1 %% 3:55 AM Tuesday, January 18, 2022
  2 %% Yukio Yoshida
  3 %% Jan 08, 2012(So,To the personal injury.)
  4 %%% --- when "\time 3/2" Don't use! "R1." ---
  5 %%% --- Normality; Don't put bar's line at in lyricsmode!!
  6 \version "2.22.1"
  7 #(set-default-paper-size "letter")
  8 #(set-global-staff-size 18)
  9 
 10 \paper {
 11         %%ragged-last-bottom = ##f
 12 }
 13 
 14 VoiceColorBlue = {
 15                    %%\override Staff.BarLine #'color = #blue
 16                    \override Voice.NoteHead #'color = #blue
 17                    \override Voice.Rest #'color = #blue
 18                    \override Voice.Stem #'color = #blue
 19                    \override Voice.Flag #'color = #blue
 20                    \override Voice.Beam #'color = #blue
 21                    \override Voice.Slur #'color = #blue
 22                    \override Voice.Tie #'color = #blue
 23                    \override Voice.Dots #'color = #blue
 24                    \override Voice.TupletNumber #'color = #blue
 25                    \override Voice.TupletBracket #'color = #blue
 26 }
 27 VoiceNeutral = {
 28                    %%\revert Staff.BarLine #'color
 29                    \revert Voice.NoteHead #'color
 30                    \revert Voice.Rest #'color
 31                    \revert Voice.Stem #'color
 32                    \revert Voice.Flag #'color
 33                    \revert Voice.Beam #'color
 34                    \revert Voice.Slur #'color
 35                    \revert Voice.Tie #'color
 36                    \revert Voice.Dots #'color
 37                    \revert Voice.TupletNumber #'color
 38                    \revert Voice.TupletBracket #'color
 39 }
 40 VoiceMelismaPart = {
 41                     \autoBeamOff
 42                       %%\override Voice.Stem #'transparent = ##t
 43                       \override Voice.Stem #'font-size = #-3
 44                       \override Voice.Stem #'color = #blue
 45                       \override Voice.Flag #'color = #blue
 46                       \override Voice.NoteHead #'color = #blue
 47                       \override Voice.NoteHead #'style = #'petrucci
 48                       \override Voice.Tie #'color = #blue
 49                       \override Voice.Dots #'color = #blue
 50 }
 51 EndPart = {
 52                %%\revert Voice.Stem #'transparent
 53                \revert Voice.Stem #'font-size
 54                \revert Voice.Stem #'color
 55                \revert Voice.Flag #'color
 56                \revert Voice.NoteHead #'color
 57                \revert Voice.NoteHead #'style
 58                \revert Voice.Tie #'color
 59                \revert Voice.Dots #'color
 60 }
 61 Instruments=^\markup { \teeny \italic \with-color #blue "instruments" }
 62 
 63 \header {
 64  dedication = "From Réquiem-ceremony"
 65  title = "AGNUS DEI"
 66  %%subtitle = #(string-append "LilyPond version " (lilypond-version))
 67  subtitle = \markup { c major(\italic "c d e f g a b") }
 68  subsubtitle = \markup{\center-column {
 69                    "soprano; C clef on 1st line,       alto; C clef on 3rd line."
 70                    "       bass; F clef on 4th line,    tenor; C clef on 4th line."}}
 71  composer = \markup{ \line {\italic "Yukio Yoshida"}}
 72  arranger = \markup { \column { "Mar, 2012" "Op.68" } }
 73  poet = " "
 74  %%opus = "Op.68"
 75  meter = \markup { \italic "prayer(keeping mind's wither)" }
 76  copyright = "public Domain"
 77 }
 78 
 79 
 80 %%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%%
 81 %%% --- Don't use! "R1." ---
 82 soprano = {
 83    \autoBeamOff
 84 \partial 2 r2 %% ^\markup { \column { \line { \hspace #-10
 85               %% \override #'(style . petrucci) \with-color #blue
 86               %%         { \fontsize #-1 \note #"8" #UP } =
 87               %%   \note-by-number #3 #0 #UP (eighth note)
 88               %%             And, Only-Play; \with-color #blue "Instrument parts" }
 89               %%   \line { " " } } }
 90 %% 1-4
 91    r2 g'1\melisma  | g'1.\melismaEnd  |
 92    g'2 a'\melisma
 93    << { \VoiceMelismaPart {
 94         b'8^\markup {
 95              \teeny \with-color #blue \italic "One or Two; instruments" }
 96             c'' b' c'' ~ |
 97         c'' b' c'' b' c'' b' c'' b'\EndPart } } \\ {g'2 | a'1 } >>
 98                                                            \melismaEnd b'2 | \break
 99 %% 5-9
100    c''1 b'2\melisma |
101    << { \VoiceMelismaPart {
102         d''8^\markup { \teeny \with-color #blue \italic "One or Two; instruments" }
103                                        c'' d'' c'' d'' c''\EndPart } } \\
104       { b'2. } >> \melismaEnd d''2. | c''2 d'' e'' | c''1 d''2 ~ |
105    d''2 << { r1 } \\
106            { \override NoteHead #'color = #blue d''1_\Instruments } >> | \break
107 %% 10-14
108    g'2. a' | g'2. a' \breathe | b'\( c'' | d''1.\)^\fermata |
109    << { r1. } \\
110       { \override NoteHead #'color = #blue <d' d''>1._\Instruments } >> | \break
111 %% 15-19
112    \VoiceColorBlue {
113    <d'' b' g'>8[^\markup { \hspace #-6
114        \italic \with-color #blue "Only; Instruments" }
115    <c'' a' f'> <b' g' e'>] ~ <b' e'>4. <b' g' e'>8[ <a'  f' d'> <g' e' c'>] ~
116    <g' c'>4. |
117    <c' e' g'>16[ <d' f' a'> <e' g' b'> <f' a' c''>8.] ~ <f' c''>4.
