1 %% 4:59 AM Tuesday, January 25, 2022
  2 %% Yukio Yoshida
  3 \version "2.22.1"
  4 #(set-default-paper-size "letter")
  5 #(set-global-staff-size 16)
  6 
  7 \paper {
  8         %%ragged-last-bottom = ##f
  9 }
 10 
 11 VoiceColorBlue = {
 12                    \override Staff.BarLine #'color = #blue
 13                    \override NoteHead #'color = #blue
 14                    \override Rest #'color = #blue
 15                    \override Stem #'color = #blue
 16                    \override Beam #'color = #blue
 17                    \override Slur #'color = #blue
 18                    \override Tie #'color = #blue
 19                    \override Voice.Dots #'color = #blue }
 20 
 21 
 22 \header {
 23  dedication = "From Réquiem-ceremony"
 24  title = "Rex treméndæ"
 25  %%subtitle = #(string-append "LilyPond version " (lilypond-version))
 26  subtitle = ""
 27  subsubtitle = \markup{\center-column {
 28                    "soprano; C clef on 1st line,       alto; C clef on 3rd line."
 29                    "       bass; F clef on 4th line,    tenor; C clef on 4th line."}}
 30  composer = \markup{ \line {\italic "Yukio Yoshida"}}
 31  arranger = \markup { \column { "May 11, 2011" "Op.60" } }
 32  poet = " "
 33  %%opus = "Op.60"
 34  meter = \markup { \italic "prayer(keeping mind's wither)" }
 35  copyright = "public Domain"
 36 }
 37 
 38 
 39 %%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%%
 40 soprano = {
 41    \autoBeamOff
 42 %% 1-4
 43    R1. * 4 | \break
 44 %% 5-8
 45    c''2\(-. d''-. e''-. | f''1\) r2 | e''4. r8 d''1 | c''2 b'1 | \break
 46 %% 9-12
 47    a'2.  g' | a'2\( e''1\) | r8 a'2. r8 b'2 ~ | b'2 c'' r8 d''4. ~ | \break
 48 %% 13-16
 49    d''4. e''4. f''2. | g''1 r2 | f''4. r8 e''2 d'' | c''1 b'4. r8 | \break
 50 %% 17-21
 51    a'4. r8 b'2 f'' ~ | f''2
 52    << \VoiceColorBlue  { g''2^\markup { \with-color #blue \tiny \italic
 53                   "Only; instruments" } a'' | g''1 f''2 | e''2. d'' | c''1. } \\
 54       \VoiceColorBlue { d''1 | | c''2 b'1 | a'2 g' f' | e' d' c' } >> | \break
