Ave-maria(2017)

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This sounds "ave-maria-2017.mp3".

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Source code --- ave-maria.ly , ave-maria-sheet.texi , run--ave-svg-texi.cmd ---
---- ave-maria.ly ------------------------------------------------------
%% -*- Coding: utf-8 -*-
%% 9/13/2016 03:58
%% Time-stamp: "2/27/2017 00:13"
%% From book "Notationskunde 17. und 18. Jahrhundert(Japanes edition)"
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% In the seventeen century,
%% "longa" is used when writing the termination sound.
%% That it does not have a length determined.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\version "2.20.0"
#(set-default-paper-size "letter")
#(set-global-staff-size 16)

Marc=^\markup { \hspace #.5 \musicglyph #"scripts.umarcato" }

BlueNotes = {
                   \override Voice.NoteHead #'color = #blue
                   \override Voice.Rest #'color = #blue
                   \override Voice.Stem #'color = #blue
                   \override Voice.Flag #'color = #blue
                   \override Voice.Beam #'color = #blue
                   \override Voice.Slur #'color = #blue
                   \override Voice.PhrasingSlur #'color = #blue
                   \override Voice.Tie #'color = #blue
                   \override Voice.Dots #'color = #blue
                   \override Voice.Script #'color = #blue
                   \override Voice.Accidental #'color = #blue
                   \override Voice.DynamicLineSpanner #'color = #blue
                   \override Voice.DynamicText #'color = #blue
                   \override Voice.DynamicTextSpanner #'color = #blue
                   \override Voice.TupletNumber #'color = #blue
                   \override Voice.TupletBracket #'color = #blue
                   \override Voice.BreathingSign #'color = #blue
                   \override Voice.PercentRepeat #'color = #blue
                   \override Voice.RepeatSlash #'color = #blue
}
RevertBlue = {
                   \revert Voice.NoteHead #'color
                   \revert Voice.Rest #'color
                   \revert Voice.Stem #'color
                   \revert Voice.Flag #'color
                   \revert Voice.Beam #'color
                   \revert Voice.Slur #'color
                   \revert Voice.PhrasingSlur #'color
                   \revert Voice.Tie #'color
                   \revert Voice.Dots #'color
                   \revert Voice.Script #'color
                   \revert Voice.Accidental #'color
                   \revert Voice.DynamicLineSpanner #'color
                   \revert Voice.DynamicTextSpanner #'color
                   \revert Voice.DynamicText #'color
                   \revert Voice.TupletNumber #'color
                   \revert Voice.TupletBracket #'color
                   \revert Voice.BreathingSign #'color
                   \revert Voice.BreathingSign #'color
                   \revert Voice.PercentRepeat #'color
                   \revert Voice.RepeatSlash #'color
}
BlueTie = { \override Voice.Tie #'color = #blue }
RevertTie = { \revert Voice.Tie #'color }

\paper {
        %%ragged-last-bottom = ##f
}

\header {
 dedication = " "
 title = "Ave Maria"
 subtitle = \markup{ \center-column { \bold "2017"
                          \vspace #-.3 \italic "C major; c d e f g a b" } }
 %% subsubtitle = #(string-append "LilyPond version " (lilypond-version))
 subsubtitle = \markup{ \vspace #1 \tiny \center-column {
                   "soprano; C clef on 1st line,       alto; C clef on 3rd line."
                   "       bass; F clef on 4th line,    tenor; C clef on 4th line."}}
 composer = \markup{ \line {\italic "Yukio Yoshida"}}
 arranger = "11/19/2016"
 poet = " "
 opus = "Op.93 Ave Maria; #12"
 meter = "Moderato"
 copyright = "public Domain"
}
%%%%%%%%%% Sol Soprano %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
Addsoprano = {
   \override Staff.StaffSymbol #'color = #red
   \override Staff.LedgerLineSpanner #'color = #red
   \override Voice.NoteHead #'color = #red
   \override Voice.Stem #'color = #red
   \override Voice.Flag #'color = #red
   \override Voice.Slur #'color = #red
   \override Voice.Tie #'color = #red
   \override Voice.Rest #'color = #red
   \override Voice.Dots #'color = #red
   \override Voice.Script #'color = #red
   \override Voice.DynamicText #'color = #red
   \override Voice.DynamicTextSpanner #'color = #red
   \override Voice.DynamicTextSpanner #'style = #'dotted-line
          \set decrescendoText = \markup { \bold \teeny \italic "decresc(pp)" }
          \set decrescendoSpanner = #'text
    \autoBeamOff
  \partial 2 r2 |
%% 1 --- 11
   \time 4/1
   r\longa | \break r\longa | \break r\longa | \break r\longa | \break
   r\longa | \break r\longa | \break r\longa | \break r\longa | \break
   r\longa | \break r\longa | \break r\longa | \break
%% 12-23
   \time 3/2
   r1. | r1. | r1. | r1. | \break
   r1. | r1. | r1. | r1. | \break
   r1. | r1. | r1. | r1. | \break
%% 24-25
   \time 4/1
   r1.^\markup { \tiny \with-color #red "ADD; Only Sol-Vocal(Soprano)" }
   c'''2 c'''\breve | \time 3/2 r1\fermata \bar "|."
}
AddsopranoL = \lyricmode {
    \override Score . LyricText #'font-shape = #'italic
    \override Lyrics . LyricText #'color = #red
    \override Lyrics . LyricHyphen #'color = #red
    \teeny
A -- men
}%%!! midi===>in soprano midi-part bar "24-25"

