1 %% 4:04 AM Tuesday, April 12, 2022
  2 %% Yukio Yoshida.
  3 \font\huge=cmbx10 scaled \magstep4
  4 \font\Large=cmr10 scaled \magstep3
  5 \font\large=cmr10 scaled \magstep2
  6 \font\normalsize=cmr10
  7 \font\tiny=cmr5
  8 \special{papersize=210mm,297mm}
  9 \input texinfo @c -*-texinfo-*-
 10 @c %**start of header
 11 @c @setfilename mozart-R
 12 @c @settitle Texinfo and music (2009)
 13 @c %**end of header
 14 
 15 @afourwide
 16 @finalout
 17 @tex
 18 ~\vskip -.5in
 19 \centerline{ \null }
 20 \centerline{{\huge III. Sequenz ``N\raise 10pt
 21 \hbox{{\normalsize \rm o}}5 Confutatis'' in Requiem}}
 22 \centerline{{\Large Part word of ``Voca me cum benedictis''}}
 23 \centerline{{\large\bf piano accompaniment}}
 24 \centerline{Writer;\quad Yukio Yoshida}
 25 \centerline{Date;\quad Jul 04 2007}
 26 \bigskip
 27 @end tex
 28 The ``mozart requiem (KV 626)'' I've heard to date was in orchestral performances.
 29 But now it's not. Now I'm mixed chorusing ``mozart requiem (KV 626)''
 30 with piano accompaniment.
 31 As a member of the group, I can sing and listen on that practice days.
 32 Among them, this is the part of the musical score that seems to be
 33 "Golden neatness or Neatness of gold ingot." The document is as stated.@*
 34 @lilypond[staffsize=14]
 35 \version "2.22.2"
 36 sopranoL = \lyricmode {
 37              \set fontSize = #-3
 38              \override Score . LyricText #'font-shape = #'italic
 39 %%7-10
 40        "Vo--" "ca," | "vo--" ca "me," |
 41        "vo--" "ca." me cum "be--" "ne--" |
 42        "di--" "ctis." | \break
 43 %%11-16
 44 \break
 45 %%17-20
 46        "Vo--" "ca," | "vo--" ca me cum "be--" "ne--" |
 47        "di--" "ctis," cun "be--" "ne--" |
 48         "di--" "ctis," "vo--" | \break
 49 %%21-25
 50        ca "me,"  | "vo--" ca "me," |
 51        "vo--" ca me cum "be--" "ne--" | "di--" |
 52        ctis. | \break
 53 }
 54 
 55 altoL = \lyricmode {
 56              \set fontSize = #-3
 57              \override Score . LyricText #'font-shape = #'italic
 58 %%7-10
 59        "Vo--" "ca," | "vo--" ca "me," |
 60        "vo--" "ca." me cum "be--" "ne--" |
 61        "di--" "ctis." | \break
 62 %%11-16
 63 \break
 64 %%17-20
 65        "Vo--" "ca," | "vo--" ca "me," |
 66        "vo--" ca  me cum "be--" "ne--" |
 67        "di--" "ctis," | \break
 68 %%21-25
 69        "vo--" ca | "me," "vo--" "ca--" |
 70        me cum "be--" "ne--" | "di--" |
 71        ctis. | \break
 72 }
 73 
 74 %%--- sheet --------------
 75 soprano = {
 76  \override Score.BarNumber.break-visibility = ##(#t #t #t)
 77  \set Score.currentBarNumber = 7
 78         \bar ""
 79         \autoBeamOff
 80 %%7-10
 81         e''2(^\markup{\hspace #-12 \raise #4 {\bold "Andant       "}}
 82              ^\markup {\teeny\italic "sotto voce"} e''4.) e''8 |
 83         f''4. f''8 e''4 r4 | e''4. e''8 e'' e'' e'' e'' |
 84         f''2 e''4 r4 | \break
 85 %%11-16
 86        R1^\markup { \column \italic { " " "Respond: --Tener and Bass--Part; omit" }} |
