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LilyPond ver2.18.2 on windows10

Music Sheet

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LilyPond ver2.18.2 on windows10

Road-12.ly
%% Yukio Yoshida.// use; Visual Studio Code %%%%%%%%
%% 1:43:36.73 2018/10/21
%% Time-stamp: "5:38:14.51 2019/01/01"
%%%% other editor(for instance notepad++, and so on )%%%%%%%%%%%%%%%%%%%
%% cmd /c Echo %DATE% %TIME% | clip
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% LilyPond "\book format" use.
\version "2.18.0"
\include "Road-12cv.ly"
\book{
\bookpart{ %% #I Caver's title
\markup{ \vspace #-.5 }
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
#(let* ((port (open-output-file "sheet-title-line.eps")))
  (display "%!PS-Adobe-3.0 EPSF-3.0
%%BoundingBox: 10 10 580 810
%%HiResBoundingBox: 10.00 10.00 580.00 810.00
%%Creator: GPL Ghostscript 922 (eps2write)
%%LanguageLevel: 2
%%CreationDate: D:20180608193808+09'00'
%%Pages: 1
%%EndComments
newpath
20 20 moveto 20 800 lineto 20 800 moveto 570 800 lineto
570 800 moveto 570 20 lineto 570 20 moveto 20 20 lineto
.22 0 0 setrgbcolor 20 setlinewidth stroke
%% in-line
newpath
50 50 moveto 50 760 lineto 50 760 moveto 540 760 lineto
540 760 moveto 540 50 lineto 540 50 moveto 50 50 lineto
0 0 0 setrgbcolor 1 setlinecap 3 setlinewidth stroke
%% Title-Word
/Times-Italic findfont 120 scalefont setfont 88 520 moveto 1 0 0 setrgbcolor
(Road-12) false charpath 3 setlinewidth stroke" port )

  (close port))
%Trailer
%% end make sheet-title-line.eps --------
\markup { \center-column {
\epsfile #X #124 #"sheet-title-line.eps"
\vspace #-6  %% Under of Title letters
\line { \bold \italic \tiny
"The dynamic of performance is freedom(the conductor's) discretion." } }}
}%% end bookpart I
\pageBreak
\bookpart{ %% II
\header {
dedication = \markup { \italic "  " }
title = \markup{ \line { \italic \huge "End of the Road?"} }
subtitle = \markup{ \center-column {
            \italic "c major; c d e f g a b" } }
subsubtitle = \markup{\center-column {
\italic \with-color #blue "Baritone; C clef on 5th line(& Solo; singer)."
\italic "soprano; C clef on 1st line,       alto; C clef on 3rd line."
\italic "     bass; F clef on 4th line,     tenor; C clef on 4th line."}}
composer = \markup { \line {\italic "Yukio Yoshida"} }
arranger = \markup { \line {Op.103\hspace #1 01/01/2019} }
copyright = "public Domain"
 meter = \markup { \column { \line { \hspace #14 \tiny \italic \column {
\bold { \tiny "                    Baritone Sol; Voice Words" }
"First)"
"Where is the end of this Road?"
\raise #1 " "
\raise #2 "On the path of life of joy and anger"
\raise #3 "On the road of life of relief and sorrow"
\raise #4 "Peace of mind and loneliness in life"
\raise #5 " "
\raise #6 "Many sorrows pass by"
\raise #7 "On the Road"
\raise #8 "Many sufferings pass by"
\raise #9 " "
\raise #10 "Born and born"
\raise #11 "Everything dies and disappears"
\raise #12 "The pain of this life"
\raise #13 " "

\raise #14 " "
%% \vspace #1
}\hspace #4 \teeny \italic \column {
\vspace #1
"Second)"
"Where is the end of this Road!"
\raise #1 " "
\raise #2 "Even it is shed by the wind"
\raise #3 "Even it is extinguished by the wind"
\raise #4 "At any moment to the eyes tomorrow"
\raise #5 " "
\raise #6 "Why do not stop with pleasure?"
\raise #7 "Why can not stop with relief?"
\raise #8 "Why constantly tomorrow?"
\raise #9 " "
\raise #10 "Tell me the beauty of anger"
\raise #11 "Tell me the truth of anger"
\raise #12 "Tell me the tears of anger"
\raise #13 " "
}\hspace #8 \column {
" "
\bold \tiny "Chorus Voices; pronunciation"
\raise #1 " "
\raise #2 \teeny \italic
" ɑ , ɔ , u , e , ə , m , n ... and so on."
\raise #3.5 " "
\raise #4.5 \line{\bold { \tiny { \italic "Chorus Voice; Words"\with-color #red "(Soloists)"}}} 
\raise #5 \teeny \line {You,  ... let me die?}
\raise #6 \teeny \line {let me life?}
\raise #7 \teeny \line {In  .....on this road!}
\raise #8 " "
\raise #9 " "
}}
%% \line {\hspace #14 \lower #4 {
%%  \musicglyph #"noteheads.s2blackpetrucci"}\hspace #.5
%%  \lower #4.6 \tiny \italic {
%%    If you are able to do anything, please to dance
%%   (Modern dance and All free!! But, Only in notes of
%%   \with-color #red "Longa" and \with-color #red "Breve".}
%% " " }
\vspace #2 } }
}%% End header
%% get sheet music ---------------------------------------------------
\score {
  <<
  \context ChoirStaff = "FourPartStaffaddchorus" <<
  \context Voice = "soprano" { \clef soprano \key c\major \time 3/2
         \set Staff.instrumentName = "soprano" \soprano }
  \context Voice = "sopranoVocal" { \clef soprano \key c\major \time 3/2
         \set Staff.fontSize = #-4
         \override Staff.StaffSymbol #'staff-space = #(magstep -4)
         \override Staff.StaffSymbol #'thickness = #(magstep -4)
         \set Staff.instrumentName = "Voice; sop "
                               \VoiceColorBlue { \sopranoVoice } }
  \new Lyrics = "mainSL" \lyricsto "sopranoVocal" { \sopranoVoiceL }

  \context Voice = "alto" { \clef alto \key c\major \time 3/2
                   \set Staff.instrumentName = "alto   " \alto }
  \context Voice = "altoVocal" { \clef alto \key c\major \time 3/2
         \set Staff.fontSize = #-4
         \override Staff.StaffSymbol #'staff-space = #(magstep -4)
         \override Staff.StaffSymbol #'thickness = #(magstep -4)
         \set Staff.instrumentName = "Voice; alt "
                              \VoiceColorBlue { \altoVoice } }
  \new Lyrics = "mainSL" \lyricsto "altoVocal" { \altoVoiceL }

  \context Voice = "tenor" { \clef tenor \key c\major \time 3/2
           \set Staff.instrumentName = "tenor  " \tenor }
  \context Voice = "tenorVocal" { \clef tenor \key c\major \time 3/2
         \set Staff.fontSize = #-4
         \override Staff.StaffSymbol #'staff-space = #(magstep -4)
         \override Staff.StaffSymbol #'thickness = #(magstep -4)
         \set Staff.instrumentName = "Voice; tenor "
                             \VoiceColorBlue { \tenorVoice  } }
  \new Lyrics = "mainSL" \lyricsto "tenorVocal" { \tenorVoiceL }

  \context Voice = "baritone" { \clef baritone \key c\major \time 3/2
          \set Staff.instrumentName = \markup { \column {
          \with-color #blue "baritone  "
                        \tiny \with-color #blue "Solo; singer" } }
                                     \BaritoneSol { \baritone } }
  \new Lyrics = "mainTL" \lyricsto "baritone" { \baritoneL }

  \context Voice = "bass" { \clef bass \key c\major \time 3/2
          \set Staff.instrumentName = "bass   " \bass }
  \context Voice = "bassVocal" { \clef bass \key c\major \time 3/2
         \set Staff.fontSize = #-4
         \override Staff.StaffSymbol #'staff-space = #(magstep -4)
         \override Staff.StaffSymbol #'thickness = #(magstep -4)
         \set Staff.instrumentName = "Voice; bass "
                           \VoiceColorBlue { \bassVoice } }
  \new Lyrics = "mainBL" \lyricsto "bassVocal" { \bassVoiceL }
  >>
            >>

  \layout {
     \context { \RemoveEmptyStaffContext
                %% \override VerticalAxisGroup #'remove-first = ##t
                      }
           }
}

%% get midi music --------------------------------------------------
\score {
  %% \unfoldRepeats \articulate 
  <<
 \context Staff { \clef soprano \key c\major \time 3/2 \tempo 4 = 46
                       \set Staff.midiInstrument = "pad 4 (choir)"
                                 \unfoldRepeats       \sopranoM }
 \context Staff { \clef soprano \key c\major \time 3/2 \tempo 4 = 46
                       \set Staff.midiInstrument = "pad 4 (choir)"
                            \unfoldRepeats       \sopranoVoiceM }

 \context Staff { \clef alto \key c\major \time 3/2 \tempo 4 = 46
                    \set Staff.midiInstrument = "pad 4 (choir)"
                              \unfoldRepeats          \altoM }
 \context Staff { \clef alto \key c\major \time 3/2 \tempo 4 = 46
                    \set Staff.midiInstrument = "pad 4 (choir)"
                         \unfoldRepeats          \altoVoiceM }

 \context Staff { \clef tenor \key c\major \time 3/2 \tempo 4 = 46
                     \set Staff.midiInstrument = "pad 4 (choir)"
                                  \unfoldRepeats       \tenor }
 \context Staff { \clef tenor \key c\major \time 3/2 \tempo 4 = 46
                     \set Staff.midiInstrument = "pad 4 (choir)"
                            \unfoldRepeats       \tenorVoiceM }

 \context Staff { \clef baritone \key c\major \time 3/2 \tempo 4 = 46
                        \set Staff.midiInstrument = "pad 4 (choir)"
                                 \unfoldRepeats       \baritoneM }

  \context Staff { \clef bass \key c\major \time 3/2 \tempo 4 = 46
                     \set Staff.midiInstrument = "pad 4 (choir)"
                               \unfoldRepeats          \bassM }
  \context Staff { \clef bass \key c\major \time 3/2 \tempo 4 = 46
                     \set Staff.midiInstrument = "pad 4 (choir)"
                          \unfoldRepeats          \bassVoiceM }
  >>