118    <g' b' d''>16[ <a' c'' e''> <b' d'' f''> < c'' e'' g''>8.] ~ <c'' g''>4. |
119    <c'' a' f'>1. | <a' f' d'>2 < g' e' c'> ~ <e' c'> ~ |
120    <c' c''>2. <d' f' a'> } \VoiceNeutral | \break
121 %% 20-25
122    a'1. | b'2\melisma a'4\melismaEnd b'\melisma c'' d''\melismaEnd | e''1. |
123    g'4.\melisma f'8 g'4 a'4\melismaEnd b'2 | c''2. d'' | e'' d'' | \break
124 %% 26-29
125    e''2 f''1 | e''4. f''4. e''2. | e''4 f''2 f''2. | g''1.^\fermata | \break
126 %% 30-34
127    \VoiceColorBlue {
128    r2.^\markup {\hspace #-6 \italic \column { \with-color #blue "Only; Instruments."
129          "  [If you can, then do `SopranoSolo humming' with something hight note for through in this area(30~34).]" } }
130    g''2 < a'' e''>4 | <e'' b'> <b' f'> <f' c'> c'2. ~ | c'1. ~ |
131    <c' e' g'>2 ~ <e' g' b'> ~ <g' b' d''> ~ | <g' b' d''>1. } \VoiceNeutral | \break
132 %% 35-39
133    c''2 c'' c'' | c''2.^\fermata r2. | a'2 a' a' | a'1^\fermata r2 |
134    << {r4}\\{\VoiceColorBlue g'4_\Instruments \VoiceNeutral} >> g'4. a'2.. | \break
135 %% 40-44
136    b'1 << {r8}\\{\VoiceColorBlue b'8_\Instruments \VoiceNeutral} >> c''4. |
137    d''2. e''4 << {r2}\\{\VoiceColorBlue e''2_\Instruments \VoiceNeutral} >> |
138    f''1 f''2( | g''1.) | c''2. c''4 b'2 ~ | \break
139 %% 45-47
140    b'2 c''1 | b'2. b' |
141    c''1.^\fermata
142         _\markup { \hspace #-4 \tiny
143        \italic \with-color #blue "Playing musical instruments end up here(47 bar)." }
144    \time 4/1 | \break
145 %% 48 --- Only; Chours ----
146    c''2^\markup { \hspace #-8 \column { \italic \with-color #red "Only; Chorus."
147         \italic \with-color #red "            Solo" } } c''4 c'' c''2. r2
148    <g' c''>2^\markup { \italic \with-color #red "Tutti" }
149    <g' c''>4 <g' c''>4 <g' c''>2. ~ | \time 3/2 <g' c''>1^\fermata \bar "|."
150 }
151 
152 sopranoL = \lyricmode {
153 %% Normalty; Don't put bar's line at in lyricsmode!!
154 %% (But, this has that.)
155     \override Score . LyricText #'font-shape = #'italic
156     \tiny
157 A -- gnus Dé -- i, qui tól -- lis pec -- cá -- ta mún -- di:
158 dó -- na é -- is ré -- qui -- em.
159 
160 \skip 2. \skip 2. | \skip 2. \skip 2. | \skip 1. |
161 \skip 2 \skip 2 %% ~ \skip 2 ~ | \skip 2.
162 \skip 2. |
163 
164 A -- gnus ____ i, qui __ tól -- lis pec -- cá -- ta mún -- di:
165 dó -- na é -- is ré -- qui -- em.
166 
167 \skip 2 \skip 4 | \skip 4 \skip 4 \skip 4 \skip 2. |
168 
169 A -- gnus Dé -- i,
170 A -- gnus Dé -- i, qui tól -- lis pec -- cá -- ta mún -- di: __
171 dó -- na é -- is ré -- qui -- em
172 %% Playing musical instruments end up here.
173 %% Only; Chorus.