 55 %% 22-25
 56    \revert Staff.BarLine #'color
 57    c''2. d'' | g''1. | f''2. e''2 e''4 | d''2 c''1 | \break
 58 %% 26-30
 59    r2 c'2 d' | g'1 r2 | f'2. e'2 e'4 | d'2 c'1 \VoiceColorBlue |
 60    c'1.^\markup { \with-color #blue \tiny \italic "Only; instruments" }
 61    \revert Staff.BarLine #'color \bar "|." \break
 62 }
 63 
 64 sopranoL = \lyricmode {
 65     \override Score . LyricText #'font-shape = #'italic
 66     \tiny
 67 %%Rex tre -- mén -- dæ
 68                        ma -- je -- stá -- tis,
 69 Qui sal -- ván -- dos sál -- vas gra -- tis,
 70 %%%%%
 71 Rex tremén -- dæ ma -- je -- stá -- tis,
 72 Qui sal -- ván -- dos sál -- vas gra -- tis,
 73 %%%%%
 74 Sál -- va me, fons pi -- e ---- tis.
 75 %%%%%
 76 Sál -- va me, fons pi -- e ---- tis.
 77 %%%%%
 78 }
 79 
 80 sopranoM = {
 81     \autoBeamOff
 82 %% 1-4
 83    R1. * 4 | \break
 84 %% 5-8
 85    c''2\(-. d''-. e''-. | f''1\) r2 | e''4. r8 d''1 | c''2 b'1 | \break
 86 %% 9-12
 87    a'2.  g' | a'2\( e''1\) | r8 a'2. r8 b'2 ~ | b'2 c'' r8 d''4. ~ | \break
 88 %% 13-16
 89    d''4. e''4. f''2. | g''1 r2 | f''4. r8 e''2 d'' | c''1 b'4. r8 | \break
 90 %% 17-21
 91    a'4. r8 b'2 f'' ~ | f''2
 92    << { g''2 a'' | g''1 f''2 | e''2. d'' | c''1. } \\
 93       { d''1 | | c''2 b'1 | a'2 g' f' | e' d' c' } >> | \break
 94 %% 22-25
 95    c''2. d'' | g''1. | f''2. e''2 e''4 | d''2 c''1 | \break
 96 %% 26-30
 97    r2 c'2 d' | g'1 r2 | f'2. e'2 e'4 | d'2 c'1 | c'1. \bar "|." \break
 98 }
 99 
100 
101 %%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%%%
102 alto = {
103     \autoBeamOff
104 %% 1-4
105    R1. | g'2\(-. a'-. b'-. | c''1\) r2 | R1. | \break
106 %% 5-8
107    R1. * 2 | b'4. r8 a'1 | g'2 f'1 | \break
108 %% 9-12
109    e'2.  d' | e'2\( b'1\) | r4 e'2. r8 f'4. ~ | f'8 f'2 g'2 r4. | \break
110 %% 13-16
111    a'2. b'4. c''4. ~ | c''4. d''1 r8 | r8 c''4. b'2 a'2 | g'1 r8 f'4. | \break
112 %% 17-21
113    r8 e'4. f'2 c'' ~ | c''2
114    << \VoiceColorBlue  { d''2^\markup { \with-color #blue \tiny \italic
115                   "Only; instruments" } e'' | d''1 c''2 | b'2. a' | g'1. } \\
116       \VoiceColorBlue { a'1 | g'2 f'1 | e'2 d' c' | b a g } >> | \break
117 %% 22-25
118    \revert Staff.BarLine #'color
119    g'2. a' | d''1. | c''2. b'2 b'4 | a'2 g'1 | \break
120 %% 26-30
121    r2 c'2 d' | g'1 r2 | f'2. e'2 e'4 | d'2 c'1 \VoiceColorBlue |
122    c'1.^\markup { \with-color #blue \tiny \italic "Only; instruments" }
123    \revert Staff.BarLine #'color \bar "|." \break
124 }
125 
126 altoL = \lyricmode {
127     \override Score . LyricText #'font-shape = #'italic
128     \tiny
129 %%Rex tre -- mén -- dæ
130                        ma -- je -- stá -- tis,
131 Qui sal -- ván -- dos sál -- vas gra -- tis,
132 %%%%%
133 Rex tre -- mén -- dæ ma -- je -- stá -- tis,
134 Qui sal -- ván -- dos sál -- vas gra -- tis,
135 %%%%%
136 Sál -- va me, fons pi -- e ---- tis.
137 %%%%%
138 Sál -- va me, fons pi -- e ---- tis.
139 %%%%%
140 }
141 
142 altoM = {
143      \autoBeamOff
144 %% 1-4
145    R1. | g'2\(-. a'-. b'-. | c''1\) r2 | R1. | \break
146 %% 5-8
147    R1. * 2 | b'4. r8 a'1 | g'2 f'1 | \break
148 %% 9-12
149    e'2.  d' | e'2\( b'1\) | r4 e'2. r8 f'4. ~ | f'8 f'2 g'2 r4. | \break
150 %% 13-16
151    a'2. b'4. c''4. ~ | c''4. d''1 r8 | r8 c''4. b'2 a'2 | g'1 r8 f'4. | \break
152 %% 17-21
153    r8 e'4. f'2 c'' ~ | c''2 << { d''2 e'' | d''1 c''2 | b'2. a' | g'1. } \\
154                                  { a'1 | g'2 f'1 | e'2 d' c' | b a g } >> | \break
