteCollision #'merge-differently-dotted = ##t
 184        { \VoiceColorBlue { \set Staff.ottavation = #"coll'8va"
 185          cis'4 dis' cis' b cis' dis'_~ | dis'4 e' dis' cis' dis' e' |
 186          cis'' dis'' cis'' b' cis'' dis'' | \break
 187    %%26-29
 188          e''2 fis''1 \ottava #0 |
 189          cis'2_\markup { \teeny \italic \with-color #blue "Only; Instruments" }
 190                b4 cis'2._~ | cis'2 dis' e'_~ | e'1. } } \\
 191    %% 23-25(Vocal + instrument(one or two))
 192        { \new Voice = "sopranoIII-tutti-Lyrics" { \autoBeamOff
 193          fis'2 gis'4 fis'2. | fis'8. gis'4. gis'8. gis'16\rest a'4 a'4.. |
 194          e'2 e'4 r8 dis'4 dis'4 cis'8 | \break
 195    %%26-29
 196          dis'2 cis'1 |
 197          cis''2^\markup { \teeny \italic "Only; Vocal" } b'4 cis''2. |
 198          cis''8\rest dis''4. e''4 fis''2. ~ |
 199          fis''1. } }  >> | \break %% ended "sopranoIII-tutti-Lyrics"
 200 }%% end "sopranoII-tutti-Lyrics"
 201 %% 30-38
 202     R1. * 4 | \break
 203     R1. * 5 | \break
 204 %% 39-
 205     \time 4/1 R1 * 4 | \break
 206 \pageBreak
 207 %% 40-42
 208     \time 3/2
 209     r16^\markup {
 210              \tiny \italic \with-color #blue {Only; instruments(40bar ~ 46bar) } }
 211     cis''2 ~ <cis'' a' fis'>8[ < a' fis' dis'> <fis' dis'>] cis'8.
 212     <cis'' a' fis'>16[ < a' fis' dis'> <fis' dis'>] cis'8. ~ |
 213     <cis' fis' b'>8.[ <fis' b' e''> <b' e'' a''>] ~ a''4..
 214     <gis'' e''>8[ <fis'' dis''>] <e'' b'>8[ <dis'' a'>] |
 215     <a' cis' e'>8.[ <b' dis' fis'> <b' dis'' fis''>] r16
 216     e''8[ dis'' cis'' b'] a'8[ b'16 cis'' dis''8] ~ | \break
 217 %% 43-46
 218     dis''8 cis''4. a'8[ fis' dis'] ~ dis'4. cis'4 ~ |
 219     cis'16[ fis' gis' a'8.] b'4. <cis'' gis'>4. <b' e'> |
 220     <a' dis'>2. <gis' cis'> ~ | <cis' gis' dis'' a''>1. | \break
 221 %% 47-50
 222     \new Voice = "sopranoIV-tutti-Lyrics" { \autoBeamOff
 223     gis'4. fis'4 r8 gis'4 a'2 | r8 gis'2 fis'4 r8 gis'4 a'4 ~ | a'4 r4 b'2 b' |
 224     cis''1.\fermata | \break
 225 %% 51-52
 226     \time 4/1
 227     r4 a'1.. e'\breve\fermata |
 228     \time 3/2 r1 %% \bar "|." \break
 229     \undo \hide Staff.BarLine \bar "|." \break
 230     }%% end "sopranoIV-instruments"
 231 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 232 \mark \markup { \larger \with-color #blue \musicglyph #"scripts.varcoda"
 233 \italic "Coda" }
 234  %% \override Score.BarNumber #'break-visibily = #'#(#t #t #t)
 235  %% \set Score.currentBarNumber = #53
 236  %% \bar ""
 237  \makeClusters { cis'2^\markup {
 238                         %% \larger \with-color #blue \musicglyph #"scripts.varcoda"
 239                 \small \italic \with-color #blue
 240   "If it's good!      Please Do(\"\\time\" is free; 5bars)! perform with only Instruments"
 241                  (\small \italic \with-color #red "I wrot with Clusteurs.") }
 242 
 243   <fis' a'> <gis' cis''> dis''4 <dis'' fis''> cis''2 a'
 244   <gis' e'> e' cis''
 245   <cis'' e''>2 <cis'' e''> <cis'' e''>8 <cis'' e''>
 246   <cis'' e''>16 <cis'' e''> <cis'' e''>
 247   <cis'' e''>32 <cis'' e''> }  %% \bar "|." \break
 248   \undo \hide Staff.BarLine \bar "|." \break
 249 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 250 }%% end Soprano-Staff
 251 sopranoL = \lyricmode {
 252     \override Score . LyricText #'font-shape = #'italic
 253     \teeny
 254 ə __ }
 255 sopranoLII = \lyricmode {
 256    \override Score . LyricText #'font-shape = #'italic
 257    \teeny
 258 %% Latin;
 259 et lux per ---- tu -- a lu -- ce -- at é -- is,
 260 \skip 2 \skip 2 \skip 2
 261 \skip 4 \skip 4 \skip 1
 262 Sál -- va me, fons pi -- e ---- tis.
 263 }
 264 sopranoLIII = \lyricmode {
 265    \override Score . LyricText #'font-shape = #'italic
 266    \teeny
 267 %% Latin;
 268 La -- cri ---- sa di -- es il -- la,
 269 O -- ro súp -- plex et accli -- nis,
 270 Pi -- e Jésu Dó -- mi -- ne,
 271 }
 272 sopranoLIV = \lyricmode {
 273    \override Score . LyricText #'font-shape = #'italic
 274    \teeny
 275 %% Latin;
 276 -- na é -- is, Dó -- na é -- is, ré -- qui -- em.
 277 A -- men.
 278  }
 279 %%% Soprano midi
 280 %%% Add Another Staff-Sol;part
 281 %%% All connect( sopranoI-*,sopranoII-*,sopranoIII-*,sopranoIV-*,)
 282 sopranoM = {
 283     \autoBeamOff
 284     \partial 2 r2
 285 %% 1-3
 286     \time 4/1 dis'\breve\melisma gis'\breve | a'\breve ~ a'1 gis'1 |
 287     fis'\breve e'\breve ~ | \break
 288 %% 4-
 289     e'\longa\melismaEnd | \break
 290 %% 5-7
 291     \time 3/2 r2
 292     <dis' fis'>2 <dis' fis' a'>4 <e' gis' b'> |
 293     <fis' a' cis''> <gis' b' dis''> r8
 294     <cis'' a' fis'>8[ <b' gis' e'> <a' fis' dis'>] < gis' e' cis'>4. r8 |
 295     <dis'' b' gis'>16[ <cis'' a' fis'> <b' gis' e'> <a' fis' dis'>8.]