174 sem -- pi -- tér -- nam, %% Solo
175 sem -- pi -- tér -- nam. %% Tutti
176 }
177 
178 sopranoM = {
179     \autoBeamOff
180 \partial 2 r2
181 %% 1-4
182    r2 g'1\melisma  | g'1.\melismaEnd  |
183    g'2 a'\melisma << { b'8 c'' b' c'' ~ | c'' b' c'' b' c'' b' c'' b' } \\
184                                    {g'2 | a'1 } >> \melismaEnd b'2 | \break
185 %% 5-9
186    c''1 b'2\melisma |
187    << { d''8 c'' d'' c'' d'' c'' } \\ { b'2. } >> \melismaEnd d''2. |
188    c''2 d'' e'' | c''1 d''2 ~ | d''2 << { r1 } \\ { d''1 } >> | \break
189 %% 10-14
190    g'2. a' | g'2. a' \breathe | b'\( c'' | d''1.\)^\fermata |
191    << { r1. } \\ { <d' d''>1. } >> | \break
192 %% 15-19
193    <d'' b' g'>8[ <c'' a' f'> <b' g' e'>] ~ <b' e'>4. <b' g' e'>8[ <a'  f' d'>
194    <g' e' c'>] ~ <g' c'>4. |
195    <c' e' g'>16[ <d' f' a'> <e' g' b'> <f' a' c''>8.] ~ <f' c''>4.
196    <g' b' d''>16[ <a' c'' e''> <b' d'' f''> < c'' e'' g''>8.] ~ <c'' g''>4. |
197    <c'' a' f'>1. | <a' f' d'>2 < g' e' c'> ~ <e' c'> ~ |
198    <c' c''>2. <d' f' a'> | \break
199 %% 20-25
200    a'1. | b'2\melisma a'4\melismaEnd b'\melisma c'' d''\melismaEnd | e''1. |
201    g'4.\melisma f'8 g'4 a'4\melismaEnd b'2 | c''2. d'' | e'' d'' | \break
202 %% 26-29
203    e''2 f''1 | e''4. f''4. e''2. | e''4 f''2 f''2. | g''1.^\fermata | \break
204 %% 30-34
205    r2. g''2 < a'' e''>4 | <e'' b'> <b' f'> <f' c'> c'2. ~ | c'1. ~ |
206    <c' e' g'>2 ~ <e' g' b'> ~ <g' b' d''> ~ | <g' b' d''>1. | \break
207 %% 35-39
208    c''2 c'' c'' | c''2.^\fermata r2. | a'2 a' a' | a'1^\fermata r2 |
209    << {r4}\\{g'4} >> g'4. a'2.. | \break
210 %% 40-44
211    b'1 << {r8}\\{b'8} >> c''4. | d''2. e''4 << {r2}\\{e''2} >> |
212    f''1 f''2( | g''1.) | c''2. c''4 b'2 ~ | \break
213 %% 45-47
214    b'2 c''1 | b'2. b' | c''1.^\fermata \time 4/1 | \break
215 %% 48-
216 %%%%% End; Playing musical instruments end up here.
217    c''2 c''4 c'' c''2. r2 <g' c''>2 <g' c''>4 <g' c''>4 <g' c''>2. ~ |
218    \time 3/2 <g' c''>1^\fermata \bar "|."
219 }
220 
221 
222 %%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%%%
223 %%% --- Don't use! "R1." ---
224 alto = {
225     \autoBeamOff
226 \partial 2 r2
227 %% 1-4
228    r2 d'2\melisma
229    << { \VoiceMelismaPart {
230        f'8^\markup {
231              \teeny \with-color #blue \italic "One or Two; instrument" }
232            g' f' g' ~ |
233        g' f' g' f' g' f' g' f'\EndPart } } \\ { d'2 | d'1 } >>\melismaEnd e'2 |
234    d'2. c' | d'1 c'2 ~ | \break
235 %% 5-9
236    c'1 r8 d'4. | e'2. c' | d' e' | f'1 g'2 ~ |
237    g'2 << { r1 } \\
238           { \override NoteHead #'color = #blue g'1_\Instruments } >> | \break
239 %% 10-14
240    c'2 d'1 | c'2 d'1 \breathe | e'2\( f'1 | g'1.\)^\fermata |
241    << { r1. } \\
242       { \override NoteHead #'color = #blue <g g'>1._\Instruments } >> | \break
243 %% 15-19
244    \VoiceColorBlue {
245    <f c'>4.~ <f a c'>16[ <g b d'> <a c' e'> <b d' f'>8.] ~
246    <b f'>4. <c' e' g'>16[ <d' f' a'> <e' g' b'> <f' a' c''>8.] ~ |
247    <f' c''>4. <a' f' d'>8[ <g' e' c'> <f' d' b>] ~
248    <f' b>4. <e' c' a>8[ <d' b g> <c' a f>] | <c' e' g'>1. |
249    <e' g' b'>2 <f' a' c''> ~ <a' c''> ~ |
250    <c' c''>2. <d' f' a'> } \VoiceNeutral | \break
251 %% 20-25
252    e'2\melisma d'4 e' f' g'\melismaEnd | g'2 f'1\melisma |
253    g'2\melismaEnd a'1 | g8\melisma f g a b c'\melismaEnd d'2. |
254    e'4 f'4\melisma e'8 d' c' b\melismaEnd c'2 | d'1. | \break
255 %% 26-29
256    f8\melisma g a b c' d'\melismaEnd d'2. | c'2 d'4 e'2 f'4 |
257    g'1 a'2 | b'1.^\fermata | \break
258 %% 30-34
