Ave-maria(2014)

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Source code --- ave-maria.ly , ave-maria-sheet.texi , run-lily-svg-texi.cmd ---
---- ave-maria.ly -------------------------------------------------------------
%% -*- Coding: utf-8 -*-
%% "Jan. 01, 2014"
%% Time-stamp: "3/6/2017 12:35"
\version "2.18.0"
#(set-default-paper-size "letter")
#(set-global-staff-size 18)

\paper {
        %%ragged-last-bottom = ##f
}

\header {
 dedication = "To Ms.Yamazaki"
 title = "Ave Maria"
 subtitle = \markup{ \center-column { \bold "2014"
                          \italic "d major; cis d e fis g a b" } }
 %% subsubtitle = #(string-append "LilyPond version " (lilypond-version))
 subsubtitle = \markup{\center-column {
                   "soprano; C clef on 1st line,       alto; C clef on 3rd line."
                   "       bass; F clef on 4th line,    tenor; C clef on 4th line."}}
 composer = \markup{ \line {\italic "Yukio Yoshida"}}
 arranger = "Jan. 01, 2014"
 poet = " "
 opus = "Op.78 Ave Maria;No.9"
 meter = "Largo"
 copyright = "public Domain"
}

%%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%%
soprano = {
    \autoBeamOff
  \partial 2 r2 |
%% 1-4
   a'1 cis''2 | \noBreak fis'2. g'2. | \noBreak
   g'2. r4 g'4_(^\( g'8 \stemDown fis'8) | \stemNeutral
   e'8( fis') g'4\) a'4. fis'2 r8 | \break
%% 5-8
   b'1 b'4. r8 | cis''2  d''1 | R1. | R1. | \break
%% 9-12
   R1. * 4 | \break
%% 13-16
   e'4. fis'8 g'4 a'2 b'4 | cis''2\( b'4 a'4 g'2( | \noBreak
   fis'4) e'1\) r4 | cis'4 e'2 g'4 a' b'4 ~ | \break
%% 17-20
   b'4 r4. cis''4. d'' 2 | r4 cis''2 d''2. | cis''2.. d''2 r8 |
   e''2 e''1 | \break
%% 21-24
   \repeat volta 2 { R1. * 4 | } \break
%% 25-
%% 25-28
   fis'2 b'2 cis''2 | a'2 r4 g'4 fis' e' | d'4. cis'2.. r4 | cis''2. d'' | \break
%% 29-33
   d'4 cis'2. d'2 | cis'1( d'4) r4 | r2 cis''1 | d''2( e''2 fis'' | fis''1) r2 | \break
%% 34-36
   \time 4/1
   a'\breve_( aes'\breve)_\( |
         \override DynamicTextSpanner #'style = #'dotted-line
         \set decrescendoText = \markup { \teeny \italic "decresc" }
         \set decrescendoSpanner = #'text
    fis'\longa * 1/4\)^\>
                  s\longa * 2/4 s\longa * 1/4\! | \time 3/2 r1 \bar "|." \break
}

sopranoL = \lyricmode {
    \override Score . LyricText #'font-shape = #'italic
    \tiny

A -- ve Ma -- ri -- a, gra -- ti -- a ple -- na,
Do -- minus te -- cum,
be -- ne -- di -- cta "tu in" mu -- li -- e -- ri -- bus,
et be -- ne -- di -- ctus fru -- ctus ven -- tris
tu -- i Je -- sus.
%% San -- cta Ma -- ri -- a ma -- ter Dei,
o -- ra "pro no" -- bis pec -- ca -- to -- ri -- bus, nunc,
et in hora mor -- tis nos -- trae. __
A -- men.
}