  \midi { tempoWholesPerMinute = #(ly:make-moment 46 4) }
}
%%%%%%%%%
%% \markup { " " }
%%\pageBreak %% since, Even-Page.
%% \markup { \null }
%%%%%%
\pageBreak
\markup { " " }
\markup { \vspace #4 " " }
\markup { " " }
%% \markup { \vspace #4 }
\markup { \column { \line {
About location \hspace #3 \musicglyph #"noteheads.uM2"(longa)
\hspace #2 and \hspace #3 \musicglyph #"noteheads.sM1"(breve) }
\line { \hspace #4 \italic
"Please, Breath of longa and breve do in the members alternating
(But, like Don't stand out). " } } }
\markup { \vspace #.5 }
\markup { " " }
\markup { \line {
At location \musicglyph #"scripts.ufermata", \hspace #1
\italic " Always, please look at the conductor(or baton). " } }
\markup { " " }
\markup { \hspace #3 \with-color #blue "ɑ , ɔ"(pronunciation symbol);
\hspace #1 To cearly distinguish pronunciation.}
\markup { \hspace #3 \with-color #blue "m"(pronunciation symbol);
\hspace #1 \italic "\"name, summer ....\" "}
\markup { \hspace #3 \with-color #blue "n"(pronunciation symbol);
\hspace #1 \italic "\"clean, eleven ....\" "}
%%%%%%%%
}%% end bookpart II
\bookpart{ %% III wrting of attention And out of source code
\markup { \vspace #4 }
\markup { \column {
\line { \huge " Note"\tiny \italic "(by Yukio Yoshida)" }
\raise #1 \line { \hspace #6 \teeny \italic
"Since, this is Sure!(especially; at \"Stage Position\")" } } }
\markup { \vspace #4 }
\markup { \hspace #26 \huge "INSTRUMENT RANGES" }
\markup { \hspace #8 \italic "About;" \teeny\italic
"Some of Instruments; there is a difference between
writing-note and real-note."
\italic "for instance:" }
\markup { \hspace #8 \column { \line { \bold %%
           "WOODWINDS; Piccolo(in C)"--\tiny "like this"-- }
\line { \score { { \clef treble \key c\major \time 4/1
 d'1^\markup {\italic "written" } s1 g'''1 s1 \bar"||"
 s2 d''1_\markup { \hspace #-8 \italic "sounds one octave higher" }
 s1  g''''1 s2 | \break
                  }
\layout { \context { \Staff
        \override ClefSignature #'transparent = ##t
        \override TimeSignature #'transparent = ##t }
           indent = 20.00\mm line-width = 160.00\mm }
                 } }
         }}
\markup { " " }
\markup { \vspace #2 }
\markup { \hspace #8 \column {
\line { \hspace #18.4 \bold "Bass Flute"--\tiny "like this"-- }
\line { \score { {
\clef treble \key c\major \time 4/1
c'1^\markup {\italic "written" } s1 a'''1 s1 \bar"||"
\clef bass s2 c1_\markup {
\hspace #-8 \italic "sounds one octave lower" }
s1 \clef treble a''1 s2| \break
   }
\layout { \context { \Staff
  \override ClefSignature #'transparent = ##t
  \override TimeSignature #'transparent = ##t }
   indent = 20.00\mm line-width = 160.00\mm }
         } }
                  }}
\markup { " " }
\markup { \vspace #4 }
\markup { \fill-with-pattern #2 #CENTER - \null \null }
\markup { " " }
\markup { \hspace #20 \magnify #2 {
 Stage Position;\tiny \italic
"(This arrangement--with the instrument needles column below--)" } }
\markup { " " }
\markup { \hspace #26 \column { \line {
About the Chorus; \teeny \italic "(For instsnce")}
\line { \rounded-box {Bass}\hspace #2
\rounded-box {Tenor}\hspace #2 \rounded-box {Alto}\hspace #2
\rounded-box{Soprano} }
 \teeny \italic " since, They must be reverse
for Instrument's arrangement " } }
\markup { \vspace #2 }
\markup { \hspace #20 \italic " About Position
of Sololist is placed freely(on the stage) " }
\markup { \vspace #2 }
\markup { \hspace #16 About Instrument arrangement;
\teeny \italic "(must be reverse for Chours's position)" }
\markup { \hspace #16 \rounded-box { \column {
 \huge " Instruments " "   Soprano " "   Group "} }\hspace #3
\rounded-box { \column {
 \huge " Instruments " "   Alto " "   Group "} }\hspace #3
\rounded-box { \column {
 \huge " Instruments " "   Tenor " "   Group "} }\hspace #3
\rounded-box { \column {
 \huge " Instruments " "   Bass " "   Group "} } }
\markup { \vspace #2 }
\markup { \hspace #36 \huge " Conductor " }
\markup { " " }
\markup { \hspace #26 ........... Audience seats ........... }
\markup { \vspace #1 }
\markup { \fill-with-pattern #2 #CENTER - \null \null }
\markup { " " }
\pageBreak
\markup { " " } %% For adjustment of the page.
\markup { \vspace #30 }
\markup { " " }
\pageBreak
%% \markup { " " } %% For adjustment of the page.
%% \markup { \vspace #30 }
%% \markup { " " }
%%%% This is for page's even number. %%%%
%%%% If odd number; need not do.
%% \pageBreak
%% eps-part -------------------------------------------------------------------
%% C:\Program Files (x86)\LilyPond\usr\share\ghostscript\8.70\Resource\Init\
%% Fontmap.GS // Not!! [Windows--ghostscript]
#(let* ((port (open-output-file "Source-code.eps")))
  (display "%!PS-Adobe-3.0 EPSF-3.0
%%BoundingBox: 60 227 525 636
%%HiResBoundingBox: 60.20 227.30 524.50 635.60
%%Creator: GPL Ghostscript 922 (eps2write)
%%LanguageLevel: 2
%%CreationDate: D:20180608144500+09'00'
%%Pages: 1
%%EndComments
/Times-Italic findfont 200 scalefont setfont 120 500 moveto 1 0 0 setrgbcolor
(ALL) false charpath 4 setlinewidth stroke

/Times-Italic findfont 120 scalefont setfont 60 320 moveto 0 0 0 setrgbcolor
(SOURCE) false charpath 3 setlinewidth stroke

/Times-Italic findfont 120 scalefont setfont 100 230 moveto 0 0 0 setrgbcolor
(CODE) false charpath 1 setlinewidth stroke"
port)

  (close port))
%Trailer
%% end -----eps part-------------------------------------------------------------------
%%%% Needn't Surce code's Title-String for texi-document.
\markup { \vspace #10 }
\markup { \hspace #12 \epsfile #X #100 #"Source-code.eps" }
\markup { " " }
\markup { \vspace #1 }
\markup { \fill-line { \center-column {
\line { As all;\hspace #2 See! (HTML) @menu }
"https://www.sheet-poem.com/poem/html/2019/Road-12.html" } } }
\pageBreak
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
}}%% end bokkpart III, End book
%%%%%%%%%%%%%%%%%%%% All End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%% exclude. %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% \markup { \column { "Name; Road-12.y"          %%%%
%%%%%            \verbatim-file #"Road-12.ly" } }    %%%%
%%%%%  \markup { \column { "Name; Road-12cv.ly"     %%%%
%%%%%            \verbatim-file #"Road-12cv.ly" } } %%%%
%%%%%  \markup { \column { "Name; run--lily.cmd"      %%%%
%%%%%            \verbatim-file #"run--lily.cmd" } }  %%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%


Next: , Previous: Road-12.ly, Up: Top

LilyPond ver2.18.2 on windows10

Road-12cv.ly
%% Yukio Yoshida. //emeditor// Maximum-width=<70
%% "1:43:36.73 2018/10/21"
%% Time-stamp: "5:38:14.51 2019/01/01"
%% Main-File is Road-12.ly.
%% This file is for main-file.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% If you want to change of color, then do see! in
%% "define-grobs.scm"(lilypond's system file) 
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\version "2.18.0"
%% This is system-files and for midi's effect
\include "articulate.ly" %% But here isn't use. See----> midi block
%% for sheet-music
#(set-default-paper-size "letter")
#(set-global-staff-size 18)
BaritoneSol = {
              \override Staff.StaffSymbol #'color = #blue
              \override Staff.LedgerLineSpanner #'color = #blue
              \override Staff.Clef #'color = #blue
              \override Staff.TimeSignature #'color = #blue
              \override Staff.KeySignature #'color = #blue
              \override Staff.BarLine #'color = #blue
              \override Voice.NoteHead #'color = #blue
              \override Voice.Rest #'color = #blue
              \override Voice.Stem #'color = #blue
              \override Voice.Flag #'color = #blue
              \override Voice.Beam #'color = #blue
              \override Voice.Slur #'color = #blue
              \override Voice.PhrasingSlur #'color = #blue
              \override Voice.Tie #'color = #blue
              \override Voice.Dots #'color = #blue
              \override Voice.Script #'color = #blue
              \override Voice.Accidental #'color = #blue
              \override Voice.DynamicLineSpanner #'color = #blue
              \override Voice.DynamicText #'color = #blue
              \override Voice.DynamicTextSpanner #'color = #blue
              \override Voice.TupletNumber #'color = #blue
              \override Voice.TupletBracket #'color = #blue
              \override Voice.BreathingSign #'color = #blue
              \override Voice.PercentRepeat #'color = #blue
              \override Voice.RepeatSlash #'color = #blue
}