259    \VoiceColorBlue {
260    r2. b'2 <c'' g'>4  | <g' d'> <d' a> <a e> e2. ~ | e1. ~ |
261    <e g b>2 ~ <g b d'> ~ <b d' f'> ~ | <b d' f'>1. } \VoiceNeutral | \break
262 %% 35-39
263    g'2 g' g' | g'2.^\fermata r2. | e'2 e' e' | e'1^\fermata r2 |
264    << {r4}\\{\VoiceColorBlue d'4_\Instruments \VoiceNeutral} >> d'4. e'2.. | \break
265 %% 40-43
266    f'1 << {r8}\\{\VoiceColorBlue f'8_\Instruments \VoiceNeutral} >> g'4. |
267    a'2. b'4 << {r2}\\{\VoiceColorBlue b'2_\Instruments \VoiceNeutral} >> |
268    c''1 d''2( | e''1.) | a'2. a'4 g'2 ~ | \break
269 %% 45-47
270    g'2 a'1 | g'2. g' |
271    a'1.^\fermata
272         _\markup { \hspace #-4 \tiny
273        \italic \with-color #blue "Playing musical instruments end up here(47 bar)." }
274    \time 4/1 | \break
275 %% 48 --- Only; Chours ----
276    a'2^\markup {\italic \with-color #red "Solo" } a'4 a' a'2. r2
277    <e' a'>2^\markup { \italic \with-color #red "Tutti" }
278    <e' a'>4 <e' a'>4 <e' a'>2. ~ | \time 3/2 <e' a'>1^\fermata \bar "|."
279 }
280 
281 altoL = \lyricmode {
282 %% Normalty; Don't put bar's line at in lyricsmode!!
283     \override Score . LyricText #'font-shape = #'italic
284     \tiny
285 A -- gnus Dé -- i qu -- i tól -- lis pec -- cá -- ta mún -- di:
286 dó -- na é -- is ré -- qui -- em.
287 
288 \skip 2. \skip 2. \skip 2. \skip 2. \skip 1.
289 \skip 2 \skip 2 %% ~ \skip 2 ~ \skip 2.
290 \skip 2.
291 
292 A __ gnus Dé __ i, qui __ tól -- lis pec __ cá -- ta mún __ di:
293 dó -- na é -- is ré -- qui -- em.
294 
295 \skip 2. \skip 4 | \skip 4 \skip 4 \skip 4 \skip 2. |
296 
297 A -- gnus Dé -- i,
298 A -- gnus Dé -- i, qui tól -- lis pec -- cá -- ta mún -- di: __
299 dó -- na é -- is ré -- qui -- em
300 %% Playing musical instruments end up here.
301 %% Only; Chorus.
302 sem -- pi -- tér -- nam, %% Solo
303 sem -- pi -- tér -- nam. %% Tutti
304 }
305 
306 altoM = {
307      \autoBeamOff
308 \partial 2 r2
309 %% 1-4
310    r2 d'2\melisma << { f'8 g' f' g' ~ | g' f' g' f' g' f' g' f' } \\
311                               { d'2 | d'1 } >> \melismaEnd e'2 |
312    d'2. c' | d'1 c'2 ~ | \break
313 %% 5-9
314    c'1 r8 d'4. | e'2. c' | d' e' | f'1 g'2 ~ |
315    g'2 << { r1 } \\ { g'1 } >> | \break
316 %% 10-14
317    c'2 d'1 | c'2 d'1 \breathe | e'2\( f'1 | g'1.\)^\fermata |
318    << { r1. } \\ { <g g'>1.} >> | \break
319 %% 15-19
320    \VoiceColorBlue {
321    <f c'>4.~ <f a c'>16[ <g b d'> <a c' e'> <b d' f'>8.] ~
322    <b f'>4. <c' e' g'>16[ <d' f' a'> <e' g' b'> <f' a' c''>8.] ~ |
323    <f' c''>4. <a' f' d'>8[ <g' e' c'> <f' d' b>] ~
324    <f' b>4. <e' c' a>8[ <d' b g> <c' a f>] | <c' e' g'>1. |
325    <e' g' b'>2 <f' a' c''> ~ <a' c''> ~ |  <c' c''>2. <d' f' a'> } | \break
326 %% 20-25
327    e'2\melisma d'4 e' f' g'\melismaEnd | g'2 f'1\melisma |
328    g'2\melismaEnd a'1 | g8\melisma f g a b c'\melismaEnd d'2. |
329    e'4 f'4\melisma e'8 d' c' b\melismaEnd c'2 | d'1. | \break
330 %% 26-29
331    f8\melisma g a b c' d'\melismaEnd d'2. | c'2 d'4 e'2 f'4 |
332    g'1 a'2 | b'1.^\fermata | \break
333 %% 30-34
334    r2. b'2 <c'' g'>4  | <g' d'> <d' a> <a e> e2. ~ | e1. ~ |
335    <e g b>2 ~ <g b d'> ~ <b d' f'> ~ | <b d' f'>1. | \break
336 %% 35-39
337    g'2 g' g' | g'2.^\fermata r2. | e'2 e' e' | e'1^\fermata r2 |
338    << {r4}\\{d'4} >> d'4. e'2.. | \break
339 %% 40-44
340    f'1 << {r8}\\{f'8} >> g'4. | a'2. b'4 << {r2}\\{b'2} >> |
341    c''1 d''2( | e''1.) | a'2. a'4 g'2 ~ | \break
342 %% 45-47
343    g'2 a'1 | g'2. g' | a'1. \time 4/1 | \break
344 %% 48
345 %%%%% End; Playing musical instruments end up here.