 296     <gis' e' cis'>4 <cis'' a' fis'>16[ <b' gis' e'> <a' fis' dis'>
 297     < gis' e' cis'>8.] <dis'' b' gis'>4 <cis'' a' fis'> | \break
 298 %% 8-11
 299     <b' fis'>8-.[ <a' e'>-. <gis' dis'>-.] fis'4. e' dis' |
 300     << { s1. } \\ { r16 <b' fis'>8.[-. <a' dis'>-. <gis' cis'>]-. ~ cis'2.. ~ } >> |
 301     << { <e'' b'>16[-. <dis'' a'>-. <cis'' gis'>]-. b'8. a' gis'
 302          <b' fis'>16_\st[ <a' e'>_\st <gis' dis'>_\st] fis'8. e' dis' } \\
 303        { cis'1. ~ } >> |
 304     << { s1. } \\ {cis'4.\( r8 cis''1\) } >> | \break
 305 %% 12-15
 306     \tempo 4 = 72
 307     \repeat volta 2 { gis'8-> r16 gis'8-> r16 gis' b'4..-> b'16-> b'2 r16 } |
 308     r16 dis''2.. dis''4.. dis''8 |
 309     \tempo 4 = 46
 310     r1. | fis''2 gis''1 | \break
 311 %% 16-21
 312     <e'' cis'' a' >2 <dis'' b' gis'> <cis'' a' fis'> |
 313     <b' gis' e'>4 <a' fis' dis'> \arpeggioArrowUp <e'' gis' e' cis'>1\arpeggio |
 314     a'2 a'4 fis'2. | e'4. dis'4 dis'8. dis' dis'2 ~ |
 315     dis'2 << { e''1_\fermata ~ } \\ { r1 } >> |
 316     << { e''1_\fermata } \\ { s1 } >> r2 | \break
 317 %% 22-25,26-29
 318     << { e''1_\fermata } \\ { s1 } >> r2 |
 319     %%23-25(Instruments)
 320     << { <cis' cis''>4  <dis' dis''>  <cis' cis''> <b b'>
 321          <cis' cis''> <dis' dis''> ~ |
 322          <dis' dis''> <e' e''> <dis' dis''> <cis' cis''> <dis' dis''> <e' e''> |
 323          <cis'' cis'''> <dis'' dis'''> <cis'' cis'''> <b' b''> <cis'' cis''>
 324          <dis'' dis''> | \break
 325     %%26-29
 326         <e'' e'''>2 <fis'' fis'''>1 | cis'2 b4 cis'2. ~ | cis'2 dis' e' ~ |
 327         e'1. } \\
 328     %%23-25(Vocal + instrument(one or two))
 329        { fis'2 gis'4 fis'2. | fis'8. gis'4. gis'8. r16 a'4 a'4.. |
 330          e'2 e'4 r8 dis'4 dis'4 cis'8 | \break
 331     %%26-29
 332         dis'2 cis'1 | cis''2 b'4 cis''2. | r8 dis''4. e''4 fis''2. ~ |
 333         fis''1. } >> | \break
 334 %% 30-38
 335     r1. * 4 | \break
 336     r1. * 5 | \break
 337 %% 39-
 338     \time 4/1 R1 * 4 | \break
 339 %% 40-42
 340     \time 3/2
 341     r16 cis''2 ~ <cis'' a' fis'>8[ < a' fis' dis'> <fis' dis'>] cis'8.
 342     <cis'' a' fis'>16[ < a' fis' dis'> <fis' dis'>] cis'8. ~ |
 343     <cis' fis' b'>8.[ <fis' b' e''> <b' e'' a''>] ~ a''4..
 344     <gis'' e''>8[ <fis'' dis''>] <e'' b'>8[ <dis'' a'>] |
 345     <a' cis' e'>8.[ <b' dis' fis'> <b' dis'' fis''>] r16
 346     e''8[ dis'' cis'' b'] a'8[ b'16 cis'' dis''8] ~ | \break
 347 %% 43-46
 348     dis''8 cis''4. a'8[ fis' dis'] ~ dis'4. cis'4 ~ |
 349     cis'16[ fis' gis' a'8.] b'4. <cis'' gis'>4. <b' e'> |
 350     <a' dis'>2. <gis' cis'> ~ | <cis' gis' dis'' a''>1. | \break
 351 %% 47-50
 352     gis'4. fis'4 r8 gis'4 a'2 | r8 gis'2 fis'4 r8 gis'4 a'4 ~ | a'4 r4 b'2 b' |
 353     cis''1.\fermata |
 354 %% 51-52
 355     \time 4/1
 356     r4 a'1.. e'\breve\fermata |
 357     \time 3/2 r1 \bar "|." \break
 358 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Clusters mid,
 359   cis'2 <fis' a'> <gis' cis''> dis''4 <dis'' fis''> cis''2 a'
 360   <gis' e'> e' cis'' <cis'' e''>1. \bar "|." \break
 361 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 362 }%% end soprano-mid
 363 %%%%%%%%% soprano part End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 364 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 365 %%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 366 %%% sheet
 367 %%% Solo part
 368 altoS = { \VoiceColorRed
 369     \autoBeamOff
 370     \partial 2 fis'2^\markup {
 371     \with-color #blue \italic "Only; Solo(with two singers alternating)" }\melisma
 372 %% 1-3
 373     \time 4/1 fis'\breve\melismaEnd  fis'1. fis'2 |
 374     fis'\breve~\melisma fis'1 ~ fis'2.\melismaEnd r4 |
 375     fis'2 fis' fis' fis' fis'2. fis'4 fis'2.. r8 | \break
 376 %% 4-
 377     fis'2 fis'2 fis'2 fis'1 r1. |
 378 %% 5-11
 379     \time 3/2
 380     R1. * 7 |
 381 %% 12-
 382     \repeat volta 2 { R1. } |
 383 %% 13-38
 384     R1. * 26 |
 385 %% 39-
 386 %%% With \clef trble; "S, A,"-sol =====> see! Soprano Sol part.
 387     \clef treble
 388     \time 4/1  R1 * 4 | \break
 389 %%%
 390 %% 40-42
 391     \time 3/2
 392      R1. * 3 | \break
 393 %% 43-46
 394      R1. * 4 | \break
 395 %% 47-50
 396     \clef treble
 397     \new Voice = "altoSII" { \VoiceColorRed
 398     R1. * 4 | \break
 399 %% 51-52
 400     \clef alto
 401     \time 4/1
 402     r1^\markup {
 403           \with-color #blue \italic "Only; Solo(with two singers alternating)" }
 404     a'1 dis''\breve ~ |
 405     \time 3/2 dis''1\fermata \bar "|." \break
 406   }%% end "altoSII"
 407 }%% end "altos"
 408 altoSL = \lyricmode {
 409     \override Score . LyricText #'font-shape = #'italic
 410     \override Lyrics . LyricText #'color = #red
 411     \override Lyrics . LyricHyphen #'color = #red
 412     \override Lyrics . LyricExtender #'color = #red
 413     \override Score . LyricText #'font-shape = #'italic
 414     \teeny
 415 %% Latin;
 416 m __-- mine; m __ %% \skip \breve \skip \breve
 417 -- na é -- is ré -- qui -- em; sem -- pi -- tér -- nam.
 418 sem -- pi -- tér -- nam.
 419 }
 420 altoSLII = \lyricmode {
 421     \override Score . LyricText #'font-shape = #'italic
 422     \override Lyrics . LyricText #'color = #red
 423     \override Lyrics . LyricHyphen #'color = #red
 424     \override Lyrics . LyricExtender #'color = #red
 425     \override Score . LyricText #'font-shape = #'italic
 426     \teeny
 427 %% Latin;
 428 -- mine.
 429 }
 430 %% AltoS-midi
 431 %%% All connect(altoS + altoSII)
 432 altoSM = {
 433     \autoBeamOff
 434     \partial 2 fis'2\melisma
 435 %% 1-3
 436     \time 4/1 fis'\breve\melismaEnd  fis'1. fis'2 |
 437     fis'\breve~\melisma fis'1 ~ fis'2.\melismaEnd r4 |
 438     fis'2 fis' fis' fis' fis'2. fis'4 fis'2.. r8 | \break
 439 %% 4-
 440     fis'2 fis'2 fis'2 fis'1 r1. |
 441 %% 5-11
 442     \time 3/2
 443     R1. * 7 |
 444 %% 12-
 445     \repeat volta 2 { R1. } |
 446 %% 13-38
 447     R1. * 26 |
 448 %% 39-
 449 %%% With \clef trble; "S, A,"-sol =====> see! Soprano Sol part.