155 %% 22-25
156    g'2. a' | d''1. | c''2. b'2 b'4 | a'2 g'1 | \break
157 %% 26-30
158    r2 c'2 d' | g'1 r2 | f'2. e'2 e'4 | d'2 c'1 | c'1. \bar "|." \break
159 }
160 
161 
162 %%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%%
163 tenor = {
164    \autoBeamOff
165 %% 1-4
166    a4.-. r8 \times 2/3 { b2\(-. c'-. d' ~ } | d'2\) r1 | R1. * 2 | \break
167 %% 5-8
168    R1. * 2 | c'4. r8 b1 | a2 g1 | \break
169 %% 9-12
170    f2. e | f2\( c'1\) | r8 f2. r8 g2 ~ | g2 a2 r8 b4. ~ | \break
171 %% 13-16
172    b4. c'4. d'2. | e'1 r2 | e'2 f' g' | a'1 g'2 | \break
173 %% 17-21
174    f' g' a' ~ | a'2
175    << \VoiceColorBlue { b'2^\markup { \with-color #blue \tiny \italic
176                   "Only; instruments" } c'' | b'1 a'2 | g'2. f' | e'1. } \\
177       \VoiceColorBlue { f'1 | e'2 d'1 | c'2 b a | g f e } >> | \break
178 %% 22-25
179    \revert Staff.BarLine #'color
180    e'2. f' | b'1. | a'2. g'2 f'4 | f'2 e'1 | \break
181 %% 26-30
182    r2 c'2 d' | g'1 r2 | f'2. e'2 e'4 | d'2 c'1 \VoiceColorBlue |
183    c'1.^\markup { \with-color #blue \tiny \italic "Only; instruments" }
184    \revert Staff.BarLine #'color \bar "|." \break
185 }
186 
187 tenorL = \lyricmode {
188     \override Score . LyricText #'font-shape = #'italic
189     \tiny
190 Rex tre -- mén -- dæ %%ma -- je -- stá -- tis,
191 Qui sal -- ván -- dos sál -- vas gra -- tis,
192 %%%%%
193 Rex tremén -- dæ ma -- je -- stá -- tis,
194 Qui sal -- ván -- dos sál -- vas gra -- tis,
195 %%%%%
196 Sál -- va me, fons pi -- e ---- tis.
197 %%%%%
198 Sál -- va me, fons pi -- e ---- tis.
199 }
200 
201 tenorM = {
202      \autoBeamOff
203 %% 1-4
204    a4.-. r8 \times 2/3 { b2\(-. c'-. d' ~ } | d'2\) r1 | R1. * 2 | \break
205 %% 5-8
206    R1. * 2 | c'4. r8 b1 | a2 g1 | \break
207 %% 9-12
208    f2. e | f2\( c'1\) | r8 f2. r8 g2 ~ | g2 a2 r8 b4. ~ | \break
209 %% 13-16
210    b4. c'4. d'2. | e'1 r2 | e'2 f' g' | a'1 g'2 | \break
211 %% 17-21
212    f' g' a' ~ | a'2 << { b'2 c'' | b'1 a'2 | g'2. f' | e'1. } \\
213                                { f'1 | e'2 d'1 | c'2 b a | g f e } >> | \break