346    a'2 a'4 a' a'2. r2
347    <e' a'>2 <e' a'>4 <e' a'>4 <e' a'>2. ~ | \time 3/2 <e' a'>1^\fermata \bar "|."
348 }
349 
350 
351 %%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%%
352 %%% --- Don't use! "R1." ---
353 tenor = {
354    \autoBeamOff
355 \partial 2 r2
356 %% 1-4
357    b2\melisma c'1 ~ | c'2 b1\melismaEnd | c'1. | b1 b2| \break
358 %% 5-9
359    c'2. d'2 e'4 ~ | e'4 d'1 c'4 ~ | c'4 c'2 c'2. | d'1 e'2 ~ |
360    e'2 << { r1 } \\
361                { \override NoteHead #'color = #blue e'1_\Instruments } >> | \break
362 %% 10-14
363    g2. a | g a \breathe | b2\( c'1 | d'1.\)^\fermata |
364    << { r1. } \\
365       { \override NoteHead #'color = #blue <d d'>1._\Instruments } >> | \break
366 %% 15-19
367    \VoiceColorBlue {
368    <c c'>2. <d d'> | \times 2/3 { <e e'>2 < f f'> <g g'> } <f f'>2 ~ |
369    f'1. ~ | f' ~ | f' } \VoiceNeutral | \break
370 %% 20-25
371    a1 b2 ~ | b2 b2\melisma c' | d'\melismaEnd e'1 |
372    d2 e4\melisma g b d'\melismaEnd | e'2 f'4\melisma g'8 f' e' d' c'4\melismaEnd |
373    e'2. g' | \break
374 %% 26-29
375    e'2. g' | e'8\melisma d' c' b a4\melismaEnd a a2 | b2 c'2. d'4\(~\melisma |
376    d'4( e')\melismaEnd f'1\)^\fermata | \break
377 %% 30-34
378    \VoiceColorBlue {
379    r2. f4 e d ~ |
380    <d f a>8[ <f a c'> <a c' e'>] ~ e'4. ~ <e' c' a>8[ <c' a f> <a f d>] ~ d4. ~ |
381    d16[ e f g] ~ g4 e16[ f g a] ~ \stemUp a4 ~ \stemNeutral a8[ g f e] ~ |
382    e16[ f g a] ~ a4 f16[ g a b] ~ b4 ~ b8[ a g f] ~ | <a f d>1. } | \break
383 %% 35-39
384    \VoiceNeutral
385    c'2 c' c' | c'2.^\fermata r2. | e'2 e' e' | e'1^\fermata r2 |
386    << {r4}\\{\VoiceColorBlue f'4_\Instruments \VoiceNeutral} >> f'4. e'2.. | \break
387 %% 40-44
388    d'1 << {r8}\\{\VoiceColorBlue d'8_\Instruments \VoiceNeutral} >> c'4. |
389    b2. a4 << {r2}\\{\VoiceColorBlue a2_\Instruments \VoiceNeutral} >> |
390    g1 f2( | e1.) | b2. b4 a2 ~ | \break
391 %% 45-47
392    a2 b1 | a2. a |
393    b1.^\fermata
394         _\markup { \hspace #-4 \tiny
395        \italic \with-color #blue "Playing musical instruments end up here(47 bar)." }
396    \time 4/1 | \break
397 %% 48 --- Only; Chours ----
398    b2^\markup {\italic \with-color #red "Solo" } b4 b b2. r2
399    <e' b>2^\markup { \italic \with-color #red "Tutti" }
400    <e' b>4 <e' b>4 <e' b>2. ~ | \time 3/2 <e' b>1^\fermata \bar "|."
401 }
402 
403 tenorL = \lyricmode {
404 %% Normalty; Don't put bar's line at in lyricsmode!!
405     \override Score . LyricText #'font-shape = #'italic
406     \tiny
407 A -- gnus Dé -- i, qu -- i tól -- lis pec -- cá -- ta mún -- di:
408 dó -- na é -- is ré -- qui -- em.
409 
410 \skip 2. \skip 2. \skip 2 \skip 2 \skip 2 \skip 1.
411 %% \skip 2 \skip 2 \skip 2 \skip 2. \skip 2.