%%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%%
soprano = {
    \autoBeamOff
  \partial 2 r2^\fermata |
%% 1-
   \time 4/1
   f'\breve\rest
   c'4\melisma c'8 d' e'4 d'8 c' e'4. f'8 g'2 | \break
%% 2-
   f'4 e'8 d' c'4\melismaEnd r4 b'4.\melisma c'8 d' e' f'4
   g'4. f'8 e' d' e'4 f' g' a'4\melismaEnd r4 | \break
%% 3-
   b'8\melisma c'' d'' e'' f''2 g''2 f''4 g'' a''2\melismaEnd
   \breathe b''2\melisma c'''1 ~ | \break
%% 4-
   c'''1.\melismaEnd \breathe c''1.\melisma b'1 | \break
%% 5-
   d''1 e''2\melismaEnd r8 e''8_( f'' g'' g''2) e''2 f''\melisma g'' ~ | \break
%% 6-
   g''2\melismaEnd c''8\(( d'' e'') f''4. g''1\melisma a''1.\)\melismaEnd r4 | \break
%% 7-
   g'2\( g'4 g'2\melisma a'2.\)\melismaEnd r4 f'2\( a'2\melisma b'2.\)\melismaEnd | \break
%% 8-
   e''2\( c''4 c''8( b' a' g') f'1\melisma e'2\)\melismaEnd
   \breathe e'8\( \melisma a'2 b'4\) \melismaEnd c''4. ~ \melisma | \break
%% 9-
   c''4.\melismaEnd r8 c''2\( a'8 f' d' c'2\melisma d'\)\melismaEnd r4.
   f'2. r2 | \break
%% 10-
   c'8-.^\( d'-. e'-. f'-.\) a'4. b'2 \breathe c''4. d''2\fermata
   d''2 e'' f''2. | \break
%% 11-
   \override Voice.Tie #'color = #blue
   g''2( a''1.)\fermata ~ \revert Voice.Tie #'color
   { \BlueNotes {
      a''4.^\markup { \hspace #-16 \with-color #blue
                     \italic "Play; Only Instruments"(S,A,T,B)} b'' c'''1 r4\fermata }
     \RevertBlue } | \break
%% 12-15
   \time 3/2
   r2.^\fermata a'2 b'4(\melisma | c'' d'')\melismaEnd r4 g'2 b'4 ~ |
   b' d''2 r8 d''2 b'8(\melisma | a' g' f'4)\melismaEnd c''2 d'' ~ |
%% 16-19
   d''2 r1 | g'4 g'2 b'4 g'2 | c''1 a'4-. b'-. | c''-. d''-. \breathe f''1 | \break
%% 20-23
   r8 g''4. r4 g''2 r4 | a''2 r8 e''2 b'4. ~ | b'4. f'4. c'2. | d'2 c'1 | \break
%% 24-25
   { \BlueNotes { \time 4/1
   r1^\markup { \with-color #blue
                     \italic "Play; Only Chorus(S,A,T,B)"} f'\breve c'1 ~ \melisma |
   \time 3/2 c'2\melismaEnd r2\fermata } \RevertBlue }\bar "|."
}

sopranoL = \lyricmode {
    \override Score . LyricText #'font-shape = #'italic
    \tiny
A -- ve __ Ma -- ri -- a __
"      g     -- ra" -- ti -- a __ p -- le -- na __
Do -- mi -- nus __ te -- cum __
be -- ne -- dic -- ta __ tu __ in __ mu -- li -- e -- ri -- bus __
et be -- ne -- dic -- tus fruc -- tus ven -- tris tu -- i Je -- sus
%%%%                                                      | Jesus//sp,al | Christ//te, bs |

\skip 4 \skip 2
Sanc -- ta __ Ma -- ri -- a ma -- ter __ De -- i,
o -- ra pro no -- bis pec -- ca -- to -- ri -- bus,
nunc, et in ho -- ra mor -- tis nos -- trae.

A -- men __
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% Ave Maria, gratia plena,
%% Dominus tecum,
%% benedicta tu in mulieribus,
%% et benedictus fructus ventris tui Jesus.
%% Sancta Maria mater Dei,
%% ora pro nobis peccatoribus, nunc, et in hora mortis nostrae.
%%
%% Amen
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
}