 450     \clef treble
 451     \time 4/1  R1 * 4 | \break
 452 %%%
 453 %% 40-42
 454     \time 3/2
 455      R1. * 3 | \break
 456 %% 43-46
 457      R1. * 4 | \break
 458 %% 47-50
 459     \clef treble
 460     R1. * 4 | \break
 461 %% 51-52
 462     \clef alto
 463     \time 4/1
 464     r1 a'1 dis''\breve ~ |
 465     \time 3/2 dis''1\fermata \bar "|." \break
 466 }
 467 %%% Alto Instruments and Tutti part
 468 alto = { \hide Staff.BarLine
 469 \new Voice = "altoI-tutti-Syllable-m" { \autoBeamOff
 470     \partial 2 r2
 471 %% 1-3
 472     \time 4/1 b\breve\melisma e'\breve | fis'\breve ~ fis'1 e'1 |
 473     dis'\breve cis'\breve ~ | \break
 474 %% 4
 475     cis'\longa_\markup { \column { \line {For Vocals and Instruments;
 476        about here location \teeny { \raise #1 \musicglyph #"noteheads.dM2"(longa)} }
 477     \line { \teeny { \italic {
 478                   Melisma(sung to syllable) each persons is free to close.
 479                   But, Playing musical instruments can continue to the end.} } } } }
 480      \melismaEnd | \break
 481 }
 482 \new Voice = "altoI-instruments" { \autoBeamOff
 483 %% 5-7
 484     \time 3/2 r2^\markup {
 485        \tiny \italic \with-color #blue {Only; instruments(5bar ~ 11bar) } }
 486     <b dis'>2 <cis' e'>4 <dis' fis'> |
 487     <e' gis'> <fis' a'> r8 <gis' dis'>8[ <fis' cis'> <e' b>]
 488     <dis' a>4. ~ <dis' a>16[ <b e'>] |
 489     <a' e'>16[ <gis' dis'> <fis' cis'> <e' b>] <dis' a>8[ <cis' fis> ~ <b fis> ~]
 490     <a fis>4. <a' e'>4 <gis' dis'> | \break
 491 \pageBreak
 492 %% 8-11
 493     fis'4.. e' ~ <e' cis' a>8.[\st <dis' b gis>\st <cis' a fis>]\st r16 |
 494     << { s1. } \\ { <fis' cis'>16[^\st <e' b>^\st <dis' a>]^\st
 495                     <e' b>16[^\st <dis' a>^\st <cis' gis>]^\st
 496                     <dis' a>8[^\st <cis' gis>^\st <b fis>]^\st ~ fis2. ~ } >> |
 497     << { <b' e'>8[_\st <a' dis'>_\st <gis' cis'>]_\st <fis' dis'>8. ~ <fis' cis'> ~
 498          <fis' b>8[_\st <e' a>_\st <dis' gis>]_\st ~ gis4. } \\ { fis1. ~ } >> |
 499     << { s1. } \\ { fis4.\( g'8\rest fis'1\) ~ } >> | \break
 500 }%% end "altoI-instruments"
 501 \new Voice = "altoII-tutti-Lyrics" { \autoBeamOff
 502 %% 12-15
 503     \repeat volta 2 { r16^\markup { \teeny \italic "Andante" } cis'8->
 504     r16 cis'8-> r16 cis' e'4..-> e'16-> e'2 } | r1. |
 505     gis'2..^\markup { \teeny \italic "a tempo" } gis'4.. gis'8 r16 |
 506     b'2 cis''1 | \break
 507 %% 16-21
 508     <a' fis' dis'>2 <gis' e' cis'> <fis' dis' b> |
 509     <e' cis' a>4 <dis' b gis> \arpeggioArrowUp <a' cis' a fis>1\arpeggio |
 510     dis'2 dis'4 b2. | a4. gis4 gis8. gis gis2 ~ |
 511     gis2
 512     << { %%\once \override Voice.NoteHead #'color = #blue
 513         \parenthesize a'1_\fermata^\pp^\markup {
 514            \teeny \italic \with-color #blue {Only; instruments} } ~ } \\
 515        { r1 } >> | << { a'1_\fermata } \\ { s1 } >> r2 | \break
 516 %% 22-25,26-29
 517     r4. << { a'1_\fermata } \\ { s1 } >>
 518        r8^\markup {
 519           \tiny \italic \with-color #blue {
 520                           coll'8va - Only; All instruments(omit, one or two) } }
 521           _\markup { \tiny \italic "Only; Vocal"
 522                 \tiny \italic \with-color #blue {and its' one or two instruments}} |
 523    %%23-25(Instruments)
 524     << \override Staff.NoteCollision #'merge-differently-dotted = ##t
 525        { \VoiceColorBlue { \set Staff.ottavation = #"coll'8va"
 526          fis4 gis fis e fis gis_~ | gis a gis fis gis a |
 527          fis' gis' fis' e' fis' gis' | \break
 528    %%26-29
 529          a'2 b'1 \ottava #0 | fis2 e4 fis2._~ | fis2 gis2 a2_~ | a1. } } \\
 530    %%23-25(Vocal + instrument(one or two))
 531        { \new Voice = "altoIII-tutti-Lyrics" { \autoBeamOff
 532          b2 cis'4 b2. | b8. cis'4. cis'8. cis'16\rest dis'4 dis'4.. |
 533          a2 a4 r8 gis4 gis fis8 | \break
 534    %%26-29
 535          gis2 fis1 | fis'2 e'4 fis'2. | fis'8\rest gis'4. a'4 b'2. ~ |
 536          b'1. } } >> | \break %% ended "altoIII-tutti-Lyrics"
 537 }%% end "altoII-tutti-Lyrics"
 538 %% 30-38
 539     R1. * 4 | \break
 540     R1. * 5 | \break
 541 %% 39-
 542     \time 4/1 R1 * 4 | \break
 543 %% 40-42
 544     \time 3/2
 545     r16^\markup {
 546              \tiny \italic \with-color #blue {Only; instruments(40bar ~ 46bar) } }
 547     b16[ cis' dis' e'8..] ~ e'[ fis'8.] e'8[ cis' a] ~ a4 |
 548     fis2 ~ fis16[ a cis' e'] cis'8[ dis' e'8.] dis'16[ b gis8.] |
 549     <fis a>4 <gis b> ~ <b fis'>4. gis'8[ fis'] r16 dis'16[ e' a'8.] ~ | \break
 550 %% 43-46
 551     <a' e' b>4. <cis'' a' fis'>8[ <b' gis' e'> <a' fis' dis'>]
 552     <cis'' fis'>16[ <b' e'> <a' dis'>] ~ <dis' gis>4. fis8. ~ |
 553     <fis b>4.^~ <b e'>8[ <cis' fis'> <dis' gis'>] ~ <gis' b'>4.
 554     <gis' dis' a>4. ~ | <dis' gis>1 <cis' fis>2 ~ | <fis cis' gis' dis''>1. | \break
 555 %% 47-50
 556     \new Voice = "altoIV-tutti-Lyrics" { \autoBeamOff
 557     cis'4. b4 r8 cis'4 dis'2 | r8 cis'2 b4 r8 cis'4 dis'4 ~ | dis'4 r4 e'2 e' |
 558     fis'1.^\fermata | \break
 559 %% 51-52
 560     \time 4/1
 561     r4 dis'1.. a\breve\fermata |
 562     \time 3/2 r1 %% \bar "|." \break
 563     \undo \hide Staff.BarLine \bar "|." \break
 564   }%% end "altoIV-tutti-Lyrics"
 565 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 566  \makeClusters { cis'4 a fis'2 <dis' e'>  <gis' a'>4 <e' a'> a'2 cis'
 567   <b gis'>2 e' cis' <cis' e'>2 <cis' e'>2 <cis' e'>8 <cis' e'>8
 568   <cis' e'>16 <cis' e'>16 <cis' e'>16
 569   <cis' e'>32 <cis' e'>32 } %%\bar "|." \break
 570   \undo \hide Staff.BarLine \bar "|." \break
 571 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 572 }%%end alto-staff
 573 altoL = \lyricmode {
 574    \override Score . LyricText #'font-shape = #'italic
 575    \teeny
 576 ə __
 577  }
 578 altoLII = \lyricmode {
 579    \override Score . LyricText #'font-shape = #'italic
 580    \teeny
 581 %% Latin;
 582 et lux per ---- tu -- a lu -- ce -- at é -- is,
 583 \skip 2 \skip 2 \skip 2
 584 \skip 4 \skip 4 \skip 1
 585 Sál -- va me, fons pi -- e ---- tis.
 586 }
 587 altoLIII = \lyricmode {
 588    \override Score . LyricText #'font-shape = #'italic
 589    \teeny
 590 %% Latin;
 591 La -- cri ---- sa di -- es il -- la,
 592 O -- ro súp -- plex et accli -- nis,
 593 Pi -- e Jésu Dó -- mi -- ne,
 594 }
 595 altoLIV = \lyricmode {
 596    \override Score . LyricText #'font-shape = #'italic
 597    \teeny
 598 %% Latin;
 599 -- na é -- is, Dó -- na é -- is, ré -- qui -- em.