VoiceColorBlue = {
              \override Staff.StaffSymbol #'color = #blue
              \override Staff.LedgerLineSpanner #'color = #blue
              \override Staff.Clef #'color = #blue
              \override Staff.TimeSignature #'color = #blue
              \override Staff.KeySignature #'color = #blue
              \override Staff.BarLine #'color = #blue
              \override Voice.NoteHead #'color = #blue
              \override Voice.Rest #'color = #blue
              \override Voice.Stem #'color = #blue
              \override Voice.Flag #'color = #blue
              \override Voice.Beam #'color = #blue
              \override Voice.Slur #'color = #blue
              \override Voice.PhrasingSlur #'color = #blue
              \override Voice.Tie #'color = #blue
              \override Voice.Dots #'color = #blue
              \override Voice.Script #'color = #blue
              \override Voice.Accidental #'color = #blue
              \override Voice.DynamicLineSpanner #'color = #blue
              \override Voice.DynamicText #'color = #blue
              \override Voice.DynamicTextSpanner #'color = #blue
              \override Voice.TupletNumber #'color = #blue
              \override Voice.TupletBracket #'color = #blue
              \override Voice.BreathingSign #'color = #blue
              \override Voice.PercentRepeat #'color = #blue
              \override Voice.RepeatSlash #'color = #blue
}
VoiceColorBlueRevert = {
              \revert Voice.NoteHead #'color
              \revert Voice.Rest #'color
              \revert Voice.Stem #'color
              \revert Voice.Flag #'color
              \revert Voice.Beam #'color
              \revert Voice.Slur #'color
              \revert Voice.PhrasingSlur #'color
              \revert Voice.Tie #'color
              \revert Voice.Dots #'color
              \revert Voice.Script #'color
              \revert Voice.Accidental #'color
              \revert Voice.DynamicLineSpanner #'color
              \revert Voice.DynamicTextSpanner #'color
              \revert Voice.DynamicText #'color
              \revert Voice.TupletNumber #'color
              \revert Voice.TupletBracket #'color
              \revert Voice.BreathingSign #'color
              \revert Voice.BreathingSign #'color
              \revert Voice.PercentRepeat #'color
              \revert Voice.RepeatSlash #'color
}

\paper {
        %%  ragged-last-bottom = ##f
}

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%%
sopranoVoice = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   r\longa | r\longa | \break
%% 3-4
   r\longa | \time 3/2 r1 b'2\melisma | \break
%% 5-8
   <e' b'>1 <f' c''>2 ~ | <f' c''>2 <e' b'>1 ~|
   b'4 e'2. ~ <e' b'>4.\melismaEnd r8 | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   r1. | r1. | r1. | r1. | \break
%% 29-32
   r1. | r1. | r1. | r1. | \break
%% 33-34
   \time 4/1
   c'1 r2 c'4..\melisma c'16\melismaEnd e'4 g' b'4. r8
   e'4 g' b'2^\fermata | r4 c''4. c'4\melisma c'8\melismaEnd
   e'4 g' b'2 c'1\melisma c''1\melismaEnd | \break
%% 35-38 %%%%%%%%%%%%%%%%%%%%%%%%
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39-42
   r1. | \break r1. | \break r1. | \break r1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   r1. | r1. | r1. | r1. | r1. | \break
%% 57-61
   b'2. r2 e'4\melisma | g'2.\melismaEnd g'4 c''2 |
   d''1 r2 | g'4 d'2 c'2. ~ | c'2. r2 f'4 | \break
%% 62-65
   f'4 \melisma a'8\melismaEnd a'8 c''4 e''2. ~ |
   e''2. r2.| r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   r4 e'2\melisma g'2. | e'1. | g'2.\melismaEnd r2. |
   e'1.\melisma | \break
%% 78-81
   g'1\melismaEnd r2 | r1. |
   f'1\melisma e'4\melismaEnd r4 | r1. | \break
%% 82-86
   r1. | r1. | e'1.\melisma | e'1. |
   e'1^\fermata \melismaEnd s2 \bar "|." \break 
}
sopranoVoiceL = \lyricmode {
\override Lyrics . LyricText #'color = #blue
    \override Lyrics . LyricHyphen #'color = #blue
    \override Lyrics . LyricExtender #'color = #blue
    \override Score . LyricText #'font-shape = #'italic
    \teeny
ɑ __
You, ɑ __ let me die?
let me life?
In ɑ __ on this road!
ɑ __

You, ɑ __ let me die?
let me life?
In ɑ __ on this road!

m __ n __
m __ ɑ __
}
sopranoVoiceM = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   r\longa | r\longa | \break
%% 3-4
   r\longa | \time 3/2 r1 b'2\melisma | \break
%% 5-8
   <e' b'>1 <f' c''>2 ~ | <f' c''>2 <e' b'>1 ~|
   b'4 e'2. ~ <e' b'>4.\melismaEnd r8 | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   r1. | r1. | r1. | r1. | \break
%% 29-32
   r1. | r1. | r1. | r1. | \break
%% 33-34
   \time 4/1
   c'1 r2 c'4..\melisma c'16\melismaEnd e'4 g' b'4. r8
   e'4 g' b'2^\fermata | r4 c''4. c'4\melisma c'8\melismaEnd
   e'4 g' b'2 c'1\melisma c''1\melismaEnd | \break
%% 35-38 %%%%%%%%%%%%%%%%%%%%%%%%  
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39-42
   r1. | \break r1. | \break r1. | \break r1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   r1. | r1. | r1. | r1. | r1. | \break
%% 57-61
   b'2. r2 e'4\melisma | g'2.\melismaEnd g'4 c''2 |
   d''1 r2 | g'4 d'2 c'2. ~ | c'2. r2 f'4 | \break
%% 62-65
   f'4 \melisma a'8\melismaEnd a'8 c''4 e''2. ~ |
   e''2. r2.| r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   r4 e'2\melisma g'2. | e'1. | g'2.\melismaEnd r2. |
   e'1.\melisma | \break
%% 78-
   g'1\melismaEnd r2 | r1. |
   f'1\melisma e'4\melismaEnd r4 | r1. | \break
%% 82-86
   r1. | r1. | e'1.\melisma | e'1. |
   e'1^\fermata \melismaEnd s2 \bar "|." \break 
}
%%% Instruments part
soprano = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   e'2 a'2. \tuplet 3/2 { g'4 f' e' } c'\breve d'4 |
   e'\longa | \break
%% 3-4
   d'2 c'\breve d'2 e'1 ~ | \time 3/2 e'1\fermata r2 |
%% 5-8
   r1. | r1. | r1. | r1. | \break
%% 9-13
   r1. | r1. | r1. | r1. | \break
%% 13-16
   \tuplet 3/2 { f''16 e'' d'' c'' b' a' g' f' e' } r8
   \tuplet 3/2 { e''16 d'' c'' b' a' g' f' e' d' } r8
   \tuplet 3/2 { d''16 c'' b' a' g' f' e' d' c' } r8 |
   f'4.. e'2.. r8. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   \tuplet 3/2 { f'16-. g'-. a'-. g'-. a'-. b'-. } e'4.
   \tuplet 3/2 { e'16-. f'-. g'-. f'-. g'-. a'-. } d'4.
   \tuplet 3/2 { d'16-. e'-. f'-. e'-. f'-. g'-. } |
   c'4. \tuplet 3/2 { f'16-. g'-. a'-. g'-. a'-. b'-. }
   \tuplet 3/2 { e'16-. f'-. g'-. f'-. g'-. a'-. }
   \tuplet 3/2 { d'16-. e'-. f'-. e'-. f'-. g'-. } g'4._~ |
   <e' g'>1. | <c' b'> 1. | \break
%% 29-32
   r1. | r1. | r1. | r1. | \break
%% 33-34
   \time4/1
   r\longa | r\longa | \break
