1 %% -*- Coding: utf-8 -*-
  2 %% Dec. 28, 2011
  3 %% Time-stamp: "3/13/2017 00:25"
  4 \version "2.22.1"
  5 #(set-default-paper-size "letter")
  6 #(set-global-staff-size 16)
  7 
  8 \paper {
  9         %%ragged-last-bottom = ##f
 10 }
 11 
 12 \header {
 13  dedication = " "
 14  title = \markup{ \line { \huge\bold  "Ave Maria"} }
 15  subtitle = \markup{ \center-column { \bold "2012"
 16                           \italic "d major; cis d e fis g a b" } }
 17  %% subsubtitle = #(string-append "LilyPond version " (lilypond-version))
 18  subsubtitle = \markup{\center-column {
 19                    "soprano; C clef on 1st line,       alto; C clef on 3rd line."
 20                    "       bass; F clef on 4th line,    tenor; C clef on 4th line."}}
 21  composer = \markup{ \line {\italic "Yukio Yoshida"}}
 22  arranger = "Jan. 01, 2012"
 23  poet = ""
 24  opus = "Op.65 Ave Maria;No.7"
 25  meter = "Calando"
 26  copyright = "public Domain"
 27 }
 28 
 29 %%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%%
 30 soprano = { \hide Staff.BarLine
 31     \autoBeamOff
 32 %% 1-4
 33    fis'4( e' d') fis'2. ~ | fis'4 r8 g'4_( fis' e') g'4. |
 34    a'1 r2 | a'2.( g'4) a'2 | \break
 35 %% 5-8
 36    b'2.. r8 a'2( | g'8 \stemDown fis'8 g' a') \stemNeutral b'1 | R1. | R1. | \break
 37 %% 9-12
 38    e''1 e''4. r8 | d''2 fis''1 | R1. | R1. | \break
 39 %% 13-16
 40    R1. * 4 | \break
 41 %% 17-19
 42    fis'2 e'8 fis' g'2. | fis'4 e'8 fis'4 g' a'4. g'4 ~ | g'4 fis'1 r4 | \break
 43 %% 20-22
 44    R1. * 3 | \break
 45 %% 23-26
 46    g'2.. fis'2 ~ fis'8 ~ | fis'4. r8 g'1 | a'1. | R1.^\fermataMarkup | \break
 47 %% 27-30
 48    cis''1 cis''4. r8 | d''4 e''2. cis''2 ~ | cis''2 r4. d''4. e''4( |
 49    fis''4.) r8 fis''1 | \break
 50 %% 31-35
 51    cis'2 d'2. r4 | e'2 fis'2. g'4( | fis' e' d'4.) r4. cis'4 ~ |
 52    cis'4 cis'2 d'4 e' fis'( | fis'4.) r8 fis'1 | \break
 53 %% 36-40
 54    fis'1 fis'4. r8 | fis'1  r4 g'4 ~ | g'2 a'1 | r2. b'2. |  b'1. | \break
 55 %% 41-43
 56     \time 2/1 r1 fis'1^~ | fis'\breve |
 57          \override DynamicTextSpanner #'style = #'dotted-line
 58          \set decrescendoText = \markup { \teeny \italic "decresc" }
 59          \set decrescendoSpanner = #'text
 60     \time 4/1 e'\longa * 1/4^\>
 61                   s\longa * 2/4 s\longa * 1/4\! |
 62     \time 3/2 \undo \hide Staff.BarLine \bar "|." \break
 63 }
 64 
 65 sopranoL = \lyricmode {
 66     \override Score . LyricText #'font-shape = #'italic
 67     \tiny
 68 A -- ve Ma -- ri -- a, gra -- ti -- a ple -- na,
 69 Do -- minus te -- cum,
 70 be -- ne -- di -- cta tu in mu -- li -- e -- ri -- bus,
 71 %% et benedictus fructus ventris
 72 tu -- i Je -- sus.
 73 San -- cta Ma -- ri -- a ma -- ter Dei,
 74 o -- ra pro no -- bis pec -- ca -- to -- ri -- bus, nunc,
 75 et in hora mor -- tis nos -- trae.