 600 A -- men.
 601  }
 602 %%% Alto midi
 603 %%% Add Another Staff-Sol;part
 604 %%% All connect( altoI-*,altoII-*,altoIII-*,altoIV-*,)
 605 altoM = {
 606     \autoBeamOff
 607     \partial 2 r2
 608 %% 1-3
 609    \time 4/1 b\breve\melisma e'\breve | fis'\breve ~ fis'1 e'1 |
 610    dis'\breve cis'\breve ~ | \break
 611 %% 4-
 612    cis'\longa\melismaEnd |
 613 %% 5-7
 614    \time 3/2 r2 <b dis'>2 <cis' e'>4 <dis' fis'> |
 615    <e' gis'> <fis' a'> r8 <gis' dis'>8[ <fis' cis'> <e' b>]
 616    <dis' a>4. ~ <dis' a>16[ <b e'>] |
 617    <a' e'>16[ <gis' dis'> <fis' cis'> <e' b>] <dis' a>8[ <cis' fis> ~ <b fis> ~]
 618    <a fis>4. <a' e'>4 <gis' dis'> | \break
 619 %% 8-11
 620     fis'4.. e' ~ <e' cis' a>8.[\st <dis' b gis>\st <cis' a fis>]\st r16 |
 621     << { s1. } \\ { <fis' cis'>16[\st <e' b>\st <dis' a>]\st
 622                     <e' b>16[\st <dis' a>\st <cis' gis>]\st
 623                     <dis' a>8[\st <cis' gis>\st <b fis>]\st ~ fis2. ~ } >> |
 624     << { <b' e'>8[\st <a' dis'>\st <gis' cis'>]\st <fis' dis'>8. ~ <fis' cis'> ~
 625          <fis' b>8[\st <e' a>\st <dis' gis>]\st ~ gis4. } \\ { fis1. } >> |
 626     << { s1. } \\ { fis4.\( r8 fis'1\) } >> | \break
 627 %% 12-15
 628     \tempo 4 = 72
 629     \repeat volta 2 { r16 cis'8-> r16 cis'8-> r16 cis' e'4..-> e'16-> e'2 } | r1. |
 630     \tempo 4 = 46
 631     gis'2.. gis'4.. gis'8 r16 | b'2 cis''1 | \break
 632 %% 16-21
 633    <a' fis' dis'>2 <gis' e' cis'> <fis' dis' b> |
 634    <e' cis' a>4 <dis' b gis> \arpeggioArrowUp <a' cis' a fis>1\arpeggio |
 635     dis'2 dis'4 b2. | a4. gis4 gis8. gis gis2 ~ |
 636     gis2 << { a'1_\fermata ~ } \\ { r1 } >> |
 637     << { a'1_\fermata } \\ { s1 } >> r2 | \break
 638 %% 22-25,26-29
 639     r4. << { a'1_\fermata } \\ { s1 } >> r8 |
 640    %%23-25 Instruments
 641     << { <fis fis'>4 <gis gis'> <fis fis'> <e e'> <fis  fis'> <gis gis'> ~ |
 642          <gis gis'> <a a'> <gis gis'> <fis fis'> <gis gis'> <a a'> |
 643          <fis' fis''> <gis' gis''> <fis' fis''> <e' e''> <fis' fis''>
 644          <gis' gis''> | \break
 645    %%26-29
 646          <a' a''>2 <b' b''>1 | fis2 e4 fis2. ~ | fis2 gis2 a2 ~ | a1. } \\
 647    %%23-25 Vocal + instrument(one or two))
 648        { b2 cis'4 b2. | b8. cis'4. cis'8. r16 dis'4 dis'4.. |
 649          a2 a4 r8 gis4 gis fis8 | \break
 650    %%26-29
 651          gis2 fis1 | fis'2 e'4 fis'2. | r8 gis'4. a'4 b'2. ~ |
 652          b'1. } >> | \break
 653 %% 30-38
 654     r1. * 4 | \break
 655     r1. * 5 | \break
 656 %% 39-
 657     \time 4/1 R1 * 4 | \break
 658 %% 40-42
 659     \time 3/2
 660     r16 b16[ cis' dis' e'8..] ~ e'[ fis'8.] e'8[ cis' a] ~ a4 |
 661     fis2 ~ fis16[ a cis' e'] cis'8[ dis' e'8.] dis'16[ b gis8.] |
 662     <fis a>4 <gis b> ~ <b fis'>4. gis'8[ fis'] r16 dis'16[ e' a'8.] | \break
 663 %% 43-46
 664     <a' e' b>4. <cis'' a' fis'>8[ <b' gis' e'> <a' fis' dis'>]
 665     <cis'' fis'>16[ <b' e'> <a' dis'>] ~ <dis' gis>4. fis8. ~ |
 666     <fis b>4. ~ <b e'>8[ <cis' fis'> <dis' gis'>] ~ <gis' b'>4.
 667     <gis' dis' a>4. ~ | <dis' gis>1 <cis' fis>2 ~ | <fis cis' gis' dis''>1. | \break
 668 %% 47-50
 669     cis'4. b4 r8 cis'4 dis'2 | r8 cis'2 b4 r8 cis'4 dis'4 ~ | dis'4 r4 e'2 e' |
 670     fis'1.^\fermata | \break
 671 %% 51-52
 672     \time 4/1
 673     r4 dis'1.. a\breve\fermata |
 674     \time 3/2 r1 \bar "|." \break
 675 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Clusters-mid,
 676   cis'4 a fis'2 <dis' e'>  <gis' a'>4 <e' a'> a'2 cis'
 677   <b gis'>2 e' cis' <cis' e'>1. \bar "|." \break
 678 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 679 }%% end alto-mid
 680 %%%%%%%%%% alto part End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 681 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 682 %%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 683 %%% sheet
 684 %%% Solo part
 685 tenorS = { \VoiceColorRed
 686     \autoBeamOff
 687     \partial 2 b2~^\markup {
 688     \with-color #blue \italic "Only; Solo(with two singers alternating)" }
 689 %% 1-3
 690     \time 4/1 b2 b2 b1 r\breve | b1 b1 b1. b2 | b2. r4 b4 b2. r4 b1 b2. | \break
 691 %% 4-
 692     b1 r1 r\breve |
 693 %% 5-11
 694     \time 3/2
 695     R1. * 7 |
 696 %% 12-
 697     \repeat volta 2 { R1. } |
 698 %% 13-38
 699     R1. * 26 |
 700 %% 39-
 701 %%% With \clef trble; "T, B,"-sol
 702    \clef bass
 703    \time 4/1  << { \VoiceColorRed {
 704                    r8^\markup {
 705                                 \teeny \with-color #red \italic "Only;Tenor-Sol" }
 706                    fis4.^\markup { \teeny \with-color #red \italic "sem" }
 707                    fis^\markup { \teeny \with-color #red \italic "pi" }
 708                    fis^\markup { \teeny \with-color #red \italic "ter" }
 709                    fis1^\markup { \teeny " " \with-color #red \italic
 710                                                      \raise #1.6 "nam." } r1.. } } \\
 711                  { \VoiceColorRed {
 712                    r8_\markup {
 713                                 \teeny \with-color #red \italic "Only;Bass-Sol" }
 714                    b,4._\markup { \teeny \with-color #red \italic "sem" }
 715                    b,_\markup { \teeny \with-color #red \italic "pi" }
 716                    b,_\markup { \teeny \with-color #red \italic "ter" }
 717                    b,1_\markup { \teeny " " \with-color #red \italic
 718                                                   \lower #1.6 "nam." } r1.. } } >> |
 719    \break
 720 %%%
 721 %% 40-42
 722     \time 3/2
 723      R1. * 3 | \break
 724 %% 43-46
 725      R1. * 4 | \break
 726 %% 47-50
 727     \clef bass
 728     \new Voice = "tenorSII" { \VoiceColorRed
 729     R1. * 4 | \break
 730 %% 51-52
 731     \clef tenor
 732     \time 4/1
 733     r2^\markup {
 734           \with-color #blue \italic "Only; Solo(with two singers alternating)" }
 735     fis'2 fis' fis' b'\breve ~ |
 736     \time 3/2 b'1\fermata \bar "|." \break
 737   }%% end "tenorSII"
 738 }%% end "tenorS"
 739 tenorSL = \lyricmode {
 740     \override Score . LyricText #'font-shape = #'italic
 741     \override Lyrics . LyricText #'color = #red
 742     \override Lyrics . LyricHyphen #'color = #red
 743     \override Lyrics . LyricExtender #'color = #red
 744     \override Score . LyricText #'font-shape = #'italic
 745     \teeny
 746 %% Latin;
 747 Ré -- qui -- em æ -- tér -- nam dó -- na é -- is, Dó -- mi -- ne:
 748 }
 749 tenorSLII = \lyricmode {
 750     \override Score . LyricText #'font-shape = #'italic
 751     \override Lyrics . LyricText #'color = #red
 752     \override Lyrics . LyricHyphen #'color = #red
 753     \override Lyrics . LyricExtender #'color = #red
 754     \override Score . LyricText #'font-shape = #'italic
 755     \teeny
 756 %% Latin;
 757 sem -- pi -- tér -- nam.