%% 35-38
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39
   \time 3/2
%%   \repeat percent 6 { \tuplet 3/2 8 { c'16 d' e' f' g' a' } } |
    \tupletUp \tuplet 3/2 8 {
     <c' e'>16 <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> }
    \tuplet 3/2 8 {
     <d' f'>16 <e' g'> <f' a'> <g' b'> <a' c''> <b' d''> }
    \tupletNeutral \tuplet 3/2 8 {
     <e' g'>16 <f' a'> <g' b'> <a' c''> <b' d''> <c'' e''> }
    \tuplet 3/2 8 {
     <f' a'>16 <g' b'> <a' c''> <b' d''> <c'' e''> <d'' f''> }
    \tuplet 3/2 8 {
     <g' b'>16 <a' c''> <b' d''> <c'' e''> <d'' f''> <e'' g''> }
    \tuplet 3/2 8 {
     <a' c''>16 <b' d''> <c'' e''> <d'' f''> <e'' g''> <f'' a''> } |
\break
%% 40
   \time 3/2
    \tuplet 3/2 8 {
     <a'' f''>16 <g'' e''> <f'' d''> <e'' c''> <d'' b'> <c'' a'> }
    \tuplet 3/2 8 {
     <g'' e''>16 <f'' d''> <e'' c''> <d'' b'> <c'' a'> <b' g'> }
    \tuplet 3/2 8 {
     <f'' d''>16 <e'' c''> <d'' b'> <c'' a'> <b' g'> <a' f'> }
    \tuplet 3/2 8 {
     <e'' c''> <d'' b'> <c'' a'> <b' g'> <a' f'> <g' e'> }
    \tuplet 3/2 8 {
     <d'' b'> <c'' a'> <b' g'> \tupletDown <a' f'> <g' e'> <f' d'> }
    \tupletNeutral \tuplet 3/2 8 {
     <c'' a'>16 <b' g'> <a' f'> <g' e'> <f' d'> <e' c'> } |
\break
%% 41
   \time 3/2
   <c' g'>1. | \break
%% 42
   \time 3/2
   e'1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   \repeat percent 5 { \repeat percent 6 {
      \tuplet 3/2 { f'16-. g'-. a'-. g'-. a'-. b'-. } } | } \break
%% 57-61
%% Oh! no! Why engerverd? I don't know and can't repear.
%% So, I'll write here hope.
   r1.^\markup { \column { " " 
       \line {\hspace #-6 \bold \italic \with-color #red
       "Between 57bar and 61bar; If possible, please do play with improvisation     "(Each part Instruments.) } " " } }
   r1. | r1. | r1. | r1. | \break
%% 62-65
   r1. | r1. | r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   e'2 <c' g'>1 | e'1. | <c' g'> 1. | <g' d''>2 b'1 | \break
%% 78-81
   <g' d''>1 b'2 | r1. | r1. | r1. | \break
%% 82-86
   r1. | r1. | r2 c'1 ~ | c'1. ~ |
   c'4 r2.^\fermata s2 \bar "|." \break  
}
%%% end Soprano sheet.
sopranoM = {
    \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   e'2 a'2. \tuplet 3/2 { g'4 f' e' } c'\breve d'4 |
   e'\longa | \break
%% 3-4
   d'2 c'\breve d'2 e'1 ~ | \time 3/2 e'1\fermata r2 |
%% 5-8
   r1. | r1. | r1. | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   \tuplet 3/2 { f''16 e'' d'' c'' b' a' g' f' e' } r8
   \tuplet 3/2 { e''16 d'' c'' b' a' g' f' e' d' } r8
   \tuplet 3/2 { d''16 c'' b' a' g' f' e' d' c' } r8 |
   f'4.. e'2.. r8. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   \tuplet 3/2 { f'16-. g'-. a'-. g'-. a'-. b'-. } e'4.
   \tuplet 3/2 { e'16-. f'-. g'-. f'-. g'-. a'-. } d'4.
   \tuplet 3/2 { d'16-. e'-. f'-. e'-. f'-. g'-. } |
   c'4. \tuplet 3/2 { f'16-. g'-. a'-. g'-. a'-. b'-. }
   \tuplet 3/2 { e'16-. f'-. g'-. f'-. g'-. a'-. }
   \tuplet 3/2 { d'16-. e'-. f'-. e'-. f'-. g'-. } g'4._~ |
   <e' g'>1. | <c' b'> 1. | \break
%% 29-32
   r1. | r1. | r1. | r1. | \break
%% 33-34
   \time4/1
   r\longa | r\longa | \break
%% 35-38
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39
   \time 3/2
    \tuplet 3/2 8 {
     <c' e'>16 <d' f'> <e' g'> \tupletUp <f' a'> <g' b'> <a' c''> }
    \tupletNeutral \tuplet 3/2 8 {
     <d' f'>16 <e' g'> <f' a'> <g' b'> <a' c''> <b' d''> }
    \tuplet 3/2 8 {
     <e' g'>16 <f' a'> <g' b'> <a' c''> <b' d''> <c'' e''> }
    \tuplet 3/2 8 {
     <f' a'>16 <g' b'> <a' c''> <b' d''> <c'' e''> <d'' f''> }
    \tuplet 3/2 8 {
     <g' b'>16 <a' c''> <b' d''> <c'' e''> <d'' f''> <e'' g''> }
    \tuplet 3/2 8 {
     <a' c''>16 <b' d''> <c'' e''> <d'' f''> <e'' g''> <f'' a''> } |
\break
%% 40
   \time 3/2
    \tuplet 3/2 8 {
     <a'' f''>16 <g'' e''> <f'' d''> <e'' c''> <d'' b'> <c'' a'> }
    \tuplet 3/2 8 {
     <g'' e''>16 <f'' d''> <e'' c''> <d'' b'> <c'' a'> <b' g'> }
    \tuplet 3/2 8 {
     <f'' d''>16 <e'' c''> <d'' b'> <c'' a'> <b' g'> <a' f'> }
    \tuplet 3/2 8 {
     <e'' c''> <d'' b'> <c'' a'> <b' g'> <a' f'> <g' e'> }
    \tuplet 3/2 8 {
     <d'' b'> <c'' a'> <b' g'> \tupletDown <a' f'> <g' e'> <f' d'> }
    \tupletNeutral \tuplet 3/2 8 {
     <c'' a'>16 <b' g'> <a' f'> <g' e'> <f' d'> <e' c'> } |
\break
%% 41
   \time 3/2
   <c' g'>1. | \break
%% 42
   \time 3/2
   e'1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   \repeat percent 5 { \repeat percent 6 {
      \tuplet 3/2 { f'16-. g'-. a'-. g'-. a'-. b'-. } } | } \break
%% 57-61
   r1. | r1. | r1. | r1. | r1. | \break
%% 62-65
   r1. | r1. | r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   e'2 <c' g'>1 | e'1. | <c' g'> 1. | <g' d''>2 b'1 | \break
%% 78-81
   <g' d''>1 b'2 | r1. | r1. | r1. | \break
%% 82-86
   r1. | r1. | r2 c'1 ~ | c'1. ~ |
   c'4 r2.^\fermata s2 \bar "|." \break  
}
%%% end soprano-midi.
%%%
%%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%%
altoVoice = {
    \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   r\longa | r\longa | \break
%% 3-4
   r\longa | \time 3/2 r1 e'2\melisma | \break
%% 5-8
   <a e'>1 <b f'>2 ~ | <b f'>2 <e' a>1 ~|
   e'4 a2. ~ <a e'>4.\melismaEnd r8 | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   r1. | r1. | r1. | r1. | \break
%% 29-32
   r1. | r1. | r1. | r1. | \break
%% 33-34
   \time 4/1
   c'1 r4 c'4..\melisma c'16\melismaEnd e'4 g' b'4. r8
   e'4 g' b'2 r4^\fermata | r4 c''4. c'4\melisma c'8\melismaEnd
   e'4 g' b'2 c'1\melisma c''1\melismaEnd | \break
%%35-38 %%%%%%%%%%%%%%%%%%%%%%%%%%
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39-42
   r1. | \break r1. | \break r1. | \break r1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   r1. | r1. | r1. | r1. | r1. | \break
%% 57-61
   r4 e'2. r2 | a4\melisma c'2.\melismaEnd c'4 f'4 ~ |
   f'4 g'1 r4 | r4 c'4 g2 f2 ~ | f1 r2 | \break
%% 62-65
   b4 b4\melisma d'8\melismaEnd d'8 f'4 a'2 ~ |
   a'1 r2 | r1. | \noBreak r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   a2.\melisma c'2. | a1. | c'2\melismaEnd r1 |
   a1.\melisma | \break
%% 78-81
   c'1\melismaEnd r2 | r1. |
   r8 b1\melisma a4\melismaEnd r8 | r1. | \break
%% 82-86
   r1. | r1. | a1.\melisma | a1. |
   a1^\fermata \melismaEnd s2 | \bar "|." \break
}
altoVoiceL = \lyricmode {
    \override Lyrics . LyricText #'color = #blue
    \override Lyrics . LyricHyphen #'color = #blue
    \override Lyrics . LyricExtender #'color = #blue
    \override Score . LyricText #'font-shape = #'italic
    \teeny
ɑ __
You, ɑ __ let me die?
let me life?
In ɑ __ on this road!
ɑ __