sopranoM = {
    \autoBeamOff
  \partial 2 r2 |
%% 1-4
   a'1 cis''2 | fis'2. g'2. |
   g'2. r4 g'4_(^\( g'8 \stemDown fis'8) | \stemNeutral
   e'8( fis') g'4\) a'4. fis'2 r8 | \break
%% 5-8
   b'1 b'4. r8 | cis''2  d''1 | R1. | R1. | \break
%% 9-12
   R1. * 4 | \break
%% 13-16
   e'4. fis'8 g'4 a'2 b'4 | cis''2\( b'4 a'4 g'2( | \noBreak
   fis'4) e'1\) r4 | cis'4 e'2 g'4 a' b'4 ~ | \break
%% 17-20
   b'4 r4. cis''4. d'' 2 | r4 cis''2 d''2. | cis''2.. d''2 r8 |
   e''2 e''1 | \break
%% 21-24
   \repeat volta 2 { R1. *4 | } \break
%% 25-
%% 25-28
   fis'2 b'2 cis''2 | a'2 r4 g'4 fis' e' | d'4. cis'2.. r4 | cis''2. d'' | \break
%% 29-33
   d'4 cis'2. d'2 | cis'1( d'4) r4 | r2 cis''1 | d''2( e''2 fis'' | fis''1) r2 | \break
%% 34-36
   \time 4/1
   a'\breve_( aes'\breve)_\( | fis'\longa\) | \time 3/2 r1 \bar "|." \break
}

%%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%%%
alto = {
     \autoBeamOff
  \partial 2 r2 |
%% 1-4
   r8 cis'2.. d'2 | r8 a4_(\( b cis') d'4.  d'4_~ |
   d'4\) r8 a4.\( b cis'_~ | cis'\) d'4 e'2.. | \break
%% 5-8
   R1. * 4 | \break
%% 9-12
   e'1 d'4. r8 | fis'2 g'1 | R1. | R1. |\break
%% 13-16
   a'2 e'8 fis' e'2  d'4 | cis'8 b2 cis'8 d'4 e'8( fis' g'4) |
   a'1 r4 cis'' | a'4. fis'8( e') d'4 cis'2 r8 | \break
%% 17-20
   b2.. a4.. r8. | b4.. a2.. r8. | r8 b8( cis' d' e') fis'2.. |
   g'2 a'1 | \break
%% 21-24
   \repeat volta 2 { R1. * 4 | } \break
%% 25-28
   cis'2 cis' r4 d'4 ~ | d'4 d'2 cis'2. | fis'4.-. fis'-. fis'-. fis'-. |
   e'4.-. r8 a'4 b'2. | \break
%% 29-33
   fis'4 e'2 r2 d'4 ~ | d'4 cis'2.( d'4) r4 | r4 fis'4( g' a' b' cis'') |
   cis''1.( | cis''1) r2 |
%% 34-36
   \time 4/1
   e'\breve_( ees'\breve)_\( |
         \override DynamicTextSpanner #'style = #'dotted-line
         \set decrescendoText = \markup { \teeny \italic "decresc" }
         \set decrescendoSpanner = #'text
    cis'\longa * 1/4\)^\>
                  s\longa * 2/4 s\longa * 1/4\! | \time 3/2 r1 \bar "|." \break
}

altoL = \lyricmode {
        \override Score . LyricText #'font-shape = #'italic
        \tiny
A -- ve Ma -- ri -- a, gra -- ti -- a ple -- na,
Do -- minus te -- cum,
be -- ne -- di -- cta tu in mu -- li -- e -- ri -- bus,
et be -- ne -- di -- ctus fru -- ctus ven -- tris
tu -- i Je -- sus.
%% San -- cta Ma -- ri -- a ma -- ter Dei,
o -- ra pro no -- bis pec -- ca -- to -- ri -- bus, nunc,
et in hora mor -- tis nos -- trae. __
A -- men.
}

