%% 12:45 AM Wednesday, January 26, 2022
%% Yukio Yoshida
\version "2.24.0"
%%%%%%% bass; part %%%%%%%%%%%%%%%%
bassTwo = {
\context Voice = "bassTwo" { \hide Staff.BarLine
    %%\override Score.RehearsalMark.break-visibility = #begin-of-line-invisible
    \autoBeamOff
%% 1-3
       \override NoteHead.color = #blue
       \override Stem.color = #blue
       \override Beam.color = #blue
       \override Slur.color = #blue
       \override Staff.StaffSymbol.color = #blue
    \autoBeamOff
%% 1-3
    r4 des2. des16 des4..~ | des8 des8 ees4 f1 | aes1( c'4) r4 | \break
%% 4-7
    bes2. c' | bes16[^( aes ges8]) ges8 f4 ees4 ees des4. |
    c2 des4\melisma c16 des8. c16 des8. c16 des8.\melismaEnd |
    c1.^\markup { \hspace #8 \fontsize #2
                          \with-color #blue \musicglyph #"scripts.coda" } | \break }
}

bass = { \hide Staff.BarLine
   \override Score.RehearsalMark.break-visibility = #begin-of-line-invisible
   \autoBeamOff
%% 1-3
   aes1.\melisma | aes1. | aes | \break
%% 4-7
   aes1. | aes2.. des8 ees f4. | ges1 aes4\melismaEnd ges16 aes8. | ges1. | \break
%% 8-10
   ges8.[ aes16] bes2 bes4 bes2 | r8 aes16[ bes8.] c'2 bes8 c'16( des'4..) |
   c'2 bes8 ges16[( f ees8]) c8 bes,2 | \break
%% 11-13
   c2. bes,16[ c8] r16 c16 des4..( |
   ees8) aes2..( bes16) r16 aes16 bes4\(\melisma c'16\melismaEnd |
   des'2\) aes8 d'2.. | \break
%% 14-16
   r1 aes8. bes16 c'4\( | des'1\) r2 |
   r8 c'8 bes4\(\melisma aes16 ges f ees\melismaEnd des4\)
                                     des16 c4\(\melisma f16 ges8\melismaEnd | \break
%% 17-19
   aes8\) r16 aes16 c'4( des'1) | bes2. ges4 r16 f8. ees4 |
   bes,1\(\melisma c4.\melismaEnd des8\) | \break
%% 20-23
   r8 bes,8 c4.\(\melisma des16 ees8 f16 ges8 aes16 bes16\melismaEnd c'4.\) |
   bes8[ aes] r4 ges8([ f8. ees8.]) des2_( | c8 bes,2..) r2 |
   R1.^\markup { \hspace #16 \with-color #blue
                                         \fontsize #2 "D.C." } \bar "||" \break
%%%%%%%%%%%%%
%%start Coda-sheet from here
   \set Score.currentBarNumber = #1
%% 1-4
    des4^\markup { \hspace #-8 \fontsize #2 \musicglyph #"scripts.varcoda" }
    ees2.\( c4\) des4( | des) ges4 c2 ges4 r4 | f4. des4 des8 c2. |
    bes,1\(\melisma  des16 f aes bes\melismaEnd c'4\) | \break
%% 5-8
    c'4 b2 ces'2. | c'2.( des' | c'1.) | c2 des4 f2. | \break
%% 9-12
    bes8 r16 des'2\melisma bes8 ges16 ees c\melismaEnd aes,2 |
    bes,4 a,2. b,2( | a,1.) | r8 bes,2\melisma aes,2..\melismaEnd
                  \undo \hide Staff.BarLine \bar "|." \break
}

bassL = \lyricmode {
   \set stanza = #"1.        "
   \override Score.LyricText.font-shape = #'italic
   \tiny
   m --
%% Avenue of the south wind
%% Clean cool and an uncomfortably warm
   bre -- e -- ze
   "Let a" sug -- ges -- tion "of the" sap of poplar
   Com -- ing "in - to" the room shak -- ing the curtains
   Beneath the bo __ dy of sleep in the after -- noon
   The drea __ m of steal __ ing a nap
   Go out into the stree -- t and shak __ ing the cur -- tains.
%% Part-Coda
   The stree -- t without any -- one and
   En -- ter the room shak __ ing the cur -- tains m __
   Leave the street and shak -- ing the cur -- tains. m __
}

bassTwoL = \lyricmode {
    \set stanza = #"2.                    "
    \override Score.LyricText.font-shape = #'italic
    \override LyricText.color = #blue
    \tiny
    A -- ve -- nue of the south wind
    Clean cool and an un -- com -- for -- tably warm bree -- ze
}

bassM = {
   \autoBeamOff
%% 1-3
   aes1.\melisma | aes1. | aes | \break
%% 4-7
   aes1. | aes2.. des8 ees f4. | ges1 aes4\melismaEnd ges16 aes8. | ges1. | \break
%% 8-10
   ges8.[ aes16] bes2 bes4 bes2 | r8 aes16[ bes8.] c'2 bes8 c'16( des'4..) |
   c'2 bes8 ges16[( f ees8]) c8 bes,2 | \break
%% 11-13
   c2. bes,16[ c8] r16 c16 des4..( |
   ees8) aes2..( bes16) r16 aes16 bes4\(\melisma c'16\melismaEnd |
   des'2\) aes8 d'2.. | \break
%% 14-16
   r1 aes8. bes16 c'4\( | des'1\) r2 |
   r8 c'8 bes4\(\melisma aes16 ges f ees\melismaEnd des4\)
                                     des16 c4\(\melisma f16 ges8\melismaEnd | \break
%% 17-19
   aes8\) r16 aes16 c'4( des'1) | bes2. ges4 r16 f8. ees4 |
   bes,1\(\melisma c4.\melismaEnd des8\) | \break
%% 20-23
   r8 bes,8 c4.\(\melisma des16 ees8 f16 ges8 aes16 bes16\melismaEnd c'4.\) |
   bes8[ aes] r4 ges8([ f8. ees8.]) des2_( | c8 bes,2..) r2 |
   R1. \bar "||" \break
%% --- From D.C to Coda; Only music midi file ---
%% 24-30(1-7)
    r4 des2. des16 des4..~ | des8 des8 ees4 f1 | aes1( c'4) r4 | \break
    bes2. c' | bes16[^( aes ges8]) ges8 f,4 ees4 ees des4. |
    c2 des4\melisma c16 des8. c16 des8. c16 des8.\melismaEnd |
    c1.^\markup { \hspace #8 \fontsize #2
                          \with-color #blue \musicglyph #"scripts.coda" } | \break
%% --- coda midi; -------------------------------
%% 1-4
    des4 ees2.\( c4\) des4( | des) ges4 c2 ges4. r8 | f4. des4 des8 c2. |
    bes,1\(\melisma  des16 f aes bes\melismaEnd c'4\) | \break
%% 5-8
    c'4 b2 ces'2. | c'2.( des' | c'1.) | c2 des4 f2. | \break
%% 9-12
    bes8 r16 des'2\melisma bes8 ges16 ees c\melismaEnd aes,2 |
    bes,4 a,2. b,2( | a,1.) | r8 bes,2\melisma aes,2..\melismaEnd \bar "|." \break
}