 76 A -- men.
 77 }
 78 
 79 sopranoM = {
 80     \autoBeamOff
 81 %% 1-4
 82    fis'4( e' d') fis'2. ~ | fis'4 r8 g'4_( fis' e') g'4. |
 83    a'1 r2 | a'2.( g'4) a'2 | \break
 84 %% 5-8
 85     b'2.. r8 a'2( | g'8 fis'8 g' a') b'1 | R1. | R1. | \break
 86 %% 9-12
 87    e''1 e''4. r8 | d''2 fis''1 | R1. | R1. | \break
 88 %% 13-16
 89    R1. * 4 | \break
 90 %% 17-19
 91    fis'2 e'8 fis' g'2. | fis'4 e'8 fis'4 g' a'4. g'4 ~ | g'4 fis'1 r4 | \break
 92 %% 20-22
 93    R1. * 3 | \break
 94 %% 23-26
 95    g'2.. fis'2 ~ fis'8 ~ | fis'4. r8 g'1 | a'1. | R1.^\fermataMarkup | \break
 96 %% 27-30
 97    cis''1 cis''4. r8 | d''4 e''2. cis''2 ~ | cis''2 r4. d''4. e''4( |
 98    fis''4.) r8 fis''1 | \break
 99 %% 31-35
100    cis'2 d'2. r4 | e'2 fis'2. g'4 | fis' e' d'4.) r4. cis'4 ~ |
101    cis'4 cis'2 d'4 e' fis'( | fis'4.) r8 fis'1 | \break
102 %% 36-40
103    fis'1 fis'4. r8 | fis'1  r4 g'4 ~ | g'2 a'1 | r2. b'2. |  b'1. | \break
104 %% 41-43
105     \time 2/1 r1 fis'1^~ | fis'\breve | \time 4/1 e'\longa | \time 3/2 \bar "|."
106 }
107 
108 
109 %%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%%%
110 alto = { \hide Staff.BarLine
111      \autoBeamOff
112 %% 1-4
113    d'4.( b4) fis'2.. | r8 g'4.( e'4) a'2. | b'1 r2 | R1. | \break
114 %% 5-8
115    R1. | R1. | b'4( a'8 g' fis' g') a'4 b'4. r8 | a'2 b'1 | \break
116 %% 9-12
117    R1. * 4 | \break
118 %% 13-16
119    fis'1 fis'4. r8 | g'2 b'1 | R1. | R1. | \break
120 %% 17-19
121    R1. * 3 | \break
122 %% 20-22
123    fis'8 r8 fis'2 e'8 fis' g'2 ~ | g'2 r8 fis'4. g'2 | a'2 fis'2.. r8 | \break
124 %% 23-26
125    e'2.. d'2 r8 | r2 e'1 | fis'1. | R1.^\fermataMarkup | \break
126 %% 27-30
127    r4. fis'2. fis'4. | r4 g'4( a') b'2. | fis'2.. r8 g'2 | a'2 b'1 | \break
128 %% 31-35
129    b1 cis'2 | d'2 e'2. fis'4( | e' d' cis'4.) r4. b4 ~ |
130    b4 b4. cis'4 d'4. e'4( | e'4.) r8 e'1 | \break
131 %% 36-40
132    cis'1 cis'4. r8 | cis'1  r4 d'4 ~ | d'2 e'1 | r2. fis'2. |  fis'1. | \break
133 %% 41-43
134     \time 2/1 r1 d'1 ~ | d'\breve |
135          \override DynamicTextSpanner #'style = #'dotted-line
136          \set decrescendoText = \markup { \teeny \italic "decresc" }
137          \set decrescendoSpanner = #'text
138     \time 4/1 b\longa * 1/4^\>
139                   s\longa * 2/4 s\longa * 1/4\! |
140     \time 3/2 \undo \hide Staff.BarLine \bar "|." \break
141 }
142 
143 altoL = \lyricmode {
144         \override Score . LyricText #'font-shape = #'italic
145         \tiny
146 A -- ve Ma -- ri -- a, gra -- ti -- a ple -- na,
147 Do -- minus te -- cum,
148 %%benedicta tu in mulieribus,
149 et be -- ne -- di -- ctus fru -- ctus ven -- tris tu -- i Je -- sus.
150 San -- cta Ma -- ri -- a ma -- ter Dei,
151 o -- ra pro no -- bis pec -- ca -- to -- ri -- bus, nunc,
152 et in hora mor -- tis nos -- trae.