altoM = {
     \autoBeamOff
  \partial 2 r2 |
%% 1-4
   r8 cis'2.. d'2 | r8 a4_(\( b cis') d'4.  d'4_~ |
   d'4\) r8 a4.\( b cis'_~ | cis'\) d'4 e'2.. | \break
%% 5-8
   R1. * 4 | \break
%% 9-12
   e'1 d'4. r8 | fis'2 g'1 | R1. | R1. |\break
%% 13-16
   a'2 e'8 fis' e'2  d'4 | cis'8 b2 cis'8 d'4 e'8( fis' g'4) |
   a'1 r4 cis'' | a'4. fis'8( e') d'4 cis'2 r8 | \break
%% 17-20
   b2.. a4.. r8. | b4.. a2.. r8. | r8 b8( cis' d' e') fis'2.. |
   g'2 a'1 | \break
%% 21-24
   \repeat volta 2 { R1. *4 | } \break
%% 25-28
   cis'2 cis' r4 d'4 ~ | d'4 d'2 cis'2. | fis'4.-. fis'-. fis'-. fis'-. |
   e'4.-. r8 a'4 b'2. | \break
%% 29-33
   fis'4 e'2 r2 d'4 ~ | d'4 cis'2.( d'4) r4 | r4 fis'4( g' a' b' cis'') |
   cis''1.( | cis''1) r2 |
%% 34-36
   \time 4/1
   e'\breve_( ees'\breve)_\( | cis'\longa\) | \time 3/2 r1 \bar "|." \break
}

%%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%%
tenor = {
     \autoBeamOff
  \partial 2 r2
%% 1-4
   r4 e2. fis2 | r4 g4 g2 a2 | r4. g4._(\( a8 b) cis'2 |
   d'2\) e'4. cis'2 r8 | \break
%% 5-8
   R1. * 4 | \break
%% 9-12
   R1. | R1. | a1 a4. r8 | b2 cis'1 | \break
%% 13-16-17-20
   R1. * 8 | \break
%% 21-24
   \repeat volta 2 {
   cis'2 d'2.. r8 | cis'2 d' e'2 ~ | e'2.. r8  cis'2 | d'4. r8 e'2.. r8 | } \break
%% 25-28
   fis2 e4 d8( cis) d2 | e r4 fis8( g a) b4. | cis'4 cis' d'2. r4 |
   r8 a2.. b2 | \break
%% 29-33
   cis' r8 d'2.. | r8 d'2.. e'2 ~ | e' r2 fis'2 ~ | fis' g'1 ~ | g' r2 | \break
%% 34-36
   \time 4/1 a\breve_( aes\breve)_\( |
         \override DynamicTextSpanner #'style = #'dotted-line
         \set decrescendoText = \markup { \teeny \italic "decresc" }
         \set decrescendoSpanner = #'text
    fis\longa * 1/4\)^\>
                  s\longa * 2/4 s\longa * 1/4\! | \time 3/2 r1 \bar "|." \break
}

tenorL = \lyricmode {
     \override Score . LyricText #'font-shape = #'italic
     \tiny
A -- ve Ma -- ri -- a, gra -- ti -- a ple -- na,
Do -- minus te -- cum,
%% benedicta tu in mulieribus,
%% et benedictus fructus ventris
%% tui Jesus.
San -- cta Ma -- ri -- a ma -- ter Dei,
o -- ra pro no -- bis pec -- ca -- to -- ri -- bus, nunc,
et in hora mor -- tis nos -- trae. __
A -- men.
}

tenorM = {
     \autoBeamOff
  \partial 2 r2 |
%% 1-4
   r4 e2. fis2 | r4 g4 g2 a2 | r4. g4._(\( a8 b) cis'2 |
   d'2\) e'4. cis'2 r8 | \break
%% 5-8
   R1. * 4 | \break
%% 9-12
   R1. | R1. | a1 a4. r8 | b2 cis'1 | \break
%% 13-16-17-20
   R1. * 8 | \break
%% 21-24
   \repeat volta 2 {
   cis'2 d'2.. r8 | cis'2 d' e'2 ~ | e'2.. r8  cis'2 | d'4. r8 e'2.. r8 | } \break
%% 25-28
   fis2 e4 d8( cis) d2 | e r4 fis8( g a) b4. | cis'4 cis' d'2. r4 |
   r8 a2.. b2 | \break
%% 29-32
   cis' r8 d'2.. | r8 d'2.. e'2 ~ | e' r2 fis'2 ~ | fis' g'1 ~ | g' r2 | \break
%% 34-36
   \time 4/1 a\breve( ~ aes\breve)\( | fis\longa\) | \time 3/2 r1 \bar "|." \break
}