sopranoM = {
    \autoBeamOff
  \partial 2 r2^\fermata |
%% 1-
   \time 4/1
   f'\breve\rest
   c'4\melisma c'8 d' e'4 d'8 c' e'4. f'8 g'2 | \break
%% 2-
   f'4 e'8 d' c'4\melismaEnd r4 b'4.\melisma c'8 d' e' f'4
   g'4. f'8 e' d' e'4 f' g' a'4\melismaEnd r4 | \break
%% 3-
   b'8\melisma c'' d'' e'' f''2 g''2 f''4 g'' a''2\melismaEnd
   \breathe b''2\melisma c'''1 ~ | \break
%% 4-
   c'''1.\melismaEnd \breathe c''1.\melisma b'1 | \break
%% 5-
   d''1 e''2\melismaEnd r8 e''8_( f'' g'' g''2) e''2 f''\melisma g'' ~ | \break
%% 6-
   g''2\melismaEnd c''8\(( d'' e'') f''4. g''1\melisma a''1.\)\melismaEnd r4 | \break
%% 7-
   g'2\( g'4 g'2\melisma a'2.\)\melismaEnd r4 f'2\( a'2\melisma b'2.\)\melismaEnd | \break
%% 8-
   e''2\( c''4 c''8( b' a' g') f'1\melisma e'2\)\melismaEnd
   \breathe e'8\( \melisma a'2 b'4\) \melismaEnd c''4. ~ \melisma | \break
%% 9-
   c''4.\melismaEnd r8 c''2\( a'8 f' d' c'2\melisma d'\)\melismaEnd r4.
   f'2. r2 \break
%% 10-
   c'8-.^\( d'-. e'-. f'-.\) a'4. b'2 \breathe c''4. d''2\fermata
   d''2 e'' f''2. | \break
%% 11-
   g''2( a''1.)\fermata ~ a''4. b''4. c'''1 r4\fermata | \break
%% 12-15
   \time 3/2
   r2.^\fermata a'2 b'4(\melisma | c'' d'')\melismaEnd r4 g'2 b'4 ~ |
   b' d''2 r8 d''2 b'8(\melisma | a' g' f'4)\melismaEnd c''2 d'' ~ | \break
%% 16-19
   d''2 r1 | g'4 g'2 b'4 g'2 | c''1 a'4-. b'-. | c''-. d''-. \breathe f''1 | \break
%% 20-23
   r8 g''4. r4 g''2 r4 | a''2 r8 e''2 b'4. ~ | b'4. f'4. c'2. | d'2 c'1 | \break
%% 24-25
   \time 4/1
   << { r1. c'''2 c'''\breve | \time 3/2 r1\fermata } \\
      { r1 f'\breve c'1 ~ \melisma | \time 3/2 c'2\melismaEnd r2\fermata } >> \bar "|."
}

%%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%%%
alto = {
     \autoBeamOff
  \partial 2 r2^\fermata |
%% 1-
   \time 4/1
   r1. f2( f\breve | \break
%% 2-
   f2) \breathe g1\melisma g1. g4.\melismaEnd r8 f2\melisma | \break
%% 3-
   f2. g1\melismaEnd a2.\melisma b8 c' d' e' f'1 | \break
%% 4-
   a'1\melismaEnd \breathe e'1\(\melisma f'8 g' a' b'4.\) c''2 d''2. | \break
%% 5-
   b'2. d''\melismaEnd b'1 c''2 d''1\melisma | \break
%% 6-
   d''2\melismaEnd f'8\(( g' a') b'4. c''1\melisma d''1.\)\melismaEnd r4 | \break
%% 7-
   c'2\( c'4 c'2\melisma d'2.\)\melismaEnd r4 b2\( d'2\melisma e'2.\)\melismaEnd | \break
%% 8-
   a'2\( f'4 f'8( e' d' c') b1\melisma a2\)\melismaEnd
   \breathe a8\( \melisma d'2 e'4\) \melismaEnd f'4. ~ \melisma | \break
%% 9-
   f'4.\melismaEnd r8 f'2\( d'8 b g f2\melisma g\)\melismaEnd r4.
   b2. r2 | \break
%% 10-
   f8-.^\( g-. a-. b-.\) d'4. e'2 \breathe f'4. g'2\fermata
   g'2 a' b'2. | \break
%% 11-
   \override Voice.Tie #'color = #blue
   c''2( d''1.)\fermata ~ \revert Voice.Tie #'color
   { \BlueNotes { d''4. e''  f''1 r4\fermata } \RevertBlue } | \break
%% 12-15
   \time 3/2
   r2.^\fermata a2 a4 ~ \melisma | a2\melismaEnd a a4.( b8 | c' d') e'2 r8 d'2 b8(\melisma |
   a g f4)\melismaEnd c'2 d' ~ | \break
%% 16-19
   d'2 r1 | c'4 c'2 e'4 c'2 | f'1 d'4-. e'-. | f'-. g'-. \breathe b'1 | \break
%% 20-23
   r8 g'4. r4 g'2 r4 | g'2 r8 g'2 g'4. ~ | g' d' a2. | b2 a1 | \break
%% 24-25
   { \BlueNotes { \time 4/1
   r1 b\breve f1 ~ \melisma | \time 3/2 f2\melismaEnd r2\fermata } \RevertBlue }\bar "|."
}

altoL = \lyricmode {
        \override Score . LyricText #'font-shape = #'italic
        \tiny
A -- ve __ Ma -- ri -- a __
gra -- ti -- a __ p -- le -- na __
Do -- mi -- nus __ te -- cum __
be -- ne -- dic -- ta __ tu __ in __ mu -- li -- e -- ri -- bus __
et be -- ne -- dic -- tus fruc -- tus ven -- tris tu -- i Je -- sus.
%%%%                                                      | Jesus//sp,al | Christ//te, |

\skip 4 \skip 2
Sanc -- ta __ Ma -- ri -- a ma -- ter __ De -- i,
o -- ra pro no -- bis pec -- ca -- to -- ri -- bus,
nunc, et in ho -- ra mor -- tis nos -- trae.