You, ɑ __ let me die?
let me life?
In ɑ __ on this road!

n __ m __
m __
ɑ __
}
altoVoiceM = {
    \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   r\longa | r\longa | \break
%% 3-4
   r\longa | \time 3/2 r1 e'2\melisma | \break
%% 5-8
   <a e'>1 <b f'>2 ~ | <b f'>2 <e' a>1 ~|
   e'4 a2. ~ <a e'>4.\melismaEnd r8 | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   r1. | r1. | r1. | r1. | \break
%% 29-32
   r1. | r1. | r1. | r1. | \break
%% 33-34
   \time 4/1
   c'1 r4 c'4..\melisma c'16\melismaEnd e'4 g' b'4. r8
   e'4 g' b'2 r4^\fermata | r4 c''4. c'4\melisma c'8\melismaEnd
   e'4 g' b'2 c'1\melisma c''1\melismaEnd | \break
%% 35-38 %%%%%%%%%%%%%%%%%%%%%%%
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39-42
   r1. | \break r1. | \break r1. | \break r1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   r1. | r1. | r1. | r1. | r1. | \break
%% 57-61
   r4 e'2. r2 | a4\melisma c'2.\melismaEnd c'4 f'4 ~ |
   f'4 g'1 r4 | r4 c'4 g2 f2 ~ | f1 r2 | \break
%% 62-65
   b4 b4\melisma d'8\melismaEnd d'8 f'4 a'2 ~ |
   a'1 r2 | r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   a2.\melisma c'2. | a1. | c'2\melismaEnd r1 |
   a1.\melisma | \break
%% 78-81
   c'1\melismaEnd r2 | r1. |
   r8 b1\melisma a4\melismaEnd r8 | r1. | \break
%% 82-86
   r1. | r1. | a1.\melisma | a1. |
   a1^\fermata \melismaEnd s2 | \bar "|." \break
}
%%% Instruments 
alto = {
     \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   a2 d'2. \tuplet 3/2 { c'4 b a } c'\breve d'4 |
   e'\longa | \break
%% 3-4
   d'2 c'\breve d'2 e'1_~ | \time 3/2 e'1\fermata r2 | \break
%% 5-8
   r1. | r1. | r1. | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   \tuplet 3/2 { b'16 a' g' f' e' d' c' b a } r8
   \tuplet 3/2 { a'16 g' f' e' d' c' b a g } r8
   \tuplet 3/2 { g'16 f' e' d' c' b a g f } r8 |
   b4.. a2.. r8. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   r1. | r1. | r1. | r1. | \break
%% 29-32
   a2. ~ <a e'> | c'1. |
   \tuplet 3/2 { f16 g a b c' d' } g4. ~
   \tuplet 3/2 { g16 a b c' d' e' } a4. ~
   \tuplet 3/2 { a16 b c' d' e' f' } | \noBreak
   b4. ~ \tuplet 3/2 { b16 c' d' e' f' g' }
   \tuplet 3/2 { c'16 d' e' f' g' a' }
   \tuplet 3/2 { d'16 e' f' g' a' b' } c'4. | \break
%% 33-34
   \time 4/1
   r\longa | r\longa | \break
%% 35-38
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39
   \time 3/2
    \tuplet 3/2 {
     <d'' b'>16 <c'' a'> <b' g'> <a' f'> <g' e'> <f' d'> }
    \tuplet 3/2 {
     <c'' a'>16 <b' g'> <a' f'> <g' e'> <f' d'> <e' c'> }
    \tuplet 3/2 {
     <b' g'>16 <a' f'> <g' e'> <f' d'> <e' c'> <d' b> }
    \tuplet 3/2 {
     <a' f'>16 <g' e'> <f' d'> <e' c'> <d' b> <c' a> }
    \tuplet 3/2 {
     <g' e'>16 <f' d'> <e' c'> <d' b> <c' a> <b g> }
    \tupletDown \tuplet 3/2 {
     <f' d'>16 <e' c'> <d' b> <c' a> <b g> <a f> }
     \tupletNeutral | \break
%% 40
   \time 3/2
    \tuplet 3/2 {
     <f a>16 <g b> <a c'> <b d'> <c' e'> <d' f'> }
    \tuplet 3/2 {
     <g b> <a c'> <b d'> <c' e'> <d' f'> <e' g'> }
    \tuplet 3/2 {
     <a c'> <b d'> <c' e'> <d' f'> <e' g'> <f' a'> }
    \tuplet 3/2 {
     <b d'> <c' e'> <d' f'> <e' g'> <f' a'> <g' b'> }
    \tuplet 3/2 {
     <c' e'> <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> }
    \tuplet 3/2 {
     <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> <b' d''> } | \break
%% 41
   \time 3/2
   <f c'>1. | \break
%% 42
   \time 3/2
   a1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   \repeat percent 5 { \repeat percent 6 {
   \tuplet 3/2 { f16-. g-. a-. b-. c'-. d'-. } } | } \break
%% 57-61
   r1. | r1. | r1. | r1. | r1. | \break
%% 62-65
   r1. | r1. | r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   a2 <f c'>1 | a1. | <f c'>1. | <c' g'>2 e'1 | \break
%% 78-
   <c' g'>1 e'2 | r1. | r1. | r1. | \break
%% 82-86
   r1. | r1. | r2 f1 ~ | f1. ~ |
   f4 r2.^\fermata s2 | \bar "|." \break
}
%%% end alto sheet
altoM = {
     \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   a2 d'2. \tuplet 3/2 { c'4 b a } c'\breve d'4 |
   e'\longa | \break
%% 3-4
   d'2 c'\breve d'2 e'1_~ | \time 3/2 e'1\fermata r2 |
%% 5-8
   r1. | r1. | r1. | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   \tuplet 3/2 { b'16 a' g' f' e' d' c' b a } r8
   \tuplet 3/2 { a'16 g' f' e' d' c' b a g } r8
   \tuplet 3/2 { g'16 f' e' d' c' b a g f } r8 |
   b4.. a2.. r8. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   r1. | r1. | r1. | r1. | \break
%% 29-32
   a2. ~ <a e'> | c'1. |
   \tuplet 3/2 { f16 g a b c' d' } g4. ~
   \tuplet 3/2 { g16 a b c' d' e' } a4. ~
   \tuplet 3/2 { a16 b c' d' e' f' } | \noBreak
   b4. ~ \tuplet 3/2 { b16 c' d' e' f' g' }
   \tuplet 3/2 { c'16 d' e' f' g' a' }
   \tuplet 3/2 { d'16 e' f' g' a' b' } c'4. | \break
%% 33-34
   \time 4/1
   r\longa | r\longa | \break
%% 35-38
   r1. | r1. | r1. | r1. | \break
%% 39
   \time 3/2
    \tuplet 3/2 {
     <d'' b'>16 <c'' a'> <b' g'> <a' f'> <g' e'> <f' d'> }
    \tuplet 3/2 {
     <c'' a'>16 <b' g'> <a' f'> <g' e'> <f' d'> <e' c'> }
    \tuplet 3/2 {
     <b' g'>16 <a' f'> <g' e'> <f' d'> <e' c'> <d' b> }
    \tuplet 3/2 {
     <a' f'>16 <g' e'> <f' d'> <e' c'> <d' b> <c' a> }
    \tuplet 3/2 {
     <g' e'>16 <f' d'> <e' c'> <d' b> <c' a> <b g> }
    \tupletDown \tuplet 3/2 {
     <f' d'>16 <e' c'> <d' b> <c' a> <b g> <a f> } |
\break
%% 40
   \time 3/2
    \tuplet 3/2 {
     <f a>16 <g b> <a c'> <b d'> <c' e'> <d' f'> }
    \tuplet 3/2 {
     <g b>16 <a c'> <b d'> <c' e'> <d' f'> <e' g'> }
    \tuplet 3/2 {
     <a c'>16 <b d'> <c' e'> <d' f'> <e' g'> <f' a'> }
    \tuplet 3/2 {
     <b d'>16 <c' e'> <d' f'> <e' g'> <f' a'> <g' b'> }
    \tuplet 3/2 {
     <c' e'>16 <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> }
    \tuplet 3/2 {
     <d' f'>16 <e' g'> <f' a'> <g' b'> <a' c''> <b' d''> } |
\break
%% 41
   \time 3/2
   <f c'>1. | \break
%% 42
   \time 3/2
   a1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   \repeat percent 5 { \repeat percent 6 {
   \tuplet 3/2 { f16-. g-. a-. b-. c'-. d'-. } } | } \break
%% 57-61
   r1. | r1. | r1. | r1. | r1. | \break
%% 62-65
   r1. | r1. | r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   a2 <f c'>1 | a1. | <f c'>1. | <c' g'>2 e'1 | \break
%% 78-81
   <c' g'>1 e'2 | r1. | r1. | r1. | \break
%% 82-86
   r1. | r1. | r2 f1 ~ | f1. ~ |
   f4 r2.^\fermata s2 | \bar "|." \break
}
%%% end alto-midi
%%%
%%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%%
tenorVoice = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   r\longa | r\longa | \break
%% 3-4
   r\longa | \time 3/2 r1 c'2\melisma | \break
%% 5-8
   <f c'>1 <g d'>2 ~ | <g d'>2 <f c'>1 ~|
   c'4 f2. ~ <f c'>4.\melismaEnd r8 | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   r1. | r1. | r1. | r1. | \break
%% 29-32
   r1. | r1. | r1. | r1. | \break
%% 33-34
   \time 4/1
   c1 r8 c4..\melisma c16\melismaEnd e4 g b4. r8
   e4 g b2 r4.^\fermata | r4 c'4. c4\melisma c8\melismaEnd
   e4 g b2 c1\melisma c'1\melismaEnd | \break
%%35-38 %%%%%%%%%%%%%%%%%%%%%%%%%
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39-42
   r1. | \break r1. | \break r1. | \break r1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   r1. | r1. | r1. | r1. | r1. | \break
%% 57-61
   r2 a2. r4 | r4 d4\melisma f2.\melismaEnd f4 |
   b2 c'1 | r2 f4 c2 b,4_( ~ | b,4  b,1) r4 | \break
%% 62-65
   r4 e4 e4\melisma g8\melismaEnd g8 c'4 d'4_\( ~ |
   d'4 d'1\) r4 | r1. | \noBreak r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   e2.\melisma g2. | e1. | g2\melismaEnd r1 |
   e1.\melisma | \break
%% 78-81
   g1\melismaEnd r2 | r1. |
   r4 g1\melisma f4\melismaEnd | r1. | \break
%% 82-86
   r1. | r1. | f1.\melisma | f1. |
   f1^\fermata \melismaEnd s2 \bar "|." \break
}

tenorVoiceL = \lyricmode {
    \override Lyrics . LyricText #'color = #blue
    \override Lyrics . LyricHyphen #'color = #blue
    \override Lyrics . LyricExtender #'color = #blue
    \override Score . LyricText #'font-shape = #'italic
    \teeny
ɔ __
You, ɔ __ let me die?
let me life?
In ɔ __ on this road!
ɔ __

You, ɔ __ let me die?
let me life?
In ɔ __ on this road!