 758 }
 759 tenorSM = {
 760     \autoBeamOff
 761     \partial 2 fis'2
 762 %% 1-3
 763    \time 4/1 b2 b2 b1 r\breve | b1 b1 b1. b2 | b2. r4 b4 b2. r4 b1 b2. | \break
 764 %% 4-
 765    b1 r1 r\breve |
 766 %% 5-11
 767     \time 3/2
 768     R1. * 7 |
 769 %% 12-
 770     \repeat volta 2 { R1. } |
 771 %% 13-38
 772     R1. * 26 |
 773 %% 39-
 774 %%% With \clef bass; "T, B,"-sol
 775    \clef bass
 776    \time 4/1  << { r4 fis2. fis2 fis fis1 r1 } \\
 777                               { r4 b,2. b,2 b, b,1 r1 } >> | \break
 778 %%%
 779 %% 40-42
 780     \time 3/2
 781      R1. * 3 | \break
 782 %% 43-46
 783      R1. * 4 | \break
 784 %% 47-50
 785     \clef bass
 786     R1. * 4 | \break
 787 %% 51-52
 788     \clef tenor
 789     \time 4/1
 790     r2 fis'2 fis' fis' b'\breve ~ |
 791     \time 3/2 b'1\fermata \bar "|." \break
 792 }
 793 %%% Tenor Instruments and Tutti part
 794 tenor = { \hide Staff.BarLine
 795 \new Voice = "tenorI-tutti-Syllable-m" { \autoBeamOff
 796     \partial 2 r2
 797 %% 1-3
 798     \time 4/1 e\breve\melisma a\breve | b\breve ~ b1 a1 |
 799     gis\breve fis\breve^~ | \break
 800 %% 4
 801     fis\longa_\markup { \column { \line {For Vocals and Instruments; \hspace #3
 802        about here location \teeny { \musicglyph #"noteheads.uM2"(longa)} }
 803     \line { \teeny { \italic {
 804                   Melisma(sung to syllable) each persons is free to close.
 805                   But, Playing musical instruments can continue to the end.} } } } }
 806    \melismaEnd | \break
 807 }
 808 \new Voice = "tenorI-instruments" { \autoBeamOff
 809 %% 5-7
 810     \time 3/2 e'2~^\markup {
 811        \tiny \italic \with-color #blue {Only; instruments(5bar ~ 11bar) } }
 812     <e' cis'>2 <dis' a>4 <cis' gis> |
 813     <b fis>4. <a e>4. <e b>8[ <a e'>]_~ <a fis'>2 |
 814     <cis fis>4 <e b> <gis dis'> <cis fis> ~ <cis e> ~ <cis gis> ~ | \break
 815 \pageBreak
 816 %% 8-11
 817     <cis e>8\st[ ~ <e gis>\st ~ <gis b>\st] ~ b4\st a4.\st cis'4.\st r8 |
 818     << { <fis b>16_\st[ <gis cis'>_\st <a dis'>8_\st] r8
 819          <fis cis'>16_\st[ <gis dis'>_\st <a e'>8_\st] r8
 820          <fis dis'>16_\st[ <gis e'>_\st <a fis'>8_\st] ~ fis'2 ~ } \\ { s1. } >> |
 821     << { fis'1. ~ } \\ { <cis fis>16^\st[ <dis gis>^\st <e a>^\st] r16
 822                          <cis e>8^\st[ ~ <e gis>^\st ~ <gis b>^\st] r4
 823                      <fis cis'>8^\st[ ~ < fis dis'>^\st ~ <fis e'>^\st] ~ e'4 } >> |
 824     << { fis'4.\( f8\rest fis1\) } \\ { s1. } >> | \break
 825 }%% end "tenorI-instruments"
 826 \new Voice = "tenorII-tutti-Lyrics" { \autoBeamOff
 827 %% 12-15
 828     \repeat volta 2 { r16^\markup { \teeny \italic "Andante" } gis8->
 829     r16 gis8-> r16 gis b4..-> b16-> b2 } | r1. |
 830     dis'2..^\markup { \teeny \italic "a tempo" } dis'4.. dis'8 r16 |
 831     fis'2 gis'1 | \break
 832 %% 16-21
 833     b4 b4 gis2. fis4 ~ | fis8 e4. e1 | <e a>2. <fis b> |
 834     <gis cis'>4. <a dis'>2 <b e'>\( cis'16[ dis'] |
 835     e'2\) fis'1^\pp_\fermata ~ |
 836     \arpeggioArrowDown <fis' dis' b dis>1\arpeggio_\fermata r2 | \break
 837 %% 22-29
 838     R1. * 4 | \break
 839     R1. * 4 | \break
 840 }%% end "tenorII-tutti-Lyrics"
 841 %% 30-33,34-38
 842     r4. fis'1^\fermata r8^\markup {
 843                           \tiny \italic \with-color #blue {
 844                           coll'8va - Only; All instruments(omit, one or two) } }
 845                          _\markup { \tiny \italic "Only; Vocal"
 846                 \tiny \italic \with-color #blue {and its' one or two instruments}} |
 847    %%31-33(Instruments)
 848     << \override Staff.NoteCollision #'merge-differently-dotted = ##t
 849        { \VoiceColorBlue { \set Staff.ottavation = #"coll'8va"
 850          cis2. dis | cis4. dis4. e2. | dis1 cis2 | \break
 851    %%34-38
 852          cis'2 dis' cis' | b\ottava #0 cis'1^\markup {
 853                             \teeny \with-color #blue \italic "Only; Instruments" } |
 854          b4 cis' dis'2 e'4 dis' | e'2 fis' gis' ~ | gis'1. } } \\
 855    %%31-33(Voal + instrument(one or two))
 856        { \new Voice = "tenorIII-tutti-Lyrics" { \autoBeamOff
 857          b2 b b | b4 b8\rest cis'2 cis'2 b8\rest | b2. a | \break
 858    %%34-38
 859          e4 e4 r16 dis8 dis dis e16\rest dis8 dis dis4 |
 860          cis2 dis8_\markup { \teeny \italic "Only; Vocal" } dis4. e2 |
 861          fis2. gis4 gis2 ~ | gis1. | gis1.\rest }%% end "tenorIII-tutti-Lyrics"
 862         } >> | \break
 863 %% 39-
 864     \time 4/1 R1 * 4 | \break
 865 %% 40-42
 866     \time 3/2
 867     r16^\markup {
 868          \tiny \italic \with-color #blue {Only; instruments(40bar ~ 46bar) } }
 869     <cis' e'>8.[ <b dis'>8 <a cis'>8.] gis2 ~ <gis b>8[ <fis a> <e gis>8.] |
 870     r2. <cis e gis b>8.[ <dis fis a cis'> <e gis b dis'> <fis a cis' e'>] |
 871     <gis cis' fis' b'>4._~ <fis' cis' gis>8.[_~ <cis' gis dis>]_~ dis2. | \break
 872 %% 43-46
 873     <cis gis dis'>2 <dis a e'> ~ <cis' a> ~ |
 874     <a fis dis>8[ <gis e cis>] ~ cis4. ~ <cis e gis>16[ <dis fis a> <e gis b>
 875     <fis a cis'>8.] ~ cis'2 |
 876     <e' cis' a>16[ <cis' a fis> <a fis dis>] cis8. ~
 877     <cis e gis>16[ <dis fis a> <e gis b> <fis a cis'>] ~ dis'8 ~
 878     <dis' b gis>16[ <cis' a fis> <b gis e>] ~ e8.[_~
 879     <e gis>16 <fis a>] <gis b>[ <a fis> e8] | <dis a e' b'>1. | \break
 880 %% 47-50
 881     \new Voice = "tenorIV-tutti-Lyrics" { \autoBeamOff
 882     gis2 fis4 gis4 a2 | r4 gis2 fis4 gis4 a4 ~ | a4 r8 b4. b2. |
 883     cis'1.\fermata | \break
 884 %% 51-52
 885     \time 4/1
 886     r4 a1.. e\breve |
 887     \time 3/2 r1 %% \bar "|." \break
 888     \undo \hide Staff.BarLine \bar "|." \break
 889 }%% end "tenorIV-tutti-Lyrics"
 890 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 891  \makeClusters { e2 dis <gis b> <a dis'>4 <gis cis'> b2 gis
 892   <b cis'> dis' cis' <gis b>2 <gis b> <gis b>8 <gis b>
 893   <gis b>16 <gis b> <gis b> <gis b>32 <gis b> } %% \bar "|." \break
 894   \undo \hide Staff.BarLine \bar "|." \break
 895 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 896 }%% end tenor-staff
 897 tenorL = \lyricmode {
 898    \override Score . LyricText #'font-shape = #'italic
 899    \teeny
 900 ə __
 901  }
 902 tenorLII = \lyricmode {
 903    \override Score . LyricText #'font-shape = #'italic
 904    \teeny
 905 %% Latin;