412 
413 A -- gnus Dé __ i, qui tól __ lis pec __ cá -- ta mún -- di:
414 dó __ na é -- is ré -- qui __ em.
415 
416 \skip 4 \skip 4 \skip 4 \skip 16 \skip 16
417 
418 A -- gnus Dé -- i,
419 A -- gnus Dé -- i, qui tól -- lis pec -- cá -- ta mún -- di: __
420 dó -- na é -- is ré -- qui -- em
421 %% Playing musical instruments end up here.
422 %% Only; Chorus.
423 sem -- pi -- tér -- nam, %% Solo
424 sem -- pi -- tér -- nam. %% Tutti
425 }
426 
427 tenorM = {
428      \autoBeamOff
429 \partial 2 r2
430 %% 1-4
431    b2\melisma c'1 ~ | c'2 b1\melismaEnd | c'1. | b1 b2 | \break
432 %% 5-9
433    c'2. d'2 e'4 ~ | e'4 d'1 c'4 ~ | c'4 c'2 c'2. | d'1 e'2 ~ |
434    e'2 << { r1 } \\ { e'1 } >> | \break
435 %% 10-14
436    g2. a | g a \breathe | b2\( c'1 | d'1.\)^\fermata |
437    << { r1. } \\ { <d d'>1. } >> | \break
438 %% 15-19
439    <c c'>2. <d d'> | \times 2/3 { <e e'>2 < f f'> <g g'> } <f f'>2 ~ |
440    f'1. ~ | f' ~ | f' | \break
441 %% 20-25
442    a1 b2 ~ | b2 b2\melisma c' | d'\melismaEnd e'1 |
443    d2 e4\melisma g b d'\melismaEnd | e'2 f'4\melisma g'8 f' e' d' c'4\melismaEnd |
444    e'2. g' | \break
445 %% 26-
446    e'2. g' | e'8\melisma d' c' b a4\melismaEnd a a2 | b2 c'2. d'4\( ~ |
447    d'4( e') f'1\)^\fermata | \break
448 %% 30-
449    r2. f4 e d ~ |
450    <d f a>8[ <f a c'> <a c' e'>] ~ e'4. ~ <e' c' a>8[ <c' a f> <a f d>] ~ d4. ~ |
451    d16[ e f g] ~ g4 e16[ f g a] ~ a4 ~ a8[ g f e] ~ |
452    e16[ f g a] ~ a4 f16[ g a b] ~ b4 ~ b8[ a g f] ~ | <a f d>1. | \break
453 %% 35-39
454    c'2 c' c' | c'2.^\fermata r2. | e'2 e' e' | e'1^\fermata r2 |
455    << {r4}\\{f'4} >> f'4. e'2.. | \break
456 %% 40-44
457    d'1 << {r8}\\{d'8} >> c'4. | b2. a4 << {r2}\\{a2} >> | g1 f2( |
458    e1.) | b2. b4 a2 ~ | \break
459 %% 45-47
460    a2 b1 | a2. a | b1. \time 4/1 | \break
461 %% 48
462 %%%%% End; Playing musical instruments end up here.
463    b2 b4 b b2. r2
464    <e' b>2 <e' b>4 <e' b>4 <e' b>2. ~ | \time 3/2 <e' b>1^\fermata \bar "|."
465 }
466 
467 
468 %%%%%%% bass; part %%%%%%%%%%%%%%%%
469 %%% --- Don't use! "R1." ---
470 bass = {
471    \autoBeamOff
472 \partial 2 r2
473 %% 1-4
474    b,1\melisma c2 ~ | c1 b,2\melismaEnd | c1 b,2 | b,2 c1 | \break
475 %% 5-9
476    c2. d2.\melisma |
477    << { \VoiceMelismaPart {
478         f8^\markup { \teeny \with-color #blue \italic "One or Two; instrument" }
479         e f e f e }\EndPart } \\ { d2. } >> \melismaEnd e2. |
480    d2 e f | g1 a2 ~ | a2 << { r1 } \\
481    { \override NoteHead #'color = #blue a1_\Instruments } >> | \break
482 %% 10-14
483    c2 d1 | c2 d1 \breathe | e2.\( f | g1.\)^\fermata |
484    << { r1. } \\
485       { \override NoteHead #'color = #blue <g, g>1._\Instruments } >> | \break
486 %% 15-19
487    \VoiceColorBlue {
488    <f, f>2. <g, g> | \times 2/3 { <a, a>2 <b, b> <c c'> } <b b,>2 ~ |
489    b1. ~ | b ~ | b } \VoiceNeutral | \break
490 %% 20-25
491    e2. f2. ~ | f2. g2. | a1. | b,4 c\melisma d e f\melismaEnd g ~ |
492    g4 a2 b2. | c'1. | \break
493 %% 26-29
494    b,2 c8\melisma d e f g a b4\melismaEnd |
495    c'2.\melisma a8 f d b,\melismaEnd b,4 | b,4 c2 e2. | g2 g1^\fermata | \break
496 %% 30-34
497    \VoiceColorBlue {
498    r2. a,4 g,2 ~ | <g, c>4 r <a, d> r <b, e> r | <a, d> r <g, b,> r <a, d> r |
499    <a, d> r <a, c> r <a, d> ~ <a, c> ~ | <e c a,>1. } \VoiceNeutral | \break
500 %% 35-39
501    g2 g g | g2.^\fermata r2. | b2 b b | b1^\fermata r2 |
502    << {r4}\\{\VoiceColorBlue c'4_\Instruments \VoiceNeutral} >> c'4. b2.. | \break
503 %% 40-44
504    a1 << {r8}\\{\VoiceColorBlue a8_\Instruments \VoiceNeutral} >> g4. |
505    f2. e4 << {r2}\\{\VoiceColorBlue e2_\Instruments \VoiceNeutral} >> |
506    d1 c2( | b,1.) | f2. f4 e2 ~ | \break
507 %% 45-47
508    e2 f1 | e2. e |
509    f1.^\fermata
510         _\markup { \hspace #-4 \tiny
511        \italic \with-color #blue "Playing musical instruments end up here(47 bar)." }
512    \time 4/1 | \break
513 %% 48 --- Only; Chours ----
514    f2^\markup {\italic \with-color #red "Solo" } f4 f f2. r2
515    <f c>2^\markup { \italic \with-color #red "Tutti" }
516    <f c>4 <f c>4 <f c>2. ~ | \time 3/2 <f c>1^\fermata \bar "|."