153 A -- men.
154 }
155 
156 altoM = {
157      \autoBeamOff
158 %% 1-4
159    d'4.( b4) fis'2.. | r8 g'4.( e'4) a'2. | b'1 r2 | R1. | \break
160 %% 5-8
161    R1. | R1. | b'4( a'8 g' fis' g') a'4 b'4. r8 | a'2 b'1 | \break
162 %% 9-12
163    R1. * 4 | \break
164 %% 13-16
165    fis'1 fis'4. r8 | g'2 b'1 | R1. | R1. | \break
166 %% 17-19
167    R1. * 3 | \break
168 %% 20-22
169    fis'8 r8 fis'2 e'8 fis' g'2 ~ | g'2 r8 fis'4. g'2 | a'2 fis'2.. r8 |
170 %% 23-26
171    e'2.. d'2 r8 | r2 e'1 | fis'1. | R1. | \break
172 %% 27-30
173    r4. fis'2. fis'4. | r4 g'4( a') b'2. | fis'2.. r8 g'2 | a'2 b'1 | \break
174 %% 31-35
175    b1 cis'2 | d'2 e'2. fis'4( | e' d' cis'4.) r4. b4 ~ |
176    b4 b4. cis'4 d'4. e'4( | e'4.) r8 e'1 | \break
177 %% 36-40
178    cis'1 cis'4. r8 | cis'1  r4 d'4 ~ | d'2 e'1 | r2. fis'2. |  fis'1. | \break
179 %% 41-42
180     \time 2/1 r1 d'1 ~ | d'\breve | \time 4/1 b\longa | \time 3/2 \bar "|."
181 }
182 
183 %%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%%
184 tenor = { \hide Staff.BarLine
185      \autoBeamOff
186 %% 1-4
187    b4.( g4) cis'2.. | r8 d'4.( b4) e'2. | fis'1 r2 | R1. | \break
188 %% 5-8
189    R1. | R1. | fis'4( e'8 d' cis' d') e'4 fis'4. r8 | e'2 fis'1 | \break
190 %% 9-12
191    R1. * 4 | \break
192 %% 13-16
193    R1. | R1. | cis'1 cis'4. r8 | b2 d'1 | \break
194 %% 17-19
195    R1. * 3 | \break
196 %% 20-22
197    fis8 r8 fis2 e8 fis g2 ~ | g2 r8 fis4. g2 | a2 fis2.. r8 |
198 %% 23-26
199    g2.. fis2 r8 | r2 g1 | a1. | R1.^\fermataMarkup | \break
200 %% 27-30
201    r4. fis2. fis4. | r4 g4( a) b2. | fis2.. r8 g2 |
202    a2 b1 | \break
203 %% 31-35
204    cis'2 cis'2. r4 | r8 d'1 e'4. | fis'4.( fis'1) r8 | cis'4 cis'2 d'4 e' fis'( |
205    fis'4.) r8 fis'1 | \break
206 %% 36-40
207    cis'2. cis' | r4 cis'1 r4 | a1. | r2. b2. |  cis'1. | \break
208 %% 41-43
209     \time 2/1 r1 b1 ~ | b\breve |
210          \override DynamicTextSpanner #'style = #'dotted-line
211          \set decrescendoText = \markup { \teeny \italic "decresc" }
212          \set decrescendoSpanner = #'text
213     \time 4/1 g\longa * 1/4^\> s\longa * 2/4 s\longa * 1/4\! |
214     \time 3/2    \undo \hide Staff.BarLine \bar "|." \break
215 }
216 
217 tenorL = \lyricmode {
218      \override Score . LyricText #'font-shape = #'italic
219      \tiny
220 A -- ve Ma -- ri -- a, gra -- ti -- a ple -- na,
221 Do -- minus te -- cum,
222 %%Benedicta tu in mulieribus,
223 et be -- ne -- di -- ctus fru -- ctus ven -- tris tu -- i Je -- sus.
224 San -- cta Ma -- ri -- a ma -- ter Dei,
225 o -- ra pro no -- bis pec -- ca -- to -- ri -- bus, nunc,
226 et in hora mortis nos -- trae.