 906 et lux per ---- tu -- a lu -- ce -- at é -- is,
 907 Sál -- va me, fons pietá -- tis.
 908 }
 909 tenorLIII = \lyricmode {
 910    \override Score . LyricText #'font-shape = #'italic
 911    \teeny
 912 %% Latin;
 913 La -- cri ---- sa di -- es il -- la,
 914 O -- ro súp -- plex et ac -- cli -- nis,
 915 Pi -- e-- su Dó -- mi -- ne,
 916 }
 917 tenorLIV = \lyricmode {
 918    \override Score . LyricText #'font-shape = #'italic
 919    \teeny
 920 %% Latin;
 921 -- na é -- is, Dó -- na é -- is, ré -- qui -- em.
 922 A -- men.
 923  }
 924 %%% tenor midi
 925 %%% Add Another Staff-Sol;part
 926 %%% All connect( tenorI-*,tenoreII-*,tenorIII-*,tenorIV-*,)
 927 tenorM = {
 928     \autoBeamOff
 929     \partial 2 r2
 930 %% 1-3
 931     \time 4/1 e\breve\melisma a\breve | b\breve ~ b1 a1 |
 932     gis\breve fis\breve^~ | \break
 933 %% 4-
 934     fis\longa\melismaEnd |
 935 %% 5-7
 936     \time 3/2 e'2~ <e' cis'>2 <dis' a>4 <cis' gis> |
 937     <b fis>4. <a e>4. <gis b>8[ <a e'>]_~ <a fis'>2 |
 938     <cis fis>4 <e b> <gis dis'> <cis fis> ~ <cis e> ~ <cis gis> | \break
 939 %% 8-11
 940     <cis e>8\st[ ~ <e gis>\st ~ <gis b>\st] ~ b4\st a4.\st cis'4.\st r8 |
 941     << { <fis b>16\st[ <gis cis'>\st <a dis'>8\st] r8
 942          <fis cis'>16\st[ <gis dis'>\st <a e'>8\st] r8
 943          <fis dis'>16\st[ <gis e'>\st <a fis'>8\st] ~ fis'2 } \\ { s1. } >> |
 944     << { fis'1. ~ } \\ { <cis fis>16\st[ <dis gis>\st <e a>\st] r16
 945                          <cis e>8\st[ ~ <e gis>\st ~ <gis b>\st] r4
 946                        <fis cis'>8\st[ ~ < fis dis'>\st ~ <fis e'>\st] ~ e'4 } >> |
 947     << { fis'4.\( r8 fis1\) } \\ { s1. } >> | \break
 948 %% 12-15
 949     \tempo 4 = 72
 950     \repeat volta 2 { r16 gis8-> r16 gis8-> r16 gis b4..-> b16-> b2 } | r1. |
 951     \tempo 4 = 46
 952     dis'2.. dis'4.. dis'8 r16 | fis'2 gis'1 | \break
 953 %% 16-21
 954     b4 b4 gis2. fis4 ~ | fis8 e4. e1 | <e a>2. <fis b> |
 955     <gis cis'>4. <a dis'>2 <b e'>\( cis'16[ dis'] | e'2\) fis'1_\fermata ~ |
 956     \arpeggioArrowDown <fis' dis' b dis>1\arpeggio_\fermata r2 | \break
 957 %% 22-29
 958    R1. * 4 | \break
 959    R1. * 4 | \break
 960 %% 30-33,35-37
 961     r4. fis'1^\fermata r8 |
 962     %%31-33(Instruments)
 963     << { <cis cis'>2. <dis dis'> | <cis cis'>4. <dis dis'>4. <e e'>2. |
 964          <dis dis'>1 <cis cis'>2 | \break
 965     %%34-38
 966          <cis' cis''>2 <dis' dis''> <cis' cis''> |
 967          <b b'>\ottava #0 cis'1 | b4 cis' dis'2 e'4 dis' |
 968          e'2 fis' gis' ~ | gis'1. } \\
 969     %%31-33(Vocal + instrument(one or two))
 970        { b2 b b | b4 r8 cis'2 cis'2 r8 | b2. a | \break
 971     %%34-38
 972          e4 e4 r16 dis8 dis dis r16 dis8 dis dis4 |
 973          cis2 dis8 dis4. e2 | fis2. gis4 gis2 ~ | gis1. | r1. } >> \break
 974 %% 39-
 975     \time 4/1 R1 * 4 | \break
 976 %% 40-42
 977     \time 3/2
 978     r16 <cis' e'>8.[ <b dis'>8 <a cis'>8.] gis2 ~ <gis b>8[ <fis a> <e gis>8.] |
 979     r2. <cis e gis b>8.[ <dis fis a cis'> <e gis b dis'> <fis a cis' e'>] |
 980     <gis cis' fis' b'>4. ~ <fis' cis' gis>8.[ ~ <cis' gis dis>] ~ dis2. | \break
 981 %% 43-46
 982     <cis gis dis'>2 <dis a e'> ~ <cis' a> ~ |
 983     <a fis dis>8[ <gis e cis>] ~ cis4. ~ <cis e gis>16[ <dis fis a> <e gis b>
 984     <fis a cis'>8.] ~ cis'2 |
 985     <e' cis' a>16[ <cis' a fis> <a fis dis>] cis8. ~
 986     <cis e gis>16[ <dis fis a> <e gis b> <fis a cis'>] ~ dis'8 ~
 987     <dis' b gis>16[ <cis' a fis> <b gis e>] ~ e8.[ ~
 988     <e gis>16 <fis a>] <gis b>[ <a fis> e8] | <dis a e' b'>1. | \break
 989 %% 47-50
 990     gis2 fis4 gis4 a2 | r4 gis2 fis4 gis4 a4 ~ | a4 r8 b4. b2. |
 991     cis'1.\fermata | \break
 992 %% 51-52
 993     \time 4/1
 994     r4 a1.. e\breve
 995     \time 3/2 r1 \bar "|." \break
 996 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Clusters-mid,
 997   e2 dis <gis b> <a dis'>4 <gis cis'> b2 gis
 998   <b cis'> dis' cis' <gis b>1. \bar "|." \break
 999 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
1000 }%% end tenor mid.