517 }
518 
519 bassL = \lyricmode {
520 %% Normalty; Don't put bar's line at in lyricsmode!!
521     \override Score . LyricText #'font-shape = #'italic
522     \tiny
523 A -- gnus Dé -- i, qu -- i tól -- lis pec -- cá -- ta mún -- di:
524 dó -- na é -- is ré -- qui -- em.
525 
526 \skip 2. \skip 2. \skip 2 \skip 2 \skip 2 \skip 1.
527 %% \skip 2 \skip 2 \skip 2 \skip 2. \skip 2.
528 
529 A -- gnus Dé -- i, qui tól __ lis pec -- cá -- ta mún -- di: __
530 dó __ na é -- is ré -- qui -- em.
531 
532 \skip 4 \skip 2 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4
533 \skip 4 \skip 4 \skip 4
534 
535 A -- gnus Dé -- i,
536 A -- gnus Dé -- i, qui tól -- lis pec -- cá -- ta mún -- di: __
537 dó -- na é -- is ré -- qui -- em
538 %% Playing musical instruments end up here.
539 %% Only; Chorus.
540 sem -- pi -- tér -- nam, %% Solo
541 sem -- pi -- tér -- nam. %% Tutti
542 }
543 
544 bassM = {
545    \autoBeamOff
546 \partial 2 r2
547 %% 1-4
548    b,1\melisma c2 ~ | c1 b,2\melismaEnd | c1 b,2 | b,2 c1 | \break
549 %% 5-9
550    c2. d2.\melisma | << { f8 e f e f e } \\ { d2. } >> \melismaEnd e2. |
551    d2 e f | g1 a2 ~ | a2 << { r1 } \\ { a1 } >> | \break
552 %% 10-14
553    c2 d1 | c2 d1 \breathe | e2.\( f | g1.\)^\fermata |
554    << { r1. } \\ { <g, g>1. } >> | \break
555 %% 15-19
556    <f, f>2. <g, g> | \times 2/3 { <a, a>2 <b, b> <c c'> } <b b,>2 ~ |
557    b1. ~ | b ~ | b | \break
558 %% 20-25
559    e2. f2. ~ | f2. g2. | a1. | b,4 c\melisma d e f\melismaEnd g ~ |
560    g4 a2 b2. | c'1. | \break
561 %% 26-29
562    b,2 c8\melisma d e f g a b4\melismaEnd |
563    c'2.\melisma a8 f d b,\melismaEnd b,4 | b,4 c2 e2. | g2 g1^\fermata | \break
564 %% 30-34
565    r2. a,4 g,2 ~ | <g, c>4 r <a, d> r <b, e> r | <a, d> r <g, b,> r <a, d> r |
566    <b, d> r <a, c> r <b, d> <a, c> ~ | <e c a,>1. | \break
567 %% 35-39
568    g2 g g | g2.^\fermata r2. | b2 b b | b1^\fermata r2 |
569    << {r4}\\{\VoiceColorBlue c'4_\Instruments \VoiceNeutral} >> c'4. b2.. | \break
570 %% 40-44
571    a1 << {r8}\\{\VoiceColorBlue a8_\Instruments \VoiceNeutral} >> g4. |
572    f2. e4 << {r2}\\{\VoiceColorBlue e2_\Instruments \VoiceNeutral} >> |
573    d1 c2( | b,1.) | f2. f4 e2 ~ | \break
574 %% 45-47
575    e2 f1 | e2. e | f1. \time 4/1 | \break
576 %% 48
577 %%%%% End; Playing musical instruments end up here.