%%%%%%% bass; part %%%%%%%%%%%%%%%%
bass = {
   \autoBeamOff
  \partial 2 r2 |
%% 1-4
   r2 a,2. a,4 | r4. b,4. b,4 cis2 |
   r4. a,4.(\( b,8 cis) d4 e4\) | cis2. d | \break
%% 5-8
   R1. | R1. | d1 cis4. r8 | e2 fis1 | \break
%% 9-12
   R1. * 4 \break
%% 13-16-17-20
   R1. * 8 | \break
%% 21-24
   \repeat volta 2 {
   fis2 g2.. r8 | fis2 g a2 ~ | a2.. r8  fis2 | g4. r8 a2.. r8 | } \break
%% 25-28
   cis4. b,2 r8 b,2-. | b,2-. b,2-. r4 cis8-.( d-. | e-.) fis4-.  fis8.-. fis-. e2-. r4 |
   r8 g2.. a2 |
%% 29-33
   b2 cis'2 r8 cis'4. | d'1 r2 | g4( a b1) | cis'2( d'1 ~ | d'1) r2 | \break
%% 34-36
   \time 4/1
   e\breve_( ees\breve)_\( |
         \override DynamicTextSpanner #'style = #'dotted-line
         \set decrescendoText = \markup { \teeny \italic "decresc" }
         \set decrescendoSpanner = #'text
    cis\longa * 1/4\)^\>
                  s\longa * 2/4 s\longa * 1/4\! | \time 3/2 r1 \bar "|." \break
}

bassL = \lyricmode {
    \override Score . LyricText #'font-shape = #'italic
    \tiny
A -- ve Ma -- ri -- a, gra -- ti -- a ple -- na,
Do -- minus te -- cum,
%% benedicta tu in mulieribus,
%% et benedictus fructus ventris
%% tui Jesus.
San -- cta Ma -- ri -- a ma -- ter Dei,
o -- ra pro no -- bis pec -- ca -- to -- ri -- bus, nunc,
et in hora mor -- tis nos -- trae. __
A -- men.
}

bassM = {
   \autoBeamOff
  \partial 2 r2 |
%% 1-4
   r2 a,2. a,4 | r4. b,4. b,4 cis2 |
   r4. a,4.(\( b,8 cis) d4 e4\) | cis2. d | \break
%% 5-8
   R1. | R1. | d1 cis4. r8 | e2 fis1 | \break
%% 9-12
   R1. * 4 | \break
%% 13-16-17-20
   R1. * 8 | \break
%% 21-24
   \repeat volta 2 {
   fis2 g2.. r8 | fis2 g a2 ~ | a2.. r8  fis2 | g4. r8 a2.. r8 | } \break
%% 25-28
   cis4. b,2 r8 b,2-. | b,2-. b,2-. r4 cis8-.( d-. | e-. fis4-.)  fis8.-. fis-. e2-. r4 |
   r8 g2.. a2 |
%% 29-33
   b2 cis'2 r8 cis'4. | d'1 r2 | g4( a b1) | cis'2( d'1 ~ | d'1) r2 | \break
%% 34-36
   \time 4/1
   e\breve_( ees\breve)_\( | cis\longa\) | \time 3/2 r1 \bar "|." \break
}


%%%%%%%%%% sheet and midi music code part %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% get sheet music ---------------------------------------------------------------
\score {
%%   \new Score \with { \override VerticalAlignment #'max-stretch = #6 }
         <<
           \context ChoirStaff = "FourPartStaffaddchorus" <<
           \new Voice = "soprano" { \clef soprano \key d\major \time 3/2
                                    %% \override NoteHead #'style = #'petrucci
                        \set Staff.instrumentName = "soprano" \soprano }
                        \new Lyrics = "mainSL" \lyricsto "soprano" { \sopranoL }