A -- men __
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% Ave Maria, gratia plena,
%% Dominus tecum,
%% benedicta tu in mulieribus,
%% et benedictus fructus ventris tui Jesus.
%% Sancta Maria mater Dei,
%% ora pro nobis peccatoribus, nunc, et in hora mortis nostrae.
%%
%% Amen
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
}

altoM = {
     \autoBeamOff
  \partial 2 r2^\fermata |
%% 1-
   \time 4/1
   r1. f2( f\breve | \break
%% 2-
   f2) \breathe g1\melisma g1. g4.\melismaEnd r8 f2\melisma | \break
%% 3-
   f2. g1\melismaEnd a2.\melisma b8 c' d' e' f'1 | \break
%% 4-
   a'1\melismaEnd \breathe e'1\(\melisma f'8 g' a' b'4.\) c''2\melismaEnd d''2. | \break
%% 5-
   b'2. d''\melismaEnd b'1 c''2 d''1\melisma | \break
%% 6-
   d''2\melismaEnd f'8\(( g' a') b'4. c''1\melisma d''1.\)\melismaEnd r4 | \break
%% 7-
   c'2\( c'4 c'2\melisma d'2.\)\melismaEnd r4 b2\( d'2\melisma e'2.\)\melismaEnd | \break
%% 8-
   a'2\( f'4 f'8( e' d' c') b1\melisma a2\)\melismaEnd
   \breathe a8\( \melisma d'2 e'4\) \melismaEnd f'4. ~ \melisma | \break
%% 9-
   f'4.\melismaEnd r8 f'2 d'8 b g f2\melisma g\melismaEnd r4.
   b2. r2 | \break
%% 10-
   f8-.^\( g-. a-. b-.\) d'4. e'2 \breathe f'4. g'2\fermata
   g'2 a' b'2. | \break
%% 11-
%%   c''2(\melisma d''1.)\fermata\melismaEnd r\breve | \break
   c''2( d''1.)\fermata ~ d''4. e'' f''1 r4\fermata | \break
%% 12-15
   \time 3/2
   r2.^\fermata a2 a4 ~ \melisma | a2\melismaEnd a a4.( b8 | c' d') e'2 r8 d'2 b8(\melisma |
   a g f4)\melismaEnd c'2 d' ~ | \break
%% 16-19
   d'2 r1 | c'4 c'2 e'4 c'2 | f'1 d'4-. e'-. | f'-. g'-. \breathe b'1 | \break
%% 20-23
   r8 g'4. r4 g'2 r4 | g'2 r8 g'2 g'4. ~ | g' d' a2. | b2 a1 | \break
%% 24-25
   \time 4/1
   r1 b\breve f1 ~ | \time 3/2 f2\fermata r2 \bar "|."
}

%%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%%
tenor = {
     \autoBeamOff
  \partial 2 r2^\fermata |
%% 1-
   \time 4/1
   r1 f\breve( g2.) a4(\melisma | \break
%% 2-
   a1 b1. c'2)\melismaEnd \breathe g1_( | \break
%% 3-
   g1) \breathe g\breve(\melisma a1)\melismaEnd | \break
%% 4-
   \breathe b1\melisma c'\breve d'2\melismaEnd b ~ | \break
%% 5-
   b1 c'1 d'1.\( e'2 ~ \melisma| \break
%% 6-
   e'2. f'1\)\melismaEnd r\breve g4\( ~ | \break
%% 7-
   g4 g4 g2\melisma a2..\)\melismaEnd r4 f2\( a2\melisma b2..\)\melismaEnd | \break
%% 8-
   d'2\( b4 b8( a g f) e1\melisma d2\)\melismaEnd
   \breathe d8\( \melisma g2 a4\) \melismaEnd b4. ~ \melisma | \break
%% 9-
   b4.\melismaEnd r4 d'2\( b8 g e d2\melisma e\)\melismaEnd r4
   g2. r2 | \break
%% 10-
   c8-.^\( d-. e-. f-.\) a4. b2 \breathe c'4. d'2\fermata
   d'2 e' f'2. | \break
%% 11-
%%   g'2(\melisma a'1.)\fermata\melismaEnd r\breve | \break
   \override Voice.Tie #'color = #blue
   g'2( a'1.)\fermata ~ \revert Voice.Tie #'color
   { \BlueNotes { a'4. b'4. c''1 r4\fermata } \RevertBlue } | \break
%% 12-15
   \time 3/2
   r2.^\fermata a2 a4 ~ \melisma | a2\melismaEnd r4 a2 g4( | a4) b2 r8 g2 a8(\melisma |
   b c' d'4)\melismaEnd e'2 f' ~ | \break
%% 16-19
   f'2 r1 | f4 f2 a4 f2 | b1 g4-. a-. | b-. c'-. \breathe e'1 | \break
%% 20-23
   r8 e'4. r4 e'2 r4 | e'2 r8 e'2 e'4. ~ | e' b f2. | g2 f1 | \break
%% 24-25
   { \BlueNotes { \time 4/1
   r1 g\breve d1 ~ \melisma | \time 3/2 d2\melismaEnd r2\fermata } \RevertBlue }\bar "|."
}

tenorL = \lyricmode {
     \override Score . LyricText #'font-shape = #'italic
     \tiny
A -- ve __  Ma -- ri -- a __
gra -- tia ple -- na __
Do -- mi -- nus __ te -- cum __
be -- ne -- dic -- ta __ tu __ in __ mu -- li -- e -- ri -- bus __
et be -- ne -- dic -- tus fruc -- tus ven -- tris tu -- i Chri -- ste. %% Je -- sus.
%%%%                                                      | Jesus//sp,al | Christ//te, bs |

\skip 4 \skip 2
Sanc -- ta __ Ma -- ri -- a ma -- ter __ De -- i,
o -- ra pro no -- bis pec -- ca -- to -- ri -- bus,
nunc, et in ho -- ra mor -- tis nos -- trae.