227 A -- men.
228 }
229 
230 tenorM = {
231      \autoBeamOff
232 %% 1-4
233    b4.( g4) cis'2.. | r8 d'4.( b4) e'2. | fis'1 r2 | R1. | \break
234 %% 5-8
235    R1. | R1. | fis'4( e'8 d' cis' d') e'4 fis'4. r8 | e'2 fis'1 | \break
236 %% 9-12
237    R1. * 4 | \break
238 %% 13-16
239    R1. | R1. | cis'1 cis'4. r8 | b2 d'1 | \break
240 %% 17-19
241    R1. * 3 | \break
242 %% 20-22
243    fis8 r8 fis2 e8 fis g2 ~ | g2 r8 fis4. g2 | a2 fis2.. r8 | \break
244 %% 23-26
245    g2.. fis2 r8 | r2 g1 | a1. | R1.^\fermataMarkup | \break
246 %% 27-30
247    r4. fis2. fis4. | r4 g4( a) b2. | fis2.. r8 g2 |
248    a2 b1 | \break
249 %% 31-35
250    cis'2 cis'2. r4 | r8 d'1 e'4. | fis'4.( fis'1) r8 | cis'4 cis'2 d'4 e' fis'( |
251    fis'4.) r8 fis'1 | \break
252 %% 36-40
253    cis'2. cis' | r4 cis'1 r4 | a1. | r2. b2. |  cis'1. | \break
254 %% 41-43
255     \time 2/1 r1 b1 ~ | b\breve | \time 4/1 g\longa | \time 3/2 \bar "|."
256 }
257 
258 %%%%%%% bass; part %%%%%%%%%%%%%%%%
259 bass = { \hide Staff.BarLine
260    \autoBeamOff
261 %% 1-4
262    fis4( e d) fis2. ~ | fis4 r8 g4( fis e) g4. | a1 r2 | a2.( g4) a2 | \break
263 %% 5-8
264     b2.. r8 a2( | g8 fis8 g a) b1 | R1. | R1. | \break
265 %% 9-12
266    R1. | R1. | b,1 b,4. r8 | cis2 e1 | \break
267 %% 13-16
268    R1. * 4 | \break
269 %% 17-19
270    fis2 e8 fis g2. | fis4 e8 fis4 g a4. g4 ~ | g4 fis1 r4 | \break
271 %% 20-22
272    R1. * 3 | \break
273 %% 23-26
274    e2.. d2 ~ d8 ~ | d4. r8 e1 | fis1. | R1.^\fermataMarkup | \break
275 %% 27-30
276    cis1 cis4. r8 | d4 e2. cis2 ~ | cis2 r4. d4. e4( | fis4.) r8 fis1 | \break
277 %% 31-35
278    b1 b2 | r8 b1 b4. | cis'4.( cis'1) r8 | fis4 fis4. g4 a4. b4( |
279    b4.) r8 cis'1 | \break
280 %% 36-40
281    fis2. fis | r4 fis1 r4 | d1. | r2. e2. |  fis1. | \break
282 %% 41-43
283     \time 2/1 r1 fis1 ~ | fis\breve |
284          \override DynamicTextSpanner #'style = #'dotted-line
285          \set decrescendoText = \markup { \teeny \italic "decresc" }
286          \set decrescendoSpanner = #'text
287     \time 4/1 e\longa * 1/4^\> s\longa * 2/4 s\longa * 1/4\! |
288     \time 3/2    \undo \hide Staff.BarLine \bar "|." \break
289 }
290 
291 bassL = \lyricmode {
292     \override Score . LyricText #'font-shape = #'italic
293     \tiny
294 A -- ve Ma -- ri -- a, gra -- ti -- a ple -- na,
295 Do -- minus te -- cum,
296 be -- ne -- di -- cta tu in mu -- li -- e -- ri -- bus,
297 %%et benedictus fructus ventris
298 tu -- i Je -- sus.
299 San -- cta Ma -- ri -- a ma -- ter Dei,
300 o -- ra pro no -- bis pec -- ca -- to -- ri -- bus, nunc,
301 et in hora mortis nos -- trae.
