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  7 <title>Nozart</title>
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  9 <blockquote><blockquote><blockquote><blockquote><blockquote><blockquote>
 10 <span style="font-size: 24px"><i>
 11 The ``mozart requiem(KV 626)'' I've heard to date was in orchestral performances.
 12 But now it's not. Now I'm mixed chorusing ``mozart requiem(KV 626)''
 13 with piano accompaniment.As a member of the group, I can sing and listen on that practice days.
 14 Among them, this is the part of the musical score that seems to be
 15 "Golden neatness or Neatness of gold ingot." The document is as stated.</i></span>
 16 </blockquote></blockquote></blockquote></blockquote></blockquote></blockquote>
 17 <div align="center">
 18 <lilypond[staffsize=14>
 19 \version "2.22.2"
 20 sopranoL = \lyricmode {
 21              \set fontSize = #-3
 22              \override Score . LyricText #'font-shape = #'italic
 23 %%7-10
 24        "Vo--" "ca," | "vo--" ca "me," |
 25        "vo--" "ca." me cum "be--" "ne--" |
 26        "di--" "ctis." | \break
 27 %%11-16
 28 \break
 29 %%17-20
 30        "Vo--" "ca," | "vo--" ca me cum "be--" "ne--" |
 31        "di--" "ctis," cun "be--" "ne--" |
 32         "di--" "ctis," "vo--" | \break
 33 %%21-25
 34        ca "me,"  | "vo--" ca "me," |
 35        "vo--" ca me cum "be--" "ne--" | "di--" |
 36        ctis. | \break
 37 }
 38 
 39 altoL = \lyricmode {
 40              \set fontSize = #-3
 41              \override Score . LyricText #'font-shape = #'italic
 42 %%7-10
 43        "Vo--" "ca," | "vo--" ca "me," |
 44        "vo--" "ca." me cum "be--" "ne--" |
 45        "di--" "ctis." | \break
 46 %%11-16
 47 \break
 48 %%17-20
 49        "Vo--" "ca," | "vo--" ca "me," |
 50        "vo--" ca  me cum "be--" "ne--" |
 51        "di--" "ctis," | \break
 52 %%21-25
 53        "vo--" ca | "me," "vo--" "ca--" |
 54        me cum "be--" "ne--" | "di--" |
 55        ctis. | \break
 56 }
 57 
 58 %%--- sheet --------------
 59 soprano = {
 60  \override Score.BarNumber.break-visibility = ##(#t #t #t)
 61  \set Score.currentBarNumber = 7
 62         \bar ""
 63         \autoBeamOff
 64 %%7-10
 65         e''2(^\markup{\hspace #-12 \raise #4 {\bold "Andant       "}}
 66              ^\markup {\teeny\italic "sotto voce"} e''4.) e''8 |
 67         f''4. f''8 e''4 r4 | e''4. e''8 e'' e'' e'' e'' |
 68         f''2 e''4 r4 | \break
 69 %%11-16
 70        R1^\markup { \column \italic { " " "Respond: --Tener and Bass--Part; omit" }} |
 71        R1 | R1 | R1 | R1 | R1 | \break
 72 %%17-20
 73         c''2(^\markup {\teeny\italic "sotto voce"} c''4.) c''8 |
 74         d''4. d''8 c'' cis'' d'' e'' |
 75         f''4 f''8 f'' f''4 f'' | g''2 f''4 f''( | \break
 76 %%21-25
 77         f''4.) f''8 e''4 r4 | e''4. e''8 d''4 r4 |
 78         d''4. d''8 c'' c'' d'' d'' | d''4( c''4 b'2) |
 79         a'4 r4 r2 | \break
 80 }
 81 
 82 alto = {
 83         \autoBeamOff
 84 %%7-10
 85         c''2(^\markup {\teeny\italic "sotto voce"} c''4.) c''8 |
 86         c''4( b'8) b' c''4 r4 |
 87         c''4. c''8 c'' c'' c'' c'' | c''4( b') c'' r4 | \break
 88 %%11-16
 89        R1 * 6 | \break
 90 %%17-20
 91         a'2(^\markup {\teeny\italic "sotto voce"} a'4.) a'8 |
 92         a'4( gis'8) g' a'4 r4 | a'4. a'8 d''8 d'' d'' d'' |
 93         d''4( cis'') d'' r4 | \break
 94 %%21-25
 95         r4 b'2( b'8) b' | a'4 r4 a'4. a'8 |
 96         gis'4 gis' a' a' | gis'4( a'2 gis'4) |
 97         a'4 r4 r2 | \break
 98 }
 99 
100 piano = {
101         \autoBeamOff
102 %%7-10
103      c'8([ e'16 g'] c''8[ b'] a'[ g' f' e']) |
104      d'8([ e'16 f'] g'8[ g8]) c'8([ e'16 g']) c''8([ g'16 e']) |
105      c'8^([ e'16 g'] c''8[ b'] a'[ g' f' e']) |
106      d'8^([ e'16 f'] g'8[ g]) c'4 s4 | \break
107 %%11-16
108        R1 * 6 | \break
109 %%17-20
110      a8^([ c'16 e'] a'8[ g'!] f'8[ e' d' c']) |
111      b'8([ c'16 d']) e'([ d' e'8]) a8([ g' f' e']) |
112      d'^([ f'16 a'] d''8[ c''] bes'[ a' g' f']) |
113      e'([ f'16 g'] a'8[ a]) d'\([ f'16 e'] d'8[ e'16 f'] | \break
114 %%21-25
115      g'8[ f'16 g']\) g8([ g']) c'\([ e'16 d'] c'8[ d'16 e'] |
116      f'8[ c'16 a]\) f'8[\staccatissimo f'8]\staccatissimo
117                                   b([ d'16 c'] b8[ c'16 d']) |
118      e'8([ d' c' b] a[ g' fis' f'!]) |
119      e'([ d'16 e']) f'8([ e'16 f']) d'8([ c'16 d']) e'8([ d'16 e']) |
120      s1 | \break
121 }
122 
123 %% get sheet music --------------------------------------------------------
124 \score {
125          <<
126            \context Voice = "soprano" { \clef treble \key c\major \time 4/4
127                         \set Staff.instrumentName = "soprano" \soprano }
128                         \new Lyrics \lyricsto "soprano" { \sopranoL }
129 
130            \context Voice = "alto" { \clef treble \key c\major \time 4/4
131                         \set Staff.instrumentName = "alto   " \alto }
132                         \new Lyrics \lyricsto "alto" { \altoL }
133 
134            \new Voice = "piano" { \clef treble \key c\major \time 4/4
135                         \set Staff.instrumentName = "piano  " \piano }
136          >>
137    \layout {}
138 }
139 </lilypond>
140 </div>
141 <blockquote><blockquote><blockquote><blockquote><blockquote><blockquote>
142 <span style="font-size: 24px"><i>
143 Snippet played the piano accompaniment in the poem
144 ``Voca me cum benedictis'' sung by Soprano and alto's Tutti in
145 ``III Sequenz No5 Confutatis'' by Requiem(kv 626).
146 I am fascinated by forgetting(score bar number: from the 7th bar).</i></span>
147 </blockquote></blockquote></blockquote></blockquote></blockquote></blockquote>
148 <br />
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