A -- men __
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% Ave Maria, gratia plena,
%% Dominus tecum,
%% benedicta tu in mulieribus,
%% et benedictus fructus ventris tui Jesus.
%% Sancta Maria mater Dei,
%% ora pro nobis peccatoribus, nunc, et in hora mortis nostrae.
%%
%% Amen
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
}

tenorM = {
     \autoBeamOff
  \partial 2 r2^\fermata |
%% 1-
   \time 4/1
   r1 f\breve( g2.) a4_(\melisma | \break
%% 2-
   a1 b1. c'2)\melismaEnd \breathe g1(\melisma | \break
%% 3-
   g1) \breathe g\breve(\melisma a1)\melismaEnd | \break
%% 4-
   \breathe b1\melisma c'\breve d'2\melismaEnd b | \break
%% 5-
   b1 c'1 d'1.\( e'2 ~ \melisma| \break
%% 6-
   e'2. f'1\)\melismaEnd r\breve g4\( ~ | \break
%% 7-
   g4 g4 g2\melisma a2..\)\melismaEnd r4 f2\( a2\melisma b2..\)\melismaEnd | \break
%% 8-
   d'2\( b4 b8( a g f) e1\melisma d2\)\melismaEnd
   \breathe d8\( \melisma g2 a4\) \melismaEnd b4. ~ \melisma | \break
%% 9-
   b4.\melismaEnd r4 d'2\( b8 g e d2\melisma e\)\melismaEnd r4
   g2. r2 | \break
%% 10-
   c8-.^\( d-. e-. f-.\) a4. b2 \breathe c'4. d'2\fermata
   d'2 e' f'2. | \break
%% 11-
%%   g'2(\melisma a'1.)\fermata\melismaEnd r\breve | \break
   g'2( a'1.)\fermata a'4. b'4. c''1 r4\fermata | \break
%% 12-15
   \time 3/2
   r2.^\fermata a2 a4 ~ \melisma | a2\melismaEnd r4 a2 g4( | a4) b2 r8 g2 a8(\melisma |
   b c' d'4)\melismaEnd e'2 f' ~ | \break
%% 16-19
   f'2 r1 | f4 f2 a4 f2 | b1 g4-. a-. | b-. c'-. \breathe e'1 | \break
%% 20-23
   r8 e'4. r4 e'2 r4 | e'2 r8 e'2 e'4. ~ | e' b f2. | g2 f1 | \break
%% 24-25
   \time 4/1
   r1 g\breve d1 ~ \melisma | \time 3/2 d2\melismaEnd r2\fermata \bar "|."
}

%%%%%%% bass; part %%%%%%%%%%%%%%%%
bass = {
   \autoBeamOff
  \partial 2 r4^\fermata c4 ~ \melisma|
%% 1-
   \time 4/1
   c4 c8 d e4 d8 c e4. f8 g2 f4 e8 d c4\melismaEnd
   r4 b,4.\melisma c8 d e f4 | \break
%% 2-
   g4. f8 e d e4 f g a4\melismaEnd
   r4 b,4\melisma c1 d2 e8 f\melismaEnd | \break
%% 3-
   g1\melisma a\breve b4\melismaEnd \breathe c'2. ~ \melisma | \break
%% 4-
   c'2 b\breve d'2\melismaEnd  b,1\melisma | \break
%% 5-
   c1\melismaEnd d1 e1.\( f2 ~ \melisma | \break
%% 6-
   f2. g1\)\melismaEnd r\breve c4\( ~ | \break
%% 7-
   c4 c4 c2\melisma d2..\)\melismaEnd r4 b,2\( d2\melisma e2..\)\melismaEnd | \break
%% 8-
   g2\( e4 e8( d c b,) a,1\melisma g,2\)\melismaEnd
   \breathe g,8\( \melisma c2 d4\) \melismaEnd e4. ~ \melisma | \break
%% 9-
   e4.\melismaEnd r4 g2\( e8 c a, g,2\melisma a,\)\melismaEnd r4
   c2. r2 | \break
%% 10-
   f,8-.^\( g,-. a,-. b,-.\) d4. e2 \breathe f4. g2\fermata
   g2 a b2. | \break
%% 11-
%%   c'2(\melisma d'1.)\fermata\melismaEnd r\breve | \break
   \override Voice.Tie #'color = #blue
   c'2( d'1.)\fermata ~ \revert Voice.Tie #'color
   { \BlueNotes { d'4. e'4. f'1 r4\fermata } \RevertBlue } | \break
%% 12-15
   \time 3/2
   r2.^\fermata f2 f4 ~ \melisma | f2\melismaEnd c b,4.( c8 | d e) f2 r8 c2 d8( \melisma |
   e f g4)\melismaEnd a2 b ~ | \break
%% 16-19
   b2 r1 | b,4 b,2 d4 b,2 | e1 c4-. d-. | e-. f-. \breathe a1-. | \break
%% 20-23
   r8 d'4. r4 d'2 r4 | e'2 r8 b2 f4. ~ | f4. c4. g,2. | a,2 g,1 | \break
%% 24-25
   { \BlueNotes { \time 4/1
   r1 c\breve g,1 ~ \melisma |
   \time 3/2 g,2\melismaEnd r2\fermata } \RevertBlue } \bar "|."
}

bassL = \lyricmode {
    \override Score . LyricText #'font-shape = #'italic
    \tiny
A -- ve __ Ma -- ri -- a __
gra -- tia ple -- na __
Do -- mi -- nus __ te -- cum __
be -- ne -- dic -- ta __ tu __ in __ mu -- li -- e -- ri -- bus __
et be -- ne -- dic -- tus fruc -- tus ven -- tris tu -- i Chri -- ste. %% Je -- sus.
%%%%                                                      | Jesus// sp,al | Christ// te, bs |

\skip 4 \skip 2
Sanc -- ta __ Ma -- ri -- a ma -- ter __ De -- i,
o -- ra pro no -- bis pec -- ca -- to -- ri -- bus,
nunc, et in ho -- ra mor -- tis nos -- trae.