1001 %%%%%%%% tenor part End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
1002 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
1003 %%%%%%% bass; part %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
1004 %%% sheet
1005 %%% Solo part
1006 bassS = { \VoiceColorRed
1007     \autoBeamOff
1008     \partial 2 gis2~^\markup {
1009     \with-color #blue \italic "Only; Solo(with two singers alternating)" }
1010 %% 1-3
1011     \time 4/1 gis2 gis gis1 r\breve | gis1 gis gis1. gis2 |
1012     gis2. r4 gis4 gis2. r4 gis1 gis2. | \break
1013 %% 4-
1014     gis1\fermata r1 r\breve |
1015 %% 5-11
1016     \time 3/2
1017     R1. * 7 |
1018 %% 12-
1019     \repeat volta 2 { R1. } |
1020 %% 13-38
1021     R1. * 26 |
1022 %% 39-
1023 %%% With \clef bass; "T, B,"-sol===>See! tenor-Sol's part.
1024    \clef bass
1025    \time 4/1  R1 * 4 | \break
1026 %%%
1027 %% 40-42
1028     \time 3/2
1029      R1. * 3 | \break
1030 %% 43-46
1031      R1. * 4 | \break
1032 %% 47-50
1033     \clef bass
1034     \new Voice = "bassSII" { \VoiceColorRed
1035     R1. * 4 | \break
1036 %% 51-52
1037     \clef bass
1038     \time 4/1
1039     r2^\markup {
1040           \with-color #blue \italic "Only; Solo(with two singers alternating)" }
1041     b2 b b e'\breve ~ |
1042     \time 3/2 e'1\fermata \bar "|." \break
1043   }%% end "bassSII"
1044 }%% end bassS
1045 bassSL = \lyricmode {
1046     \override Score . LyricText #'font-shape = #'italic
1047     \override Lyrics . LyricText #'color = #red
1048     \override Lyrics . LyricHyphen #'color = #red
1049     \override Lyrics . LyricExtender #'color = #red
1050     \override Score . LyricText #'font-shape = #'italic
1051     \teeny
1052 %% Latin;
1053 Ré -- qui -- em æ -- tér -- nam dó -- na é -- is, Dó -- mi -- ne:
1054 }
1055 bassSLII = \lyricmode {
1056     \override Score . LyricText #'font-shape = #'italic
1057     \override Lyrics . LyricText #'color = #red
1058     \override Lyrics . LyricHyphen #'color = #red
1059     \override Lyrics . LyricExtender #'color = #red
1060     \override Score . LyricText #'font-shape = #'italic
1061     \teeny
1062 %% Latin;
1063 sem -- pi -- tér -- nam.
1064 }
1065 bassSM = {
1066     \autoBeamOff
1067     \partial 2 gis2 ~
1068 %% 1-3
1069     \time 4/1 gis2 gis gis1 r\breve | gis1 gis gis1. gis2 |
1070     gis2. r4 gis4 gis2. r4 gis1 gis2. | \break
1071 %% 4-
1072     gis1 r1 r\breve |
1073 %% 5-11
1074     \time 3/2
1075     R1. * 7 |
1076 %% 12-
1077     \repeat volta 2 { R1. } |
1078 %% 13-38
1079     R1. * 26 |
1080 %% 39-
1081 %%% With \clef bass; "T, B,"-sol===>See! tenor-Sol's part.
1082    \clef bass
1083    \time 4/1  R1 * 4 | \break
1084 %%%
1085 %% 40-42
1086     \time 3/2
1087      R1. * 3 | \break
1088 %% 43-46
1089      R1. * 4 | \break
1090 %% 47-50
1091     \clef bass
1092     R1. * 4 | \break
1093 %% 51-52
1094     \clef bass
1095     \time 4/1
1096     r2^\markup {
1097           \with-color #blue \italic "Only; Solo" }
1098     b2 b b e'\breve ~ |
1099     \time 3/2 e'1\fermata \bar "|." \break
1100 }
1101 %%% Bass Instruments and Tutti part
1102 bass = { \hide Staff.BarLine
1103 \new Voice = "bassI-tutti-Syllable-m" { \autoBeamOff
1104     \partial 2 r2
1105 %% 1-3
1106     \time 4/1 cis\breve\melisma fis\breve | gis\breve ~ gis1 fis1 |
1107     e\breve dis\breve ~ | \break
1108 %% 4
1109     dis\longa_\markup { \column { \line {For Vocals and Instruments; \hspace #3
1110        about here location \teeny { \raise #1 \musicglyph #"noteheads.dM2"(longa)} }
1111                                   \line { \teeny { \italic {
1112                   Melisma(sung to syllable) each persons is free to close.
1113                   But, Playing musical instruments can continue to the end.} } } } }
1114      \melismaEnd | \break
1115 }
1116 \new Voice = "bassI-instruments" { \autoBeamOff
1117 %% 5-7
1118     \time 3/2 a2~^\markup {
1119        \tiny \italic \with-color #blue {Only; instruments(5bar ~ 11bar) } }
1120     <a fis>2 <gis e>4 <fis dis> |
1121     <cis a,>2. ~ <a, e>4 <b, fis>_~ <b, a> | <a, dis>2 <a, cis> a, ~ | \break
1122 \pageBreak
1123 %% 8-11
1124     <a, cis e>4. <b, dis fis> <cis e gis>2. |
1125     << { r8 <a, gis>4._\st cis4_\st_~ <cis e>16_\st[_~ <e gis>_\st_~
1126                                               <gis b>8]_\st_~ b2^~ } \\ { s1. } >> |
1127     << { b1. ~ } \\ { a,2 <b, e> a, ~ } >> |
1128     << { b4.\( b,8\rest b,1\) } \\ { a,4. s8 s1 } >> | \break
1129 }%% %%end "bassI-instruments"
1130 \new Voice = "bassII-tutti-Lyrics" { \autoBeamOff
1131 %% 12-15
1132     \repeat volta 2 { cis8^\markup { \teeny \italic "Andante" }->
1133     r16 cis8-> r16 cis e4..-> e16-> e2 r16 } | r16 gis2.. gis4.. gis8 |
1134     r1.^\markup { \teeny \italic "a tempo" } | a2 b1 | \break
1135 %% 16-21
1136     e4 e cis2. b,4 ~ | b,8 a,4. a,1 | <a, e>2. <b, fis> |
1137     <cis gis>4. <dis a>2 ~ <e a>\( fis16[ gis] | a2\) b1^\pp_\fermata ~ |
1138     \arpeggioArrowDown <b gis e gis,>1\arpeggio_\fermata r2 | \break
1139 %% 22-29
1140    R1. * 4 | \break
1141    R1. * 4 | \break
1142 }%% end "bassII-tutti-Lyrics"
1143 %% 30-33,34-38
1144     b1^\fermata r2^\markup { \hspace #6
1145                           \tiny \italic \with-color #blue {
1146                           coll'8va - Only; All instruments(omit, one or two) } }
1147                          _\markup { \hspace #6 \tiny \italic "Only; Vocal"
1148                 \tiny \italic \with-color #blue {and its' one or two instruments}} |
1149    %%31-33(Instruments)
1150     << \override Staff.NoteCollision #'merge-differently-dotted = ##t
1151        { \VoiceColorBlue { \set Staff.ottavation = #"coll'8va"
1152          fis,2. gis, | fis,4. gis,4. a,2. | gis,1 fis,2 | \break
1153    %%34-38
1154          fis2 gis fis | e\ottava #0 fis1^\markup {
1155                               \teeny \italic \with-color #blue "Only;Instruments"} |
1156          e4 fis gis2 a4 gis | a2 b cis' ~ | cis'1. } } \\
1157    %%31-33(Voal + instrument(one or two))
1158        { \new Voice = "bassIII-tutti-Lyrics" { \autoBeamOff
1159          e2 e e | e4 e8\rest fis2 fis2 e8\rest | e2. dis | \break
1160    %%34-38
1161          a,4 a, r16 gis,8 gis, gis, a,16\rest gis,8 gis, gis,4 |
1162          gis,2 gis,8_\markup { \teeny \italic "Only;Vocal"} gis,4. a,2 |
1163          b,2. cis4 cis2 ~ | cis1. | cis1.\rest }%% end "bassIII-tutti-Lyrics"
1164         } >> | \break
1165 %% 39-
1166     \time 4/1 R1 * 4 | \break
1167 %% 40-42
1168     \time 3/2
1169     r8^\markup {
1170          \tiny \italic \with-color #blue {Only; instruments(40bar ~ 46bar) } }
1171     <gis, b, dis>16[ <a, cis e> <b, dis fis>] ~ fis8. ~
1172     <fis dis b,>16[ <e cis a,> <dis b, gis,>] ~ gis,8.