           \new Voice = "alto" { \clef alto \key d\major \time 3/2
                                    %% \override NoteHead #'style = #'petrucci
                        \set Staff.instrumentName = "alto   " \alto }
                        \new Lyrics = "mainAL" \lyricsto "alto" { \altoL }

           \new Voice = "tenor" { \clef tenor \key d\major \time 3/2
                                    %% \override NoteHead #'style = #'petrucci
                        \set Staff.instrumentName = "tenor  " \tenor }
                        \new Lyrics = "mainTL" \lyricsto "tenor" { \tenorL }

           \new Voice = "bass" { \clef bass \key d\major \time 3/2
                                    %% \override NoteHead #'style = #'petrucci
                        \set Staff.instrumentName = "bass   " \bass }
                        \new Lyrics = "mainBL" \lyricsto "bass" { \bassL }
                                           >>

           %%\context PianoStaff = "PianoStaff" <<
           %%\new Voice = "piano" { \clef treble \key d\major \time 3/2
           %%             \set Staff.instrumentName = "piano  " \pianoUP }
           %%\new Voice = "piano" { \clef bass \key d\major \time 3/2
           %%             \set Staff.instrumentName = "piano  " \pianoDown }
           %%                                   >>

         >>
  \layout {
            \context { \RemoveEmptyStaffContext
                       \override VerticalAxisGroup #'remove-first = ##t
                      }
           }
}

%% get midi music ----------------------------------------------------------------
\score {
         <<
           \new Staff { \clef soprano \key d\major \time 3/2 \tempo 4 = 48
                         \set Staff.midiInstrument = "pad 2 (warm)"
                                         \unfoldRepeats       \sopranoM }

           \new Staff { \clef alto \key d\major \time 3/2 \tempo 4 = 48
                         \set Staff.midiInstrument = "pad 2 (warm)"
                                         \unfoldRepeats          \altoM }

           \new Staff { \clef tenor \key d\major \time 3/2 \tempo 4 = 48
                         \set Staff.midiInstrument = "pad 2 (warm)"
                                         \unfoldRepeats       \tenorM }

           \new Staff { \clef bass \key d\major \time 3/2 \tempo 4 = 48
                        \set Staff.midiInstrument = "pad 2 (warm)"
                                         \unfoldRepeats          \bassM }

           %%\new Staff { \clef treble \key d\major \time 3/2 \tempo 4 = 48
           %%             \set Staff.midiInstrument = "acoustic grand"
           %%                                \unfoldRepeats       \pianoUPm }
           %%\new Staff { \clef bass \key d\major \time 3/2 \tempo 4 = 48
           %%             \set Staff.instrumentName = "acoustic grand"
           %%                                \unfoldRepeats     \pianoDownm }
         >>

   \midi { tempoWholesPerMinute = #(ly:make-moment 48 4) }
}

\markup { \column { \line {
About location \hspace #3 \musicglyph #"noteheads.uM2"(longa) \hspace #2 and \hspace #3 \musicglyph #"noteheads.sM1"(breve) }
\line { \italic " Please, Breath of longa and breve do in the members alternating(But, like Don't stand out). " } } }
\markup { " " }