A -- men __
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% Ave Maria, gratia plena,
%% Dominus tecum,
%% benedicta tu in mulieribus,
%% et benedictus fructus ventris tui Jesus.
%% Sancta Maria mater Dei,
%% ora pro nobis peccatoribus, nunc, et in hora mortis nostrae.
%%
%% Amen
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
}

bassM = {
   \autoBeamOff
  \partial 2 r4^\fermata c4 ~ \fermata |
%% 1-
   \time 4/1
   c4 c8 d e4 d8 c e4. f8 g2 f4 e8 d c4\melismaEnd
   r4 b,4.\melisma c8 d e f4 | \break
%% 2-
   g4. f8 e d e4 f g a\melismaEnd
   r4 b,4\melisma c1 d2 e8 f\melismaEnd | \break
%% 3-
   g1\melisma a\breve b4\melismaEnd \breathe c'2. ~ \melisma | \break
%% 4-
   c'2 b\breve d'2\melismaEnd  b,1\melisma | \break
%% 5-
   c1\melismaEnd d1 e1.\( f2 ~ \melisma | \break
%% 6-
   f2. g1\)\melismaEnd r\breve c4\( ~ | \break
%% 7-
   c4 c4 c2\melisma d2..\)\melismaEnd r4 b,2\( d2\melisma e2..\)\melismaEnd | \break
%% 8-
   g2\( e4 e8( d c b,) a,1\melisma g,2\)\melismaEnd
   \breathe g,8\( \melisma c2 d4\) \melismaEnd e4. ~ \melisma | \break
%% 9-
   e4.\melismaEnd r4 g2\( e8 c a, g,2\melisma a,\)\melismaEnd r4
   c2. r2 | \break
%% 10-
   f,8-.^\( g,-. a,-. b,-.\) d4. e2 \breathe f4. g2\fermata
   g2 a b2. | \break
%% 11-
%%   c'2(\melisma d'1.)\fermata\melismaEnd r\breve | \break
   c'2( d'1.)\fermata d'4. e'4. f'1 r4\fermata | \break
%% 12-
   \time 3/2
   r2.^\fermata f2 f4 ~ \melisma | f2\melismaEnd c b,4.( c8 | d e) f2 r8 c2 d8( \melisma |
   e f g4)\melismaEnd a2 b ~ | \break
%% 16-19
   b2 r1 | b,4 b,2 d4 b,2 | e1 c4-. d-. | e-. f-. \breathe a1-. | \break
%% 20-23
   r8 d'4. r4 d'2 r4 | e'2 r8 b2 f4. ~ | f4. c4. g,2. | a,2 g,1 | \break
%% 24-25
   \time 4/1
   r1 c\breve g,1 ~ \melisma | \time 3/2 g,2\melismaEnd r2\fermata \bar "|."
}


%%%%%%%%%% sheet and midi music code part %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% get sheet music ---------------------------------------------------------------
\score {
   \new Score \with { \override VerticalAlignment #'max-stretch = #6 }
         <<
           \context ChoirStaff = "FourPartStaffaddchorus" <<
            \new Voice = "Addsoprano" {
                   \set Staff.fontSize = #-4
                   \override Staff.StaffSymbol #'staff-space = #(magstep -4)
                   \override Staff.StaffSymbol #'thickness = #(magstep -4)
                        \clef soprano \key c\major \time 3/2 \Addsoprano }
                   \new Lyrics = "AddSL" \lyricsto "Addsoprano" { \AddsopranoL }

           \new Voice = "soprano" { \clef soprano \key c\major \time 3/2
                                    %% \override NoteHead #'style = #'petrucci
                        \set Staff.instrumentName = "soprano" \soprano }
                        \new Lyrics = "mainSL" \lyricsto "soprano" { \sopranoL }

           \new Voice = "alto" { \clef alto \key c\major \time 3/2
                                    %% \override NoteHead #'style = #'petrucci
                        \set Staff.instrumentName = "alto   " \alto }
                        \new Lyrics = "mainAL" \lyricsto "alto" { \altoL }

           \new Voice = "tenor" { \clef tenor \key c\major \time 3/2
                                    %% \override NoteHead #'style = #'petrucci
                        \set Staff.instrumentName = "tenor  " \tenor }
                        \new Lyrics = "mainTL" \lyricsto "tenor" { \tenorL }

           \new Voice = "bass" { \clef bass \key c\major \time 3/2
                                    %% \override NoteHead #'style = #'petrucci
                        \set Staff.instrumentName = "bass   " \bass }
                        \new Lyrics = "mainBL" \lyricsto "bass" { \bassL }
                                           >>