n __ m __ n __ %% Why?? "First n __" need? don't run it isn't "n __".
m __
ɔ __
}
tenorVoiceM = {
    \autoBeamOff
    \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   r\longa | r\longa | \break
%% 3-4
   r\longa | \time 3/2 r1 c'2\melisma | \break
%% 5-8
   <f c'>1 <g d'>2 ~ | <g d'>2 <f c'>1 ~|
   c'4 f2. ~ <f c'>4.\melismaEnd r8 | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   r1. | r1. | r1. | r1. | \break
%% 29-32
   r1. | r1. | r1. | r1. | \break
%% 33-34
   \time 4/1
   c1 r8 c4..\melisma c16\melismaEnd e4 g b4. r8
   e4 g b2 r4.^\fermata | r4 c'4. c4\melisma c8\melismaEnd
   e4 g b2 c1\melisma c'1\melismaEnd | \break
%%35-38 %%%%%%%%%%%%%%%%%%%%%%%%%
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39-42
   r1. | \break r1. | \break r1. | \break r1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   r1. | r1. | r1. | r1. | r1. | \break
%% 57-61
   r2 a2. r4 | r4 d4\melisma f2.\melismaEnd f4 |
   b2 c'1 | r2 f4 c2 b,4_( ~ | b,4  b,1) r4 | \break
%% 62-65
   r4 e4 e4\melisma g8\melismaEnd g8 c'4 d'4_\( ~ |
   d'4 d'1\) r4 | r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   e2.\melisma g2. | e1. | g2\melismaEnd r1 |
   e1.\melisma | \break
%% 78-
   g1\melismaEnd r2 | r1. |
   r4 g1\melisma f4\melismaEnd | r1. | \break
%% 82-86
   r1. | r1. | f1.\melisma | f1. |
   f1^\fermata \melismaEnd s2 \bar "|." \break
}
%%% Instruments 
tenor = {
     \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   d2 g2. \tuplet 3/2 { f4 e d } f\breve g4 |
   a\longa | \break
%% 3-4
   g2 f\breve g2 a1_~ | \time 3/2 a1\fermata r2 | \break
%% 5-8
   r1. | r1. | r1. | r1. | \break
%% 9-12
   <f a>8 ~ <f b> ~ <f c'>_~ <f d'> r8
   <g b>8 <a c'> <b d'> <c' e'> r8
   \tuplet 3/2 { e'16 d' c' b a g ~ } |
   g4.. f2.. r8. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   a2._~ <a e'> | <b d'>1. | <g f'>1. | c'1. | \break
%% 29-32
   a2._~ <a e'> | c'1. | <g f'>1. | <b d'>1. | \break
%% 33-34
   \time 4/1
   r\longa | r\longa | \break
%% 35-38
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39
   \time 3/2
   e1. | \break
%% 40
   \time 3/2
   <g c>1. | \break
%% 41
   \time 3/2
    \tuplet 3/2 8 {
     <c e>16 <d f> <e g> <f a> <g b> <a c'> }
    \tuplet 3/2 8 {
     <d f>16 <e g> <f a> <g b> <a c'> <b d'> }
    \tuplet 3/2 8 {
     <e g>16 <f a> <g b> <a c'> <b d'> <c' e'> }
    \tuplet 3/2 8 {
     <f a>16 <g b> <a c'> <b d'> <c' e'> <d' f'> }
    \tuplet 3/2 8 {
     <g b>16 <a c'> <b d'> <c' e'> <d' f'> <e' g'> }
    \tuplet 3/2 8 {
     <a c'>16 <b d'> <c' e'> <d' f'> <e' g'> <f' a'> } |
\break
%% 42
   \time 3/2
    \tuplet 3/2 8 {
     <a' f'>16 <g' e'> <f' d'> <e' c'> <d' b> <c' a> }
    \tuplet 3/2 8 {
     <g' e'>16 <f' d'> <e' c'> <d' b> <c' a> <b g> }
    \tuplet 3/2 8 {
     <f' d'>16 <e' c'> <d' b> <c' a> <b g> <a f> }
    \tuplet 3/2 8 {
     <e' c'> <d' b> <c' a> <b g> <a f> <g e> }
    \tuplet 3/2 8 {
     <d' b> <c' a> <b g> <a f> <g e> <f d> }
    \tuplet 3/2 8 {
     <c' a>16 <b g> <a f> <g e> <f d> <e c> } |
\break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
    \repeat percent 5 { \repeat percent 6 {
    \tuplet 3/2 8 {
     <c' a>16 <b g> <a f> <g e> <f d> <e c> } } | } \break
%% 57-61
   r1. | r1. | r1. | r1. | r1. | \break
%% 62-65
   r1. | r1. | r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   e2 <c g>1 | e1. | <c g>1. | <g  d'>2 b1 | \break
%% 78-81
   <g d'>1 b2 | r1. | r1. | r1. | \break
%% 82-86
   r1. | r1. | r2 d1 ~ | d1. ~ |
   d4 r2.^\fermata s2 \bar "|." \break
}
%%% end tenor sheet.
tenorM = {
     \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   d2 g2. \tuplet 3/2 { f4 e d } f\breve g4 |
   a\longa | \break
%% 3-4
   g2 f\breve g2 a1_~ | \time 3/2 a1\fermata r2 | \break
%% 5-8
   r1. | r1. | r1. | r1. | \break
%% 9-12
   <f a>8 ~ <f b> ~ <f c'>_~ <f d'> r8
   <g b>8 <a c'> <b d'> <c' e'> r8
   \tuplet 3/2 { e'16 d' c' b a g ~ } |
   g4.. f2.. r8. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   a2._~ <a e'> | <b d'>1. | <g f'>1. | c'1. | \break
%% 29-32
   a2._~ <a e'> | c'1. | <g f'>1. | <b d'>1. | \break
%% 33-34
   \time 4/1
   r\longa | r\longa | \break
%% 35-38
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39
   \time 3/2
   e1. | \break
%% 40
   \time 3/2
   <g c>1. | \break
%% 41
   \time 3/2
    \tuplet 3/2 8 {
     <c e>16 <d f> <e g> <f a> <g b> <a c'> }
    \tuplet 3/2 8 {
     <d f>16 <e g> <f a> <g b> <a c'> <b d'> }
    \tuplet 3/2 8 {
     <e g>16 <f a> <g b> <a c'> <b d'> <c' e'> }
    \tuplet 3/2 8 {
     <f a>16 <g b> <a c'> <b d'> <c' e'> <d' f'> }
    \tuplet 3/2 8 {
     <g b>16 <a c'> <b d'> <c' e'> <d' f'> <e' g'> }
    \tuplet 3/2 8 {
     <a c'>16 <b d'> <c' e'> <d' f'> <e' g'> <f' a'> } |
\break
%% 42
   \time 3/2
    \tuplet 3/2 8 {
     <a' f'>16 <g' e'> <f' d'> <e' c'> <d' b> <c' a> }
    \tuplet 3/2 8 {
     <g' e'>16 <f' d'> <e' c'> <d' b> <c' a> <b g> }
    \tuplet 3/2 8 {
     <f' d'>16 <e' c'> <d' b> <c' a> <b g> <a f> }
    \tuplet 3/2 8 {
     <e' c'> <d' b> <c' a> <b g> <a f> <g e> }
    \tuplet 3/2 8 {
     <d' b> <c' a> <b g> <a f> <g e> <f d> }
    \tuplet 3/2 8 {
     <c' a>16 <b g> <a f> <g e> <f d> <e c> } |
\break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
    \repeat percent 5 { \repeat percent 6 {
    \tuplet 3/2 8 {
     <c' a>16 <b g> <a f> <g e> <f d> <e c> } } | } \break
%% 57-61
   r1. | r1. | r1. | r1. | r1. | \break
%% 62-65
   r1. | r1. | r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   e2 <c g>1 | e1. | <c g>1. | <g  d'>2 b1 | \break
%% 78-81
   <g d'>1 b2 | r1. | r1. | r1. | \break
%% 82-86
   r1. | r1. | r2 d1 ~ | d1. ~ |
   d4 r2.^\fermata s2 \bar "|." \break
}
%%% end tenor-midi
%%%
%%%%%%%% baritone part %%%%%%%%%%%%%%%%%%%%%%%
baritone = {
     \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   r\longa | r\longa | \break
%% 3-4
   r\breve f1 c'2..\melisma f8\melismaEnd |
   \time 3/2 r1. | \break
%% 5-8
   r1. | r1. | r1 f2 | d4 c8 f1 r8 | \break
%% 9-12
   r1. | r1. |
   f1 g2_\( ~\melisma | g2 a2. b8\melismaEnd r8\) | \break
%% 13-16
   r1. | r1. | c'2. d'4 a2 ~ | a2 g4 b2. | \break
%% \pageBreak
%% \break
%% 17-20
%%   r16 e8 f4. d8. b,2. | \noBreak a2. d'4 c'2 ~ | \noBreak
%%   c'2 g4 b2. | \noBreak r16 e8 f4. d8. b,2. | \break-
%% 17-20
   r16 e8 f4. d8. b,2. | a2. d'4 c'2 ~ |
   c'2 g4 b2. | r16 e8 f4. d8. b,2. | \break
%% 21-24
   b2 c'4 d'2 r16 c'8. | b4.\( g4 e2\) d8 b,4\( ~ |
   b,4( a,4.)\) r4. b4. a8_\( ~ | a8 b4.\) f4. c8 g,2 | \break
%% 25-28
   a,8 g,2.. r8 b4. | a4_\( g b4.\) f c4 ~ |
   c4 r2 c'2. | d'4. e'2.. r4 | \break
%% 29-32
   c'4.\( g2\) d4.( a,4 | g,2) r4 c4 e2\( |
   d8 e2.\) r8 c4 f4 ~ | f4 f8 a4. c'2. | \break
%% 33-34
   \time 4/1
   r\longa | r\longa | \break
%% 35-38
   \time 3/2
   c'4.\melisma  c'8\melismaEnd c'4.\melisma c'8\melismaEnd r2 |
   c'2 d'4 b8 e'2 c'8 ~ | c'8 g2.. c2 ~ | c2 r1 | \break
%% 39-42
   r1. | \break r1. | \break r1. | \break r1. | \break
%% 43-46
   c4.\melisma  c8\melismaEnd d4.\melisma d8\melismaEnd r2 |
   f4. d4 e f4. g4 ~ | g4 f8 a2 r4. f4 ~ |
   f4 d8 e f4 g a2 | \break
%% 47-51
   f4 g8 f4 r8. e4. f8. g8\( | f2\) e8 d8 c2. |
   d4._\( c4 b,2.. ~ | b,4.\) r8 c1\melisma |
   d1 r2\melismaEnd | \break
%% 52-56
   r1. | r1. | r1. | r1. | r1. | \break
%% 57-61
   r1. | r1. | r1. | r1. | r1. | \break
%% 62-65
   r1. | r1. |
   r4 b1\melisma  c'4 |
   d'1 c'4\melismaEnd r4 | \break
%% 66-69
   c'4. b4 a4. c'2 | d'4 e'2_\( f'4\) r2 | c'4. b4( a4.) c'2 |
   f'4 c4.\( g,2..\) | \break
%% 70-73
   r8 c'2 r8 b4 a2 | c'4._\( d' e'2._( | f'2.)\) r2. | r1. | \break
%% 74-77
   e2 c2.. r8 | d4 b,4. d c8 r8 e4 ~ | e4. r2. a4. |
   c'2.. r8 b8 e'4. ~ | \break
%% 78-81 
   e'4. d'8 r8 e'2.. | r2 c1\melisma |
   b,4\melismaEnd r2 c'2 d'4 ~ | d'4. r8 c'4 e'2. |
%% 82-86 
   a4. r8 f2_\( c2 ~ | c2.\)^\fermata r2. | r1. | r1. |
   r1 s2 \bar "|." \break
}
%%%  end baritone sheet
baritoneL = \lyricmode {
    \override Lyrics . LyricText #'color = #blue
    \override Lyrics . LyricHyphen #'color = #blue
    \override Lyrics . LyricExtender #'color = #blue
    \override Score . LyricText #'font-shape = #'italic
    \teeny
m -- n __
Where is the "end of this Road?"
m -- n __
On the path of life of joy and anger
On the road of life of relief and sorrow
Peace of mind and lone -- li -- ness in life

Many sor -- rows pass by
On the Road
Many suf -- fer -- ings pass by

Born and born
Every -- thing dies and dis -- ap -- pears
The pain of this life

m -- n __
Where is the end of this Road!

m -- n __
Even it is shed by the wind
Even it is ex -- tin -- guished by the wind
At any mo -- ment to the eyes to -- mor -- row
ɔ __

m __
Why do not stop with pleas -- ure?
Why can't stop with re -- lief?
Why con -- stantly to -- mor -- row?