\markup { \column { \line { \hspace #16 \bold "Luke 1"\teeny "(Bilingual Bible-English-)"
              \hspace #38 \bold "Ave Maria"\teeny "(Latin)" }
          \line { \hspace #16 \small --Source of Ave Maria--} } }
\markup {%%column * 2
\fill-line {
 \column { \bold
 \line { \italic \small
   \column {
\teeny "1-28)"
" The angel went to her and said,"
"\"Greetings, you who are highly favored!"
" The Lord with you.\""
\teeny "1-42)"
" In a loud voice she exclaimed:"
"\"Blessed are you among women, and"
" blessed is the child you will bear!.....\""
" "
            }
\hspace #20
   \column { \bold \italic
      \column {
" "
" "
"Ave Maria, gratia plena,"
"Dominus tecum,"
"    benedicta tu in mulieribus,"
"    et benedictus fructus ventris tui Jesus."
" "
\teeny \normal-text "          (Posterity, additional statements by the Franciscan)"
"Sancta Maria mater Dei,"
"    ora pro nobis peccatoribus, nunc,"
"    et in hora mortis nostrae."
" "
"Amen."
            } }
        }
}}}
\markup { \vspace #10 }
\pageBreak
\markup { " " }
\markup { \vspace #4 }
\markup { \line \smallCaps { Luke \tiny {(THE HOLY BIBLE, NEW INTERNAONAL VERSION)
}} }
\markup { \hspace #20 \column {
          \line \smallCaps {Luke 1 \teeny {--excerpted this paragraph--}}
\hspace #0
\hspace #0

\line \bold\italic { \hspace #6 The Birth of Jesus Foretold }
\line {....................}
\override #'(line-width . 60)
\wordwrap \italic {
\concat{ " "\super 28 }The angel went to her and said, ``Greetings, you who are
highly favored! The Lord is with you.''}
\hspace #0
\hspace #0

\line \bold\italic { \hspace #6 Mary Visits Elizabeth }
\line {....................}
\override #'(line-width . 60)
\wordwrap \italic {
\concat{ " "\super 42 }In a loud voice she exclaimed: ``Blessed are you among woman.
and blessed is the child you will bear!''}
\hspace #0
\hspace #0
\hspace #0

\line \bold\italic { \hspace #6 Mary's Song }
\column \italic {
\line { \concat{ " "\super 46 }And Mary said: }
"`` My soul glorifies the Lord"
\line { \concat{ " "\super 47 }"  "and my spirit rejoices in God my savior,}
\line { \concat{ " "\super 48 }for he has been mindful}
"       of the humble state of his servant."
"     From now on all generations will call me blessed,"
\line { \concat{ " "\super 49 }"    "for the Mighty One has done great things for}
\line{"                       "me \raise #.5 \draw-line #'(2 . 0)}
"         holy is his name."
\line { \concat{ " "\super 50 }His mercy extends to those who fear him,}
"         from generation to generation."
\line { \concat{ " "\super 51 }He has performed mighty deeds with his arm:}
"         he has scattered those who are proud in thier inmost thoughts."
\line { \concat{ " "\super 52 }He has brought down rulers from their thrones}
"         but has liftd up the humble."
\line { \concat{ " "\super 53 }He has filled the hungry with good things}
"         but has sent the rich away empty."
\line { \concat{ " "\super 54 }He has helped his servant Israel,}
"         remembering to be merciful"
\line { \concat{ " "\super 55 }to Abraham and his descendants forever,}
"         even as he said to our fathers.''"
\line { \concat{ " "\super 56 }"   "Mary stayed with Elizabeth for about three
months and then returned home.}
}
}}
\markup{ " " }
%%%%%%%% All End, Thank you For LilyPond ver2.16 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
---- ave-maria-sheet.texi ------------------------------------------------------
%% Time-stamp: "3/6/2017 14:47"
\voffset -.5in
\hoffset -.61in
\font\cminch=cminch
\font\BigPoint=cmr10 at 80pt
\font\tiny=cmr5
\input graphicx.tex
\input eplain.tex
\input texinfo
@iftex
@afourpaper
@finalout
@end iftex
@iftex
@tex
\vbox{\null}\vskip 3pc
\centerline {\hskip .6in \cminch SCORE}\par
\centerline {\hskip .6in (LilyPond ver2.18.0)}\par
\vskip 10pc
\centerline{\hskip .6in \bf Ave Maria No.9(2014;version)}
\centerline {\hskip .6in \cminch  OP{\kern -10pt \BigPoint .}\thinspace 72}\par
\centerline{\hskip .6in \sevenrm (All choice freedom and free dynamic)}
\kern -5pt
\centerline{
\hskip .6in Soprano\qquad \it instrument \quad{\tt soprano and,} voice}\par
\centerline{\hskip .6in Alto\qquad \it instrument \quad{\tt alto and,} voice}\par
\centerline{\hskip .6in Tenore\qquad \it instrument \quad{\tt tenore and,} voice}\par
\centerline{\hskip .6in Bass\qquad \it instrument \quad{\tt bass and,} voice}\par
\vskip 0pt plus 1filll
\centerline{\hskip .6in Public Domain }\par
@end tex
@end iftex
@page
@iftex
@tex
~\vskip 0pt plus 1filll
%%\moveleft 4pc
\vbox{{\bf Prayers;(Latin)}\par
\hskip 3pc \hbox{\hsize = 2.6in\vtop{ \kern -20pc