           %%\context PianoStaff = "PianoStaff" <<
           %%\new Voice = "piano" { \clef treble \key c\major \time 3/2
           %%             \set Staff.instrumentName = "piano  " \pianoUP }
           %%\new Voice = "piano" { \clef bass \key c\major \time 3/2
           %%             \set Staff.instrumentName = "piano  " \pianoDown }
           %%                                   >>

         >>
  \layout {
            \context { \RemoveEmptyStaffContext
                       \override VerticalAxisGroup #'remove-first = ##t
                      }
           }
}

%% get midi music ----------------------------------------------------------------
\score {
         <<
           \new Staff { \clef soprano \key c\major \time 3/2 \tempo 4 = 92
                         \set Staff.midiInstrument = "pad 2 (warm)"
                                         \unfoldRepeats       \sopranoM }

           \new Staff { \clef alto \key c\major \time 3/2 \tempo 4 = 92
                         \set Staff.midiInstrument = "pad 2 (warm)"
                                         \unfoldRepeats          \altoM }

           \new Staff { \clef tenor \key c\major \time 3/2 \tempo 4 = 92
                         \set Staff.midiInstrument = "pad 2 (warm)"
                                         \unfoldRepeats       \tenorM }

           \new Staff { \clef bass \key c\major \time 3/2 \tempo 4 = 92
                        \set Staff.midiInstrument = "pad 2 (warm)"
                                         \unfoldRepeats          \bassM }

           %%\new Staff { \clef treble \key c\major \time 3/2 \tempo 4 = 92
           %%             \set Staff.midiInstrument = "acoustic grand"
           %%                                \unfoldRepeats       \pianoUPm }
           %%\new Staff { \clef bass \key c\major \time 3/2 \tempo 4 = 92
           %%             \set Staff.instrumentName = "acoustic grand"
           %%                                \unfoldRepeats     \pianoDownm }
         >>

   \midi { tempoWholesPerMinute = #(ly:make-moment 92 4) }
}
\markup { \column { \line {
About location \hspace #3 \musicglyph #"noteheads.uM2"(longa) \hspace #2 and \hspace #3 \musicglyph #"noteheads.sM1"(breve) }
\line { \italic
 " Please, Breath of longa and breve do in the members alternating(But, like Don't stand out), " }
\line { \italic "   and" At location \musicglyph #"scripts.ufermata", \hspace #1
\italic " Always, please look at the conductor(or baton). " }
\line { \italic "And, in location of Longa; it is not to have a length that was decided in the normal performance." }
\line { \teeny \italic "    (  \"Whole note\" times Four = longa , \"Whole note\" times Two = breve )" }
 } }
\markup { " " }
\markup { \vspace #3 }
\markup { \column { \line { \hspace #16 \bold "Luke 1"\teeny "(Bilingual Bible-English-)"
              \hspace #38 \bold "Ave Maria"\teeny "(Latin)" }
          \line { \hspace #16 \small --Source of Ave Maria--} } }
\markup {%%column * 2
\fill-line {
 \column { \bold
 \line { \italic \small
   \column {
\teeny "1-28)"
" The angel went to her and said,"
"\"Greetings, you who are highly favored!"
" The Lord with you.\""
\teeny "1-42)"
" In a loud voice she exclaimed:"
"\"Blessed are you among women, and"
" blessed is the child you will bear!.....\""
" "
            }
\hspace #20
   \column { \bold \italic
      \column {
"Ave Maria, gratia plena,"
"Dominus tecum,"
"    benedicta tu in mulieribus,"
"    et benedictus fructus ventris tui Jesus."
" "
\teeny \normal-text "          (Posterity, additional statements by the Franciscan)"
"Sancta Maria mater Dei,"
"    ora pro nobis peccatoribus, nunc,"
"    et in hora mortis nostrae."
" "
"Amen."
" "
            } }
        }
}}}

\pageBreak
\markup { " " }
\markup { \vspace #12 }
\markup { \line \smallCaps { Luke \tiny {(THE HOLY BIBLE, NEW INTERNAONAL VERSION)
}} }
\markup { \hspace #20 \column {
          \line \smallCaps {Luke 1 \teeny {--excerpted this paragraph--}}
\hspace #0
\hspace #0

\line \bold\italic { \hspace #6 The Birth of Jesus Foretold }
\line {....................}
\override #'(line-width . 60)
\wordwrap \italic {
\concat{ " "\super 28 }The angel went to her and said, ``Greetings, you who are
highly favored! The Lord is with you.''}
\hspace #0
\hspace #0

\line \bold\italic { \hspace #6 Mary Visits Elizabeth }
\line {....................}
\override #'(line-width . 60)
\wordwrap \italic {
\concat{ " "\super 42 }In a loud voice she exclaimed: ``Blessed are you among woman.
and blessed is the child you will bear!''}
\hspace #0
\hspace #0
\hspace #0

\line \bold\italic { \hspace #6 Mary's Song }
\column \italic {
\line { \concat{ " "\super 46 }And Mary said: }
"`` My soul glorifies the Lord"
\line { \concat{ " "\super 47 }"  "and my spirit rejoices in God my savior,}
\line { \concat{ " "\super 48 }for he has been mindful}
"       of the humble state of his servant."
"     From now on all generations will call me blessed,"
\line { \concat{ " "\super 49 }"    "for the Mighty One has done great things for}
\line{"                       "me \raise #.5 \draw-line #'(2 . 0)}
"         holy is his name."
\line { \concat{ " "\super 50 }His mercy extends to those who fear him,}
"         from generation to generation."
\line { \concat{ " "\super 51 }He has performed mighty deeds with his arm:}
"         he has scattered those who are proud in thier inmost thoughts."
\line { \concat{ " "\super 52 }He has brought down rulers from their thrones}
"         but has liftd up the humble."
\line { \concat{ " "\super 53 }He has filled the hungry with good things}
"         but has sent the rich away empty."
\line { \concat{ " "\super 54 }He has helped his servant Israel,}
"         remembering to be merciful"
\line { \concat{ " "\super 55 }to Abraham and his descendants forever,}
"         even as he said to our fathers.''"
\line { \concat{ " "\super 56 }"   "Mary stayed with Elizabeth for about three
months and then returned home.}
}
}}
\markup{ " " }