Tell me the beau -- ty of anger
Tell me the truth of anger
ɔ __
Tell me the tears of an -- ger
}
baritoneM = {
     \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   r\longa | r\longa | \break
%% 3-4
   r\breve f1 c'2..\melisma f8\melismaEnd |
   \time 3/2 r1. | \break
%% 5-8
   r1. | r1. | r1 f2 | d4 c8 f1 r8 | \break
%% 9-12
   r1. | r1. |
   f1 g2_\( ~\melisma | g2 a2. b8\melismaEnd r8\) | \break
%% 13-16
   r1. | r1. | c'2. d'4 a2 ~ | a2 g4 b2. | \break
%% 17-20
   r16 e8 f4. d8. b,2. | a2. d'4 c'2 ~ |
   c'2 g4 b2. | r16 e8 f4. d8. b,2. | \break
%% 21-24
   b2 c'4 d'2 r16 c'8. | b4.\( g4 e2\) d8 b,4\( ~ |
   b,4( a,4.)\) r4. b4. a8_\( ~ | a8 b4.\) f4. c8 g,2 | \break
%% 25-28
   a,8 g,2.. r8 b4. | a4_\( g b4.\) f c4 ~ |
   c4 r2 c'2. | d'4. e'2.. r4 | \break
%% 29-32
   c'4.\( g2\) d4.( a,4 | g,2) r4 c4 e2\( |
   d8 e2.\) r8 c4 f4 ~ | f4 f8 a4. c'2. | \break
%% 33-34 
   \time 4/1
   r\longa | r\longa | \break
%% 35-38
   \time 3/2
   c'4.\melisma  c'8\melismaEnd c'4.\melisma c'8\melismaEnd r2 |
   c'2 d'4 b8 e'2 c'8 ~ | c'8 g2.. c2 ~ | c2 r1 | \break
%% 39-42
   r1. | \break r1. | \break r1. | \break r1. | \break
%% 43-46
   c4.\melisma  c8\melismaEnd d4.\melisma d8\melismaEnd r2 |
   f4. d4 e f4. g4 ~ | g4 f8 a2 r4. f4 ~ |
   f4 d8 e f4 g a2 | \break
%% 47-51
   f4 g8 f4 r8. e4. f8. g8\( | f2\) e8 d8 c2. |
   d4._\( c4 b,2.. ~ | b,4.\) r8 c1\melisma |
   d1\melismaEnd r2 | \break
%% 52-56
   r1. | r1. | r1. | r1. | r1. | \break
%% 57-61
   r1. | r1. | r1. | r1. | r1. | \break
%% 62-65
   r1. | r1. |
   r4 b1\melisma  c'4 |
   d'1 c'4\melismaEnd r4 | \break
%% 66-69
   c'4. b4 a4. c'2 | d'4 e'2_\( f'4\) r2 | c'4. b4( a4.) c'2 |
   f'4 c4.\( g,2..\) | \break
%% 70-73
   r8 c'2 r8 b4 a2 | c'4._\( d' e'2._( | f'2.)\) r2. | r1. | \break
%% 74-77
   e2 c2.. r8 | d4 b,4. d c8 r8 e4 ~ | e4. r2. a4. |
   c'2.. r8 b8 e'4. | \break
%% 78-81 
   e'4. d'8 r8 e'2.. | r2 c1\melisma |
   b,4\melismaEnd r2 c'2 d'4 ~ | d'4. r8 c'4 e'2. | 
 %% 82-86
   a4. r8 f2_\( c2 ~ | c2.\)^\fermata r2. |  r1. | r1. |
   r1 s2 \bar "|." \break
}
%%% end baritone midi
%%%
%%%%%%% bass; part %%%%%%%%%%%%%%%%
bassVoice = {
   \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   r\longa | r\longa | \break
%% 3-4
   r\longa | \time 3/2 r1 f2\melisma | \break
%% 5-8
   <b, f>1 <c g>2 ~ | <c g>2 <b, f>1 ~ |
   f4 b,2. ~ <b, f>4.\melismaEnd r8 | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   r1. | r1. | r1. | r1. | \break
%% 29-32
   r1. | r1. | r1. | r1. | \break
%% 33-34
   \time 4/1
   c1 c4..\melisma c16\melismaEnd e4 g b4. r8
   e4 g b2 r2^\fermata | r4 c'4. c4\melisma c8\melismaEnd
   e4 g b2 c1\melisma c'1\melismaEnd | \break
%% 35-38
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39-42
   r1. | r1. | r1. | r1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   r1. | r1. | r1. | r1. | r1. | \break
%% 57-61
   r2. d'2. | r2 g4\melisma b2.\melismaEnd |
   b4 e2 f2. ~ | f2. r2 c4 | g,2 g,1 |
%% 62-65
   r2 a,4 a,4\melisma c8\melismaEnd c8 f4 |
   g1. | r1. | r1. | \break 
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   r4 a,2\melisma c2. | a,1. | c2.\melismaEnd r2. |
   a,1.\melisma | \break
%% 78-81
   c1\melismaEnd r2 | r1. | r4. c1\melisma b,8_~ |
   b,8\melismaEnd r4. r1 | \break
%% 82-86
   r1. | r1. | b,1.\melisma | b,1. |
   b,1^\fermata \melismaEnd s2 \bar "|." \break
}

bassVoiceL = \lyricmode {
    \override Lyrics . LyricText #'color = #blue
    \override Lyrics . LyricHyphen #'color = #blue
    \override Lyrics . LyricExtender #'color = #blue
    \override Score . LyricText #'font-shape = #'italic
    \teeny
ɔ __
You, ɔ __ let me die?
let me life?
In ɔ __ on this road!
ɔ __

You, ɔ __ let me die?
let me life?
In ɔ __ on this road!

n __ m __
m __
ɔ __
}

bassVoiceM = {
    \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   r\longa | r\longa | \break
%% 3-4
   r\longa | \time 3/2 r1 f2\melisma | \break
%% 5-8
   <b, f>1 <c g>2 ~ | <c g>2 <b, f>1 ~|
   f4 b,2. ~ <b, f>4.\melismaEnd r8 | r1. | \break
%% 9-12
   r1. | r1. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   r1. | r1. | r1. | r1. | \break
%% 29-32
   r1. | r1. | r1. | r1. | \break
%% 33-34
   \time 4/1
   c1 c4..\melisma c16\melismaEnd e4 g b4. r8
   e4 g b2 r2^\fermata | r4 c'4. c4\melisma c8\melismaEnd
   e4 g b2 c1\melisma c'1\melismaEnd | \break
%% 35-38
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39-42
   r1. | r1. | r1. | r1. | \break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
   r1. | r1. | r1. | r1. | r1. | \break
%% 57-61
   r2. d'2. | r2 g4\melisma b2.\melismaEnd |
   b4 e2 f2. ~ | f2. r2 c4 | g,2 g,1 |
%% 62-65
   r2 a,4 a,4\melisma c8\melismaEnd c8 f4 |
   g1. | r1. | r1. | \break 
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   r4 a,2\melisma c2. | a,1. | c2.\melismaEnd r2. |
   a,1.\melisma | \break
%% 78-81
   c1\melismaEnd r2 | r1. | r4. c1\melisma b,8_~ |
   b,8\melismaEnd r4. r1 | \break
%% 82-86
   r1. | r1. | b,1.\melisma | b,1. |
   b,1^\fermata \melismaEnd s2 \bar "|." \break
}
bass = {
     \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   g,2 c2. \tuplet 3/2 { b,4 a, g, } b,\breve c4 |
   a\longa | \break
%% 3-4
   c2 b,\breve a,2 d1_~ | \time 3/2 d1\fermata r2 | \break
%% 5-8
   r1. | r1. | r1. | r1. | \break
%% 9-12
   <b, d>8 ~ <b, e> ~ <b, f>_~ <b, g> r8
   <c e>8 <d f> <e g> <f a> r8 \tuplet 3/2 { a16 g f e d c ~ } |
   c4.. b,2.. r8. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   a,2. ~ <a, e> | <b, d>1. | <g, f>1. | c1. | \break
%% 29-32
   a,2. ~ <a, e> | c1. | <g, f>1. | <b, d>1. | \break
%% 33-34
   \time 4/1
   r\longa | r\longa | \break
%% 35-38
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39
   \time 3/2
   a,1. | \break
%% 40
   \time 3/2
   <f, c>1. | \break
%% 41
   \time 3/2
    \tuplet 3/2 {
     <d' b>16 <c' a> <b g> <a f> <g e> <f d> }
    \tuplet 3/2 {
     <c' a>16 <b g> <a f> <g e> <f d> <e c> }
    \tuplet 3/2 {
     <b g>16 <a f> <g e> <f d> <e c> <d b,> }
    \tuplet 3/2 {
     <a f>16 <g e> <f d> <e c> <d b,> <c a,> }
    \tuplet 3/2 {
     <g e>16 <f d> <e c> <d b,> <c a,> <b, g,> }
    \tuplet 3/2 {
     <f d>16 <e c> <d b,> <c a,> <b, g,> <a, f,> }
\break
%% 42
   \time 3/2
    \tuplet 3/2 {
     <f, a,>16 <g, b,> <a, c> <b, d> <c e> <d f> }
    \tuplet 3/2 {
     <g, b,> <a, c> <b, d> <c e> <d f> <e g> }
    \tuplet 3/2 {
     <a, c> <b, d> <c e> <d f> <e g> <f a> }
    \tuplet 3/2 {
     <b, d> <c e> <d f> <e g> <f a> <g b> }
    \tuplet 3/2 {
     <c e> <d f> <e g> <f a> <g b> <a c'> }
    \tuplet 3/2 {
     <d f> <e g> <f a> <g b> <a c'> <b d'> } 
\break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
    \repeat percent 5 { \repeat percent 6 {
    \tuplet 3/2 8 {
     <f d>16 <e c> <d b,> <c a,> <b, g,> <a, f,> } } | } \break
%% 57-61
   r1. | r1. | r1. | r1. | r1. | \break
%% 62-65
   r1. | r1. | r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   a,2 <f, c>1 | a,1. | <f, c>1. | <c  g>2 e1 | \break
%% 78-81
   <c g>1 e2 | r1. | r1. | r1. | \break
%% 82-86
   r1. | r1. | r2 g,1 ~ | g,1. ~ |
   g,4 r2.^\fermata s2 \bar "|." \break
}
%%% end bass-sheet
bassM = {
   \autoBeamOff
   \partial 2 r2^\fermata |
%% 1-2
   \time 4/1
   g,2 c2. \tuplet 3/2 { b,4 a, g, } b,\breve c4 |
   a\longa | \break
%% 3-4
   c2 b,\breve a,2 d1_~ | \time 3/2 d1\fermata r2 | \break
%% 5-8
   r1. | r1. | r1. | r1. | \break
%% 9-12
   <b, d>8 ~ <b, e> ~ <b, f>_~ <b, g> r8
   <c e>8 <d f> <e g> <f a> r8 \tuplet 3/2 { a16 g f e d c ~ } |
   c4.. b,2.. r8. | r1. | r1. | \break
%% 13-16
   r1. | r1. | r1. | r1. | \break
%% 17-20
   r1. | r1. | r1. | r1. | \break
%% 21-24
   r1. | r1. | r1. | r1. | \break
%% 25-28
   a,2. ~ <a, e> | <b, d>1. | <g, f>1. | c1. | \break
%% 29-32
   a,2. ~ <a, e> | c1. | <g, f>1. | <b, d>1. | \break
%% 33-34
   \time 4/1
   r\longa | r\longa | \break
%% 35-38
   \time 3/2
   r1. | r1. | r1. | r1. | \break
%% 39
   \time 3/2
   a,1. | \break
%% 40
   \time 3/2
   <f, c>1. | \break
%% 41
   \time 3/2
    \tuplet 3/2 {
     <d' b>16 <c' a> <b g> <a f> <g e> <f d> }
    \tuplet 3/2 {
     <c' a>16 <b g> <a f> <g e> <f d> <e c> }
    \tuplet 3/2 {
     <b g>16 <a f> <g e> <f d> <e c> <d b,> }
    \tuplet 3/2 {
     <a f>16 <g e> <f d> <e c> <d b,> <c a,> }
    \tuplet 3/2 {
     <g e>16 <f d> <e c> <d b,> <c a,> <b, g,> }
    \tuplet 3/2 {
     <f d>16 <e c> <d b,> <c a,> <b, g,> <a, f,> }
\break
%% 42
   \time 3/2
    \tuplet 3/2 {
     <f, a,>16 <g, b,> <a, c> <b, d> <c e> <d f> }
    \tuplet 3/2 {
     <g, b,> <a, c> <b, d> <c e> <d f> <e g> }
    \tuplet 3/2 {
     <a, c> <b, d> <c e> <d f> <e g> <f a> }
    \tuplet 3/2 {
     <b, d> <c e> <d f> <e g> <f a> <g b> }
    \tuplet 3/2 {
     <c e> <d f> <e g> <f a> <g b> <a c'> }
    \tuplet 3/2 {
     <d f> <e g> <f a> <g b> <a c'> <b d'> } 
\break
%% 43-46
   r1. | r1. | r1. | r1. | \break
%% 47-51
   r1. | r1. | r1. | r1. | r1. | \break
%% 52-56
    \repeat percent 5 { \repeat percent 6 {
    \tuplet 3/2 8 {
     <f d>16 <e c> <d b,> <c a,> <b, g,> <a, f,> } } | } \break
%% 57-61
   r1. | r1. | r1. | r1. | r1. | \break
%% 62-65
   r1. | r1. | r1. | r1. | \break
%% 66-69
   r1. | r1. | r1. | r1. | \break
%% 70-73
   r1. | r1. | r1. | r1. | \break
%% 74-77
   a,2 <f, c>1 | a,1. | <f, c>1. | <c  g>2 e1 | \break
%% 78-
   <c g>1 e2 | r1. | r1. | r1. | \break
%% 82-86
   r1. | r1. | r2 g,1 ~ | g,1. ~ |
   g,4 r2.^\fermata s2 \bar "|." \break
}
%%% end bass-midi
%%%
%%%%%%%%%%%%%%%%%%%% End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%% Thank you. %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%