302 A -- men.
303 }
304 
305 bassM = {
306    \autoBeamOff
307 %% 1-4
308    fis4( e d) fis2. ~ | fis4 r8 g4( fis e) g4. | a1 r2 | a2.( g4) a2 | \break
309 %% 5-8
310     b2.. r8 a2( | g8 fis8 g a) b1 | R1. | R1. | \break
311 %% 9-12
312    R1. | R1. | b,1 b,4. r8 | cis2 e1 | \break
313 %% 13-16
314    R1. * 4 | \break
315 %% 17-19
316    fis2 e8 fis g2. | fis4 e8 fis4 g a4. g4 ~ | g4 fis1 r4 | \break
317 %% 20-22
318    R1. * 3 | \break
319 %% 23-26
320    e2.. d2 ~ d8 ~ | d4. r8 e1 | fis1. | R1.^\fermataMarkup | \break
321 %% 27
322    cis1 cis4. r8 | d4 e2. cis2 ~ | cis2 r4. d4. e4( | fis4.) r8 fis1 | \break
323 %% 31-35
324    b1 b2 | r8 b1 b4. | cis'4.( cis'1) r8 | fis4 fis4. g4 a4. b4( |
325    b4.) r8 cis'1 | \break
326 %% 36-40
327    fis2. fis | r4 fis1 r4 | d1. | r2. e2. |  fis1. | \break
328 %% 41-43
329     \time 2/1 r1 fis1 ~ | fis\breve | \time 4/1 e\longa | \time 3/2 \bar "|."
330 }
331 
332 
333 %%%%%%%%%% sheet and midi music code part %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
334 %% get sheet music ---------------------------------------------------------------
335 \score {
336          <<
337 %%           \context ChoirStaff = "FourPartStaffaddchorus" <<
338 %% use \hide Staff.BarLine
339   \context StaffGroup <<
340            \new Voice = "soprano" { \clef soprano \key d\major \time 3/2
341                         \set Staff.instrumentName = "soprano" \soprano }
342                         \new Lyrics = "mainSL" \lyricsto "soprano" { \sopranoL }
343 
344            \new Voice = "alto" { \clef alto \key d\major \time 3/2
345                         \set Staff.instrumentName = "alto   " \alto }
346                         \new Lyrics = "mainAL" \lyricsto "alto" { \altoL }
347 
348            \new Voice = "tenor" { \clef tenor \key d\major \time 3/2
349                         \set Staff.instrumentName = "tenor  " \tenor }
350                         \new Lyrics = "mainTL" \lyricsto "tenor" { \tenorL }
351 
352            \new Voice = "bass" { \clef bass \key d\major \time 3/2
353                         \set Staff.instrumentName = "bass   " \bass }
354                         \new Lyrics = "mainBL" \lyricsto "bass" { \bassL }
355                                            >>
356 
357            %%\context PianoStaff = "PianoStaff" <<
358            %%\new Voice = "piano" { \clef treble \key d\major \time 3/2
359            %%             \set Staff.instrumentName = "piano  " \pianoUP }
360            %%\new Voice = "piano" { \clef bass \key d\major \time 3/2
361            %%             \set Staff.instrumentName = "piano  " \pianoDown }
362            %%                                   >>
363 
364          >>
365   \layout {
366             \context { \RemoveEmptyStaffContext
367                        \override VerticalAxisGroup #'remove-first = ##t }
368            }
369 }
370 
371 %% get midi music ----------------------------------------------------------------
372 \score {
373          <<
374            \new Staff { \clef soprano \key d\major \time 3/2 \tempo 4 = 58
375                          \set Staff.midiInstrument = "pad 2 (warm)"
376                                          \unfoldRepeats       \sopranoM }
377 
378            \new Staff { \clef alto \key d\major \time 3/2 \tempo 4 = 58
379                          \set Staff.midiInstrument = "pad 2 (warm)"
380                                          \unfoldRepeats          \altoM }
381 
382            \new Staff { \clef tenor \key d\major \time 3/2 \tempo 4 = 58
383                          \set Staff.midiInstrument = "pad 2 (warm)"
384                                          \unfoldRepeats       \tenorM }
385 
386            \new Staff { \clef bass \key d\major \time 3/2 \tempo 4 = 58
387                         \set Staff.midiInstrument = "pad 2 (warm)"
388                                          \unfoldRepeats          \bassM }
389 
390            %%\new Staff { \clef treble \key d\major \time 3/2 \tempo 4 = 58
391            %%             \set Staff.midiInstrument = "acoustic grand"
392            %%                                \unfoldRepeats       \pianoUPm }
393            %%\new Staff { \clef bass \key d\major \time 3/2 \tempo 4 = 58
394            %%             \set Staff.instrumentName = "acoustic grand"
395            %%                                \unfoldRepeats     \pianoDownm }
396          >>
397 
398    \midi { tempoWholesPerMinute = #(ly:make-moment 58 4) }
399 }
400 \markup { " " }
401 \markup { " " }
402 \markup { \column { \line {
403 About location \hspace #3 \musicglyph #"noteheads.uM2"(longa) \hspace #2 and \hspace #3 \musicglyph #"noteheads.sM1"(breve) }
404 \line { \italic " Please, Breath of longa and breve do in the members alternating(But, like Don't stand out). " } } }
405 \markup { " " }
406 \markup { " " }
407 \pageBreak
408 \markup { " " }
409 \markup { \column { \line { \bold "Luke 1"\teeny "(Bilingual Bible-English-)"
410               \hspace #28 \bold "Ave Maria"\teeny "(Latin)" }
411           \line { \small --Source of Ave Maria--} } }
412 \markup {%%column * 2
413 \fill-line {
414  \column { \bold
415  \line { \italic \small
416    \column {
417 \teeny "1-28)"
418 " The angel went to her and said,"
419 "\"Greetings, you who are highly favored!"