1173     <cis e gis>8[ <e gis b>] ~ b4. ~ | \noBreak
1174     <b gis e>16[ <gis e cis> <e cis a,>8] <gis, b, dis>4. <e, a,>2.. | \noBreak
1175     r2 <e, cis>1 | \break
1176 %% 43-46
1177     <fis, a, cis>8.[ <gis, b, dis> <a, cis e>] ~ e4. r16
1178     <fis, b, e>8[ <gis, cis fis> <a, dis gis> <b, e a>] ~ | \noBreak
1179     a2 ~ <a fis dis b,>8[ <gis e cis a,> r8 <fis dis b, gis,>] e2 | \noBreak
1180     <a dis>8. <gis cis> <fis b,> a,4. <a fis>16[ <gis e> <fis dis>8.] cis4 | \noBreak
1181     <gis, dis a e'>1. | \break
1182 %% 47-50
1183     \new Voice = "bassIV-tutti-Lyrics" { \autoBeamOff
1184     cis2 b,4 cis dis2 | r4 cis2 b,4 cis dis4 ~ | dis4 r8 e4. e2. |
1185     fis1.^\fermata | \break
1186 %% 51-52
1187     \time 4/1
1188     r4 dis1.. a,\breve |
1189     \time 3/2
1190     r1_\markup { \column { \line { "   " }
1191                            \line { \tiny {\with-color #red \italic "If it's good;"} }
1192                            \line { \bold D.C. \italic "al Coda   "
1193                                     \teeny \italic "and" \raise #1
1194                             \with-color #blue \musicglyph #"scripts.coda" } } }
1195       %%\bar "|." \break
1196       \undo \hide Staff.BarLine \bar "|." \break
1197   }%% end "bassIV-tutti-Lyrics"
1198 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
1199  \makeClusters { fis,2 e <a, cis> <b, e>4 <a dis> cis2 a
1200   <cis dis> e dis <a, cis>2 <a, cis> <fis, cis>8 <fis, cis>
1201   <fis, cis>16 <fis, cis> <fis, cis> <fis, cis>32 <fis, cis> } %% \bar "|." \break
1202   \undo \hide Staff.BarLine \bar "|." \break
1203 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
1204 }%% end bass-staff
1205 bassL = \lyricmode {
1206    \override Score . LyricText #'font-shape = #'italic
1207    \teeny
1208 ə __
1209 }
1210 bassLII = \lyricmode {
1211    \override Score . LyricText #'font-shape = #'italic
1212    \teeny
1213 %% Latin;
1214 et lux per ---- tu -- a lu -- ce -- at é -- is,
1215 Sál -- va me, fons pietá -- tis.
1216 }
1217 bassLIII = \lyricmode {
1218    \override Score . LyricText #'font-shape = #'italic
1219    \teeny
1220 %% Latin;
1221 La -- cri ---- sa di -- es il -- la,
1222 O -- ro súp -- plex et ac -- cli -- nis,
1223 Pi -- e-- su Dó -- mi -- ne,
1224 }
1225 bassLIV = \lyricmode {
1226    \override Score . LyricText #'font-shape = #'italic
1227    \teeny
1228 %% Latin;
1229 -- na é -- is, Dó -- na é -- is, ré -- qui -- em.
1230 A -- men.
1231  }
1232 %%% bass midi
1233 %%% Add Another Staff-SOL
1234 %%% All connect( bassI-*,bassII-*,bassIII-*,bassIV-*)
1235 bassM = {
1236     \partial 2 r2
1237     \autoBeamOff
1238 %% 1-3
1239     \time 4/1 cis\breve\melisma fis\breve | gis\breve ~ gis1 fis1 |
1240     e\breve dis\breve ~ | \break
1241 %% 4-
1242     dis\longa\melismaEnd | \break
1243 %% 5-7
1244     \time 3/2 a2 ~ <a fis>2 <gis e>4 <fis dis> |
1245     <cis a,>2. ~ <a, e>4 <b, fis>_~ <b, a> |  <a, dis>2 <a, cis> a, ~ | \break
1246 %% 8-11
1247     <a, cis e>4. <b, dis fis> <cis e gis>2. |
1248     << { r8 <a, gis>4.\st cis4\st^~ <cis e>16\st[^~ <e gis>\st^~
1249                                               <gis b>8]\st^~ b2^~ } \\ { s1. } >> |
1250     << { b1. ~ } \\ { a,2 <b, e> a, ~ } >> |
1251     << { b4.\( b,8\rest b,1\) } \\ { a,4. s8 s1 } >> | \break
1252 %% 12-15
1253     \tempo 4 = 72
1254     \repeat volta 2 { cis8-> r16 cis8-> r16 cis e4..-> e16-> e2 r16 } |
1255     r16 gis2.. gis4.. gis8 |
1256     \tempo 4 = 46
1257     r1. | a2 b1 | \break
1258 %% 16-21
1259     e4 e cis2. b,4 ~ | b,8 a,4. a,1 | <a, e>2. <b, fis> |
1260     <cis gis>4. <dis a>2 ~ <e a>\( fis16[ gis] | a2\) b1_\fermata ~ |
1261     \arpeggioArrowDown <b gis e gis,>1\arpeggio_\fermata r2 | \break
1262 %% 22-29
1263    R1. * 4 | \break
1264    R1. * 4 | \break
1265 %% 30-33,34-38
1266     b1^\fermata r2 |
1267    %%31-33(Instruments)
1268     << { <fis, fis>2. <gis, gis> | <fis, fis>4. <gis, gis> <a, a>2. |
1269          <gis, gis>1 <fis, fis>2 | \break
1270    %%34-38
1271          <fis fis'>2 <gis gis'> <fis fis'> | <e e'> fis1 |
1272          e4 fis gis2 a4 gis | a2 b cis' ~ | cis' } \\
1273    %%31-33(Voal + instrument(one or two))
1274          { e2 e e | e4 r8 fis2 fis2 r8 | e2. dis | \break
1275    %%34-38
1276          a,4 a, r16 gis,8 gis, gis, r16 gis,8 gis, gis,4 |
1277          gis,2 gis,8 gis,4. a,2 | b,2. cis4 cis2 ~ | cis1. | r1. } >> | \break
1278 %% 39-
1279     \time 4/1 R1 * 4 | \break
1280 %% 40-42
1281     \time 3/2
1282     r8 <gis, b, dis>16[ <a, cis e> <b, dis fis>] ~ fis8. ~
1283     <fis dis b,>16[ <e cis a,> <dis b, gis,>] ~ gis,8.
1284     <cis e gis>8[ <e gis b>] ~ b4. ~ |
1285     <b gis e>16[ <gis e cis> <e cis a,>8] <gis, b, dis>4. <e, a,>2.. |
1286     r2 <e, cis>1 | \break
1287 %% 43-46
1288     <fis, a, cis>8.[ <gis, b, dis> <a, cis e>] ~ e4. r16
1289     <fis, b, e>8[ <gis, cis fis> <a, dis gis> <b, e a>] ~ |
1290     a2 ~ <a fis dis b,>8[ <gis e cis a,> r8 <fis dis b, gis,>] e2 |
1291     <a dis>8. <gis cis> <fis b,> a,4. <a fis>16[ <gis e> <fis dis>8.] cis4 |
1292     <gis, dis a e'>1. | \break
1293 %% 47-50
1294     cis2 b,4 cis dis2 | r4 cis2 b,4 cis dis4 ~ | dis4 r8 e4. e2. |
1295     fis1.^\fermata | \break
1296 %% 51-52
1297     \time 4/1
1298     r4 dis1.. a,\breve |
1299     \time 3/2 r1 \bar "|." \break
1300 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Clusters-mid,
1301   fis,2 e <a, cis> <b, e>4 <a dis> cis2 a
1302   <cis dis> e dis <a, cis>1 <fis, cis>2 \bar "|." \break
1303 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
1304 }%% end bass-mid
1305 %%%%%%% bass; part End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
1306 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%