---- ave-maria-sheet.texi ------------------------------------------------------
%% -*- Coding: utf-8 -*-
%% 8/21/2015 15:25
%% time-stamp "2/24/2017 00:17"
%% \voffset -.5in
\hoffset -.7in
\font\cminch=cminch
\font\BigPoint=cmr10 at 80pt
\input graphicx.tex
\input eplain.tex
\input texinfo
@iftex
@afourpaper
@finalout
@end iftex
@iftex
@tex
\vbox{\null}\vskip 3pc
\centerline {\hskip .6in \cminch SCORE}\par
\centerline {\hskip .6in (LilyPond ver2.20)}\par
\vskip 10pc
\centerline{\hskip .6in \bf Ave Maria No.12(2017;version)}
\centerline {\hskip .6in \cminch  OP{\kern -10pt \BigPoint .}\thinspace 93}\par
\centerline{\hskip .6in \sevenrm (All choice freedom and free dynamic)}
\kern -5pt
\centerline{
\hskip .6in Soprano\qquad \it instrument \quad{\tt soprano and,} voice}\par
\centerline{\hskip .6in Alto\qquad \it instrument \quad{\tt alto and,} voice}\par
\centerline{\hskip .6in Tenore\qquad \it instrument \quad{\tt tenore and,} voice}\par
\centerline{\hskip .6in Bass\qquad \it instrument \quad{\tt bass and,} voice}\par
\vskip 0pt plus 1filll
\centerline{\hskip .6in Public Domain }\par
@end tex
@end iftex
@page
@iftex
@tex
~\vskip 0pt plus 1filll
%%\moveleft 4pc
\vbox{{\bf Prayers;(Latin)}\par
\hskip 3pc \hbox{\hsize = 2.6in\vtop{ \kern -26pc
\noindent Ave Maria, gratia plena,\hfill\break

\noindent Dominus tecum,\hfill\break

benedicta tu in mulieribus,\hfill\break

et benedictus fructus ventris tui Jesus.\hfill\break

\noindent Sancta Maria mater Dei,\hfill\break

ora pro nobis peccatoribus, nunc,\hfill\break

et in hora mortis nostrae.\hfill\break
\bigskip
\medskip

\noindent Amen.\hfill\break
\vfill
}
\quad
\vbox{\hsize = 3in
\resizebox{9cm}{!}{\includegraphics{Raphael_-_Madonna_dell_Granduca.eps}}\par
\centerline {\hskip 8pc [Grand St.Mary's]}
\centerline {\hskip 6.5pc Painter; Raffaello Sanzio(1483--1520)}
}}}
\vskip 0pt plus 1filll
@end tex
@end iftex
@page
@lilypondfile[line-width=160.00\mm,staffsize=16]{ave-maria.ly}
@vskip 0pt plus 1filll
@bye
---  run--svg-texi.cmd ---------------------------------
chcp 437
Echo off
RD /s /q %1
prompt $_ 
@Echo on
rem === This is Letter paper ! Are you OK? ===
pause
@Echo off
MD %1
copy /y html\*.* %1\
Echo on
rem === ! make pdf, running %1.ly ===
lilypond --pdf %1.ly
rename %1.mid %1-2017.mid
rename %1.pdf %1-2017.pdf
copy /y *.mid %1\
copy /y *.pdf %1\
rem === ! make eps, running %1.ly ; This is for %1-sheet.texi ===
lilypond -dbackend=svg  %1.ly
copy /y *.svg %1\
rem === ! From Here !! TeX(texi) is running in lilypond-book!! ===
lilypond-book --output=texi-out %1-sheet.texi
copy title-eps\*.eps texi-out\
cd texi-out
tex %1-sheet.texi
dvips -t letter -P pdf %1-sheet.dvi
call ps2pdf %1-sheet.ps
rename %1-sheet.pdf %1-sheet-2017.pdf
cd ..\
copy texi-out\*.pdf %1\
RD /s /q texi-out
cd %1
svg-%1.html
cd ..\
@echo off
prompt $p$g
@Echo on
del *.mid *.ps *.pdf *.svg
dir /oe html\
dir /oe


-----------------------------------------------------------------------------------
  Download [file-code; ly,latex are UTF-8 and cmd is ANSI]
  ave-maria-2017.tar.gz ( About;  694,530bytes )
              and >tar xvfz ave-maria-2017.tar.gz =====> ave-maria/*.*(All files)

usally;(cmd prompt)   ave-maria>lilypond --png --pdf ave-maria.ly[Enter]

unning script;r(cmd prompt)   ave-maria>run--ave-svg-texi ave-maria[Enter]
(However, this "Windows10(64bit) + LilyPond(ver2.20.0) + W32TeX(64bit) + Ghostscript(64bit)" is required.)