420 " The Lord with you.\""
421 \teeny "1-42)"
422 " In a loud voice she exclaimed:"
423 "\"Blessed are you among women, and"
424 " blessed is the child you will bear!.....\""
425 " "
426             }
427 \hspace #20
428    \column { \bold \italic
429       \column {
430 " "
431 " "
432 "Ave Maria, gratia plena,"
433 "Dominus tecum,"
434 "    benedicta tu in mulieribus,"
435 "    et benedictus fructus ventris tui Jesus."
436 " "
437 \teeny \normal-text "          (Posterity, additional statements by the Franciscan)"
438 "Sancta Maria mater Dei,"
439 "    ora pro nobis peccatoribus, nunc,"
440 "    et in hora mortis nostrae."
441 " "
442 "Amen."
443             } }
444         }
445 }}}
446 \markup { " " }
447 \markup { " " }
448 %% \pageBreak
449 \markup { \vspace #2 }
450 \markup { \line \smallCaps { Luke \tiny {(THE HOLY BIBLE, NEW INTERNAONAL VERSION)
451 }} }
452 \markup { \hspace #20 \column {
453           \line \smallCaps {Luke 1 \teeny {--excerpted this paragraph--}}
454 \hspace #0
455 \hspace #0
456 
457 \line \bold\italic { \hspace #6 The Birth of Jesus Foretold }
458 \line {....................}
459 \override #'(line-width . 60)
460 \wordwrap \italic {
461 \concat{ " "\super 28 }The angel went to her and said, ``Greetings, you who are
462 highly favored! The Lord is with you.''}
463 \hspace #0
464 \hspace #0
465 
466 \line \bold\italic { \hspace #6 Mary Visits Elizabeth }
467 \line {....................}
468 \override #'(line-width . 60)
469 \wordwrap \italic {
470 \concat{ " "\super 42 }In a loud voice she exclaimed: ``Blessed are you among woman.
471 and blessed is the child you will bear!''}
472 \hspace #0
473 \hspace #0
474 \hspace #0
475 
476 \line \bold\italic { \hspace #6 Mary's Song }
477 \column \italic {
478 \line { \concat{ " "\super 46 }And Mary said: }
479 "`` My soul glorifies the Lord"
480 \line { \concat{ " "\super 47 }"  "and my spirit rejoices in God my savior,}
481 \line { \concat{ " "\super 48 }for he has been mindful}
482 "       of the humble state of his servant."
483 "     From now on all generations will call me blessed,"
484 \line { \concat{ " "\super 49 }"    "for the Mighty One has done great things for}
485 \line{"                       "me \raise #.5 \draw-line #'(2 . 0)}
486 "         holy is his name."
487 \line { \concat{ " "\super 50 }His mercy extends to those who fear him,}
488 "         from generation to generation."
489 \line { \concat{ " "\super 51 }He has performed mighty deeds with his arm:}
490 "         he has scattered those who are proud in thier inmost thoughts."
491 \line { \concat{ " "\super 52 }He has brought down rulers from their thrones}
492 "         but has liftd up the humble."
493 \line { \concat{ " "\super 53 }He has filled the hungry with good things}
494 "         but has sent the rich away empty."
495 \line { \concat{ " "\super 54 }He has helped his servant Israel,}
496 "         remembering to be merciful"
497 \line { \concat{ " "\super 55 }to Abraham and his descendants forever,}
498 "         even as he said to our fathers.''"
499 \line { \concat{ " "\super 56 }"   "Mary stayed with Elizabeth for about three
500 months and then returned home.}
501 }
502 }}