 87        R1 | R1 | R1 | R1 | R1 | \break
 88 %%17-20
 89         c''2(^\markup {\teeny\italic "sotto voce"} c''4.) c''8 |
 90         d''4. d''8 c'' cis'' d'' e'' |
 91         f''4 f''8 f'' f''4 f'' | g''2 f''4 f''( | \break
 92 %%21-25
 93         f''4.) f''8 e''4 r4 | e''4. e''8 d''4 r4 |
 94         d''4. d''8 c'' c'' d'' d'' | d''4( c''4 b'2) |
 95         a'4 r4 r2 | \break
 96 }
 97 
 98 alto = {
 99         \autoBeamOff
100 %%7-10
101         c''2(^\markup {\teeny\italic "sotto voce"} c''4.) c''8 |
102         c''4( b'8) b' c''4 r4 |
103         c''4. c''8 c'' c'' c'' c'' | c''4( b') c'' r4 | \break
104 %%11-16
105        R1 * 6 | \break
106 %%17-20
107         a'2(^\markup {\teeny\italic "sotto voce"} a'4.) a'8 |
108         a'4( gis'8) g' a'4 r4 | a'4. a'8 d''8 d'' d'' d'' |
109         d''4( cis'') d'' r4 | \break
110 %%21-25
111         r4 b'2( b'8) b' | a'4 r4 a'4. a'8 |
112         gis'4 gis' a' a' | gis'4( a'2 gis'4) |
113         a'4 r4 r2 | \break
114 }
115 
116 piano = {
117         \autoBeamOff
118 %%7-10
119      c'8([ e'16 g'] c''8[ b'] a'[ g' f' e']) |
120      d'8([ e'16 f'] g'8[ g8]) c'8([ e'16 g']) c''8([ g'16 e']) |
121      c'8^([ e'16 g'] c''8[ b'] a'[ g' f' e']) |
122      d'8^([ e'16 f'] g'8[ g]) c'4 s4 | \break
123 %%11-16
124        R1 * 6 | \break
125 %%17-20
126      a8^([ c'16 e'] a'8[ g'!] f'8[ e' d' c']) |
127      b'8([ c'16 d']) e'([ d' e'8]) a8([ g' f' e']) |
128      d'^([ f'16 a'] d''8[ c''] bes'[ a' g' f']) |
129      e'([ f'16 g'] a'8[ a]) d'\([ f'16 e'] d'8[ e'16 f'] | \break
130 %%21-25
131      g'8[ f'16 g']\) g8([ g']) c'\([ e'16 d'] c'8[ d'16 e'] |
132      f'8[ c'16 a]\) f'8[\staccatissimo f'8]\staccatissimo
133                                   b([ d'16 c'] b8[ c'16 d']) |
134      e'8([ d' c' b] a[ g' fis' f'!]) |
135      e'([ d'16 e']) f'8([ e'16 f']) d'8([ c'16 d']) e'8([ d'16 e']) |
136      s1 | \break
137 }
138 
139 %% get sheet music --------------------------------------------------------
140 \score {
141          <<
142            \context Voice = "soprano" { \clef treble \key c\major \time 4/4
143                         \set Staff.instrumentName = "soprano" \soprano }
144                         \new Lyrics \lyricsto "soprano" { \sopranoL }
145 
146            \context Voice = "alto" { \clef treble \key c\major \time 4/4
147                         \set Staff.instrumentName = "alto   " \alto }
148                         \new Lyrics \lyricsto "alto" { \altoL }
149 
150            \new Voice = "piano" { \clef treble \key c\major \time 4/4
151                         \set Staff.instrumentName = "piano  " \piano }
152          >>
153    \layout {}
154 }
155 @end lilypond
156 @tex
157 Snippet played the piano accompaniment in the poem
158 ``Voca me cum benedictis'' sung by Soprano and alto's Tutti in
159 ``III Sequenz N\raise 3pt\hbox{\rm o}5 Confutatis'' by Requiem(kv 626).
160 I am fascinated by forgetting(score bar number: from the 7th bar).
161 @end tex
162 @bye