Next: , Previous: Road-12cv.ly, Up: Top

LilyPond ver2.18.2 on windows10

Road-12.texi
%% Yukio Yoshida.// use; Visual Studio Code %%%%%%%%
%% "1:43:36.73 2018/10/21"
%% Time Stamp; "6:03:49.61 2019/01/01"
%% TeXinfo, only; html<---makeinfo.
%% *.ly.html <---- texinfo//@html.........@end html
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\input colordvi.tex
\input texinfo   @c -*-texinfo-*-
@c %**start of header
@setfilename Road-12.info
@settitle LilyPond ver2.18.2 on Windows10
@documentlanguage en
@documentencoding utf-8
@setchapternewpage odd
@c %**end of header

@iftex
@letterpaper
@finalout
@end iftex

@c *********** Body start ******************

@node       Top,         Music Sheet,    ("dir"),    ("dirTop")
@comment  node-name,        next,        previous,       up

@menu
* Road-12 --- Music Sheet:              Music Sheet.
* Road-12.ly --- Source code framework:  Road-12.ly.
* Road-12cv.ly --- Source code notes:    Road-12cv.ly.
* Road-12.texi --- Source code document: Road-12.texi.
* run--texi-ly.cmd --- Source code cmd-file:  run--texi-ly.cmd.
@end menu

@html
<br />
<br />
<br />
@end html

@html
&#160;&#160;&#160;&#160;
<a href="Road-12.mid">Road-12.mid</a>&#160;&#160;
<a href="Road-12.mp3">Road-12.mp3</a>&#160;&#160;
<a href="Road-12.pdf">Road-12.pdf</a>&#160;&#160;
&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
<font color = "red">All files;</font>
<a href="Road-12.tar.gz">Road-12.tar.gz</a>(about 9,800bytes)
&#160;&#160;&#160;&#160;
&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
<audio src="Road-12.mp3" controls>
Download <a href="Road-12.mp3">episode 42 Learnung to love HTML5</a>
</audio>&#160;&#160;(this is mp3)<br />
@end html

@node        Music Sheet,   Road-12.ly,       Top,      Top
@comment      node-name,     next,          previous,    up
@html
@unnumbered LilyPond ver2.18.2 on windows10
@end html

@html
<b><i>Music Sheet</i></b>
@end html

@html
<a href="Road-12.pdf">
<div align="center">
@end html
@ifhtml
@image{Road-12-page1}@*
@html
<hr />
@end html
@image{Road-12-page2}@*
@html
<hr />
@end html
@image{Road-12-page3}@*
@html
<hr />
@end html
@image{Road-12-page4}@*
@html
<hr />
@end html
@image{Road-12-page5}@*
@html
<hr />
@end html
@html
@image{Road-12-page6}@*
@end html
@html
<hr />
@end html
@html
@image{Road-12-page7}@*
@end html
@html
<hr />
@end html
@html
@image{Road-12-page8}@*
@end html
@html
<hr />
@end html
@html
@image{Road-12-page9}@*
@end html
@html
<hr />
@end html
@html
@image{Road-12-page10}@*
</div>
</a>
@end html
@html
<hr />
@end html
@html
<hr />
@end html
@end ifhtml

@page
@iftex
@b{The original source code.}@*
@end iftex
@iftex
@smallskip
@b{File; Road-12.ly}
@end iftex
@node       Road-12.ly, Road-12cv.ly,  Music Sheet,  Top
@comment    node-name,     next,         previous,    up
@html
@unnumbered LilyPond ver2.18.2 on windows10
@end html

@html
<blockquote><blockquote>
<b><i>Road-12.ly</i></b>
@end html

@verbatiminclude Road-12.ly

@html
</blockquote></blockquote>
@end html

@page
@iftex
@b{File; Road-12cv.ly}
@end iftex

@node     Road-12cv.ly,  Road-12.texi, Road-12.ly, Top
@comment    ode-name,        next,      previous,   up
@html
@unnumbered LilyPond ver2.18.2 on windows10
@end html

@html
<blockquote><blockquote>
<b><i>Road-12cv.ly</i></b>
@end html

@verbatiminclude Road-12cv.ly

@html
</blockquote></blockquote>
@end html

@page
@iftex
@b{File; Road-12.texi}
@end iftex

@node     Road-12.texi, run--texi-ly.cmd, Road-12cv.ly, Top
@comment  node-name,        next,           previous,    up
@html
@unnumbered LilyPond ver2.18.2 on windows10
@end html

@html
<blockquote><blockquote>
<b><i>Road-12.texi</i></b>
@end html

@verbatiminclude Road-12.texi

@html
</blockquote></blockquote>
@end html

@iftex
@page
@b{File; run--texi-ly.cmd}
@end iftex

@node     run--texi-ly.cmd,           ,  Road-12.texi,   Top
@comment    node-name,        next,       previous,       up
@html
@unnumbered LilyPond ver2.18.2 on windows10
@end html

@html
<blockquote><blockquote>
<b><i>run--texi-ly.cmd</i></b>
@end html

@verbatiminclude run--texi-ly.cmd

@iftex
@sp 2
@noindent
@b{(WindowsOS)@kbd{>run--texi-ly Road-12}[Enter]}@*
And, Only on LilyPond then@*
@b{(any platform)@kbd{>lilypond --pdf --png Road-12}[Enter]}@*
@end iftex

@html
<br />
<b>(windowsOS)<kbd>>run--texi-ly Road-12</kbd>[Enter]</b><br />
(However, this "Windows10(64bit) + LilyPond(ver2.18.*) + W32TeX(& UP) + Ghostscript(edition 64bit)" is required.)<br />
<br />
And, Only on LilyPond then<br />
<b>(any platform)<kbd>lilypond --pdf --png Road-12</kbd>[Enter]</b><br />
</blockquote></blockquote>
<br />
<br />
<br />
<br />
@end html

@c *********** End Body *********************
@bye


Previous: Road-12.texi, Up: Top

LilyPond ver2.18.2 on windows10

run--texi-ly.cmd
@Echo off
chcp 437
mkdir html
cd html
erase *.png *.mid *.pdf
cd ..\
prompt $_
@Echo on
lilypond -dbackend=svg %1.ly
lilypond --pdf --png %1.ly
makeinfo --no-split --force --html %1.texi
copy /y *.svg html\
copy /y *.png html\
copy /y %1.html html\
copy /y %1.mid html\
copy /y %1.pdf html\
erase html\%1-page-1.svg
html\%1.pdf | html\%1.html | html\%1.mid
pause
erase *.count *.aux *.log *.toc *.dvi *.ps *.eps
erase *.svg *.png *.pdf *.mid *.html
dir /oe html\
dir /oe
@Echo off
prompt $p$g
@Echo on


(windowsOS)>run--texi-ly Road-12[Enter]
(However, this "Windows10(64bit) + LilyPond(ver2.18.*) + W32TeX(& UP) + Ghostscript(edition 64bit)" is required.)

And, Only on LilyPond then
(any platform)lilypond --pdf --png Road-12[Enter]