\noindent Ave Maria, gratia plena,\hfill\break

\noindent Dominus tecum,\hfill\break

benedicta tu in mulieribus,\hfill\break

et benedictus fructus ventris tui Jesus.\hfill\break

\noindent Sancta Maria mater Dei,\hfill\break

ora pro nobis peccatoribus, nunc,\hfill\break

et in hora mortis nostrae.\hfill\break
\bigskip
%% \medskip
\noindent Amen.\hfill\break
\vfill
}
\quad
\vbox{\hsize = 4in
\resizebox{9cm}{!}{\includegraphics{Raphael_-_Madonna_dell_Granduca.eps}}\par
\centerline {[Grand St.Mary's]}
\centerline {Painter; Raffaello Sanzio(1483--1520)}
}}}
\vskip 0pt plus 1filll
@end tex
@end iftex
@page
@lilypondfile[line-width=160.00\mm]{ave-maria.ly}
@vskip 0pt plus 1filll
@bye
---  run-lily-svg-texi.cmd ---------------------------------
chcp 437
Echo off
Erase /Q %1\*.*
RD %1
prompt $_ 
@Echo on
rem === This is Letter paper ! Are you OK? ===
pause
@Echo off
MD %1
copy /y *.mp3 %1\
copy /y %1-2014.tar.gz %1\
copy /y html\svg-%1.html %1\
Echo on
rem === ! make pdf, running %1.ly ===
lilypond --pdf %1.ly
rename %1.mid %1-2014.mid
rename %1.pdf %1-2014.pdf
copy /y *.mid %1\
copy /y *.pdf %1\
rem === ! make eps, running %1.ly ; This is for %1-sheet.texi ===
lilypond -dbackend=svg  %1.ly
copy /y *.svg %1\
rem === ! From Here !! TeX(texi) is running in lilypond-book!! ===
lilypond-book --output=texi-out %1-sheet.texi
copy title-eps\*.eps texi-out\
cd texi-out
tex %1-sheet.texi
dvips -P pdf %1-sheet.dvi
call ps2pdf %1-sheet.ps
rename %1-sheet.pdf %1-sheet-2015.pdf
cd ..\
copy texi-out\*.pdf %1\
del /Q texi-out\*.*
RD texi-out
cd %1
svg-%1.html
cd ..\
del *.mid *.ps *.pdf *.svg
dir /oe %1
dir /oe
prompt $p$g
-----------------------------------------------------------------------------------
  Download ave-maria-2014.tar.gz ( About;<18.1Mbytes )
              and >tar xvfz ave-maria-2014.tar.gz =====> ave-maria/*.*(All files)

usally;(cmd prompt)   ave-maria>lilypond --png --pdf ave-maria.ly[Enter]

running script;(cmd prompt)   ave-maria>run-lily-svg-texi ave-maria[Enter]
(However, this "Windows8(& UP) + LilyPond(ver2.18) + W32TeX(& UP) + Ghostscript(ver9.06 & UP)" is required.)