214 %% 22-25
215    \revert Staff.BarLine #'color
216    e'2. f' | b'1. | a'2. g'2 f'4 | f'2 e'1 | \break
217 %% 26-30
218    r2 c'2 d' | g'1 r2 | f'2. e'2 e'4 | d'2 c'1 | c'1. \bar "|." \break
219 }
220 
221 
222 %%%%%%% bass; part %%%%%%%%%%%%%%%%
223 bass = {
224    \autoBeamOff
225 %% 1-4
226    R1. * 3 | e4.-. r8 \times 2/3 { f2\(-. g-. a ~ } | \break
227 %% 5-8
228    a2\) r1 | R1. | g4. r8 f1 | e2 d1 | \break
229 %% 9-12
230    c2. b, | c2\( g1\) | r4 c2. r8 d4. ~ | d8 e2 f2 r4. | \break
231 %% 13-16
232    g2. a4. b4. ~ | b4. c'1 r8 | b2 b b | b1 a2 | \break
233 %% 17-21
234    g2 a b ~ | b2
235    << \VoiceColorBlue { c'2^\markup { \with-color #blue \tiny \italic
236                   "Only; instruments" } d' | c'1 b2 | a2. g | f1. } \\
237       \VoiceColorBlue { g1 | f2 e1 | d2 c b, | a, g, f, } >> | \break
238 %% 22-25
239    \revert Staff.BarLine #'color
240    f2. g | c'1. | b2. a2 a4 | g2 f1 | \break
241 %% 26-30
242    r2 c2 d | g1 r2 | f2. e2 e4 | d2 c1 \VoiceColorBlue |
243    c1.^\markup { \with-color #blue \tiny \italic "Only; instruments" }
244    \revert Staff.BarLine #'color \bar "|." \break
245 }
246 
247 bassL = \lyricmode {
248     \override Score . LyricText #'font-shape = #'italic
249     \tiny
250 Rex tre -- mén -- dæ %%ma -- je -- stá -- tis,
251 Qui sal -- ván -- dos sál -- vas gra -- tis,
252 %%%%%
253 Rex tre -- mén -- dæ ma -- je -- stá -- tis,
254 Qui sal -- ván -- dos sál -- vas gra -- tis,
255 %%%%%
256 Sál -- va me, fons pi -- e ---- tis.
257 %%%%%
258 Sál -- va me, fons pi -- e ---- tis.
259 }
260 
261 bassM = {
262    \autoBeamOff
263 %% 1-4
264    R1. *3 | e4.-. r8 \times 2/3 { f2\(-. g-. a ~ } | \break
265 %% 5-8
266    a2\) r1 | R1. | g4. r8 f1 | e2 d1 | \break
267 %% 9-
268    c2. b, | c2\( g1\) | r4 c2. r8 d4. ~ | d8 e2 f2 r4. | \break
269 %% 13-16
270    g2. a4. b4. ~ | b4. c'1 r8 | b2 b b | b1 a2 | \break
271 %% 17-21
272    g2 a b ~ | b2 << { c'2 d' | c'1 b2 | a2. g | f1. } \\
273                                  { g1 | f2 e1 | d2 c b, | a, g, f, } >> | \break
274 %% 22-25
275    \revert Staff.BarLine #'color
276    f2. g | c'1. | b2. a2 a4 | g2 f1 | \break
277 %% 26-30
278    r2 c2 d | g1 r2 | f2. e2 e4 | d2 c1 \VoiceColorBlue |
279    c1.^\markup { \with-color #blue \tiny \italic "Only; instruments" }
280    \revert Staff.BarLine #'color \bar "|." \break
281 }
282 
283 %%%%%%%%%% midi music code part %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
284 %% get sheet music ---------------------------------------------------------------
285 \score {
286          <<
287            \context ChoirStaff = "FourPartStaff" <<
288            \new Voice = "soprano" { \clef soprano \key c\major \time 3/2
289                         \set Staff.instrumentName = "soprano" \soprano }
290                         \new Lyrics = "mainSL" \lyricsto "soprano" { \sopranoL }
291 
292            \new Voice = "alto" { \clef alto \key c\major \time 3/2
293                         \set Staff.instrumentName = "alto   " \alto }
294                         \new Lyrics = "mainAL" \lyricsto "alto" { \altoL }
295 
296            \new Voice = "tenor" { \clef tenor \key c\major \time 3/2
297                         \set Staff.instrumentName = "tenor  " \tenor }
298                         \new Lyrics = "mainTL" \lyricsto "tenor" { \tenorL }
299 
300            \new Voice = "bass" { \clef bass \key c\major \time 3/2
301                         \set Staff.instrumentName = "bass   " \bass }
302                         \new Lyrics = "mainBL" \lyricsto "bass" { \bassL }
303                                             >>
304 
305            %%\context PianoStaff = "PianoStaff" <<
306            %%\new Voice = "piano" { \clef treble \key \major \time
307            %%             \set Staff.instrumentName = "piano  " \pianoUP }
308            %%\new Voice = "piano" { \clef bass \key \major \time
309            %%             \set Staff.instrumentName = "piano  " \pianoDown }
310            %%                                   >>
311 
312          >>
313 
314   \layout {
315             \context { \RemoveEmptyStaffContext
316                        %%\override VerticalAxisGroup #'remove-first = ##t
317                       }
318            }
319 }
320 
321 %% get midi music ----------------------------------------------------------------
322 \score {
323          <<
324            \new Staff { \clef soprano \key c\major \time 3/2 \tempo 4 = 46
325                          \set Staff.midiInstrument = "pad 2 (warm)"
326                                          \unfoldRepeats       \sopranoM }
327 
328            \new Staff { \clef alto \key c\major \time 3/2 \tempo 4 = 46
329                          \set Staff.midiInstrument = "pad 2 (warm)"
330                                          \unfoldRepeats          \altoM }
331 
332            \new Staff { \clef tenor \key c\major \time 3/2 \tempo 4 = 46
333                          \set Staff.midiInstrument = "pad 2 (warm)"
334                                          \unfoldRepeats       \tenorM }
335 
336            \new Staff { \clef bass \key c\major \time 3/2 \tempo 4 = 46
337                         \set Staff.midiInstrument = "pad 2 (warm)"
338                                          \unfoldRepeats          \bassM }
339 
340            %%\new Staff { \clef treble \key \major \time \tempo 4 =
341            %%             \set Staff.midiInstrument = "acoustic grand"
342            %%                                \unfoldRepeats       \pianoUPm }
343            %%\new Staff { \clef bass \key \major \time \tempo 4 =
344            %%             \set Staff.instrumentName = "acoustic grand"
345            %%                                \unfoldRepeats     \pianoDownm }
346          >>
347 
348    \midi { tempoWholesPerMinute = #(ly:make-moment 46 4) }
349 }
350 %%
351 \markup { " " }
352 \markup { \vspace #4 }
353 \markup { \line {\bold "Réquiem's(Rex treméndæ)"} }
354 \markup {%%column * 2
355 \fill-line {
356  \column {
357  \line { \italic
358    \column {
359              "Rex treméndæ majestátis,"
360              "Qui salvándos sálvas gratis,"
361              "Sálva me, fons pietátis."
362             }
363 %%% Local Language;; part;; translated.
364 \hspace #8
365       \column {
366                "助けられるべき人々を慈悲をもって"
367                "救いたもう"
368                "恐るべき威光の王よ"
369             } }
370         }
371 }}
372 %%%%%%%%%%%%%% End all %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%