578    f2 f4 f f2. r2
579    <f c>2 <f c>4 <f c>4 <f c>2. ~ | \time 3/2 <f c>1^\fermata \bar "|."
580 }
581 
582 %%%%%%%%%% midi music code part %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
583 %% get sheet music ---------------------------------------------------------------
584 \score {
585          <<
586            \context ChoirStaff = "FourPartStaff" <<
587            \new Voice = "soprano" { \clef soprano \key c\major \time 3/2
588                         \set Staff.instrumentName = "soprano" \soprano }
589                         \new Lyrics = "mainSL" \lyricsto "soprano" { \sopranoL }
590 
591            \new Voice = "alto" { \clef alto \key c\major \time 3/2
592                         \set Staff.instrumentName = "alto   " \alto }
593                         \new Lyrics = "mainAL" \lyricsto "alto" { \altoL }
594 
595            \new Voice = "tenor" { \clef tenor \key c\major \time 3/2
596                         \set Staff.instrumentName = "tenor  " \tenor }
597                         \new Lyrics = "mainTL" \lyricsto "tenor" { \tenorL }
598 
599            \new Voice = "bass" { \clef bass \key c\major \time 3/2
600                         \set Staff.instrumentName = "bass   " \bass }
601                         \new Lyrics = "mainBL" \lyricsto "bass" { \bassL }
602                                             >>
603 
604            %%\context PianoStaff = "PianoStaff" <<
605            %%\new Voice = "piano" { \clef treble \key \major \time
606            %%             \set Staff.instrumentName = "piano  " \pianoUP }
607            %%\new Voice = "piano" { \clef bass \key \major \time
608            %%             \set Staff.instrumentName = "piano  " \pianoDown }
609            %%                                   >>
610 
611          >>
612 
613   \layout {
614             \context { \RemoveEmptyStaffContext
615                        %%\override VerticalAxisGroup #'remove-first = ##t
616                       }
617            }
618 }
619 
620 %% get midi music ----------------------------------------------------------------
621 \score {
622          <<
623            \new Staff { \clef soprano \key c\major \time 3/2 \tempo 4 = 46
624                          \set Staff.midiInstrument = "pad 2 (warm)"
625                                          \unfoldRepeats       \sopranoM }
626 
627            \new Staff { \clef alto \key c\major \time 3/2 \tempo 4 = 46
628                          \set Staff.midiInstrument = "pad 2 (warm)"
629                                          \unfoldRepeats          \altoM }
630 
631            \new Staff { \clef tenor \key c\major \time 3/2 \tempo 4 = 46
632                          \set Staff.midiInstrument = "pad 2 (warm)"
633                                          \unfoldRepeats       \tenorM }
634 
635            \new Staff { \clef bass \key c\major \time 3/2 \tempo 4 = 46
636                         \set Staff.midiInstrument = "pad 2 (warm)"
637                                          \unfoldRepeats          \bassM }
638 
639            %%\new Staff { \clef treble \key \major \time \tempo 4 =
640            %%             \set Staff.midiInstrument = "acoustic grand"
641            %%                                \unfoldRepeats       \pianoUPm }
642            %%\new Staff { \clef bass \key \major \time \tempo 4 =
643            %%             \set Staff.instrumentName = "acoustic grand"
644            %%                                \unfoldRepeats     \pianoDownm }
645          >>
646 
647    \midi { tempoWholesPerMinute = #(ly:make-moment 46 4) }
648 }
649 %%
650 \markup { " " }
651 \markup { " " }
652 %% \markup { \column { \line {
653 %% About location \hspace #3 \musicglyph #"noteheads.uM2"(longa) \hspace #2 and \hspace #3 \musicglyph #"noteheads.sM1"(breve) }
654 %% \line { \italic " Please, playing of \"longa and breve\" do in the members alternating(But, like Don't stand out). " } } }
655 \markup { " " }
656 \markup { \vspace #10 }
657 \markup { \line {\bold "Réquiem's(Agnus Dei)"} }
658 \markup {%%column * 2
659 \fill-line {
660  \column {
661  \line { \italic
662    \column {
663              "Agnus Déi, qui tóllis peccáta múndi:"
664              "dóna éis réquiem."
665              " "
666              "Agnus Déi, qui tóllis peccáta múndi:"
667              "dóna éis réquiem."
668              " "
669              "Agnus Déi, qui tóllis peccáta múndi:"
670              "dóna éis réquiem"
671              " "
672              "sempitérnam."
673             }
674 %%% Joha 1
675 \hspace #8
676    \column { \line \bold\teeny { \hspace #20
677                                     Reference Sources; Agnus Déi = the Lamb of God }
678              \line \bold\italic { \hspace #6 John 1 ( Jesus the Lamb of God. )}
679       \column { \italic
680 "      ................... "
681 \line \italic { \concat{ " "\super 29 } The next day John saw Jesus coming toward
682 him and said,}
683 \line \italic { "    " Look, ``the Lamb of God.'' who takes away the sin of the
684 world! }
685 "      ................... "
686             } }
687         }
688 }}}